communist lefthttp://blog.jinbo.net/iscralee/국제주의, 좌익공산주의, 혁명적 맑스주의, 노동자평의회, 세계혁명, 공산주의 인터내셔널2018-03-12T21:56:52+09:00Textcube 1.8.3.1 : Secondary Dominant연극 <반도체소녀> 크라우드 펀딩에 함께 해주세요.자유로운 영혼http://blog.jinbo.net/iscralee/2022014-08-02T20:33:22+09:002014-08-02T20:33:22+09:00<p><strong>~연극 <반도체소녀> 크라우드 펀딩에 함께 해주세요.</strong></p>
<p> "8/9일 까지 입니다! 함께 해주세요"</p>
<p><br />
●후원방법</p>
<p><br />
1.크라우드 펀딩 을(밑에 주소를 클릭하시면 후원가능합니다)<br />
<a href="https://tumblbug.com/day2004">https://tumblbug.com/day2004</a><br />
에서 8월9일까지 합니다!</p>
<p><br />
2만원 부터 가능하십니다^^<br />
# 출금은 8월9일 이후에 목표액 성공하면 출금 됩니다!!!</p>
<p><br />
2.온라인 후원 이 힘드신 분은 계좌이체<br />
01090236542<br />
02-953-6542<br />
문화창작집단 날 로 연락 주시면 안내해드리겠습니다.<br />
국민 834702-04-138045 최현</p>
<p><br />
3.밑에 주소는 "힘내요"란 곳인데요 이곳에서는 무료 포인트(500원가량의)로 반도체소녀 인터넷 생중계를 위한 자금을 후원해주실수 있으십니다.! (6월30일 오픈)<br />
<a href="http://himneyo.com/main.jsp">http://himneyo.com/main.jsp</a></p>
<p><br />
국제코뮤니스트전망도 후원합니다. 많은 참여 부탁드립니다.</p>
<p> </p>
<p style="text-align: center;"><img alt="사용자 삽입 이미지" height="645" src="/attach/4942/1389546679.jpg" width="500" /></p>
<p> </p>
<p> </p>
<p style="text-align: center;"><img alt="사용자 삽입 이미지" height="470" src="/attach/4942/1170117881.jpg" width="500" /></p>
<p> </p>
<p> </p>
<p> </p>
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<span style="color: #2266ee; font-weight: bold">이번주 토요일(15일) 부산반빈곤센터 후원주점합니다. 많은 관심과 후원부탁드립니다.</span></p>
<p>
<span style="color: #2266ee; font-weight: bold"><img alt="사용자 삽입 이미지" height="643" src="/attach/4942/1052516198.jpg" style="float: left" width="500" /></span></p>
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<span style="color: #f00"><span style="font-size: 16px"><strong>WILDCAT STRIKE - <span class="st"><strong>save the whisky for the bootboys</strong></span></strong></span></span></p>
<p>
</p>
<p>
<strong><span class="st">save the whisky for the bootboys. save the whisky for the bootboys. save the whisky for the bootboys! when the revolutions come!</span></strong></p>
<p>
</p>
<p>
<iframe allowfullscreen="" frameborder="0" height="315" src="http://www.youtube.com/embed/1Wig81M2rlM" width="420"></iframe></p>
<p>
</p>
<p>
</p>
<p>
</p>
<hr />
<p>
</p>
<p>
<iframe allowfullscreen="" frameborder="0" height="315" src="http://www.youtube.com/embed/C_sYR2ij_p8" width="420"></iframe></p>
<p>
</p>
<p>
</p>
<hr />
<p>
</p>
<p>
</p>
<p>
<iframe allowfullscreen="" frameborder="0" height="315" src="http://www.youtube.com/embed/qyWclUlhfhE" width="420"></iframe></p>
<p>
<br />
</p>
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<span style="font-size: 16px"><strong> Diamonds and Rust- Joan Baez</strong></span><img alt="" src="//s.ytimg.com/yts/img/pixel-vfl3z5WfW.gif" /> <img alt="" id="collapsed-notification-icon" src="//s.ytimg.com/yts/img/pixel-vfl3z5WfW.gif" /></p>
<div class="guide-module-toggle-label">
<h3>
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<p>
<span style="font-size: 11px"><span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)">Well I'll be damned</span></span></p>
<p>
<span style="font-size: 11px"><span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)">Here comes your ghost again</span></span></p>
<p>
<span style="font-size: 11px"><span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)">But that's not unusual</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">It's just that the moon is full</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">And you happened to call</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px"> </span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">And here I sit</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">Hand on the telephone</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">Hearing a voice I'd known</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">A couple of light years ago</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">Heading straight for a fall</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px"> </span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">As I remember your eyes</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">Were bluer than robin's eggs</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">My poetry was lousy you said</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px"> </span></span></p>
<p>
</p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">Where are you calling from?</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">A booth in the midwest</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">Ten years ago</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">I bought you some cufflinks</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">You brought me something</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px"> </span></span></p>
<p>
</p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">We both know what memories can bring</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">They bring diamonds and rust</span></span></p>
<p>
</p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px"> </span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">Well you burst on the scene</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">Already a legend</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">The unwashed phenomenon</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">The original vagabond</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px"> </span></span></p>
<p>
</p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">You strayed into my arms</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">And there you stayed</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">Temporarily lost at sea</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">The Madonna was yours for free</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">Yes the girl on the half-shell</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">Would keep you unharmed</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px"> </span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px"> </span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">Now I see you standing</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">With brown leaves falling around</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">And snow in your hair</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">Now you're smiling out the window</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">Of that crummy hotel</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">Over Washington Square</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px"> </span></span></p>
<p>
</p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">Our breath comes out white clouds</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">Mingles and hangs in the air</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">Speaking strictly for me</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">We both could have died then and there</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px"> </span></span></p>
<p>
</p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">Now you're telling me</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">You're not nostalgic</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">Then give me another word for it</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">You who are so good with words</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">And at keeping things vague</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px"> </span></span></p>
<p>
</p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">Because I need some</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">of that vagueness now</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">It's all come back too clearly</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">Yes I loved you dearly</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">And if you're offering me diamonds and rust</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">I've already paid</span></span></p>
<div id="watch7-user-header">
<hr />
</div>
<div>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">저런, 놀랍게도</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">여기 다시 당신의 유령이 오고있네요.</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">하지만 뭐 그리 놀랄 일도 아니죠.</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">그저 달이 차 오르니</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">당신이 문득 전화를 한 거겠지요.</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px"> </span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">난 여기에 앉아서</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">전화를 받고 있어요.</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">가을로 접어들기 시작하던 2년전,</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">내게 친숙하던</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px"> </span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">그 목소리를 듣고 있네요.</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px"> </span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">나는 기억해요,</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px"> </span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">당신의 눈이 울새의 알보다 더 파랗던 것을.</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">내 시(詩)는 볼품없다고 당신이 그랬었죠.</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px"> </span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">어디서 전화하는 건가요?</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">중서부 어디쯤 공중전화 부스에선가요?</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">10년 전,</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">내가 당신에게 커프스 단추 몇개를 사줬지요.</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">당신도 내게 뭔가 갖다 주었구요</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px"> </span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">우린 모두 추억이 무얼 가져다 주는지 알고 있죠.</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px"> </span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">추억은 다이아몬드(행복)와 녹(상처)이지요.</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px"> </span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">그런데 당신이 갑자기 나타났어요,</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px"> </span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">이미 전설이 된 사람.</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">아직도 그 모습 그대로군요</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">원초적 방랑자....</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px"> </span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">당신은 길을 잃고 내 품으로 들어왔죠.</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">그리곤 잠시 머물렀던 거예요.</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px"> </span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">바다에서 잠시 길을 잃고서...</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">성모 마리아는 대가 없이 당신의 편이었죠.</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px"> </span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">그래요, 반쪽 조개껍질 위에 있는 그 소녀는</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px"> </span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">당신을 안전하게 지켜주었죠</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px"> </span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px"> </span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px"> </span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">이제 난 갈색 나뭇잎을 흩날리는 가운데</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px"> </span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">당신이 서 있는 걸 보아요</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">머리칼은 희끗희끗해졌군요.</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">이제 초라한 그 호텔의 창가에서</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px"> </span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">당신은 미소를 보내고 있군요.</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">워싱턴 광장 너머로......</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px"> </span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">우리의 숨결은 공기중에서 한 데 섞여</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px"> </span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">하얀 입김을 내뱄고 있죠.</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">솔직히 말하면</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">우린 그때 그곳에서 죽을 수도 있었죠.</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px"> </span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">이제 당신은 내게 말하고 있어요.</span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px"> </span></span></p>
<p>
<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">당신은 지난날을 그리워하지 않는다고...</span></span></p>
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<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">그럼 다른 말로 해봐요.</span></span></p>
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<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">말솜씨가 너무도 능숙해</span></span></p>
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<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px"> </span></span></p>
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<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">막연하게 돌려 말하는 당신.</span></span></p>
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<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px"> </span></span></p>
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<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">나도 지금</span></span></p>
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<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px"> </span></span></p>
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<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">당신처럼 모호한 말을 할 줄 알았음 좋겠어요.</span></span></p>
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<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">모든 게 너무 명백해졌어요.</span></span></p>
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<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">그래요, 난 당신을 끔찍히도 사랑했죠.</span></span></p>
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<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">그리고 당신이 행복과 상처를 내게 준다고 해도</span></span></p>
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<span class="watch-title yt-uix-expander-head" dir="ltr" title="JOAN BAEZ - Diamonds And Rust (1976)"><span style="font-size: 11px">난 이미 그 대가를 다 지불한걸요.</span></span></p>
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<div class="buttons-bottom center jinboblog-i-like-this-buttons"><a class="button-jinboblog" href="javascript:void(0);" title="스크랩으로 글 링크를 저장하세요" onclick="recommend('4942',180,'/iscralee','');"><img src="/plugins/../jplugins/ILikeThis/images/mini_chuchon.png" alt="진보블로그 공감 버튼" /></a><a class="button-twitter" href="http://twitter.com/home?status=http%3A%2F%2Fblog.jinbo.net%2Fiscralee%2F180+%22Diamonds%20and%20Rust-%20Joan%20Baez%22" target="_blank" title="트위터로 리트윗합니다"><img src="/plugins/../jplugins/ILikeThis/images/twitter.png" alt="트위터로 리트윗하기" /></a><a class="button-facebook" href="http://www.facebook.com/sharer.php?u=http%3A%2F%2Fblog.jinbo.net%2Fiscralee%2F180&t=Diamonds%20and%20Rust-%20Joan%20Baez" target="_blank" title="페이스북에 공유합니다"><img src="/plugins/../jplugins/ILikeThis/images/facebook.png" alt="페이스북에 공유하기" /></a><a class="button-delicious" href="http://delicious.com/save" onclick="window.open('http://delicious.com/save?v=5&noui&jump=close&url=http%3A%2F%2Fblog.jinbo.net%2Fiscralee%2F180&title=Diamonds%20and%20Rust-%20Joan%20Baez','delicious','toolbar=no,width=550,height=550'); return false;" title="딜리셔스에 북마크합니다"><img src="/plugins/../jplugins/ILikeThis/images/delicious.png" alt="딜리셔스에 북마크" /></a></div><p><strong><a href="http://blog.jinbo.net/iscralee/180?commentInput=true#entry180WriteComment">댓글 쓰기</a></strong></p>the crisis in the swp자유로운 영혼http://blog.jinbo.net/iscralee/1752013-01-23T11:24:46+09:002013-01-22T11:35:37+09:00<p align="justify" style="font-size: 9pt">
<span style="font-size: 18pt"><strong><font color="#c31a1b">the crisis in the swp</font></strong></span></p>
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Members of Britain’s Socialist Workers Party are resigning from the party in droves, says duvinrouge. The impetus comes from a sexual assault allegation against a senior member of the party, & allegations that it wasn’t investigated properly. But unpinning this is the discontent due to the lack of party democracy.</p>
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<a href="http://thecommune.files.wordpress.com/2013/01/split.png" target="_blank"><img alt="split" class="size-full wp-image-8438 aligncenter" src="http://thecommune.files.wordpress.com/2013/01/split.png?w=510" /></a></p>
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The SWP is a Leninist party & therefore internally organises in a way that is termed democratic-centralism. The basic idea being that the majority decision is decided upon & then there is unity of action led by a central committee. It actual fact it’s a fig-leaf ideology to allow a few to justify their life as professional revolutionaries, dreaming of their place in history, whilst the rank & file members sell the paper to fund this lifestyle. It’s much like parliamentary democracy’s claim to represent the wishes of the people & gives us the illusion of having a say.</p>
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Every year at conference the SWP elect the 12 members of the central committee. But they don’t get elected individually. The central committee itself puts forward a ‘slate’ – a list of names, often the same ones – for conference to vote on. Leading up to conference members can opening organise factions which can put forward an alternative slate. Such factions are only allowed to form about 3 months prior to conference. As far as I know the CC slate usually, if not always, wins. The same faces have power year after year, e.g. Alex Callinicos. Unsurprisingly this leads to a ‘them & us’ mentality.</p>
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This is not the first time that the SWP has faced such a crisis. A major split occurred in 2010 when John Rees & Lindsey German left the party & set up Counterfire after Rees was blamed for the failure of the Respect electoral coalition. This was soon followed by Chris Bambery’s departure & his setting up of the International Socialist Group (Scotland). Despite efforts to improve party democracy many members have not been satisfied. But what most will not accept is that the root of the problem lies in allowing a group of professional revolutionaries, supported financially by the rank & file, to hold almost all the power & make the decisions. It’s the same problem in the trade unions whereby the union bureaucracy sells out its members.</p>
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If revolutionaries want a communist society where everyone has an equal say, why do they organise in a way that creates a group that is ‘more equal’ than others? They need to recognise their egos & limit the amount of time that anyone can have in a role. Obviously this is limited by the number of members, their skills & their willingness to take on responsibility. But for a group the size of the SWP it doesn’t seem unreasonable to limit the time in a role to two or three years, & preferably doing these roles whilst working like other ordinary members. They should then be prevented for holding any role again for at least five years. All roles should also be voted upon by all members. In otherwords, organise a party as you would organise a communist society. Surely, that’s not too much to ask for?</p>
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<출처 : <a href="http://thecommune.co.uk/2013/01/21/the-crisis-in-the-swp/#more-8437" target="_blank">http://thecommune.co.uk/2013/01/21/the-crisis-in-the-swp/#more-8437</a>></p>
<div class="buttons-bottom center jinboblog-i-like-this-buttons"><a class="button-jinboblog" href="javascript:void(0);" title="스크랩으로 글 링크를 저장하세요" onclick="recommend('4942',175,'/iscralee','');"><img src="/plugins/../jplugins/ILikeThis/images/mini_chuchon.png" alt="진보블로그 공감 버튼" /></a><a class="button-twitter" href="http://twitter.com/home?status=http%3A%2F%2Fblog.jinbo.net%2Fiscralee%2F175+%22the%20crisis%20in%20the%20swp%22" target="_blank" title="트위터로 리트윗합니다"><img src="/plugins/../jplugins/ILikeThis/images/twitter.png" alt="트위터로 리트윗하기" /></a><a class="button-facebook" href="http://www.facebook.com/sharer.php?u=http%3A%2F%2Fblog.jinbo.net%2Fiscralee%2F175&t=the%20crisis%20in%20the%20swp" target="_blank" title="페이스북에 공유합니다"><img src="/plugins/../jplugins/ILikeThis/images/facebook.png" alt="페이스북에 공유하기" /></a><a class="button-delicious" href="http://delicious.com/save" onclick="window.open('http://delicious.com/save?v=5&noui&jump=close&url=http%3A%2F%2Fblog.jinbo.net%2Fiscralee%2F175&title=the%20crisis%20in%20the%20swp','delicious','toolbar=no,width=550,height=550'); return false;" title="딜리셔스에 북마크합니다"><img src="/plugins/../jplugins/ILikeThis/images/delicious.png" alt="딜리셔스에 북마크" /></a></div><p><strong><a href="http://blog.jinbo.net/iscralee/175?commentInput=true#entry175WriteComment">댓글 쓰기</a></strong></p>[경향신문] 백발 사회주의자의 ‘술·학문·예술·혁명’… 고희 맞아 회고록 낸 오세철 교수자유로운 영혼http://blog.jinbo.net/iscralee/1702012-11-25T13:50:49+09:002012-11-24T12:52:38+09:00<blockquote>
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<strong><font size="4">백발 사회주의자의 ‘술·학문·예술·혁명’… 고희 맞아 회고록 낸 오세철 교수<!-- TITLE END --></font></strong></p>
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<span class="name"><font color="#8794a1">황경상 기자 yellowpig@kyunghyang.com</font></span></div>
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<span id="_article"><span class="article_txt" id="sub_cntTopTxt"><font size="2">백발의 청년. 그는 자신을 열 살이라고 소개한다. “환갑이 한 바퀴 돌았다는 얘기니까. 그때부터 새로 시작하면 열 살이죠. 요즘 사회주의 운동 하는 세대들도 다 늙었어요. 30대도 찾기 힘들어. 길게 보면 10대와도 어떻게 운동을 할까 싶어서 나이도 열 살이라고 한 겁니다.”<br />
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지난 21일 연구실에서 만난 오세철 연세대 명예교수(69·사진)는 여전히 주름살을 찾기 어려운 말간 동안에 동그란 눈을 반짝이고 있었다. 젊은이도 소화하기 힘든 분홍빛 <img alt="" borderstyle="none" id="uniqubeStTrackingImg" name="uniqubeStTrackingImg" src="http://st.uniqube.tv/at.gif?p=khan^|^201211232233445^|^1^|^khan.co.kr^|^b5abbf15467192de4fccc0939f94d7c8^|^http://news.khan.co.kr/kh_news/khan_art_view.html?artid=201211232233445&code=960201^|^백발 사회학자의 ‘술·학문·예술·혁명’… 고희 맞아 회고록 낸 오세철 교수^|^20121123223344^|^뉴스>문화>학술·문화재^|^" style="padding-bottom: 0px; margin: 0px; padding-left: 0px; width: 0px; padding-right: 0px; display: inline; height: 0px; font-size: 0px; padding-top: 0px" /><img alt="" borderstyle="none" id="uniqubeTrackingImg" name="uniqubeTrackingImg" src="http://player.uniqube.tv/Logging/ArticleViewTracking/khan/201211232233445/news.khan.co.kr/1/0" style="padding-bottom: 0px; margin: 0px; padding-left: 0px; width: 0px; padding-right: 0px; display: inline; height: 0px; font-size: 0px; padding-top: 0px" /></font><a class="dklink" href="http://news.khan.co.kr/kh_news/khan_art_view.html?artid=201211232233445&code=960201" style="color: #00309c; text-decoration: underline" target="_blank"><font size="2">티셔츠</font></a><font size="2">와 짙은 감색의 스키니진을 입은 그는 올해 고희를 맞았다. “집사람이 </font><a class="dklink" href="http://news.khan.co.kr/kh_news/khan_art_view.html?artid=201211232233445&code=960201" style="color: #00309c; text-decoration: underline" target="_blank"><font size="2">인터넷</font></a><font size="3"><font size="2"> 쇼핑에서 만원인가 주고 사준 옷들이오. 양복은 불편해서 주례 설 때만 입어.” </font></font></span></span><br />
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<span class="subCnt_col3"><span id="sub_cntBottom"><span class="article_txt" id="sub_cntBottomTxt">고희를 맞은 지난 10일, 그는 <a class="dklink" href="http://news.khan.co.kr/kh_news/khan_art_view.html?artid=201211232233445&code=960201" style="color: #00309c; text-decoration: underline" target="_blank">서울광장</a> 한편에서 2000일 가까이 투쟁을 계속하고 있는 재능교육 노조의 농성장을 찾았다. 그날 열린 문화제에서 오 교수는 자신을 “(9년 전 학교를 그만두고 나온) 예전에는 비정규직 교육노동자였고, 이제는 혁명하는 연극노동자”라고 소개했다. 그러면서 “그간 예술은 파시즘이나 스탈린, 부르주아의 선전도구로만 쓰였는데 이젠 혁명과 예술이 진정으로 만나는 판을 만들자”고 말했다.<br />
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고희를 맞아 내놓은 회고록 <술, 학문, 예술, 혁명의 사중주>(빛나는전망)도 그런 내용이다. 80세쯤 자서전을 쓰겠다는 오 교수의 ‘중간 결산’이다. ‘혁명적 마르크스주의자’인 그는 국가변란을 목적으로 한 선전·선동단체 ‘사회주의노동자연합’(사노련)을 결성했다는 혐의(국가보안법 위반)로 2심까지 유죄 선고를 받았다. 그럼에도 최근 그는 ‘국제꼬뮤니스트전망’이라는 ‘조직’에 다시 참여했다. “피켓 들고 시위한다고 국가보안법은 철폐되지 않습니다. 현장의 노동자들이 스스로 사회주의자라고 떳떳이 얘기하고 다 감옥에 잡혀들어갈 정도가 되어야죠. 악법은 어겨서 깨야 합니다.”<!-- SUB_TITLE_START--><br />
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<strong style="color: #6b6b6b">ㆍ“노동자들과 수차례 술자리를 하면, 나를 동지로 인간으로 받아준다” </strong><!-- SUB_TITLE_END--><br />
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“오 교수는 술자리에 한 번 딱 들어앉으면 일어나질 않습니다. 사람이 그래야 해요. 술을 먹었다 하면 일어나지 말고, 혁명을 한다 해도 일어나지 말고 그 자리에서 버텨야 합니다.”<br />
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지난 17일 연세대에서 열린 오세철 교수의 고희 출판기념회에서 백기완 통일문제연구소장은 이렇게 말했다. 오 교수는 “술잔을 잡으면 내려놓지도 말고, 털지도 말고, ‘카-’ 하지도 말고, 찡그리지도 말고, 떼지도 말고”라는 ‘노털카찡떼’ 원칙을 갖고 있다. 술뿐만 아니라, 예술도 학문도 혁명도 “끝까지 놓지 않는다”는 신념으로도 통한다.<br />
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“탄압이 무서우면 사회주의 운동을 왜 합니까. 골방에서 하고 말지. 마르크스주의자는 아주 공개적으로 나서야 합니다. 노동자·대중들이 자신의 사상을 깨달을 수 있어야죠. 사노련이 그런 공개 운동의 시작이었어요. 탄압을 한 번 당하면 움츠러드는데 그럴 필요 없어요. 어차피 쟤네들(공안기관)은 경향신문에서 이렇게 써 주지 않아도 우리가 뭘 하는지 다 알고 있습니다. 숨는 건 어차피 불가능해요. 잡아가면 또 법정싸움하고, 또 잡혀가야죠.”</span></span></span><br />
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<span class="subCnt_col3"><span id="sub_cntBottom"><span class="article_txt" id="sub_cntBottomTxt">지난 21일 연세대 교정에서 만난 오 교수는 “술 마시고 늦게 들어가는 일이 잦아서 집사람에게 가장 미안하다”며 “집사람은 교회를 다니는데 지난번 내가 구속됐을 때 집회에 나와 ‘이명박이 믿는 하나님과 내가 믿는 하나님은 다르다’고 할 정도로 나와 생각이 통하기 때문에 그래도 많이 참아주는 것 같다”고 말했다. | 이상훈 선임기자 doolee@kyunghyang.com</span></span></span></p>
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<span class="subCnt_col3"><span id="sub_cntBottom"><span class="article_txt" id="sub_cntBottomTxt"><strong>▲ 청탁불문 등 술자리 다섯가지 원칙<br />
학문·예술·혁명에도 똑같이 적용</strong><br />
<br />
<strong>▲ “주책없다는 소리를 들으면서도<br />
빗속을 뚫고 새벽까지 뛰어다녀”</strong><br />
<br />
<strong>▲ 민주노총은 자연스럽게 해체될 것<br />
비정규직 중심으로 다시 재편되야</strong><br />
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책의 제목도 그렇지만 ‘술’을 빼놓고 오 교수를 얘기할 수 없다. “제목 첫 번째로 술이 들어가니까 나를 술꾼인 줄만 알고, 김수행 교수도 밤낮 술 얘기 좀 안 했으면 좋겠다고 하는데 술은 학문·예술·혁명을 엮어주는 동력이라고 생각해요. 술 얘기를 아직 하는 건 여전히 건강하단 소리고, 사람과의 관계와 운동을 계속 한다는 얘깁니다.”</span></span></span><br />
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<!--imgtbl_end_1--> <span class="subCnt_col3"><span id="sub_cntBottom"><span class="article_txt" id="sub_cntBottomTxt">오 교수는 책에서 자신의 학문·예술·혁명, 그 속에서 술과 함께 만난 사람들의 이야기를 털어놓는다. 그러고는 언급한 사람들에게 ‘오세철을 말한다’는 제목으로 원고를 청탁해 실었다. 찬양일색의 의례적인 글이 실린 건 아니다. 털어놓은 속내를 거르지 않고 모두 담았다. <a class="dklink" href="http://news.khan.co.kr/kh_news/khan_art_view.html?artid=201211232233445&code=960201" style="color: #00309c; text-decoration: underline" target="_blank">역사학자</a> 최규진은 노골적으로 흉을 본다. “오 선생님은 주사가 있다. 물론 하찮은 개인사를 늘어놓으며 시간을 축내는 일은 없다. 우리네 삶과 조직을 이야기하시는 것을 무척 좋아하신다. 그래도 그분은 술자리에서 너무 자주 질퍽거리신다. 못내 헤어지기 싫어 사람들을 붙잡고 늘어지기도 하신다.”<br />
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술을 마셨다 하면 새벽은 기본이다. 연세대 재학시절부터 학교 농구선수였던 신동파, 하의건 등 대주가와 어깨를 겨뤘다. 한 번에 보통 막걸리 한 말 정도를 마셨다고 한다. 주변에선 오 교수를 ‘알코올중독자’라고 얘기한다. 그러나 그는 매일 마시고, 혼자 마시고, 안주를 안 먹는 알코올중독의 요건에 자신은 해당하지 않는다고 말한다. 그는 주변에서 ‘술병이 났다’는 소문이 돌면 100일이든 6개월이든 술을 끊는다. 술만을 위한 술자리도 절대로 만들지 않는다. 강내희 중앙대 교수는 “오 선생의 건배(원 샷) 제안은 악명이 높지만 그의 과음은 경계를 벗어난 술 마시기”라며 “오 선생의 잦은 과음, 그리고 술자리에 동석한 사람들을 향한 그의 ‘원 샷’ 제안은 함께 혁명하자는 외침이 아닐까 싶다”고 말한다.<br />
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오 교수는 책에서 “술이 없었다면 지금의 내가 있었을까”라고 말한다. “오래전부터 나는 마르크스주의자, 사회주의자를 자임했고, 자연스럽게 투쟁과 혁명의 주체인 노동자들과 만나게 됐다. 만일 내가 술도 못 먹고 거칠고 질펀한 뒤풀이 자리도 못하고 노동자들과의 관계가 이어지지 못했다면 나는 평범한 ‘진보적’인 학자로 남았을 것이다. 그러나 한 번이 아닌 수차례에 걸친 뒤풀이와 술자리를 같이 하고 더 진솔하고 깊은 이야기를 나누었을 때 그 동지들은 먹물의 벽을 깨고 나를 인간으로, 동지로 받아들이기 시작했다. 그야말로 우리는 물질인 술로 만나 선입견과 편견, 하찮은 지식과 굴절된 이데올로기로부터 해방될 수 있었다. 바로 그것이 술의 힘이다.”<br />
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오 교수는 술을 마시는데 다섯 가지 원칙이 있다. 맑은 술과 탁한 술, 사람과 안주를 구분하지 않고(청탁불문), 거리와 주제의 멀고 가까움을 묻지 않고(원근불문), 밤낮을 가리지 않고(주야불문), 지위와 위치를 가리지 않으며(고저불문), 삶과 죽음을 생각하지 않는다(생사불문). 그 원칙은 똑같이 학문·예술·혁명에도 적용된다. 예컨대 학문에 청탁불문의 원칙을 적용해 보자. 그에게 순수·응용 등의 학문분과는 의미가 없다. 오 교수가 <a class="dklink" href="http://news.khan.co.kr/kh_news/khan_art_view.html?artid=201211232233445&code=960201" style="color: #00309c; text-decoration: underline" target="_blank">경영학</a>과 교수였다는 사실을 아는 사람은 많지 않다. 그는 “자본주의의 핵심적 도구학문인 경영학 속에서 내 뜻을 펼쳐보고 싶었다”고 말한다. 사회심리학과 조직행동론 과목에서 그는 “제대로 된 경영학 이론은 역사·사회·인간에 대한 깊은 인식이 밑바탕이 돼야 한다”고 가르쳤다.<br />
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오 교수는 “고희가 된 것이 믿기지 않는다”고 말하지만, 오 교수를 보는 사람들이야말로 그 사실을 좀처럼 믿지 못한다. “주책없다는 소리를 들으면서 다음날 아침까지 술을 마시고 억수같이 쏟아지는 빗줄기를 뚫고 새벽까지 시청과 동대문을 뛰어다니기도” 했다. 2009년 용산 참사 당시에는 혹한의 설날에 <a class="dklink" href="http://news.khan.co.kr/kh_news/khan_art_view.html?artid=201211232233445&code=960201" style="color: #00309c; text-decoration: underline" target="_blank">2박3일</a> 동안 명동성당 들머리에서 철야농성을 했고, 유난히 더웠던 평택 <a class="dklink" href="http://news.khan.co.kr/kh_news/khan_art_view.html?artid=201211232233445&code=960201" style="color: #00309c; text-decoration: underline" target="_blank">쌍용자동차</a> 점거 파업 현장에 함께하기도 했다. 그 일로 폐렴을 앓아 입원을 하기도 했지만 여전히 눈빛은 형형하다. 글자를 볼 때도 <a class="dklink" href="http://news.khan.co.kr/kh_news/khan_art_view.html?artid=201211232233445&code=960201" style="color: #00309c; text-decoration: underline" target="_blank">돋보기</a>를 쓰지 않고, 가는귀가 먹는 일도 없었다. 특별히 하는 운동도 없다. 손호철 서강대 교수는 “오 선배야말로 ‘나이를 먹는다’는 한국말 그대로 나이를 한 살씩 먹어치워 점점 젊어짐이 확실하다”며 “남들이 좌파라고 부르는 나 같은 사람은 극우파로 보일 만큼 발본적 입장에서 실천해 온 열혈전사”라고 말한다.<br />
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최근에 오 교수는 <a class="dklink" href="http://news.khan.co.kr/kh_news/khan_art_view.html?artid=201211232233445&code=960201" style="color: #00309c; text-decoration: underline" target="_blank">연극배우</a>로 데뷔하기도 했다. 백혈병으로 숨진 삼성전자 여성노동자 등의 이야기를 다룬 연극 <반도체 소녀>와 쌍용자동차 해고 노동자 문제 등을 다룬 <시계1>에 출연한 것이다. 그는 영문학자이자 희곡번역가였던 오화섭 연세대 교수(1979년 작고)와 극단 ‘여인소극장’의 대표이자 배우였던 박노경 이화여대 교수(1950년 작고) 사이에서 태어났다. 두 사람은 진보적 연극운동의 동지이기도 했다. 그는 <a class="dklink" href="http://news.khan.co.kr/kh_news/khan_art_view.html?artid=201211232233445&code=960201" style="color: #00309c; text-decoration: underline" target="_blank">어머니</a>의 극단이 공연한 입센의 <인형의 집>에 아역으로 출연하기도 했고, 고교 3학년 때는 <제17포로수용소>를 학교 무대에 올려 세프튼 역을 맡기도 했다. 오 교수는 “1년 뒤면 명예교수로 학교 강단에 서는 것도 끝나는데 이젠 ‘비정규직 배우노동자’로 남을 것”이라고 말한다.<br />
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오 교수는 건강 비결의 하나로 ‘붉은 혁명의 비타민C’를 소개한다. 본래 약을 먹어본 적이 없지만 어느 날 서울대 이왕재 교수가 “비타민C는 위와 장에 좋다”고 하는 말을 듣고는, 술꾼으로서 “무릎을 쳤다”고 한다. 오 교수는 늘 주머니에 빨간색의 비타민C 알약을 갖고 다닌다. 하루 세 끼 여섯 알은 기본이고, 술을 먹는 날은 차수에 따라 두 알씩 추가해서 먹는다. 3차까지 가면 12알을 먹는 셈이다. ‘동지’들의 건강을 우려해 백 명이 넘는 수련회를 가더라도 인원수만큼의 비타민C를 준비해 나눠준다. 의심이 많은 운동권들은 처음에 비타민C를 권하는 오 교수의 말을 ‘듣는 둥 마는 둥’ 했다. 그러나 10년 넘게 비타민C의 ‘생체실험’ 대상이 된 오 교수의 건강상태를 보고는 상당수가 복용 대열에 들어섰다. “사람을 좋아하니까, 술을 먹어도 늘 즐겁게 먹으니 독이 안 돼요. 운동하는 사람들도 너무 스트레스 받으면 건강을 해쳐요. 나는 늘 ‘혁명의 무기를 제대로 간수하라’고 하죠.”<br />
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상당수의 사람들은 그가 말하는 ‘혁명’을 공상주의자의 치기쯤으로 흘려 듣는다. 또 다른 쪽에서는 그를 ‘분열주의자’라 비난하기도 한다. 최규진은 그런 비난들을 소개한다. “타협도 없고 유연성도 없다. 입에 달고 사느니 혁명이고, 노동자 투쟁이고, 노동자 혁명당이다. 말하느니 ‘자본주의 붕괴론’이다. 그는 자본주의를 그럴싸하게 고쳐보면 좀 더 나은 세상이 될 것이라고 말하는 사람들을 비아냥거리기도 한다.”<br />
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그러나 오 교수는 그런 말들이 “공부를 제대로 하지 않은 탓”이라고 말한다. 그의 신념은 ‘공상’이 아니라 ‘역사’에서 온다. 고희 기념으로 함께 내놓은 <비판적 교양인을 위한 오세철 강의>(빛나는전망)의 2부에서 그는 소련, 중국, 북한을 비롯해 남미의 좌파 정권까지 모두 사회주의 국가가 아니라고 진단한다. “지금까지 있었던 사회주의를 평가하고 뒤집고 정리하지 않으면 그 다음에 어떻게 하자는 얘기를 꺼낼 수 없습니다. 보통사람들은 여전히 그런 나라들을 사회주의라고 이해합니다. 하지만 노동계급을 억압착취하는 자본주의 혹은 국가자본주의였죠. 자칭 사회주의자라는 사람들을 보면 여전히 스탈린주의에 빠져서 소련이나 북한을 옹호하고 있습니다.” 요컨대 “생각이 다른데 실천이 같아질 수는 없다”는 측면에서 “무엇을 실천할 것인지를 제대로 세워야 한다”는 것이다. 그가 ‘국제꼬뮤니스트전망’에 참여하면서 계간지 ‘꼬뮤니스트’ 발간 등에 나서는 것도 그런 이유다.<br />
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오 교수는 오늘날의 위기는 ‘경제위기’가 아니라 ‘자본주의의 위기’라고 본다. 따라서 자본주의를 넘어서야 하는데, 역사적으로 자본주의를 점진적으로 바꾸려고 노력해 온 수정주의와 개량주의는 유럽의 지난 100년 역사를 보면 알 수 있듯 모두 “실패했다”고 지적한다. 그가 말하는 ‘혁명적 마르크스주의’란 바로 “혁명적 방법의 자본주의 철폐”를 의미한다. “사실 마르크스주의 자체가 혁명적인데 따로 ‘혁명적’이란 말을 붙일 필요는 없죠. 다만 지금까지 여러 다양한 변종 사회주의가 존재했기에 구분하는 겁니다.”<br />
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오 교수는 ‘마르크스주의자’와 ‘마르크스연구자’를 구분한다. ‘주의자’는 이론과 실천이 하나되는 사람이다. 그 또한 본래 ‘강단 마르크스주의자’라는 말을 들었다. 1977년 그의 제자 3명이 대강당의 유리창을 깨고 ‘유신철폐’를 외치다 체포된 모습을 보고 부끄러움을 느낀 그는 비로소 학내민주화 운동에 참여하기 시작했다.<br />
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결정적으로 그는 6월 항쟁에서 제자였던 이한열의 죽음을 목도하고 완전히 변모한다. 그는 “87년부터 25년의 세월은 나에게 마르크스주의자가 되기 위한 과정이었다”고 말한다. 2003년 그는 ‘혁명’에 좀 더 매진하기 위해 정년 5년을 앞두고 교수자리를 박차고 나왔다. 주변에선 “퇴직금으로 빚을 갚았다”는 말이 나돌 정도였다.<br />
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오 교수는 미국·유럽 등에서 국제적으로 벌어지는 반자본주의 흐름에 주목한다. “자본주의는 전 세계의 생산을 하나로 편입시킨 체제이므로 한 나라 차원에서 극복이 불가능하다”고 보기 때문이다. “세계적 흐름에 호응하기에 우리나라는 아직도 바닥을 치지 못했습니다. 제 역할을 못하는 민주노총은 자연스레 해체될 거예요. 과거 전노협(민주노총의 전신)이 싸우면서 만들어졌듯 비정규직 노동자 중심으로 다시 조직이 만들어져야 합니다.” 그는 대선과정에서도 투쟁을 통해 ‘현장’을 넓게 만들어가면서 대선판 자체를 조롱하는 판을 만들어야 한다고 본다. “투표율이 30~40% 나오면 뭘 가지고 그들이 정당성을 얻겠어요? 누가 뽑히든 우리는 계속 싸운다는 장기적 전망을 줘야 합니다.”<br />
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물론 그의 생각과 인생 자체를 모두 “실패했다”고 말하는 사람들도 있다. “앞서 나가는 게 실패는 아닙니다. 조금 뒤에서 보면 모험적이라고 생각할 수 있겠지만, 왜 앞서 나가는지를 보면 그건 실패가 아니죠. 저는 조금 더 차근차근 앞으로 나가야 한다는 충고로 받아들입니다. 사실 책에 등장하는 60여 명의 사람들도 고립돼 있다는 생각을 하겠지요. 그들이 이 책을 보면서 ‘아직도 이런 동지들이 함께하고 있구나’라고 생각하며 격려를 받을 수 있을 겁니다.”<br />
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그는 늘 겸손하고 자기 잘못을 인정할 줄 알았던 노동운동가 고 이일재를 “공산주의자가 진정한 민주주의자임을 몸으로 보여줬다”고 평했지만 그야말로 어쨌건 ‘진정한 민주주의자’임은 분명해 보인다. 연극배우 오주환은 ‘막내배우’ 오세철을 이렇게 기억한다. “소극장의 분장실은 두세 명이 앉아 있어도 비좁은 공간이다. 내 기억에 선생님께서는 분장실에 단 한 번도 앉지 않으셨던 것 같다. 어두운 무대 뒤 구석 의자에 그저 묵묵히 앉아계셨다. 행여 다른 배우에게 방해라도 될까봐 작은 자세로 벽에 붙어서 앉아계셨다. 어둡고 좁고 답답한 그 공간에서, 선생님은 늘 특유의 인자하고 밝은 표정으로 앉아계셨다. 그게 내가 아는 오세철 선생님, 바로 그분의 모습이다.”</span></span></span><br />
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<strong><font size="4">[오세철 선생 고희 출판기념회]</font><span class="Apple-converted-space"> </span></strong><br />
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<font color="#8b0000" size="5"><strong>『술, 학문, 예술, 혁명의 사중주』<br />
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『비판적 교양인을 위한 오세철 강의록』</strong></font><br style="widows: 2; text-transform: none; background-color: rgb(255,255,255); text-indent: 0px; font: medium/22px 굴림, arial; white-space: normal; orphans: 2; letter-spacing: normal; color: rgb(51,51,51); word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px" />
<br style="widows: 2; text-transform: none; background-color: rgb(255,255,255); text-indent: 0px; font: medium/22px 굴림, arial; white-space: normal; orphans: 2; letter-spacing: normal; color: rgb(51,51,51); word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px" />
<span style="widows: 2; text-transform: none; background-color: rgb(255,255,255); text-indent: 0px; display: inline !important; font: medium/22px 굴림, arial; white-space: normal; orphans: 2; float: none; letter-spacing: normal; color: rgb(51,51,51); word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px"> </span><img alt="" name="zb_target_resize" src="http://www.k-hnews.com/home/bbs/data/source/%EC%98%A4%EC%84%B8%EC%B2%A0_%EC%B1%85%ED%91%9C%EC%A7%80.jpg" style="widows: 2; text-transform: none; background-color: rgb(255,255,255); text-indent: 0px; font: medium/22px 굴림, arial; white-space: normal; orphans: 2; letter-spacing: normal; color: rgb(51,51,51); cursor: pointer; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px" /><br style="widows: 2; text-transform: none; background-color: rgb(255,255,255); text-indent: 0px; font: medium/22px 굴림, arial; white-space: normal; orphans: 2; letter-spacing: normal; color: rgb(51,51,51); word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px" />
<br style="widows: 2; text-transform: none; background-color: rgb(255,255,255); text-indent: 0px; font: medium/22px 굴림, arial; white-space: normal; orphans: 2; letter-spacing: normal; color: rgb(51,51,51); word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px" />
<font color="#333333" size="2" style="line-height: 22px; widows: 2; text-transform: none; background-color: rgb(255,255,255); font-variant: normal; font-style: normal; text-indent: 0px; font-family: 굴림, arial; white-space: normal; orphans: 2; letter-spacing: normal; color: rgb(51,51,51); font-weight: normal; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px">일시 및 장소: 2012. 11. 17(토) 16시 연세대 상경대 상경관 B120호<br />
주최: 연세대 오세철 교수 제자들</font><br style="widows: 2; text-transform: none; background-color: rgb(255,255,255); text-indent: 0px; font: medium/22px 굴림, arial; white-space: normal; orphans: 2; letter-spacing: normal; color: rgb(51,51,51); word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px" />
<br style="widows: 2; text-transform: none; background-color: rgb(255,255,255); text-indent: 0px; font: medium/22px 굴림, arial; white-space: normal; orphans: 2; letter-spacing: normal; color: rgb(51,51,51); word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px" />
<embed allowfullscreen="true" allowscriptaccess="sameDomain" height="315" src="http://www.youtube.com/v/-NHBCqf1KAA?version=3&hl=ko_KR&rel=0" type="application/x-shockwave-flash" width="560"></embed><br style="widows: 2; text-transform: none; background-color: rgb(255,255,255); text-indent: 0px; font: medium/22px 굴림, arial; white-space: normal; orphans: 2; letter-spacing: normal; color: rgb(51,51,51); word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px" />
<br style="widows: 2; text-transform: none; background-color: rgb(255,255,255); text-indent: 0px; font: medium/22px 굴림, arial; white-space: normal; orphans: 2; letter-spacing: normal; color: rgb(51,51,51); word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px" />
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<font color="#8b0000" size="3" style="widows: 2; text-transform: none; background-color: rgb(255,255,255); text-indent: 0px; font: medium/22px 굴림, arial; white-space: normal; orphans: 2; letter-spacing: normal; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px"><font color="#333333" size="2"><embed allowfullscreen="true" allowscriptaccess="sameDomain" height="315" src="http://www.youtube.com/v/veRp_eVpaxM?version=3&hl=ko_KR&rel=0" type="application/x-shockwave-flash" width="560"></embed></font></font></p>
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<font color="#8b0000" size="3" style="widows: 2; text-transform: none; background-color: rgb(255,255,255); text-indent: 0px; font: medium/22px 굴림, arial; white-space: normal; orphans: 2; letter-spacing: normal; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px"><font color="#333333" size="2"><출처 : 꼬뮌영상></font></font></p>
<div class="buttons-bottom center jinboblog-i-like-this-buttons"><a class="button-jinboblog" href="javascript:void(0);" title="스크랩으로 글 링크를 저장하세요" onclick="recommend('4942',169,'/iscralee','');"><img src="/plugins/../jplugins/ILikeThis/images/mini_chuchon.png" alt="진보블로그 공감 버튼" /></a><a class="button-twitter" href="http://twitter.com/home?status=http%3A%2F%2Fblog.jinbo.net%2Fiscralee%2F169+%22%5B11.17%5D%20%EC%98%A4%EC%84%B8%EC%B2%A0%20%EC%84%A0%EC%83%9D%20%EA%B3%A0%ED%9D%AC%20%EC%B6%9C%ED%8C%90%EA%B8%B0%EB%85%90%ED%9A%8C%20%EC%98%81%EC%83%81%22" target="_blank" title="트위터로 리트윗합니다"><img src="/plugins/../jplugins/ILikeThis/images/twitter.png" alt="트위터로 리트윗하기" /></a><a class="button-facebook" href="http://www.facebook.com/sharer.php?u=http%3A%2F%2Fblog.jinbo.net%2Fiscralee%2F169&t=%5B11.17%5D%20%EC%98%A4%EC%84%B8%EC%B2%A0%20%EC%84%A0%EC%83%9D%20%EA%B3%A0%ED%9D%AC%20%EC%B6%9C%ED%8C%90%EA%B8%B0%EB%85%90%ED%9A%8C%20%EC%98%81%EC%83%81" target="_blank" title="페이스북에 공유합니다"><img src="/plugins/../jplugins/ILikeThis/images/facebook.png" alt="페이스북에 공유하기" /></a><a class="button-delicious" href="http://delicious.com/save" onclick="window.open('http://delicious.com/save?v=5&noui&jump=close&url=http%3A%2F%2Fblog.jinbo.net%2Fiscralee%2F169&title=%5B11.17%5D%20%EC%98%A4%EC%84%B8%EC%B2%A0%20%EC%84%A0%EC%83%9D%20%EA%B3%A0%ED%9D%AC%20%EC%B6%9C%ED%8C%90%EA%B8%B0%EB%85%90%ED%9A%8C%20%EC%98%81%EC%83%81','delicious','toolbar=no,width=550,height=550'); return false;" title="딜리셔스에 북마크합니다"><img src="/plugins/../jplugins/ILikeThis/images/delicious.png" alt="딜리셔스에 북마크" /></a></div><p><strong><a href="http://blog.jinbo.net/iscralee/169?commentInput=true#entry169WriteComment">댓글 쓰기</a></strong></p>[11.10] 삶과 투쟁의 현장에서 부치는 해방글터 시노래 문화제 영상자유로운 영혼http://blog.jinbo.net/iscralee/1682012-11-19T11:27:36+09:002012-11-19T11:27:36+09:00<p style="text-align: justify">
<span style="font-size: 14px"><span style="color: #f00"><strong>삶과 투쟁의 현장에서 부치는 해방글터 시노래 문화제 영상</strong></span></span><br />
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<strong>'길 위에서 부르는 해방노래'</strong> <br />
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해방글터 노동자시인: 김영철/조선남/배순덕/조성웅/신경현<br />
연대하는 문화노동자: 박준/류금신/우창수/따따따장난감밴드<br />
연대를 위한 노래모임 좋은친구들</p>
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발언 : 오세철, 연대시 : 임성용</p>
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<embed allowfullscreen="true" allowscriptaccess="sameDomain" height="315" src="http://www.youtube.com/v/gD4QYEVmHDY?version=3&hl=ko_KR&rel=0" type="application/x-shockwave-flash" width="560"></embed><br />
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발언/ 오세철: 혁명과 예술, 유명자: 운동 제대로 하기<br />
<embed allowfullscreen="true" allowscriptaccess="sameDomain" height="315" src="http://www.youtube.com/v/Zm1lwI1shMI?version=3&hl=ko_KR&rel=0" type="application/x-shockwave-flash" width="560"></embed></p>
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<출처 : 꼬뮌영상></p>
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춥고 궂은날씨에 함께 해주신 모든 동지들 고생 많으셨습니다. 부산, 울산, 대구 등 멀리서 문화제 전과정을 준비해오신</p>
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해방글터 동지들, 우창수, 김은희, 장밴 동지들, 그리고 서울에서 연대해주신 동지들 모두에게 뜨거운 동지적 신뢰를!!!</p>
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<strong>그리고 노동자투쟁과 예술과 혁명이 더욱 가까이 어울어지는 내년을 준비하기 위해!!!</strong></p>
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<strong>길 위에서 부르는 해방노래 </strong></p>
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1. 전국노동자대회 전야제에 맞춰 계획한 해방글터 시노래음반 발매가 지연되었습니다. 지금까지 200여명의 동지들이 492만원 가량의 후원을 해주셨습니다 약속을 지키기 못해 후원해주신 모든 분들에게 사과드립니다.</p>
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2. 9월 노래 녹음, 10월 수정작업과 자켓디자인 작업을 거쳐 전국노동자전야제 때 맞춰 발매하려 했습니다. 하지만 생계활동과 공연일정 등으로 집중해서 작업해야 할 녹음 일정을 잡기가 쉽지 않았고 계획한 일정들이 지...연되었습니다.</p>
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3. 지난 10월말 경, 해방글터 동인들과 우창수 동지는 점검회의를 통해 물리적인 시간상 전국노동자대회 전야제 음반 발매는 힘들다고 공유했습니다. 약속을 지키지 못한 것에 대해 사과하고 환불해야 한다는 견해도 있었습니다. 하지만 비록 음반을 발매하지는 못했지만 이미 계획된 해방글터 시노래문화제를 통해 다시 한 번 기회의 시간을 달라고 호소하기로 했습니다.</p>
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4. 해방글터, 우창수, 좋은친구들은 시노래 문화제 후 전체 모임을 통해 기간 과정을 점검하고 현실적인 조건들을 고려 해 책임있게 음반발매 계획을 결정할 것입니다.</p>
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이후 일정과 계획들은 해방글터(http://cafe.naver.com/ptpen), 보내주신 이메일, 패이스북 등을 통해 공유하도록 하겠습니다.</p>
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5. 2012년11월10일/오후 6시/재능농성장/</p>
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해방글터 시노래 문화제 [길 위에서 부르는 해방노래]에 동지들을 초대합니다더</p>
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<img alt="사용자 삽입 이미지" height="1531" src="/attach/4942/1180528455.jpg" style="float: left" width="500" /></p>
<div class="buttons-bottom center jinboblog-i-like-this-buttons"><a class="button-jinboblog" href="javascript:void(0);" title="스크랩으로 글 링크를 저장하세요" onclick="recommend('4942',167,'/iscralee','');"><img src="/plugins/../jplugins/ILikeThis/images/mini_chuchon.png" alt="진보블로그 공감 버튼" /></a><a class="button-twitter" href="http://twitter.com/home?status=http%3A%2F%2Fblog.jinbo.net%2Fiscralee%2F167+%22%EA%B8%B8%20%EC%9C%84%EC%97%90%EC%84%9C%20%EB%B6%80%EB%A5%B4%EB%8A%94%20%ED%95%B4%EB%B0%A9%EB%85%B8%EB%9E%98%22" target="_blank" title="트위터로 리트윗합니다"><img src="/plugins/../jplugins/ILikeThis/images/twitter.png" alt="트위터로 리트윗하기" /></a><a class="button-facebook" href="http://www.facebook.com/sharer.php?u=http%3A%2F%2Fblog.jinbo.net%2Fiscralee%2F167&t=%EA%B8%B8%20%EC%9C%84%EC%97%90%EC%84%9C%20%EB%B6%80%EB%A5%B4%EB%8A%94%20%ED%95%B4%EB%B0%A9%EB%85%B8%EB%9E%98" target="_blank" title="페이스북에 공유합니다"><img src="/plugins/../jplugins/ILikeThis/images/facebook.png" alt="페이스북에 공유하기" /></a><a class="button-delicious" href="http://delicious.com/save" onclick="window.open('http://delicious.com/save?v=5&noui&jump=close&url=http%3A%2F%2Fblog.jinbo.net%2Fiscralee%2F167&title=%EA%B8%B8%20%EC%9C%84%EC%97%90%EC%84%9C%20%EB%B6%80%EB%A5%B4%EB%8A%94%20%ED%95%B4%EB%B0%A9%EB%85%B8%EB%9E%98','delicious','toolbar=no,width=550,height=550'); return false;" title="딜리셔스에 북마크합니다"><img src="/plugins/../jplugins/ILikeThis/images/delicious.png" alt="딜리셔스에 북마크" /></a></div><p><strong><a href="http://blog.jinbo.net/iscralee/167?commentInput=true#entry167WriteComment">댓글 쓰기</a></strong></p>Marxism: best defence against media manipulation자유로운 영혼http://blog.jinbo.net/iscralee/1522012-06-18T10:32:51+09:002012-06-18T10:32:51+09:00<p style="text-align: justify">
<img actualwidth="160" border="0" class="txc-image" height="243" hspace="1" id="A_127ED44C4FDE902D0D928F" src="http://cfile255.uf.daum.net/image/127ED44C4FDE902D0D928F" style="width: 270px; float: none; height: 243px; clear: none" vspace="1" width="270" /></p>
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<strong><span style="font-size: 14pt"><font color="#ff0000"><span style="font-size: 18pt">Marxism: best defence against media manipulation </span></font></span></strong></p>
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<strong>British broadcasters win a High Court ruling against the police, a former Murdoch editor is arrested and the Leveson ‘inquiry’ into Press Standards meanders on: JJ Gaunt peeks behind the headlines and reviews two recent books critical of the media</strong></p>
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On an 1886 tour promoting marxism and working class organisation in America, Eleanor Marx and Edward Aveling took time out to ridicule and denounce the US press in general and the <em>Chicago Times</em> and <em>Chicago Tribune</em> in particular for their lynch mob coverage of the trial of eight anarchists who had been fitted up by the state of Illinois and faced execution following the infamous Haymarket bomb incident. </p>
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More than 125 years and many technological leaps later, modern mass media remain at root little more than megaphones amplifying the ruling class’s ‘values’, its lies, its propaganda, when they are not simply selling its commodities.</p>
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Much effort is expended on the part of the ‘fourth estate’ to deny this reality and turn it on its head. Commenting on the High Court’s May 17 decision to overturn a Crown Court judge’s order to hand over unseen footage of the violent police eviction of ‘travellers’ from Dale Farm, Essex in 2011, ITN (Independent Television News) chief executive John Hardie said: <em>"This landmark decision is a legal recognition of the separate roles of the police and independent news organisations. We fought this case on a matter of principle - to ensure that journalists and cameramen are not seen as agents of the state ...”</em> Lawyers for other interested parties – they included the BBC, BSkyB and Channel 5 – had said their clients risked being seen as “coppers’ narks” (police informants) if they had complied with the original order. That would never do, as M’lud wisely agreed.</p>
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It also won’t do to have the working class and the rest of the population tune-out of the Murdoch ‘Hackgate’ scandal of criminality, bribery and corruption with the erroneous impression that the media, police and politicians are ‘all in it together’.</p>
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It’s to restore public faith in the media mafia that the Leveson Inquiry into Press Standards has been protracted long after the original British state objective of clipping Murdoch’s UK activities had been achieved. (1) With hoards of ‘witnesses’ either denouncing the ‘Evil Empire’ (viz ex-<em>Sunday Times</em> editor Harold Evans) or clumsily attempting to defend the indefensible (viz the testimony of the News International clan itself or the self-serving testimonies of former PM Blair and current Culture and Media Secretary Jeremy Hunt), the ‘inquiry’ has turned into a modern Inquisition to exorcise the devil Murdoch, the better to redeem the rest of the media.</p>
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In the same manner, it’s to demonstrate the state’s due ‘impartiality’ and incorruptible nature that the very particular friends of PM David Cameron - former News International golden child Rebekah Brooks and her husband Charlie, Cameron’s old school chum - were arrested and charged with the <u>very serious offence</u> (with apologies to AA Milne) of perverting the course of justice. (2)</p>
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<strong>Understanding the media: Marxism not moralism</strong></h4>
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These recent events featuring the UK state and its media apparatus are of course merely moments in an historic pattern – one long recognised by critics of the capitalist system. As Marx and Engels often argued, the ruling class’s particular interests are falsely presented as those of society as a whole. It’s the primary function of mass media to reflect and reinforce the resultant ‘dominant ideology’.</p>
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This material reality is illuminated and fleshed out in a recent and recommended book called <em>Beyond the Left: The Communist Critique of the Media</em> by UK lecturer Dr Stephen Harper (3).</p>
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His ‘Introduction: to guide and bind the world’ grabs the subject by the kishkas: <em>“Having abolished scarcity and made communism possible by the early twentieth century, capitalism today is an obsolete system whose continuance offers humanity only increasing misery. As the social symptoms of this retrogression – poverty, starvation, holocausts, environmental degradation and economies increasingly based upon drugs, arms and gangsterism – become more difficult to disguise, the media play a vital role, it is argued here, in concealing their systemic origins.”</em></p>
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To this egregious end, the 1928 publication of <em>Propaganda</em> by Edward Bernays, American nephew of Sigmund Freud and known variously as the ‘king of spin’ and ‘the father of public relations’, constituted <em>“a direct response to the socio-economic impasses of US capitalism in the 1920s, as a dearth of new markets, a crisis of over-production and the lingering menace of proletarian revolution forced capitalists to devise ever more ingenious methods of mass persuasion...”</em></p>
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One of the media’s most enduring successes in this regard is revealed in the chapter<em> ‘</em>Normalising the unthinkable: news media as state propaganda<em>’</em> in which Harper notes how the very notion of wage labour – once widely understood as <em>“an outrage against humanity whose essential continuity with earlier forms of bondage found expression! in the now antiquated phrase ‘wage slavery’”</em> - is today throughout the mainstream media <em>“accepted as a fact of life</em>”. <em>“Thus, in a period of austerity, the BBC’s Sunday morning television discussion programme </em>The Big Question<em> asks ‘Is It Time For A Maximum Wage?’ (13 March 2010); but it cannot question the legitimacy of the wages system itself.” </em></p>
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Within this marxist framework, which draws on the analyses of past and present day revolutionary organisations (including the ICC and ICT) and recognises both the decadence of capitalism and the primacy of the nation state over ‘supra-national corporations’, Harper’s other chapters include ‘Not neoliberalism: why the state is still the enemy’; ‘Blaming the victims, eroding solidarity: two media discourses on immigration’; ‘”The only honourable course’’: the media and ‘humanitarian’ war’ and ‘Beyond the news: popular culture against the working class’<em>. </em></p>
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Under such headings he utilises the insights of social critics, media researchers and academics from Althusser to Žižek whilst acknowledging their limitations: Harper both quotes approvingly from Herman and Chomsky’s seminal <em>Manufacturing Consent</em> (1998) while roundly denouncing Chomsky for “the statism of his concrete political attachments” (today, Venezuela’s Hugo Chávez; yesterday, North Vietnam’s Stalinist Vietcong).</p>
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Before dissecting specific events and gauging what the ruling class accomplished from them (the chapter <em>‘</em>Bogeyman at the BBC: Nick Griffin, Question Time and the ‘fascist threat’<em>’</em> is exemplary in this regard) Harper insists that “<em>The power of media propaganda to shape our perceptions of the most fundamental aspects of our lives is exercised neither haphazardly nor clumsily”</em>, thus underlining that the bourgeoisie acts <u>consciously</u> against the proletariat, its potential gravedigger.</p>
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For the working class, the author insists that there’s nothing to choose between different media ‘slants’: “<em>...the Nazi propagandist Joseph Goebbels ... was excited by the BBC’s ability to maintain the trust of the British public and to have secured a worldwide reputation for the British media as ‘honest, free and truthful.’ Goebbels understood that this made the BBC the perfect propaganda vehicle. Today, as then, the left-liberal media act not as a foil to capitalism but as its last ditch defence, preventing those who reject conservative political positions from accessing or developing radical ideas. In fact, right-wing and left-wing media can be argued to work not in opposition to each other, but in tandem.”</em></p>
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The role of the media and the ‘pluralistic’ division of labour within it as cheerleaders of imperialist war and mystifiers of the gravity of today’s ecological crisis are also explored and expanded upon. For communists and activists of all stripes, Harper’s work is both required reading and an encouraging sign that proletarian perspectives are today spreading to and being embellished by wider layers of society.</p>
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<strong>Critical criticism required</strong></h4>
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Another book – there’s a veritable overproduction of them! – attempting to critique the media is <em>NEWSPEAK in the 21<sup>st</sup> Century </em>(4)<em>,</em> a title recalling George Orwell’s <em>1984, </em>a satire of mind control by an omnipresent state apparatus. This work also insists that media such as newspapers – including and particularly those which claim to be ‘independent’, ‘left’ or just righteous and liberal – all owe their origins, development and continued survival as vehicles for corporate advertisers on whose revenue they depend and whose patronage they cannot truly offend. Similarly, the British Broadcasting Corporation (BBC) has since its foundation in the 1920s been first and foremost an obedient servant of the state’s overall interests as it demonstrated in the 1926 national strike and ever since.</p>
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The work is penned by two co-editors of a an organisation called Media Lens which challenges journalists, editors and broadcasters to justify their censorship, sins of omission and downright war-mongering, while providing e-mails to subscribers which highlight examples of the media’s latest outrages.</p>
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Indeed, <em>NEWSPEAK</em> reminds us all that facts are not ‘sacred’ but chosen according to taste and ideology while ‘objectivity’ is a nonsense – <em>“nothing is neutral”.</em> In addition it provides a salutary reminder of the depth and extent of the lies, dissembling and patriotic cheerleading around the build-up to the ‘allied’ invasion of Iraq and the subsequent occupation. It recalls how, as <em>“a shoal of fish instantly changes direction ... as though the movement was synchronised by some guiding hand,”</em> British journalists <em>“all trained and selected for obedience by media all seeking to maximise profits within state capitalist society ... appeared</em> [in 1999]<em> to conclude independently that war on Serbia was a rational, justified response to a ‘genocide’ in Kosovo that had not in fact taken place. In 2002-03, many journalists concluded that war was necessary to tackle an Iraqi threat that did not exist. And yet, to our knowledge, in 2009, not a single journalist proposed military action in response to Israel’s staggering, very visible crimes against the besieged civilian population of Gaza.”</em> The authors demonstrate how the media is again banging the drum for what they say is to be ‘the West’s’ next imperialist adventure: the bombing and possible invasion of Iran.</p>
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Similarly, this well-researched and documented work points out the staggering hypocrisy of media demanding ‘action’ over climate chaos as they carry adds promoting cheap flights, powerful motor cars and oil company claims to be forging a ‘cleaner, greener, fossil fuel-free future’.</p>
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However, such valid observations are undermined by <em>NEWSPEAK</em>’s own contradictions: despite declaring that ‘democracy’ is <em>“a charade serving privilege and power”</em> its description of the Iraqi slaughter as <em>“an illegal war of aggression”</em> (aren’t all wars ‘aggressive’ and exactly what’s with the fetish of bourgeois legality?); the references to ‘consumerism’ rather than capitalism; to ‘the people’ rather than the working class, etc, speak of an incoherence which ultimately favours the status quo. Equally problematic is the tendency to deal with countries, rather than classes. For example, irrespective of the nuclear issue (the pretext for ‘the West’s’ aggression towards Iran), there’s no mention of the Tehran regime’s own regional imperialist aims and incursions, while the praise lavished by the authors on the state machine of Venezuela’s Chávez is frankly an embarrassment.</p>
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These and other elements indicate a set of analyses that fall within the framework of capitalist social relations as do the proposed solutions: the alleged need for ‘awareness, compassion and honest journalism.’ They are not truly radical because they do not go to the roots of the issue. Let’s end with Stephen Harper: <em>“... the radical task is not to ‘work with’ the media industries and their regulatory bodies in order to campaign for ‘better’ media representations of the working class, or to defend so-called ‘public service’ media organisations against the encroachments of the market, but – through what Marx called ‘ruthless criticism’ – to expose the ruses of capitalism’s representational apparatuses until such time as they can be overthrown.”</em></p>
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<em>JJ Gaunt 6/12</em></p>
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<strong>Footnotes</strong></p>
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See <em>Murdoch scandal: The lies of the rich and famous</em> in <em><u>World Revolution</u></em> 347, 2011, <a href="http://en.internationalism.org/wr/347/ni-murdoch-scandal" target="_blank"><u><font color="#0000ff">http://en.internationalism.org/wr/347/ni-murdoch-scandal</font></u></a></li>
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Whether this well-connected couple will actually experience any substantial jail time is another matter.</li>
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<em><u>Beyond the Left: The Communist Critique of the Media</u></em>, by Dr Stephen Harper, published by Zero Books, 2010, ISBN: 978 1 84694 976 0 Harper’s media criticism blog ‘Relative Autonomy’ can be accessed at <a href="http://www.relativeautonomy.com/" target="_blank"><u><font color="#0000ff">http://www.relativeautonomy.com/</font></u></a></li>
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<em><u>NEWSPEAK in the 21<sup>st</sup> Century</u></em> by David Edwards and David Cromwell, published by Pluto Press, 2009, ISBN: 978 0 7453 2893 5 Media Lens can be accessed at <a href="http://www.medialens.org/" target="_blank"><u><font color="#0000ff">http://www.medialens.org/</font></u></a></li>
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