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  1. 2009/09/24
    Songs the Beatles didn't do
    HelterSkelter

Songs the Beatles didn't do

 

 

Songs the Beatles didn't do: meaning, songs they wrote while the Beatles existed, but which did not appear on official EMI Beatles records. This list is limited to songs that might be considered finished, which we'll define as one of: published; recorded by someone else; registered for copyright; or attempted at EMI for release. Composer credit is shown only where established by publisher or copyright documentation. Comments mention the probable composer in other cases.

 


Songs

  • In spite of all the danger (McCartney--Harrison)
  • You'll be mine (Lennon--McCartney)
  • Cayenne (McCartney)
    Pre-Beatles recordings issued on the CD "Anthology 1" in 1995.

     

  • Cry for a shadow (Harrison--Lennon)
    Recorded 22 June 1961 (probably), by the Beatles with Pete on drums and released many times over. Of course this is the Beatles, so I'm breaking my own rule, but since it is the only original that was not originally on an EMI Beatles record, here it is. An instrumental. It appeared on the "Anthology 1" CD in 1995.

     

  • I'll be on my way (Lennon--McCartney)
    Single by Billy J Kramer with the Dakotas, April 1963. The Beatles did it on BBC radio 4 April 1963, and that version is available on the 1994 CD set "Live at the BBC".

     

  • Bad to me (Lennon--McCartney)
    Single by Billy J Kramer with the Dakotas, July 1963. A demo by John alone (I think) has been bootlegged. The B-side of Kramer's single, "I call your name" was a "song the Beatles didn't do" for almost a year.

     

  • Tip of my tongue (Lennon--McCartney)
    Single by Tommy Quickly, July 1963. The Beatles attempted to record it, November 1962, but the tape is not at EMI (per Lewisohn) and has not been bootlegged.

     

  • Hello little girl (Lennon--McCartney)
    Single by the Fourmost, August 1963. A very similar Beatles version with John lead vocal is on the so-called Decca Tape of 1962, bootlegged, and included on the CD "Anthology 1" in 1995.

     

  • Love of the loved (Lennon--McCartney)
    Single by Cilla Black, September 1963. A Beatles version with Paul lead vocal is on the so-called Decca Tape of 1962, bootlegged, but vetoed by Paul from "Anthology 1".

     

  • I'll keep you satisfied (Lennon--McCartney)
    Single by Billy J Kramer with the Dakotas, November 1963.

     

  • I'm in love (Lennon--McCartney)
    Single by the Fourmost, November 1963. A version of this by John has been bootlegged as the demo, but now is believed to be post-1975. A previously unissued version by Billy J Kramer with the Dakotas has recently appeared on the CD "Best of Billy J Kramer and the Dakotas".

     

  • A World without love (Lennon--McCartney)
    Single by Peter and Gordon, February 1964.

     

  • One and one is two (Lennon--McCartney)
    Single by the Strangers with Mike Shannon, May 1964. A Beatles demo has been bootlegged.

     

  • Nobody I know (Lennon--McCartney)
    Single by Peter and Gordon, May 1964.

     

  • Like dreamers do (Lennon--McCartney)
    Single by the Applejacks, June 1964. Last-released of the three originals on the so-called Decca tape of 1962, and the second of the two appearing on the CD "Anthology 1". Paul lead vocal.

     

  • You'll know what to do (Harrison)
    Known for some years only as a demo recorded at EMI 3 June 1964, and a UK copyright registration. No recording of any sort appeared even on bootlegs until the CD "Anthology 1" in 1995. However, George scat-sang the first line of it in an Australian interview that is on LP, possibly the one called "The Beatles Talk Down Under".

     

  • From a window (Lennon--McCartney)
    Single by Billy J Kramer with the Dakotas, July 1964.

     

  • It's for you (Lennon--McCartney)
    Single by Cilla Black, July 1964.

     

  • I don't want to see you again (Lennon--McCartney)
    Single by Peter and Gordon, September 1964.

     

  • If you've got troubles
    Attempted by the Beatles 18 February 1965; the one take has been bootlegged. Ringo lead vocal, written Lennon--McCartney. On the CD "Anthology 2".

     

  • That means a lot (Lennon--McCartney)
    Single by P J Proby, July 1965. Attempted by the Beatles 20 February 1965 and again 30 March 1965; some takes have been bootlegged. Paul lead vocal. On the CD "Anthology 2".

     

  • 12-Bar original
    Attempted by the Beatles 4 November 1965; it has been bootlegged. Long instrumental. Shorter edit on the CD "Anthology 2".

     

  • Woman (Webb)
    Single by Peter and Gordon, January 1966. Songwriter Bernard Webb is Paul McCartney, revealed later, but reissues still say Webb. In the US for some reason the fake credit was "A. Smith" instead.

     

  • Everywhere it's Christmas
  • Orowanya
  • Please don't bring your banjo back
    Recorded 25 November 1966 as part of "Pantomime: Everywhere It's Christmas", the 1966 Christmas record. By all four and Mal Evans.

     

  • 'Carnival of Light' Rave
    A very long tape of sound effects made 5 January 1967 and used once for a festival.

     

  • Catcall (McCartney)
    On an album by the Chris Barber Band, October 1967, with Paul in a group of voices at the end. A Beatles version is on an undated tape, possibly November 1962, that has been bootlegged. Instrumental. Said to be the same as Catswalk, which appears on early Beatles song lists.

     

  • Shirley's wild accordion (Lennon--McCartney)
    Recording made 12 October 1967 by Shirley Evans, Reg Wale, Paul and Ringo for the "Magical Mystery Tour" film, but not used in it. Shirley Evans does play some accordion in the film.

     

  • Jessie's dream (McCartney--Starkey--Harrison--Lennon)
    Made at an unknown date by "one or more of the Beatles" (Lewisohn) and used in "Magical Mystery Tour" as Jessie eats tons of spaghetti.

     

  • Christmas time (is here again) (Lennon--McCartney--Harrison--Starkey)
  • Plenty of jam jars
    Recorded 28 November 1967 as part of "Christmas Time is Here Again!", the 1967 Christmas record. A longer version of the title song has been bootlegged, and some of it was finally in general release on the "Free as a bird" CD single in 1995.

     

  • Step inside love (Lennon--McCartney)
    Single by Cilla Black, March 1968. An extremely poor-quality copy of a demo by Paul has been bootlegged.

     

  • Thingumybob (Lennon--McCartney)
    Single by John Foster and Sons Ltd Black Dyke Mills Band, 26 August 1968 (one of the first 4 Apple singles), produced by Paul. Instrumental.

     

  • Sour milk sea (Harrison)
    Single by Jackie Lomax, 26 August 1968 (another of the first 4 Apple singles), with George playing guitar and producing. A demo by George has been bootlegged.

     

  • Circles
    Demo by George, recorded at the same time as many demos for songs heard on the white album. This one was never heard again.

     

  • Not guilty (Harrison)
    Attempted by the Beatles 7 to 12 August 1968. Bootlegged, and an edited version (made for the unreleased "Sessions" LP) is on the CD "Anthology 3". A demo by George has also been bootlegged. Recorded by George years later.

     

  • What's the new Mary Jane
    Attempted by some of the Beatles 14 August 1968, with more added to the same recording 26 November 1969. Came close to being a Plastic Ono Band single with "You know my name". John lead vocals. A specially edited version is on the CD "Anthology 3".

     

  • Etcetera
    Demo made by Paul at EMI, 20 August 1968, and taken away. No version has come out, including bootlegs.

     

  • Badge (Harrison--Clapton)
    On an album by Cream, February 1969, with George on rhythm guitar as L'Angelo Mysterioso.

     

  • Paul piano intro (Lennon--McCartney)
    Slow piano piece by Paul, used at the beginning of the "Let it be" film, recorded January 1969. The entire soundtrack has been bootlegged.

     

  • Jazz piano song (McCartney--Starkey)
    Fast instrumental by Paul and Ringo on one piano, used in the "Let it be" film, recorded January 1969.

     

  • Suzy Parker (Lennon--Starkey--Harrison--McCartney)
    Rock guitar song with John lead vocal, used in the "Let it be" film, recorded January 1969. Suzy Parker was a celebrity; the song lyric really sounds more like "Suzy's parlor".

     

  • Teddy boy (McCartney)
    A Beatles rehearsal version of 24 January 1969 was on the "Get Back" album compiled in May 1969. Paul recorded it on his first album.

     

  • All things must pass (Harrison)
    George recorded a demo of the complete song in February 1969, which is on the CD "Anthology 3". The Beatles had tried it in January but never got back to it. George of course recorded it in 1971.

     

  • Goodbye (Lennon--McCartney)
    Single by Mary Hopkin, March 1969, produced by Paul. A demo by Paul has been bootlegged.

     

  • Come and get it (McCartney)
    Single by Badfinger, December 1969, produced by Paul. A nearly identical demo version by Paul has been bootlegged.

     

  • Penina (McCartney)
    On obscure recordings by Carlos Mendes (Portugal, 1969) and Jotte Herra (Holland, 1970). Paul sings part of it during the "Get Back" sessions, bootlegged.

     

 

Get Back tapes

This is the morass of any project attempting to list unreleased Beatles songs. Firstly, do you want to call rehearsals and partial, off-the-cuff renditions Beatles versions? And then there's the problem that more Get Back stuff is still leaking out, and who can keep up with it. But I'll toss out a few lists of songs more or less performed. I'll skip the fact that much of "Abbey Road" appears here too. For much more detail, see the book "Drugs, Divorce and a Slipping Image".

 

  • Known or possible old Lennon--McCartney originals: all are fragments and the titles are speculative in most cases
  •  
  • Hot as sun [with words],
  • I lost my little girl,
  • I fancy me chances [?],
  • If tomorrow ever comes (I'll wait till tomorrow),
  • Just fun,
  • Thinking of linking,
  • Too bad about sorrows,
  • Wake up in the morning (Because I know you love me so),
  • Won't you please say goodbye

     

  • Improvisations or work songs never finished
  •  
  • Commonwealth/White power/Can you dig it medley (Paul and John),
  • How do you tell someone (George),
  • I look out the window (George),
  • I'm going to pay for his ride (Paul),
  • Madman (John),
  • Negro in reserve (John and Paul),
  • Pillow for your head (Paul),
  • Shakin' in the sixties (John),
  • Taking a trip to Carolina (Ringo),
  • There you are Eddie (Paul),
  • Watching rainbows (John)

     

  • Songs Paul finished later
    Another day, Back seat of my car, Every night, Suicide, Teddy boy  
  • Songs John finished later
    Child of nature [as Jealous guy], Give me some truth  
  • Songs George finished later
    All things must pass, Let it down, Hear me lord, Isn't it a pity

     

    Note, on the unreleased "Get Back" albums, "The Walk" is the Jimmy McCracklin hit written by McCracklin--Gorlic, and the opening instrumental sometimes called
  • "Rocker" is pretty much "Down the road apiece" by Raye and recorded by Chuck Berry.

 

others would eventually end up on Beatles solo albums, including

Lennon's "Jealous Guy" (called "Child of Nature" at the time and originally written and rehearsed for the White Album) and "Gimme Some Truth",

Harrison's "All Things Must Pass", "Isn't It a Pity" and "Hear Me Lord", and

McCartney's "Teddy Boy" and "Junk" (originally written for the White Album). Much of the band's attention was focused on extended jams on 12-bar blues as well as a broad range of covers. These included classical pieces such as Samuel Barber's "Adagio for Strings", jazz standards such as "Ain't She Sweet", and an encyclopaedic array of songs from the early rock and roll era such as "Stand By Me", "Words of Love", "Lonely Sea", "Bésame Mucho" by Mexican composer Consuelo Velázquez (a song that was part of The Beatles repertoire in the early days) and "Blue Suede Shoes". Only a handful of these were complete performances; the vast majority were fragmentary renditions with a verse or two of misremembered lyrics. The rehearsals and recording sessions were filmed and formed the basis of the Beatles' film of the same name. A song not included was

Watching Rainbows.

 

Although most of the songs on any given Beatles album are usually credited to the Lennon/McCartney songwriting team, that description is often misleading, and rarely more so than on The Beatles. With this album, each of the four band members began to showcase the range and depth of his individual songwriting talents, and to display styles that would be carried over to his eventual solo career. Indeed, some songs that the individual Beatles were working on during this period eventually were released on solo albums. These include

Lennon's "Look at Me" and "Child of Nature", eventually reworked as "Jealous Guy";

McCartney's "Junk" and "Teddy Boy"; and

Harrison's "Not Guilty" and "Circles".
Lennon also indulged his love of rock and roll with "Crippled Inside" and "It's So Hard." "Gimme Some Truth", originally heard in the Let It Be sessions, appears on the album with a new bridge. The politically-themed "I Don't Wanna Be a Soldier" closes the first half of Imagine in a cacophonous manner.

 

Revolution
The Ballad of John and Yoko
Come Together

 

1969 Cold Turkey
Besides Lennon, this recording features Eric Clapton on lead guitar, Klaus Voormann on bass and Ringo Starr on drums. It was recorded in Abbey Road Studio 2.

 

1969
"Yer Blues" (Lennon/McCartney) – 4:12
"Cold Turkey" (John Lennon) – 3:34
"Give Peace a Chance" (Lennon/McCartney) – 3:41

 

1970 John Lennon/Plastic Ono Band
"Look At Me" dates from The Beatles period- Ringo Starr: drums

 

1971 Imagine
2"Crippled Inside" – 3:47 dobro
5"I Don't Wanna Be a Soldier Mama I Don't Wanna Die" – 6:05 slide
6"Gimme Some Truth" – 3:16 elec
7"Oh My Love" (John Lennon, Yoko Ono) – 2:44 elce
8"How Do You Sleep?" – 5:36 slide
George Harrison – electric guitar (6, 7), slide guitar (5, 8) dobro guitar (2)

 

1972 Some Time in New York City #2 (live jam) live at the Lyceum Ballroom in London, England on 15 December 1969, for a UNICEF charity concert
Eric Clapton - 'Derek Claptoe': guitar., George Harrison - 'George Harrisong': guitar.

 

1973 Mind Games
Mind Games (with its "love is the answer" refrain and call to "make love not war") was begun during the Beatles' Let It Be sessions

 

@
Sour Milk Sea
Badge


"While My Guitar Gently Weeps" – 4:53
"Something" – 3:59
"Here Comes the Sun" – 2:59

 

1970 All things must pass

Harrison had been accumulating the songs he recorded for the album as far back as

1966; both "The Art of Dying"[1] and "Isn't It a Pity"[2] date from that year. In bootlegged conversation from the Get Back sessions, Harrison revealed that John had rejected "Isn't It a Pity" three years before, and that he (Harrison) had considered offering the song to Frank Sinatra.[2] Harrison picked up several more songs in late 1968 while visiting Bob Dylan and The Band in Woodstock, New York. He and Dylan co-wrote "I'd Have You Anytime" and "Nowhere to Go" (also known as "When Everybody Comes to Town") at this time, and Dylan showed him "I Don't Want to Do It."[3] All three songs were attempted at some point in the sessions for All Things Must Pass, but only "I'd Have You Anytime" made the album.

 

The January 1969 "Get Back" sessions saw early appearances of several other songs that would be considered for

All Things Must Pass, including the title track,

"Hear Me Lord",

"Isn't It a Pity",

"Let It Down", and

"Window, Window",[4] but nothing came of them at the time. The tense atmosphere fueled another song, "Wah-Wah", which Harrison wrote in the wake of his temporary departure from the band.[5] He began writing "My Sweet Lord" while touring with Delaney & Bonnie in late 1969,[6] and would later utilise their backing group "Friends" as an important part of the All Things Must Pass sound. He made one last detour before beginning work on All Things Must Pass, visiting Dylan while the latter was starting sessions for New Morning in May 1970, learning "If Not For You" and participating in a now-bootlegged session.

 

Bob Dylan, a close friend of Harrison's, co-wrote "I'd Have You Anytime" with him, while Harrison covered Dylan's "If Not For You", which had been recently released on Dylan's New Morning album.

 

The album features the talents of Ringo Starr

 

Let It Down"   Written and performed during the Get Back sessions 4:57
It's Johnny's Birthday" (Based upon "Congratulations" - Bill Martin/Phil Coulter) Recorded in August 1970 with Ringo Starr and presented to John Lennon on his 30th birthday

 

1973 Living in the Material World- Ringo Starr on drums

 

1974 Dark Horse- Ringo Starr on drums
"Love Comes to Everyone" – 4:36 Guitar intro played by Eric Clapton, who would go on to cover the song on his 2005 album Back Home. Song was performed live only once during Harrison's Japanese tour in December 1991

 

"Not Guilty" – 3:35 Originally written by Harrison for The Beatles in 1968 for inclusion on The Beatles album. It did not however appear on that album.

 

1981 Somewhere in England
All Those Years Ago" – 3:45 Harrison's tribute to John Lennon, featuring Ringo Starr on drums, as well as Paul and Linda McCartney and Denny Laine on backing vocals

 

@
Sentimental Journey (1970)

 

Beaucoups of Blues (1970)
It Don't Come Easy- producer George Harrison "co-wrote" the song
Back Off Boogaloo- Ringo wrote and composed the song himself and George Harrison produced it.

 

Ringo" (1973)
"Photograph" (George Harrison/Richard Starkey) – 3:56 Features George Harrison on guitar and harmony vocal  #1
"I'm the Greatest" (John Lennon) – 3:21  Featuring Starr, John Lennon on piano and harmony vocal, George Harrison on guitar, Klaus Voormann on bass and Billy Preston on organ
"Sunshine Life For Me (Sail Away Raymond)" (George Harrison) – 2:45 George Harrison on guitar and backing vocals
"You're Sixteen" (Bob Sherman/Dick Sherman) – 2:48 Features Paul McCartney on mouth sax solo and Paul McCartney, Linda McCartney and Harry Nilsson on backing vocals
"Six O'Clock" (Paul McCartney) – 4:06 Features Paul McCartney on piano and synthesizer, as well as backing vocals with Linda McCartney and Klaus Voorman on bass guitar
"You and Me (Babe)" (George Harrison/Mal Evans) – 4:59 Features George Harrison on guitar, arranged by Jack Nitzche
"It Don't Come Easy" (Richard Starkey) - 3:02 Bonus track on the 1991 CD reissue, originally released as a single in 1971.
"You're Sixteen"  #1

 

Goodnight Vienna (1974)
"(It's All Da-Da-Down To) Goodnight Vienna" (John Lennon) – 2:35 Featuring John Lennon on opening count-in and piano and Billy Preston on clavinet.
"All By Myself" (Vini Poncia/Richard Starkey) – 3:21 Featuring John Lennon on guitar
"Only You (And You Alone)" (Buck Ram/Ande Rand) – 3:26 Featuring John Lennon on guitar, Steve Cropper on guitar, Billy Preston on electric piano and Harry Nilsson on backing vocals.
"Goodnight Vienna (Reprise)" (John Lennon) – 1:20 Featuring John Lennon's intro, 'OK, with gusto, boys, with gusto!'
"No No Song"/"Snookeroo"  #3

 

Ringo's Rotogravure (1976)
"Pure Gold" (Paul McCartney) – 3:14 features background vocals by Paul and Linda McCartney
"Cookin' (In the Kitchen Of Love)" (John Lennon) – 3:41 features John Lennon on piano, Dr. John on guitar and organ and Melissa Manchester on backing vocals
"I'll Still Love You" (George Harrison) – 2:57
"This Be Called A Song" (Eric Clapton) – 3:14 features Eric Clapton on guitar and background vocals by Melissa Manchester

 

Stop and Smell the Roses (1981)
"Private Property" (Paul McCartney) – 2:44 Produced by Paul McCartney - features Paul McCartney on bass and piano, as well as backing vocals with Linda McCartney, Laurence Juber on guitar, Howie Casey on saxophone, and Lloyd Green on pedal steel guitar
"Wrack My Brain" (George Harrison) – 2:21 Produced by George Harrison - features George Harrison on guitar and backing vocals and Ray Cooper on piano, percussion and backing vocals, Herbie Flowers on bass and tuba, Al Kooper on piano and guitar
"Attention" (Paul McCartney) – 3:20 Produced by Paul McCartney - features Paul McCartney on bass and piano, as well as backing vocals with Linda McCartney


Stand by Me
Luccille

 

Free as a Bird
Real Love
Now and Then

 

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