
... at Twickenham film studios, London (Nov 23, 1965) (22.5 MB, mpeg, b&w)
This one is that third promo filmed of I Feel Fine in which The Beatles were
on the set of the first promo eating newspaper wrapped fish and chips.
98개의 게시물을 찾았습니다.
Songs the Beatles didn't do: meaning, songs they wrote while the Beatles existed, but which did not appear on official EMI Beatles records. This list is limited to songs that might be considered finished, which we'll define as one of: published; recorded by someone else; registered for copyright; or attempted at EMI for release. Composer credit is shown only where established by publisher or copyright documentation. Comments mention the probable composer in other cases.
This is the morass of any project attempting to list unreleased Beatles songs. Firstly, do you want to call rehearsals and partial, off-the-cuff renditions Beatles versions? And then there's the problem that more Get Back stuff is still leaking out, and who can keep up with it. But I'll toss out a few lists of songs more or less performed. I'll skip the fact that much of "Abbey Road" appears here too. For much more detail, see the book "Drugs, Divorce and a Slipping Image".
Note, on the unreleased "Get Back" albums, "The Walk" is the Jimmy McCracklin hit written by McCracklin--Gorlic, and the opening instrumental sometimes called
others would eventually end up on Beatles solo albums, including
Lennon's "Jealous Guy" (called "Child of Nature" at the time and originally written and rehearsed for the White Album) and "Gimme Some Truth",
Harrison's "All Things Must Pass", "Isn't It a Pity" and "Hear Me Lord", and
McCartney's "Teddy Boy" and "Junk" (originally written for the White Album). Much of the band's attention was focused on extended jams on 12-bar blues as well as a broad range of covers. These included classical pieces such as Samuel Barber's "Adagio for Strings", jazz standards such as "Ain't She Sweet", and an encyclopaedic array of songs from the early rock and roll era such as "Stand By Me", "Words of Love", "Lonely Sea", "Bésame Mucho" by Mexican composer Consuelo Velázquez (a song that was part of The Beatles repertoire in the early days) and "Blue Suede Shoes". Only a handful of these were complete performances; the vast majority were fragmentary renditions with a verse or two of misremembered lyrics. The rehearsals and recording sessions were filmed and formed the basis of the Beatles' film of the same name. A song not included was
Watching Rainbows.
Although most of the songs on any given Beatles album are usually credited to the Lennon/McCartney songwriting team, that description is often misleading, and rarely more so than on The Beatles. With this album, each of the four band members began to showcase the range and depth of his individual songwriting talents, and to display styles that would be carried over to his eventual solo career. Indeed, some songs that the individual Beatles were working on during this period eventually were released on solo albums. These include
Lennon's "Look at Me" and "Child of Nature", eventually reworked as "Jealous Guy";
McCartney's "Junk" and "Teddy Boy"; and
Harrison's "Not Guilty" and "Circles".
Lennon also indulged his love of rock and roll with "Crippled Inside" and "It's So Hard." "Gimme Some Truth", originally heard in the Let It Be sessions, appears on the album with a new bridge. The politically-themed "I Don't Wanna Be a Soldier" closes the first half of Imagine in a cacophonous manner.
Revolution
The Ballad of John and Yoko
Come Together
1969 Cold Turkey
Besides Lennon, this recording features Eric Clapton on lead guitar, Klaus Voormann on bass and Ringo Starr on drums. It was recorded in Abbey Road Studio 2.
1969
"Yer Blues" (Lennon/McCartney) – 4:12
"Cold Turkey" (John Lennon) – 3:34
"Give Peace a Chance" (Lennon/McCartney) – 3:41
1970 John Lennon/Plastic Ono Band
"Look At Me" dates from The Beatles period- Ringo Starr: drums
1971 Imagine
2"Crippled Inside" – 3:47 dobro
5"I Don't Wanna Be a Soldier Mama I Don't Wanna Die" – 6:05 slide
6"Gimme Some Truth" – 3:16 elec
7"Oh My Love" (John Lennon, Yoko Ono) – 2:44 elce
8"How Do You Sleep?" – 5:36 slide
George Harrison – electric guitar (6, 7), slide guitar (5, 8) dobro guitar (2)
1972 Some Time in New York City #2 (live jam) live at the Lyceum Ballroom in London, England on 15 December 1969, for a UNICEF charity concert
Eric Clapton - 'Derek Claptoe': guitar., George Harrison - 'George Harrisong': guitar.
1973 Mind Games
Mind Games (with its "love is the answer" refrain and call to "make love not war") was begun during the Beatles' Let It Be sessions
@
Sour Milk Sea
Badge
"While My Guitar Gently Weeps" – 4:53
"Something" – 3:59
"Here Comes the Sun" – 2:59
1970 All things must pass
Harrison had been accumulating the songs he recorded for the album as far back as
1966; both "The Art of Dying"[1] and "Isn't It a Pity"[2] date from that year. In bootlegged conversation from the Get Back sessions, Harrison revealed that John had rejected "Isn't It a Pity" three years before, and that he (Harrison) had considered offering the song to Frank Sinatra.[2] Harrison picked up several more songs in late 1968 while visiting Bob Dylan and The Band in Woodstock, New York. He and Dylan co-wrote "I'd Have You Anytime" and "Nowhere to Go" (also known as "When Everybody Comes to Town") at this time, and Dylan showed him "I Don't Want to Do It."[3] All three songs were attempted at some point in the sessions for All Things Must Pass, but only "I'd Have You Anytime" made the album.
The January 1969 "Get Back" sessions saw early appearances of several other songs that would be considered for
All Things Must Pass, including the title track,
"Hear Me Lord",
"Isn't It a Pity",
"Let It Down", and
"Window, Window",[4] but nothing came of them at the time. The tense atmosphere fueled another song, "Wah-Wah", which Harrison wrote in the wake of his temporary departure from the band.[5] He began writing "My Sweet Lord" while touring with Delaney & Bonnie in late 1969,[6] and would later utilise their backing group "Friends" as an important part of the All Things Must Pass sound. He made one last detour before beginning work on All Things Must Pass, visiting Dylan while the latter was starting sessions for New Morning in May 1970, learning "If Not For You" and participating in a now-bootlegged session.
Bob Dylan, a close friend of Harrison's, co-wrote "I'd Have You Anytime" with him, while Harrison covered Dylan's "If Not For You", which had been recently released on Dylan's New Morning album.
The album features the talents of Ringo Starr
Let It Down" Written and performed during the Get Back sessions 4:57
It's Johnny's Birthday" (Based upon "Congratulations" - Bill Martin/Phil Coulter) Recorded in August 1970 with Ringo Starr and presented to John Lennon on his 30th birthday
1973 Living in the Material World- Ringo Starr on drums
1974 Dark Horse- Ringo Starr on drums
"Love Comes to Everyone" – 4:36 Guitar intro played by Eric Clapton, who would go on to cover the song on his 2005 album Back Home. Song was performed live only once during Harrison's Japanese tour in December 1991
"Not Guilty" – 3:35 Originally written by Harrison for The Beatles in 1968 for inclusion on The Beatles album. It did not however appear on that album.
1981 Somewhere in England
All Those Years Ago" – 3:45 Harrison's tribute to John Lennon, featuring Ringo Starr on drums, as well as Paul and Linda McCartney and Denny Laine on backing vocals
@
Sentimental Journey (1970)
Beaucoups of Blues (1970)
It Don't Come Easy- producer George Harrison "co-wrote" the song
Back Off Boogaloo- Ringo wrote and composed the song himself and George Harrison produced it.
Ringo" (1973)
"Photograph" (George Harrison/Richard Starkey) – 3:56 Features George Harrison on guitar and harmony vocal #1
"I'm the Greatest" (John Lennon) – 3:21 Featuring Starr, John Lennon on piano and harmony vocal, George Harrison on guitar, Klaus Voormann on bass and Billy Preston on organ
"Sunshine Life For Me (Sail Away Raymond)" (George Harrison) – 2:45 George Harrison on guitar and backing vocals
"You're Sixteen" (Bob Sherman/Dick Sherman) – 2:48 Features Paul McCartney on mouth sax solo and Paul McCartney, Linda McCartney and Harry Nilsson on backing vocals
"Six O'Clock" (Paul McCartney) – 4:06 Features Paul McCartney on piano and synthesizer, as well as backing vocals with Linda McCartney and Klaus Voorman on bass guitar
"You and Me (Babe)" (George Harrison/Mal Evans) – 4:59 Features George Harrison on guitar, arranged by Jack Nitzche
"It Don't Come Easy" (Richard Starkey) - 3:02 Bonus track on the 1991 CD reissue, originally released as a single in 1971.
"You're Sixteen" #1
Goodnight Vienna (1974)
"(It's All Da-Da-Down To) Goodnight Vienna" (John Lennon) – 2:35 Featuring John Lennon on opening count-in and piano and Billy Preston on clavinet.
"All By Myself" (Vini Poncia/Richard Starkey) – 3:21 Featuring John Lennon on guitar
"Only You (And You Alone)" (Buck Ram/Ande Rand) – 3:26 Featuring John Lennon on guitar, Steve Cropper on guitar, Billy Preston on electric piano and Harry Nilsson on backing vocals.
"Goodnight Vienna (Reprise)" (John Lennon) – 1:20 Featuring John Lennon's intro, 'OK, with gusto, boys, with gusto!'
"No No Song"/"Snookeroo" #3
Ringo's Rotogravure (1976)
"Pure Gold" (Paul McCartney) – 3:14 features background vocals by Paul and Linda McCartney
"Cookin' (In the Kitchen Of Love)" (John Lennon) – 3:41 features John Lennon on piano, Dr. John on guitar and organ and Melissa Manchester on backing vocals
"I'll Still Love You" (George Harrison) – 2:57
"This Be Called A Song" (Eric Clapton) – 3:14 features Eric Clapton on guitar and background vocals by Melissa Manchester
Stop and Smell the Roses (1981)
"Private Property" (Paul McCartney) – 2:44 Produced by Paul McCartney - features Paul McCartney on bass and piano, as well as backing vocals with Linda McCartney, Laurence Juber on guitar, Howie Casey on saxophone, and Lloyd Green on pedal steel guitar
"Wrack My Brain" (George Harrison) – 2:21 Produced by George Harrison - features George Harrison on guitar and backing vocals and Ray Cooper on piano, percussion and backing vocals, Herbie Flowers on bass and tuba, Al Kooper on piano and guitar
"Attention" (Paul McCartney) – 3:20 Produced by Paul McCartney - features Paul McCartney on bass and piano, as well as backing vocals with Linda McCartney
Stand by Me
Luccille
Free as a Bird
Real Love
Now and Then
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http://rapidshare.com/files/5464491/She_27s_A_Woman__5bLive_Tokyo_1966_5d.mpg
http://rapidshare.com/files/5464485/We_can_work_it_out.mpg
http://rapidshare.com/files/5464480/While_My_Guitar_Gently_Weeps_5bGeorge_Harrison_Eri c_Clapton_Phil_Collins_Ringo_Starr_Live.mpg
http://rapidshare.com/files/5464366/All_You_Need_Is_Love.mpeg
http://rapidshare.com/files/5464363/live_I_Saw_Her_Standing_There_1964__Washington_DC_ .mpg
http://rapidshare.com/files/5464362/Lady_Madonna.mpg
http://rapidshare.com/files/5464358/Superbowl_35_Halftime_Show_Aerosmith_N_Sync_Britne y_Spears_20.mpg
http://rapidshare.com/files/5464357/Two_Of_Us.mpg
http://rapidshare.com/files/5464356/Help_.mpg
http://rapidshare.com/files/5464350/George_Harrison_When_We_Was_Fab.mpeg
http://rapidshare.com/files/5464348/I_27m_Down_Shea_1965.mpeg
http://rapidshare.com/files/5464346/Revolution__Live_David_Frost_Show_.mpg
http://rapidshare.com/files/5464344/Ticket_To_Ride_Shea_Stadium.mpg
http://rapidshare.com/files/5464343/I_27m_A_Loser_and_Boys.mpg
http://rapidshare.com/files/5464342/Live_9-12-65_Ed_Sullivan_Show_6_songs.MPG
http://rapidshare.com/files/5464340/She_Loves_You__1964_Ed_Sullivan_.mpg
http://rapidshare.com/files/5464334/Paperback_Writer.mpg
http://rapidshare.com/files/5464332/George_Harrison___Paul_Simon-Here_Comes_The_Sun_Homeward_Bound_SNL__2776_.mpg
http://rapidshare.com/files/5464330/Yellow_Submarine.MPG
http://rapidshare.com/files/5464328/The_Long_And_Winding_Road.mpg
http://rapidshare.com/files/5464325/Roll_Over_Beethoven_Beatles.mpg
... from the Ed Sullivan show (Aug 14, 1965) (14.2 MB, mpeg, b&w)
The Beatles taped 6 songs for the September 12 Ed Sullivan Show,
including this performance of Help! in which John messes up the lyrics.
... at Twickenham film studios, London (Nov 23, 1965) (22.5 MB, mpeg, b&w)
This one is that third promo filmed of I Feel Fine in which The Beatles were
on the set of the first promo eating newspaper wrapped fish and chips.
... at Twickenham film studios, London (Nov 23, 1965) (7.27 MB, mpeg, b&w)
Two versions were mimed for TV shows. This one has John, Paul and George wearing turtlenecks while Ringo rides an exercise bike. The other has clips of
The Beatles backstage and in dressing rooms. A third promo was filmed of The Beatles on the set of the first promo eating newspaper wrapped fish and chips.
... at Twickenham film studios, London (Nov 23, 1965) (8.89 MB, mpeg, b&w)
For this one The Beatles were in turtleneck sweaters and overcoats and mimed playing. Ringo stood behind, disinterested in miming his drumming with just sticks. The backdrop was a train ticket blowup. An orchestral version is barely audible in the fadeout at the very end of newer CD issues of the Pink Floyd album The Dark Side of the Moon. Probably a mistake in remastering: coincidentally both groups were well-known patrons of Abbey Road Studios.
... at Twickenham film studios, London (Nov 23, 1965) (3.99 MB, wmv, b&w)
A combination of three different takes: 1) wearing their Shea Stadium jackets and turtlenecks. Train and plane facades are in the background and foreground and Ringo saws out part of a train window; 2) in suits and ties, on a construction site and 3) similar to the second one except for Ringo's actions. They are dressed in suits and ties and mime the song in their standard performance look.
... at Twickenham film studios, London (Nov 23, 1965) (3.74 MB, wmv, b&w) This clip is a combination of four different versions they made: 1) wearing turtlenecks and jackets, John playing the organ and making faces and whistling at the camera, Ringo looking completely bored and never smiled and George sitting down half way through on the drum stand; 2) wearing their Shea Stadium outfits; 3) in suits and ties and 4) that is almost the same as the 3rd except for the opening with a still of John with a sunflower over his eye.
... at Twickenham film studios, London (Nov 23, 1965) (7.62 MB, mpeg, b&w)
That day The Beatles mimed some versions of some of their last songs for TV shows such as U.S.'s "Hullabaloo", BBC's "Top Of The Pops" and "Thank Your Lucky Stars". This version of Help! has The Beatles sitting on a sawhorse, all holding instruments except Ringo who holds an umbrella to shield them from 'snow', which was actually confetti. They wear turtlenecks and jackets.
... at different locations while filming Help! (Spring 1965) (31.4 MB, wmv, colour) This footage shows The Beatles at several exotic foreign locations (the Bahamas, Switzerland) while they were filming Help!. They can be seen with the crew and Richard Lester, among others. Afterwards they were hesitant to begin another film project, and indeed Help! was their last full-length scripted theatrical film.
... at Twickenham film studios, London (April 22, 1965) (22.9 MB, mpeg, b&w)
Among the film's original working titles were 'Beatles Phase II' and, what would have been Walter Shenson's suggested title, 'Eight Arms To Hold You'. The Beatles said the film was inspired by the Marx Brothers' classic Duck Soup; it was also directly satirical of the James Bond series of films. The Beatles did not particularly enjoy the filming of the movie, nor were they overly pleased with the end product. John said in 1970 they felt "like extras in their own movie".
During these 41 days this second place has had almost 6,000 visits and more than 2,500 downloads and some may say "and what?" and I would tell you that for me that has been, again, another great surprise so "thank you for being so wonderful!" ...
... but we haven't arrived yet! ... this was only the second step ...
... so I would invite you to come with me to the third part of this journey ...
... here: http://seltaeb3.podomatic.com
P.S. PLEASE, BE PATIENT DOWNLOADING THESE FILES, IF YOU CAN'T DOWNLOAD THEM BECAUSE OF BANDWIDTH PROBLEMS TRY AGAIN
IN A FEW DAYS: IT WILL RESET TO ZERO EVERY MONTH . THANK YOU!
... from the Yellow Submarine film (July 17, 1968) (2.32 MB, wmv, colour)
It was recorded during sessions for the single Lady Madonna, and one of the few Beatles song to revolve around a piano riff. During the recording, Paul started to bark without warning. The next lines (initially intended as "Hey Bullfrog") were changed mid-song to "Hey Bulldog". This served as the song's title. The song itself was recorded for the Yellow Submarine film, but initially appeared only in European theatrical prints. It was restored for a 1999 re-release.
... at Balmoral Island & Cabbage Beach (Feb 1965) (1.55 MB, wmv, colour)
The Beatles filmed on Balmoral Island in the Bahamas miming to Another Girl and on Cabbage Beach on Paradise Island the next day. Ringo commented in The Beatles Anthology that they were in The Bahamas for the hot weather scenes and it was rather cold. The track was recorded on February 15, 1965, with the guitar outro overdubbed on February 16. It is worth noting that this is the first Beatles song in which McCartney played lead guitar, in addition to his usual bass.
... at Geliebtes Leben (May 3, 1965) (1.83 MB, wmv, colour)
This is the second George Harrison song The Beatles recorded (on February 15 and February 16, 1965) and released, after a two album-long hiatus from the songwriter. The song is a simple, melancholy number, with a unique guitar sound achieved by Harrison's first recorded use of a tone pedal. The confessional lyrics are commonly thought to be about Harrison's relationship with Pattie Boyd, whom he had met in March 1964 while filming A Hard Day's Night.
... in Obertauern, Austrian Alps (March 15-20, 1965) (2.32 MB, wmv, color)
The actual inspiration of the song is cloudy: John passing his driving test? a girl walking out of his life? a train ticket to Ryde? a special ticket given to prostitutes in Hamburg that showed they had a clean bill of health? ... The lead guitar breaks are by Paul (the first time he played lead guitar on a Beatles record -though it is believed that he played the guitar solo in the outro on Another Girl). After the breakup, Lennon proudly claimed that it was the first heavy metal song of all time; given the droning bassline, repeating drums, and loaded guitar lines.
... from the Help! film (March 1965) (1.63 MB, wmv, colour)
In the film, at the opening of the song, the head of the 'Indian cult', Leo McKern, appears from a manhole cover in the middle of Ailsa Avenue, London, where parts of the film were shot. He stays there for the whole song, which The Beatles play in John Lennon's flat. They are watched by 'Ahme', played by Eleanor Bron, and at the end of the song, George passes out after Ahme produces a giant needle for Ringo, who is wearing the ring the cult want.
... at Twickenham film studios, London (April 30, 1965) (1.75 MB, wmv, colour)
Most of the time of that day was spent filming the You're Going To Lose That Girl 'recording session': The Beatles appeared singing it in the recording studio, for the film. It can be considered as part 2 of She Loves You. Both feature the singer giving a friend advice about a particular girl, however, this theme is taken one step further. Instead of friendly advice, the song is clearly a threat: if the friend in question does not take care of his girl, the singer most certainly will.
... at Twickenham film studios, London (April 22, 1965) (1.81 MB, wmv, colour)
Lennon wrote the lyrics (April 4th) to express his stress coming from the quick rise to a massive level of success for The Beatles. Since Lennon's feelings of insecurity were incongruous with the band's image of confidence, Lennon felt it was nearly impossible for the fans to understand the origin of the song. In 1970, Lennon said that because of its honesty it was one of his favorites among the songs he wrote, but he wished they had recorded it at a slower tempo.
... at Candlestick Park, San Francisco (Aug 29, 1966) (25.0 MB, zipped files)
Today is the 40th anniversary of The Beatles' last public 'paid' performance and the 47th of George's first appearance with The Quarrymen. The concert recordings were made on a cassette recorder because of a request by Paul.
Long Tall Sally was their last song and it is curious because they were closing everywhere else with Paul's I'm Down. According to the author Wiener they supposedly started In My Life, then stopped and left the stage (see comments).
... at Scala Theatre, London (March 31, 1964) (1.97 MB, wmv, b&w)
The Beatles were filmed miming their songs for the film. Phil Collins was in the audience. They were inspired to write She Loves You after a concert at the Majestic Ballroom in Newcastle and it was one of the five Beatles' songs which held the top five positions in the American charts, still an unchallenged record. It also remains their best-selling single in the United Kingdom today and it was the first time Lennon's name had taken precedence over McCartney in the credits.
... at Twickenham film studios, London (Spring 1964) (1.93 MB, wmv, b&w)
This was one of the first pop songs with a title that starts in mid-sentence. Paul was pleased with himself that he came up with this clever idea. It was mainly written by McCartney, though Lennon claimed in an interview with Playboy, that his major contribution was the "middle eight" section: "A love like ours, Could never die, As long as I, Have you near me." John played acoustic guitar, Paul bass, George acoustic lead Ramirez guitar and claves and Ringo played bongos.
... at Twickenham film studios, London (Spring 1964) (1.59 MB, wmv, b&w)
Written by Lennon, it was said that John didn't really like it, so it was given to George to sing in the film. At this time, George's writings were not accepted by John and Paul and were hardly if ever used on any recording. John believed that George's somewhat simple vocal delivery conveyed the mood of the song perfectly. This was their first song recorded on a Sunday recording session.
... at Twickenham film studios, London (Spring 1964) (1.78 MB, wmv, b&w)
Mainly written by John, the song is notable primarily for its unusual structure, which includes an unrepeated introductory section followed by sequential verse sections, each having a slightly expanded form, but with no obvious chorus or bridge section, a two-part harmony by John & Paul and intricate chord changes.
... Thornbury Playing Fields, Isleworth (April 23, 1964) (1.73 MB, wmv, b&w)
The sequence was filmed at Thornbury Playing Fields, Isleworth, Hounslow, Middlesex. John left as soon as it was finished and he went to a luncheon in London where he read his poem 'I Sat Be Lonely'. Therefore he was not around for the scene where the man admonishes them. Approximately at 1 pm, the shooting was done and they left. It was composed and recorded in Paris and it was also the only occasion that a Beatles song was recorded outside of Britain.
... at Twickenham film studios (March 11, 1964) (1.97 MB, wmv, b&w)
This is the baggage car sequence in which they are playing cards and lip-synching to I Should Have Known Better. This is one of the first tracks on which we heard Harrison's 12-string electric Rickenbacker guitar (alongside many other cuts on A Hard Day's Night LP). Later The Byrds would make it their signature instrument.
... at Boston Place & Marylebone Station (April 5, 1964) (1.88 MB, wmv, b&w)
Opening sequence of the film. Its strange title, originated from something said by Ringo, was the inspiration for the title of the movie, according to Lennon (some disagree). John dashed off the song in one night and it took them less than 3 hours to polish it for its final release, featuring a prominent and unique opening chord played by Harrison (subject of contention) and ending with Harrison's guitar-playing fading out, the first time The Beatles had used such a technique.
... a look at the rest of the Let It Be film (the first hour or so) here:
http://www.youtube.com/watch?v=mWnt0m-z7OA&search=The
http://www.youtube.com/watch?v=B0kOOVecgmU&search=The
http://www.youtube.com/watch?v=nlXKUKp72to&search=The
... at the Apple Studios, London (Jan 31, 1969) (54.3 MB, mpeg, colour)
Paul, upset over The Beatles pending breakup, claims his mother, Mary, came to him in a dream saying: "Let it be." After Take 22, Paul said they should change the tempo a bit. The April 1, 1970 dub was the band's last 'recording session'. This was the first Beatles record to be released in the USSR (see comments).
... at the Apple Studios, London (Jan 31, 1969) (35.6 MB, mpeg, colour)
Paul originally wrote the song at his farm in Scotland, inspired by the growing tension between The Beatles at the time and recorded a quick demo version of the song sometime in September of 1968. Lirically somewhat ambiguous, the 'long and winding road' sometimes claimed to have been inspired by a 31-mile winding road in Scotland, running along the east coast of Kintyre into Campbeltown, and part of the 82-mile drive from Lochgilphead (see comments).
... at the Apple Studios, London (Jan 31, 1969) (34.3 MB, mpeg, colour)
Composed by Paul (although John claimed to have written it in a 1980 interview with David Sheff) it originally began as a rocker with a strong Peggy Sue drum beat but it lost its rock leanings as Paul worked out the song and it became a more introspective song. For Linda, though it sounds at times as if it is addressing John, whose relationship with Paul was tense at that time (see comments).
... at the Twickenham and Apple Studios (January 1969) (7.01 MB, wmv, colour)
This clip was made utilising Michael Lindsay-Hogg's film work. It features a combination of Twickenham filming and Apple recording sessions. Some footage is from the actual day when the song was recorded. It seems that it was meant to be included, as part of the extras, in a future release of Let It Be in DVD.
... at the Apple Studios rooftop, London (Jan 30, 1969) (33.6 MB, mpeg, colour)
The third rooftop version is the Beatle's last song of their last public performance. The song almost breaks down but lurches to a finish, with Paul's ad-libs and John's famous statement. The Anthology and the Let It Be film are the only publicly available true recordings, with the lurching version and the closing ad-libs.
... at the Apple Studios rooftop, London (Jan 30, 1969) (8.87 MB, wmv, colour)
Don't Let Me Down was recorded live on 28 January and played twice during the Rooftop Concert. Here is a combination of shots of The Beatles playing the song. The sound comes from the original studio recording released as the B-side to Get Back, so John can not be heard changing the line he forgot during the concert.
... at the Apple Studios rooftop, London (Jan 30, 1969) (37.7 MB, mpeg, colour)
Before it began John asked for the words, so an assistant can be seen kneeling before him with the lyrics attached to a clipboard. John would later comment that he thought the song was one of the worst he had ever written. Written for his soon-to-be wife, Yoko Ono, and featured a multitude of strange phrases strung together as well as the culmination of each verse, "All I want is you".
... at the Apple Studios rooftop, London (Jan 30, 1969) (28.3 MB, mpeg, colour)
One After 909 was written by John before The Beatles' days but was not officially released until it was included on the 1970 album Let It Be. The recording of this happened during a session at Abbey Road Studios in 1963 and was included on a compilation of takes published in 1995 as Anthology 1. The song ends with John sarcastically reciting a line of the 1913 standard Danny Boy.
... at the Apple Studios rooftop, London (Jan 30, 1969) (2.54 MB, wmv, colour)
This was actually three unfinished songs strung together: Paul's "I've Got a Feeling" and John's "Everybody Had a Hard Year", with the main guitar riff coming from John's unfinished "Watching Rainbows." John had actually had a very hard year: he had divorced and was estranged from his son, Yoko Ono had a miscarriage, he was arrested for drug possession and his money was dwindling.
... at the Apple Studios rooftop (Jan 30, 1969) (32.5 MB, mpeg, colour)
Don't Let Me Down was the B-side to Get Back and when the single was issued another colour promotional clip was distributed to TV stations. The song was recorded live (with Billy Preston playing the keyboard) just minutes after the completion of Get Back on 28 January. Here is their first performance from the Rooftop Concert. John can be heard forgeting one of the lines in the middle.
... at the Apple Studios rooftop (Jan 30, 1969) (42.8 MB, mpeg, colour)
When Get Back was issued as a single one colour promotional clip was distibuted to TV stations. Although it did not contain any footage from the actual studio recording, it was synchronised to that version, and it presented material different from that included in Let It Be (the film has a well-matched edit of the first two Get Back versions). This clip is from the rooftop performance (see comments).
... at the Apple Recording Studios rooftop (Jan 30, 1969) (10.3 MB, mp3)
The historical Rooftop Concert which turned out being their last public performance. The police stopped it short. During a meeting on Sunday 26 January the idea was raised that the group give an unannounced live performance the following Thursday on the roof of their own office building. Many claim to have originated the rooftop idea, which suggests that it was warmly received by all. It was 37 & 1/2 years ago yesterday (see comments).
... at the Apple Recording Studios rooftop (Jan 30, 1969) (23.8 MB, mp3)
The historical Rooftop Concert which turned out being their last public performance. The police stopped it short. During a meeting on Sunday 26 January the idea was raised that the group give an unannounced live performance the following Thursday on the roof of their own office building. Many claim to have originated the rooftop idea, which suggests that it was warmly received by all. It was 37 & 1/2 years ago today (see comments).
... at the Johanneshov's Isstadion (July 28, 1964) (4.59 MB, wmv, b&w)
Excerpts from their performances of I Saw Her Standing There and Twist And Shout at the Johanneshov's Isstadion (an ice hockey arena). An elevator was supposed to bring The Beatles down to the stage, but it broke down with them on it for 5 minutes. During the show John And Paul suffered an electric discharge when they touched their ungrounded microphones while playing Long Tall Sally.
... from the Magical Mystery Tour film (Dec 26, 1967) (54.6 MB, mpeg, colour)
An interesting factor to the music is that all the chords used are major chords or 7th chords, and all the 'musical' letters of the alphabet are so used. The song ends with a descending progression of A7, G7, F7, E7, D7, C7, and B7, repeated until the end. The unusual monologue buried in the mix towards the end is actually a few lines of Shakespeare's King Lear (Act IV, Scene VI), which were added to the song direct from an AM radio receiving the broadcast of the play.
... at Knole Park, Sevenoaks (Jan 30 & 31, 1967) (39.3 MB, mpeg, b&w)
It was debuted on the Top of the Pops on February 9, 1967. It was released in both color and in black & white. Widely considered to be one of the group's best recordings, it is also one of the defining works of the psychedelic rock genre. Brian Wilson claimed that this song was partially responsible for the collapse of the Beach Boys' legendary unfinished album SMiLE. It also gave its name to the Strawberry Fields Memorial in Central Park, near the site of Lennon's assassination.
During these 33 days this place has had 8,000 visits and more than 4,000 downloads and some may say "and what?" and I would tell you that for me
that has been a great surprise so "thank you for being so wonderful!" ...
... but we haven't arrived yet! ... this was only the first step ...
... so I would invite you to come with me to the second part of this journey ...
... here: http://seltaeb2.podomatic.com
P.S. PLEASE, BE PATIENT DOWNLOADING THESE FILES, IF YOU CAN'T DOWNLOAD THEM BECAUSE OF BANDWIDTH PROBLEMS TRY AGAIN
IN A FEW DAYS: IT WILL RESET TO ZERO EVERY MONTH . THANK YOU!
... from the Ed Sullivan Show (Aug 14, 1965) (18.5 MB, mpeg, black & white).
The Beatles taped 6 songs for the September 12th Ed Sullivan Show. This appearance included the classic performance by Paul when he stood solo in the spotlight and sang a version of Yesterday (with a pre-taped track of 3 violins).
... at EMI Studio One, London (Feb 10, 1967) (11.1 MB, mpeg, colour).
The orchestral part was recorded with McCartney and Martin conducting a 40-piece orchestra. The session was filmed to be used in a TV special, however, the film was never released, although portions of it can be seen in this promo film. Reflecting The Beatles' taste for experimentation and avant garde, the orchestra players were decked out in formal dress for the film, but also asked to wear a "fancy dress" piece such as red noses or fake stick-on nipples.
... from the Anthology TV documentary (Jan 1967) (5.50 MB, wmv, colour).
The released version is an edit of two takes. They recorded two versions: the first one was basic instrumentation including keyboard, guitars and drums. Some weeks later, John had opted for a much more complex arrangement. The most distintive instrument was the one that produced the flute-like sound (played by Paul) in the introduction: a Mellotron. The Beatles were one of the first rock bands to acquire one and this is believed to be the first use of it on a recording.
... at Knole Park, Sevenoaks (Jan 30 & 31, 1967) (2.57 MB, wmv, colour).
This prom film is one of the first conceptual music videos, featuring reverse film effects, stop motion animation, jump cuts from daytime to nighttime and The Beatles playing, pouring paint over and smashing an upright piano. The location is easy to find, being on one of the main roads through the park with a tree. John began writing the song in late 1966, in Almeria, Spain. The title referred to the Salvation Army orphanage in Liverpool, where he used to play.
... at Angel Lane and Knole Park, London (Feb 1967) (30.1 MB, mpeg, colour).
The song's title is derived from the name of a street in Liverpool, which was named after a wealthy 18th century slave ship owner. This promotional film was not filmed at Penny Lane -The Beatles were reluctant to travel to Liverpool- and so the street scenes were actually filmed in and around Angel Lane in London's East End. The outdoor scenes were filmed at Knole Park in Sevenoaks. The solo was played by a piccolo trumpet (thought to be the first use of it in pop music).
... from the Magical Mystery Tour film (July 17, 1968) (3.33 MB, wmv, colour).
It is one of The Beatles' most striking and effective experimental songs from the psychedelic period. Lennon wrote most of the song on separate acid trips combining 3 separate songs he had been working on: the 1st was inspired by hearing a police siren, the 2nd was a short rhyme about him sitting in his garden and the 3rd was a nonsense lyric about sitting on a corn flake. The Walrus is a reference to the one from Lewis Carroll's poem The Walrus And The Carpenter.
... from the Magical Mystery Tour film (Dec 26, 1967) (2.15 MB, wmv, colour).
This song appeared in a scene filmed on Monday 30 and Tuesday 31 October, with Paul running around on hills in Nice, France. It is about a man who is considered a fool by others, but whose foolish demeanor is actually an indication of wisdom. Some have speculated that the man was The Beatles' guru, Maharishi Mahesh Yogui, however, the song was based on a Paul's experience in London.
... from the Magical Mystery Tour film (Dec 26, 1967) (2.02 MB, wmv, colour).
The song appeared in the last part of the film in an elaborate, old-fashioned segment that has The Beatles in white tuxedoes performing a (rather poorly synchronized) dance number at a fancy dress ball. The song was originally composed with the use of continuous drum rolls by Ringo giving the impression of a funeral march. This version was later scratched in favor of a more fluid one.
... from the Yellow Submarine film (July 17, 1968) (3.17 MB, wmv, colour).
The version of George's It's All Too Much that appeared in the film itself is slightly different and contained a lyric that was cut from the album version: "Nice to have the time to take this opportunity/Time for me to look at you and you to look at me." The Beatles themselves were not enthusiastic in participating in a motion picture at the time, however, they, impressed after seeing the finished film, did agree to make a cameo appearance here, in the final scene of the film.
... from the Yellow Submarine film (July 17, 1968) (1.58 MB, wmv, colour).
While The Beatles were in India studying Transcendental Meditation, they sang a different version of the song changing the words "E F G H I J, I Love You" to "E F G H I Jai Guru Dev" in honor of the Maharishi Mahesh Yogi. Paul wrote the verses/refrain, John the middle-eight and it was performed in a skiffle style. The lyrics are very simple; football fans in the UK have sung the song during matches.
... from the Yellow Submarine film (July 17, 1968) (2.31 MB, wmv, colour).
On their way to save Pepperland, The Beatles met Jeremy Hillary Boob, Ph. D., a strange little man who lived in an empty Nowhere and spoke in rhyme so they sang this song to him. Jeremy realized how empty and lonely his life was so Ringo offered to take him Somewhere. Jeremy helped them to defeat the Blue Meanies. John claimed that he himself was the subject of the song. He wrote it after wracking his brain in desperation for hours, trying to come up with a song.
... from the Yellow Submarine film (July 17, 1968) (2.21 MB, wmv, colour).
When they were passing through the foothills of the Headlands (Sea Of Heads) they get separated from the submarine and John sang this song, featuring image-laden verses which present an overtly psychedelic travelogue. This, as well as the initials of the title and the dreamlike-quality of the melody, has led many to speculate that it was written in reference to LSD. The Beatles denied it. However, it inspired the name of an anthropological find: an old female hominid.
... from the Yellow Submarine film (July 17, 1968) (2.03 MB, wmv, colour).
The combination of still black and white pics of Liverpool that "can be a lonely place on a Saturday night, and this is only Thursday morning" with the color pictures of its citizens, "all the lonely people, where did they all come from?" with the "saddest music in the world" is heartbreaking. The orchestra sounds like a horror film soundtrack, and Eleanor Rigby is cinematic, and it is about horror.
... from the Yellow Submarine film (July 17, 1968) (2.07 MB, wmv, colour).
This clip belongs to the Sea Of Time sequence, where The Beatles go forward and backward in time. Although it involves themes of aging, it was one of the first songs Paul wrote (John provided the grandchildren's names: Vera, Chuck and Dave), dating back from his days with The Quarrymen. Sir Paul McCartney turned 64 years of age four weeks ago, on June 18, 2006. Ironically, he separated from his wife, Heather Mills just one month before his 64th birthday.
... from the Yellow Submarine film (July 17, 1968) (2.00 MB, wmv, colour).
The animation of Yellow Submarine has sometimes falsely been attributed to the famous psychedelic pop art artist of the era Peter Max. The film's artwork was in fact overseen by Heinz Edelmann. Edelmann, along with his contemporary Milton Glaser, pioneered the psychedelic style for which Max would later become famous, but according to Edelmann and producer Al Brodax, Max had nothing to do with the production of the film. Here is the All You Need Is Love scene.
... from the Anthology documentary (June 25, 1967) (34.8 MB, mpeg, colour).
Recorded in black and white, when The Beatles' segment was featured in The Anthology TV documentary it was painstakingly colourised using photos taken at the time as a guide. Attending -among many others- was Mick Jagger, sat on the floor, wearing a jacket with psychedelic eyes painted, puffing on a joint in front of several millions of people ... and he was up in court in 2 days on drug charges!
... from the Our World TV programme (June 25, 1967) (17.9 MB, wmv, b&w). Our World was the first ever live global television link, broadcast via satellite to 26 countries and watched by about 400 million people and now it is most famous for the segment starring The Beatles. They broadcast a live set singing All You Need Is Love, for which they were seated on stools, accompanied by a small orchestra and many friends, who sang along. It was done after one rehearsal take.
... from the Yellow Submarine film (July 17, 1968) (2.25 MB, wmv, colour).
Yellow Submarine was a 1968 animated film based on the music of The Beatles. This is a scene from the 'Sea Of Science' sequence of the film that was not as heavily animated as some of the others: the majority of the scene was 'super-imposed' against an actual oscilloscope display. This is a George Harrison song, featuring unusual instrumentation, including distorted trumpets, a reverbed pipe organ, chimes and a glockenspiel. Some instruments are backwards.
... at Sunny Heights, Weybridge (Nov 3, 1967) (2.70 MB, wmv, colour).
Magical Mystery Tour was a psychedelic film by The Beatles for the BBC-TV. Much of it was improvised (the actors were urged to make up their own characters) and filmed in September and October. It includes musical sequences for several songs. George shooted the sequence for Blue Jay Way the last filming day.
... at The Little Theatre, Southport (Aug 27, 1963) (20.7 MB, mpeg, b&w).
So yesterday was the 49th anniversary of the day John met Paul and here is their first McCartney/Lennon released song. This clip includes footage from the BBC-TV documentary The Mersey Sound. The Beatles mimed their released version of the song for the documentary but this was not used. They were also filmed playing Twist And Shout (one slightly slower version) and She Loves You (only the last one was originally broadcasted, on Oct 9 - John's 23rd birthday).
... at EMI Studio One, London (May 19, 1966) (21.0 MB, wmv, colour)
The Beatles made their own promo videos for their singles mainly because of time constraints on their part: there were too many people asking them to perform live on their shows. The videos presented here were aired on June 05, 1966, in the Ed Sullivan Show. Ringo films a special introduction for the films of each song. The others stood or sat on a piano next to him in the studio.
... at The Chiswick House, London (May 20, 1966) (20.8 MB, mpeg, colour).
The Beatles took the genre of promotional videos to new heights with their groundbreaking films for Strawberry Fields Forever and Penny Lane in 1967, but they began with these other two in 1966. They shot four promotional videos for Paperback Writer (two in color intended for the USA and two in black and white for the UK). This is a color film of them lip-syncing or just sitting in a garden.
... in the gardens and conservatory of The Chiswick House and at EMI Studio One, London (May 19 & 20, 1966) (51.4 MB, mpeg, colour and black & white).
Did The Beatles invent MTV? Paperback Writer and Rain were the first conceptual promos aired on TV. The idea was to distribute them for broadcast on TV variety shows in other countries. By the time they stopped touring in late 1966, they used these films to, in effect, tour for them. Let's go backwards!
... at The Budokan Hall, Tokyo (June 30, 1966) (28.5 MB, mpeg, colour).
The Beatles' first concert in Japan started at 18:35 and was recorded on video using 3 color TV-cam and 3 monochrome TV-cam. They wore dark green suits instead of the light striped suits seen the next day. This is their performance of She's A Woman and you can see how Paul's microphone was swing and why Brian Epstein did not allow this take. It seems that Brian brought the light-suit version's master tape to England, so there's only dark-suit version left in Japan.
... at The Budokan Hall, Tokyo (July 01, 1966) (17.1 MB, wmv, colour).
This is the complete afternoon concert with The Beatles wearing grey suits. The day before they were recorded on video by NTV, but Paul's microphone was in bad condition (swing left and right), so Brian Epstein wanted to re-record it the next day. In the morning of this concert day Paul and John escaped from the hotel: Paul went to the imperial palace garden with Mal Evans and John went to the Oriental Market and Asahi Garaley at Harajuku. It was 40 years ago yesterday!
... at The Circus Krone-Bau, Munich (June 24, 1966) (20.9 MB, mpeg, b&w). 40 years before this podcast was born The Beatles started their tour in Germany being their first concert at the Circus Krone-Bau. This is their performance of Nowhere Man, about 9 & 1/2 weeks before their last concert tour appearance ever. Hours before the concert, Munich police discover a ticket falsification and later in the day it was reported that, their Hamburg pal, Klaus Voormann may replace Jack Bruce in Manfred Mann. Also George Martin married his wife, Judy.
... at The Roundhouse Theatre, London (Dec 1968) (52.1, MB mpeg, colour).
The Rolling Stones TV colour special included guest performances by Jethro Tull, The Who, Marianne Faithfull, Taj Mahal and John Lennon & Yoko Ono backed by Eric Clapton (lead guitar), Keith Richards (switching to bass), Mitch Mitchell (drums) and a violinist - Ivry Gitlist. This is The Dirty Mac's version of Yer Blues.
... at The Cavern Club, Liverpool (Aug 22, 1962) (4.47 MB, wmv, black & white).
Unsatisfied with the audio from the August film, Granada TV sent a recording crew back to The Cavern (Sept 5) to re-record The Beatles' night time performance with the intention to dub the recording onto the film. This is a collage of the alternate shots set to that audio of Kansas City/Hey! Hey! Hey!.
... in Liverpool (Aug 22, 1962) (7.16 MB, wmv, black & white).
The Beatles were filmed playing Kansas City/Hey, Hey, Hey, Hey and this is what is seen in the alternate clips but the audio was lost. All the alternate shots that have become publicly available are silent but it is apparent other songs are being performed. Some speculate that Money (That's All I Want) was one of them.
... at The Cavern Club, Liverpool (Aug 22, 1962) (5.28 MB, wmv, black & white).
Several additional alternate camera angle shots were edited into the Some Other Guy performance as this footage shows. It is from a single camera shot and, with the exception of a brief edit, is unbroken. Bob Wooler announcing "It's The Beatles!" is another one of the slight differences, but we still can hear the male audience member shouting "We want Pete!" and then John replying "Yeah".
... at The Cavern Club, Liverpool (Aug 22, 1962) (20.9 MB, mpeg, b&w).
"At this midday session at The Cavern, we proudly present The Beatles!".
During the lunchtime show they were filmed by Granada TV for the Know The North programme, but this was not shown until a year later, during the Beatlemania, on Scene At 6:30 (Nov 06, 1963). Some say this is the first filming of them but not exactly. At least, this is the first tape featuring Ringo on drums.
... at Chappell Studios, London (Nov 21, 1967) (55.14 MB, mpeg, colour).
This session was filmed during the Paul McCartney's demo of the theme for
Cilla Black’s BBC TV series and was used in the promo for the song, featuring
the finished version, however here you can listen to that demo made this day.
... at EMI Studio Two, London (Feb 27, 1964) (11.58 MB, mpeg, black & white). This was a silent film of them working and enjoying themselves while recording And I Love Her. It was used in numerous documentaries including The Making Of A Hard Day's Night. The song featuring here is Misery, from their first LP.
... I FEEL FINE, Take 1 (mp3) at Studio Two, EMI Studios, London (Oct 18, 1964).
I Feel Fine, a John Lennon composition, holds the distinction, at least according to Lennon himself, as being the first record to make deliberate use of the dreaded phenomenon known as feedback. From the beginning, the song adorned its distinctive feedback introduction, achieved by Paul plucking the A note on his bass with John picking up the feedback through his guitar.
This first take is played by The Beatles in a different key from the released version, in the key of A at this point, a whole tone higher than the commercially released version in G. It features a raw Lennon vocal that, although rough in places, is still interesting to hear. The overall playing is choppy, almost sloppy in places.
The take breaks down at the solo break ...
... but two of us still got a long and winding road stretching out ahead ... and that other one is you! ... so take your ticket to ride and let's get on our way back home!
P.S. This is a place to share some music and videos ... but what's more: to share good feelings! So everybody is very welcome! Without your comments it has not too much sense. What have you got to say?!
P.P.S. Don't forget to visit the other parts:
http://seltaeb2.podomatic.com/
http://seltaeb3.podomatic.com/
Guns N` Roses - Chinese Decmocracy
Chinese Democracy review - 17년의 침묵과 기다림의 가치-
17년. 전작 Use Your Illusion I과 II의 발매 후의 그 긴 시간이 팬들에게는 마치 Street Of Dreams의 노랫말처럼 희망과 절망이 공존하는 'bittersweet'한 세월이었을 것이다. 1993년 7월 17일 아르헨티나 공연을 끝으로 그들은 긴 휴식에 들어갔고, 얼마 지나지 않아 그 옛날 단 3장의 정규앨범으로 전설이 된 밴드의 라인업은 붕괴되어 버렸다. 밴드의 핵심이자 목소리였던 액슬 로즈는 새로운 멤버들로 팀을 재정비했고 2001년 새해 첫날, 라스베가스 공연을 시작으로 같은 달 15일 Rock in Rio III를 통해 본격적으로 활동을 재개했다. 하지만 그 밴드는 더이상 1986년 선셋 스트립을 휘젓던 젊은 혈기의 청년들이 아니었다. 액슬 로즈의 달라진 목소리와 음악적 성향, KFC 버킷을 뒤집어 쓰고 쌍절곤을 휘두르는 낯선 멤버의 등장은 올드 팬들을 당황스럽게 하기에 충분했다. 하지만 그 와중에서도 Madagascar와 Street Of Dreams(당시 제목은 The Blues) 같은 곡들이 좋은 평가를 받았고 새 앨범에 대한 세간의 기대는 높아져만 갔다. 그러나 그러한 기대도 잠시. 2002년 12월 메디슨 스퀘어 가든 공연을 끝으로 그들은 또다시 긴 침묵에 들어가고 버킷헤드는 밴드와 작별을 고한다. 새로운 기타리스트 론 "범블풋" 딸을 영입해 전세계를 무대로 활발한 활동을 펼쳤던 2006~2007년 시기에도 앨범이 발매될 기미는 보이지 않았고, "곧 나올 것이다"라는 그들의 약속은 "'곧'은 그냥 단어일 뿐이다(Soon is the word)"라는 조롱 섞인 유행어가 되어버렸다. 2007년 7월 21일 오사카 공연을 끝으로 그들은 다시 모습을 감추었고, 또다시 긴 침묵이 시작될 듯 했다. 열혈 팬들이 유출된 곡으로 기다림의 괴로움을 달래던 중 밴드는 매니저를 교체하고 게임 Rock Band 2에 신곡 Shackler's Revenge를 삽입하는 등 앨범 발매에 대한 기대를 다시 갖게 했고, 2008년에 앨범이 발매되면 전 미국인들에게 공짜 음료를 돌리겠다는 닥터페퍼의 조롱 섞인 약속과 "잘 마시겠다"는 액슬의 답변은 그러한 기대를 절정으로 치닫게 했다. 곧이어 Best Buy 독점으로 앨범이 발매된다는 루머가 돌기 시작했고 2008년 10월 23일, 공식 홈페이지를 통해 그들은 드디어 앨범 발매를 공식적으로 선언했다. 무덤에 있는 커트 코베인이 살아나서 너바나의 후속작을 내는게 더 빠르겠다고 조롱받던 그 앨범 말이다. 이제 우리에게 남은 것은 CD 플레이어의 플레이 버튼을 누르는 일 뿐이다. (현지 분위기를 내기 위해 마트에서 닥터페퍼 한 캔을 사오는 것도 나쁘지 않을 것 같다.)
시작하기 전에 우선 필자는 GN'R의 오래된 매니아로, 객관적인 평가를 내리기 위해 무던히도 노력했지만 돌아온 결과는 지극히도 주관적이었다는 것을 밝힌다.
1. Chinese Democracy 앨범 타이틀과 동명의 곡으로, 첫번째 공식 싱글로 발매되었다. 액슬과 조쉬 프리즈가 공동 작곡한 이 곡은 싱글 발매 하루만에 미국에서만 약 700번 라디오 전파를 탔고, 얼마 지나지 않아 유럽 대부분 국가의 차트를 휩쓸었다. 그만큼 GN'R의 신보에 대한 사람들의 기대감이 컸다고 할 수 있다. 하지만 곡 자체는 Better나 Scraped 등 다른 곡들에 비해 흡입력이 낮은 편이다. 리프는 다소 단조로운 느낌이 들고, 소절과 후렴간에 뚜렷한 변화가 없어 밋밋한 느낌을 준다. 하지만 앨범의 서막을 여는 역할로는 충분하다. 각종 효과음 속으로 "뭐라고 말해봐" "넌 미쳤어" "네가 틀렸어" 등의 중국인들의 목소리가 깔리고, 드디어 곡의 시작을 예고하는 북소리(?)와 함께 인트로 리프가 반복된 후 본격적으로 곡이 시작된다. 시작 부분에서 액슬 특유의 하이톤의 스크리밍이 '역시 이건 GN'R의 앨범이구나'하는 기대감을 충족시키고, 데모 버전에서는 들을 수 없었던 론의 낮은 톤의 슬라이드 기타가 듣는 재미를 더한다. 중간 부분 로빈에 이어 버킷헤드의 플레이로 이어지는 기타 솔로는 단조로운 분위기를 어느정도 상승시키는 역할을 한다. 전반적인 가사의 내용은 중국 정부의 독재적인 'Iron Fist(철권 통치)'를 비난하고, '동족을 지옥에 가둬두고 있다'며 중국 정부의 파룬궁 탄압을 비난하고 있다. 라이브로는 2001년 1월 1일 라스베가스에서 열린 그들의 복귀 공연에서 처음 연주되었고, 2002년 유럽, 아시아, 북미 투어의 세트리스트에 포함되었다가 2006~2007년에는 간간히 연주되거나 앵콜 곡으로 연주되었다. ◆ 개인 평점 : ★★★★
2. Shackler's Revenge ◆ 개인 평점 : ★★★★
3. Better 두번째 싱글 넘버로, 뉴욕 복귀 공연을 얼마 앞두지 않은 2006년 2월, I.R.S와 함께 유출되어 엄청난 파장을 일으킨 곡이다. 로빈의 피치 사운드의 기타와 액슬의 가성 보컬이 곡의 시작을 열고 이어 파워풀한 리프가 빈틈없이 강렬한 사운드를 만들어낸다. 중간 부분에서 리프의 변화가 버킷헤드의 속주 솔로와 절묘한 조화를 이루고 이어지는 I never wanted..부분에서 액슬은 강렬한 고음 보컬로 절정의 분위기를 만들어낸다. 이 곡이 유출된 시기에는 한참 옛날의 Oh My God과 빅대디 SCOM을 제외하곤 공개된 스튜디오 음원이 없었기 때문에 액슬이 과연 예전의 강렬한 보컬을 소화할 수 있을까 하는 의문이 들었다. 알다시피 2001~2년의 액슬의 라이브 보컬은 폐활량은 지금보다 나았지만 전반적으로 거의 절망 수준이었기 때문에 그 의문은 일종의 불안감이 되어 다가왔다. 하지만 이 곡의 완벽한 보컬을 접하고 그러한 의문은 자취를 감췄다. 또한 슬래쉬라는 큰 기둥을 대체하기에 로빈 핑크의 자질은 팬들 사이에서도 말이 많았지만 이 곡을 로빈이 작곡했다고 알려짐에 따라 그러한 불안감들도 많이 사그라들었다(여전히 그의 연주 스타일에 대해서는 호불호가 갈리지만). 데모에서 버킷헤드의 솔로가 워낙 강렬했기 때문에 탈퇴 후 그의 솔로를 들을 수 없는게 아닌가 하는 걱정도 있었으나 다행히 앨범에도 그대로 실려있다. 버킷헤드의 섬광같은 솔로와 대비되는 후반부의 블루지한 로빈의 솔로는 이렇게 헤비한 락 넘버에서 어떤 편안함까지 느끼게 만드는 매력을 발산한다. 또한 이 곡은 '06버전과 '07버전의 데모가 각각 존재하는데, '06버전은 사운드가 좀 더 거친 반면 '07버전은 좀 더 부드러워지고 피트먼의 기계음이 강조되어 있다. 앨범 버전에는 드럼 사운드가 보강, 론의 기타가 추가되고 기계음이 균형있게 배치되었다. '07년 후반 공연에 사용된 브릿지 부분의 기타 슬라이드음도 삽입되었다(개인적으로 이 부분은 별로다). 이런 차이들 때문에 팬들 사이에선 '06, '07, 그리고 앨범 버전의 호불호가 갈리기도 한다. 이 현상은 유독 이 곡에서만 심하게 나타나는데 그만큼 이 곡에 대한 팬들의 기대치가 크기 때문인 듯 하다. 라이브에서도 거의 모든 공연에서 연주되었는데 개인적으로는 2006년 12월 20일 공연을 추천해주고 싶다. 론이 가장 라이브에서 공연하기 힘든 곡으로 이 곡을 꼽기도 했는데, 무대를 돌아다니며 연주하다가 고음 코러스를 할때면 심장이 터질 것 같다고 한다. 한때 할리 데이비슨 Black Sheep 시리즈 배너광고의 배경음악으로 쓰였으나 계약문제로 곧 Paradise City로 대체되기도 했다.
4. Street Of Dreams 2001년 1월 1일 처음 라이브에서 공개된 후로 거의 8년간을 The Blues라는 제목으로 불렸던 노래가 Street Of Dreams로 변경되어 앨범에 수록되었다. 필자를 포함해 이 곡을 좋아하고 아꼈던 팬들에겐 무척 낯선 일일 것이다. 아마 액슬은 좀 더 희망적인 느낌의 제목을 원했던 것 같다. 본 앨범에 실린 발라드 곡 중 가장 많은 팬들의 사랑을 받았던 곡으로, 라이브 세트리스트에서도 거의 예외없이 연주되었다. 디지의 잔잔한 피아노와 어쿠스틱 기타의 인트로가 마음을 차분하게 만들고, 부드럽고 때로는 거친 목소리로 애절함을 노래하는 액슬의 보컬은 그 목소리에 지난 모든 세월이 담겨 있는 듯 아련한 느낌을 준다. 웅장한 오케스트라와 블루지한 로빈의 기타 솔로를 지나 이어지는 잔잔한 브릿지, 곧이어 다시 폭발하는 고음의 보컬과 후반부 "what'd I tell you" 부분에서 찢어지는 듯한 액슬의 절규가 절정을 이루고, 페이드 인 되는 아웃트로는 마치 영화가 끝나도 엔딩 크레딧을 보며 자리를 뜨지 못하는 관객의 기분처럼 여운을 남긴다. 개인적으로 November Rain과 비교해도 전혀 손색없는 한편의 서사시라고 생각한다. 완벽하다. ◆ 개인 평점 : ★★★★★
5. If The World 앨범 발매 전에 레오나르도 디카프리오 주연의 영화 Body Of Lies의 엔딩 크레딧에 삽입된 곡이다. 그에 앞서 2008년 6월 유출 사건 때 Riad N' Bedouins, Prostitute와 함께 유출된 바 있다. 유출시킨 블로거가 FBI에 체포된 유명한 사건이다. 힙합 분위기의 드럼머신과 스패니쉬 기타가 만들어내는 늘어지는 듯 하면서도 그루브감이 있는 리프, 복잡한 악기 편성과 심플한 가사, 긴 호흡을 자랑하는 보컬은 멤버 각각의 연주가 어떻게 하모니를 이루어 이상적인 사운드를 만들어내는지 잘 보여준다. 곡의 전반적인 분위기는 마치 밴드의 미발표곡 'Just Another Sunday'의 힙합 버전을 듣는 듯한 느낌이다. 개인적으로는 그다지 귀에 들어오지 않는 편이다. ◆ 개인 평점 : ★★★☆
6. There Was A Time 약 7분에 이르는 한편의 서사시같은 느낌의 곡이다. 데모로는 '99-'06-'07-'08의 4가지 버전이 존재하고, 액슬이 개인적으로 좋아하는 곡이라고 언급한 적이 있다. 라이브로 단 2회밖에 연주되지 않았을 정도로 구성이 방대하고 보컬의 난이도 또한 상당하다. 곡의 시작과 끝을 장식하는 성가대 화음과 무려 여섯 대의 기타로 이루어지지만 전혀 난잡하지 않은 꽉찬 리프와 멜로디, 또다시 자신의 과거에 대한 회상과 누군가에게 돌이킬 수 없는 후회와 번민이 뒤섞인 질문을 던지는 노랫말, 후반부에 길게 이어지는 간주를 배경으로 펼쳐지는 버킷헤드의 환상적인 솔로는 액슬과 그의 밴드가 추구하는 완벽한 사운드의 이상적인 조합을 보여준다. 개인적인 생각으로는 곡이 끝난 후 이어지는 성가대 화음은 그닥 어울리지 않는 것 같다. 라이브로는 2006년 5월 28일 마드리드 공연을 추천해주고 싶다. ◆ 개인 평점 : ★★★★☆
7. Catcher In The Rye 액슬과 폴이 공동으로 작곡한 곡으로, 2006년에 데모가 유출된 적이 있다. 데모 상으로는 퀸의 기타리스트 브라이언 메이가 참여했었는데, 아쉽게도 앨범에는 실리지 않았다. 그의 기타 솔로 자리를 로빈과 론의 솔로가 대신하고 있는데, 뭔가 많이 아쉬운 느낌이 난다. 데모를 너무 많이 들어서 그런 탓도 있을테고 브라이언 특유의 감성이 빠져서 뭔가 미완성된 듯한 느낌이다. 후반부의 솔로는 아름다운 멜로디 라인과 잘 맞아떨어지지만 중간 부분의 솔로는 아무래도 브라이언 버전이 훨씬 감성적이다. 하지만 조악한 음질의 데모와는 달리 완벽한 퀄리티의 사운드를 들려주니 그것으로 만족하자. 나중에 B-Side에라도 브라이언 버전이 실렸으면 하는 개인적인 바람이다. 이 곡은 필자가 앨범 중 Street of Dreams 다음으로 꼽는 발라드곡이다. 스크레치가 전혀 들어가지 않은 매끄러운 액슬의 보컬-데모와 비교해봤을 때 보컬은 일부 재녹음되었다-과 서정적인 곡의 분위기가 완벽히 맞아떨어져 한없는 아름다움을 연출해낸다. 특히 곡 후반부 'On an ordinary day'부터의 멜로디는 GN'R의 모든 노래를 통틀어 가장 아름다운 멜로디라고 생각한다. 이 곡은 2006~2007 투어 시기에 유출됐음에도 한번도 라이브로 연주되지 않았는데, 브라이언의 부재 때문이 아닌가 생각했지만 그의 파트가 빠진 채 수록된 걸 보면 그런 이유는 아닌 듯 하다. 어쨌든 라이브 공연도 굉장히 기대가 되는 곡이고, GN'R의 새로운 발라드 히트곡으로도 손색없는 훌륭한 곡이다. 이 곡은 존레논에 대한 헌정곡으로 알려져있는데, 그를 살해한 마크 채프먼이 체포 당시 '호밀밭의 파수꾼'을 읽고 있었다고 한다. "내가 듣던 노래, 누군가가 안식을 얻었던 그 노래가 들리지 않고' 부분에선 레논의 노래를 더이상 들을 수 없는 슬픔을 묘사했고, '그 목소리가 내게서 떠나버렸다'라는 가사로 레논을 추모하고 있다. ◆ 개인 평점 : ★★★★★
8. Scraped Best Buy의 프로모션 광고에 삽입되어 발매 전부터 큰 기대를 받았던 곡이다. 아카펠라 화음과 날카로운 고음의 보컬이 포문을 열고, 이어지는 폭발적인 리프는 "이제 우릴 막으려고 하지마. 내가 그냥 두지 않을테니"라는 저돌적인 가사와 어울려 전형적인 락앤롤의 정신을 담아낸다. "Sometimes I feel like.."로 시작되는 소절의 멜로디는 그들의 초창기 트랙 'Oh My God'을 연상케 하고, 다양하게 변화되는 리프와 버킷헤드, 론의 신들린 듯한 솔로는 저돌적이고 공격적인 노래의 분위기를 한층 고조시킨다. 곡 전반에 걸쳐 "누구도 날 막을 수 없다"는 밴드의 의지를 담아낸 듯한, Better와 함께 대중의 큰 인기를 얻을 거라 예상되는 아주 멋진 곡이다. ◆ 개인 평점 : ★★★★☆
9. Riad N' The Bedouins '리야드와 베두인 사람'이라는 독특한 제목의 곡이다. 원래 사우디아라비아의 수도를 뜻하는 리야드는 'Riyadh'로 표기하는게 맞는데 '정원이 딸린 모로코식 주택'을 뜻하는 'Riad'란 단어도 있으니 후자의 뜻일 수도 있고, 제목의 연계상으로 생각해볼 때는 'Riyadh'의 의도적인 오타라고 볼 수도 있다. 2001년 복귀 공연에서 처음 선보인 후 비슷한 분위기인 Silworms와 함께 가장 약한 트랙으로 평가받아왔지만 앨범 버전에서는 그 생각을 무색케 할 만큼 훌륭한 퀄리티를 보여준다. 몽환적인 분위기의 인트로는 금방이라도 사막에서 모래바람이 몰아칠듯한 분위기를 연출하고, 이어지는 헤비한 리프와 날카로운 보컬이 일품이다. 정신을 쏙 빼놓는 듯한 후반부 버킷헤드의 솔로는 새삼 그의 부재를 아쉽게 한다. ◆ 개인 평점 : ★★★★
10. Sorry 시종일관 무겁고 암울한 분위기 속에 진행되는 곡이다. 마치 핑크 플로이드와 블랙 사바스가 만난 듯한 느낌이다. 제목만 보면 누군가에게 미안한 감정을 털어놓은 노래처럼 보이지만 여기서 sorry는 '미안하다'의 뜻이 아닌 '안됐다'라는 뜻으로 쓰여서, 나를 상처입힌 그 누군가에게 '넌 참 안됐구나'라는 조롱의 메시지를 보내고 있다. 1분 55초까지의 느낌은 상당히 좋았으나, 그 뒤에 이어지는 후렴구의 멜로디는 마치 어메리칸 뮤직 어워드에 판소리 명창의 스페셜 무대가 마련된 듯한 어색한 느낌을 준다. 하지만 그 후의 블루지한 기타 솔로는 맘에 든다. 전체적으로 봤을 때 이런 우울한 발라드는 개인 취향에는 그닥 맞지 않는다. 세바스찬 바하가 코러스에 참여했는데, 그의 최근 솔로 앨범에 액슬이 세 곡이나 참여했으니 기회가 되면 한번 들어보길 바란다. ◆ 개인 평점 : ★★★
11. I.R.S 뉴GN'R 최초의 유출곡으로, 2004년 야구 선수 마이크 피아자에게 온 익명의 팬레터에 이 곡이 담긴 CD가 들어있었고, Eddie Trunk의 라디오 방송을 통해 전파를 탔었다. 1999년의 데모도 존재하므로 곡이 쓰여진 시기는 그 이전일 것이다. '99-'06-'07-'08로 이어지는 네가지 버전의 데모는 이 곡이 어떤 과정을 거쳐 완성되었는지를 잘 보여준다. 제목만 봐서는 밀린 세금을 받아내고자 하는 국세청 직원의 의지를 담은 노래로 생각할 수도 있겠으나 강한 집착을 가진 한 남자의 다소 유치하게 느껴지는 푸념을 담고 있다. 대통령, 탐정, 국세청도 모자라 FBI까지 호출해야 하는 그의 사정은 무엇일까. 이 곡은 라이브에서 그 진가를 발휘하는데 특히 2006년 12월 20일 LA 공연과 2007년 7월 21일 오사카 공연을 추천하고 싶다. 프로샷으로는 2006년 6월 2일 락앰링 공연을 추천한다. "It's such a crime you know it's true" 부분에서 엄청난 호흡량을 자랑하는 액슬의 고음 보컬과 이어지는 버킷헤드의 속주 솔로와 스위치온-오프 주법을 사용한 마무리는 어떤 전율마저도 느끼게 한다. 한가지 아쉬운건 보컬의 파워가 좀 부족하다는 점이다. 데모에서의 보컬이 그대로 남아있는데, 재녹음을 할 것이라고 개인적으로 예상했기 때문에 약간 실망스러운 부분이다. 하지만 전반적인 사운드는 대폭 보강되어 만족스럽다. ◆ 개인 평점 : ★★★★★
12. Madagascar 2001년 Rock in Rio III에서 처음 라이브로 공개되어 좋은 반응을 얻은 곡이다. 복잡한 악기편성과 드라마틱한 구성이 한 편의 영화와 같은 분위기를 조성한다. 중간 부분에서는 마틴루터킹 목사의 'I Have A Dream'등의 연설과 미시시피 버닝, 세븐, 브레이브 하트, 그리고 Civil War에도 삽입된 유명한 Cool Hand Luke의 대사 등을 인용하여 웅장한 분위기를 극대화하고, 절망과 희망을 동시에 노래하는 가사와도 문맥적 흐름을 같이 한다. 단지 아쉬운 점은 데모에서의 보컬을 그대로 썼다는 점이다. 데모가 유출됐을 때 팬들 사이에서도 보컬에 대해서 불만이 많았는데, 초반 소절에서의 보컬 톤이 굉장히 불안하고 작위적인 느낌이 난다. 마치 Big Daddy OST 버전의 Sweet Child O' Mine에서의 억지스러운 보컬이나 2006년 다운로드 페스티벌에서 Better때의 힘빠진 보컬을 듣는 기분이다. 분명히 이것보다 나은 녹음을 할 수 있었을 텐데 왜 데모의 보컬을 그대로 썼는지 납득하기 어렵다. 라이브 공연으로는 2002년 12월 2일 보스턴, 2006년 5월 31일 부다페스트, 2006년 12월 20일 LA 공연 등을 추천한다. ◆ 개인 평점 : ★★★★☆
13. This I Love 본 앨범에서 액슬이 혼자서 작곡한 유일한 곡이다. 원래 이 곡은 1993년 이전에 오리지날 GN'R 시절에 만든 곡이며 UYI 후속 앨범에 실릴 예정이었다고 한다. 그 시절의 레코딩 테입이 파리, 런던, 시드니 등 각지에 흩어져있어서 이 곡의 테입을 찾는데 몇 주가 걸렸다는 후문이 있다. 또한 로빈 윌리엄스 주연의 어떤 영화에 수록 예정이었다는 말도 있다. (시기상으로 아마 피셔킹이 아닐까). 루머에 따르면 이 노래가 Don't Cry-November Rain-Estranged로 이어지는 3부작의 해답이 될 수도 있다고 한다. 잔잔한 피아노 반주에 스트링과 하프 연주로 차분한 분위기를 연출하고, 가사는 실연의 아픔을 노래한 평범한 내용이다. 어떻게 들으면 멜로디가 좀 촌스럽게 느껴지기도 하는데 자꾸 들으면 나름 중독성이 있다. 그러고보면 액슬은 사랑의 아름다움 보다는 슬픔과 애절함을 더 많이 노래하는데, 지난 세월의 아픔에서 비롯된 것 같아 안쓰럽기도 하다. ◆ 개인 평점 : ★★★★
14. Prostitute Antiquiet 유출건 때 제목미상(Song #2)으로 유출되어 당시 유출된 세 곡 중 가장 인기를 얻었던 곡이다. 곡 전반에 깔리는 피아노 반주를 잘 들어보면 액슬이 2002년부터 November Rain의 인트로로 연주했던 피아노 곡과 동일하다. 따라서 최소 2002년 이전부터 작업된 곡임을 알 수 있다. 스트링 세션을 담당한 Buckmaster가 언급한대로 마치 얼음과 불의 조화처럼 잔잔한 피아노 반주로 시작되다가 공격적인 기타리프와 액슬의 보컬로 분위기가 전환되고, 오케스트라가 곡에 웅장함을 더한다. 스트링 파트를 위해 1바이올린 10대, 2바이올린 8대, 비올라 6대와 8대의 첼로가 동원되었다. 곡이 끝난 후 오랫동안 깔리는 잔잔한 오케스트라는 앨범의 대미를 장식하고 여운을 남기기에 적합하다. Chinese Democracy가 긴 인트로로 앨범의 서막을 열듯이 말이다. 작곡은 액슬과 폴 공동으로 표기돼있다. 전반적인 가사 내용으로 보아 슬래쉬에 대한 노래가 아닌가 싶다. 밴드의 해체와 슬래쉬의 탈퇴에 대한 여론의 비난, 항상 자신을 따라다닐 수 밖에 없는 前멤버의 그늘, 이런 상황들을 가사에 대입시켜 보면 얼추 상황이 맞아 들어간다. ◆ 개인 평점 : ★★★★☆
CD를 가득 채운 14곡이 구성하는 71분의 서사시 속에서 무려 12명의 멤버들이 만들어내는 사운드는 전혀 난잡하지 않고 각자의 위치에서 절묘한 화음을 만들어냈다. 한편 때로는 부드럽고 때로는 날카로우며 또 때로는 신경질적인 액슬 로즈의 목소리는 좀처럼 인터뷰에 응하지 않고 담아둔 그간의 이야기를 모두 쏟아내려는 듯 다양한 노랫말을 14곡의 이야기에 담아냈다. 어떻게 보면 뉴 GN'R의 기원이라고도 할 수 있는 폴 토바이어스의 영입 후 15년의 세월이 흘렀고, 이제야 그들은 그 첫번째 결과물을 내놓았다. 여전히 제멋대로이고 여전히 파괴적인 이 락앤롤 황제를 위해 이제 역사의 한 페이지를 비워두어야 할 때이다.
◆ 전체 평점 : ★★★★☆
글 : RaspAxl - 2008년 11월- http://blog.daum.net/raspaxl
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Dream Theatre
2L 2.5-93 Live At The Marquee
3.5-95 A Change Of Seasons
4L 4.5-98 Once In A Livetime
5L 5.5-01 Live Scenes From New York
7L 7.5-04 Live At Budokan
8L 8.5-06 20th Anniversary World Tour Live with the Octavarium
9L 9.5-08 Chaos In Motion 2007-2008 [3CD+2DVD Special Limited Edition]
Dream Theatre
1-89 When Dream And Day Unite
1. A Fortune In Lies 2L
2. Status Seeker
3. Ytse Jam 4L
4. The Killing Hand 2L
5. Light Fuse And Getaway
6. Afterlife 8L
7. The Ones Who Help To Set The Sun
8. Only A Matter Of Time 7L
2-92 Images And Words
1. Pull Me Under 2L,4L,7L*
2. Another Day 2L,5L*
3. Take The Time 4L,9L*
4. Surrounded 9L
5. Metropolis-Part1 'the Miracle And The Sleeper' 2L,4L,5L,8L
6. Under A Glass Moon 8L
7. Wait For Sleep
8. Learning To Live 4L,5L,9L
2.5-93 Live At The Marquee
1. Metropolis 2
2. A Fortune In Lies 1
3. Bombay Vindaloo
4. Another Day 2
5. Another Hand-The Killing Hand 1
6. Pull Me Under 2
3-94 Awake
1. 6:00
2. Caught In A Web 4L,5L
3. Innocence Faded 8L
4. Erotomania 5L
5. Voices 5L, 4L
6. The Silent Man 5L*
7. The Mirror 5L
8. Lie 4L*
9. Lifting Shadows Off A Dream *
10. Scarred 4L,9L
11. Space-Dye Vest
3.5-95 A Change Of Seasons
1. A Change Of Seasons 4L,5L
2. Funeral For A Friend / Love Lies Bleeding
3. Perfect Strangers
4. The Rover / Achilles Last Stand / The Song Remains The
5. The Big Medley
4-97 Falling Into Infinity
1. New Millennium 5L,7L
2. You Not Me
3. Peruvian Skies 4L*
4. Hollow Years 4L,7L*
5. Burning My Soul
6. Hell'S Kitchen
7. Lines In The Sand 4L,9L
8. Take Away My Pain 4L
9. Just Let Me Breathe 4L,5L
10. Anna Lee
11. Trial Of Tears 4L,7L,9L
4.5-98 Once In A Livetime
CD 1 - DISC 1
1. Change of Seasons I: The Crimson Sunrise 3L
2. Change of Seasons II: Innocence 3L
3. Puppies on Acid 3
4. Just Let Me Breathe 4
5. Voices 3
6. Take the Time 2
7. Piano Solo
8. Lines in the Sand 4
9. Scarred 3
10. Change of Seasons IV: The Darkest of Winter 3L
11. Ytse Jam 1
12. Drum Solo
CD 2 - DISC 2
1. Trial of Tears 4
2. Hollow Years 4
3. Take Away My Pain 4
4. Caught in a Web 3
5. Lie 3
6. Peruvian Skies 4
7. Guitar Solo
8. Pull Me Under 2
9. Metropolis 2
10. Learning to Live 2
11. Change of Seasons VII: The Crimson Sunset 3L
5-99 Metropolis-Part2 'Scenes From A Memory 5L
1. Scene One: Regression
2. Scene Two: Overture 1928
3. Strange Deja Vu
4. Scene Three: Through My Words
5. Fatal Tragedy
6. Scene Four: Beyond This Life 7L
7. Scene Five:Through Her Eyes *
8. Scene Six: Home *
9. Scene Seven: The Dance Of Eternoity
10. One Last Time
11. Scene Eight: The Spirit Carries On 8L*
12. Scene Nine: Finally Free 9L
5.5-01 Live Scenes From New York
CD 1
1. Regression
2. Overture 1928
3. Strange Deja Vu
4. Through My Words
5. Fatal Tragedy
6. Beyond This Life
7. John & Theresa Solo Spot
8. through Her Eyes
9. Home
10. The Dance Of Eternity
CD 2
1. One Last Time
2. The Spirit Carries On
3. Finally Free 5
4. Metropolis Part1 2
5. The Mirror 3
6. Just Let Me Breathe 4
7. Acid Rain
8. Caught In A New Millennium 3/4
9. Another Day 2
10. Jordan Rudess Keyboard Solo
CD 3
1. A Mind Beside Itself: I. Erotomania / II. Voices / III. The Silent Man 4
2. Learning To Live 2
3. A Change Of Seasons 3L
6-02 SIX DEGREES OF INNER TURBULENCE
CD 1
1. THE GLASS PRISON
2. BLIND FAITH 9L
3. MISUNDERSTOOD *
4. THE GREAT DEBATE
5. DISAPPEAR 7L*
CD 2 8L
1. SIX DEGREES OF INNER TURBULENCE - I. OVERTURE
2. SIX DEGREES OF INNER TURBULENCE - II. ABOUT TO CRASH
3. SIX DEGREES OF INNER TURBULENCE - III. WAR INSIDE MY HEAD 7L
4. SIX DEGREES OF INNER TURBULENCE - IV. THE TEST THAT STUMPED THEM ALL 7L*
5. SIX DEGREES OF INNER TURBULENCE - V. GOODNIGHT KISS 7L
6. SIX DEGREES OF INNER TURBULENCE - VI. SOLITARY SHELL 7L*
7. SIX DEGREES OF INNER TURBULENCE - VIII. ABOUT TO CRASH (REPRISE)
8. SIX DEGREES OF INNER TURBULENCE - VIII. LOSING TIME - GRAND FINALE
7-03 Train Of Thought [Special Limited Edition]
1. As I Am 7L*
2. This Dying Soul 7L
3. Endless Sacrifice 7L*
4. Honor Thy Father
5. Vacant 8L
6. Stream Of Consciousness 7L
7. In The Name Of God 7L,9L
7.5-04 Live At Budokan
CD 1
1. As I Am 7
2. This Dying Soul 7
3. Beyond This Life 5
4. Hollow Years 4
5. War Inside My Head 6
6. The Test That Stumped Them All 6
CD 2
1. Endless Sacrifice 7
2. Instrumedley
3. Trial Of Tears 4
4. New Millennium 4
5. Keyboard Solo
6. Only A Matter Of Time 1
CD 3
1. Goodnight Kiss 6
2. Solitary Shell 6
3. Stream Of Conciousness 7
4. Disappear 6
5. Pull Me Under 2
6. In The Name Of God 7
8-05 Octavarium
1. The Root Of All Evil 8L*
2. The Answer Lies Within 8L*
3. These Walls
4. I Walk Beside You 8L*
5. Panic Attack 9L
6. Never Enough
7. Sacrificed Sons 8L*
8. Octavarium 8L,9L
8.5-06 20th Anniversary World Tour Live with the Octavarium
CD 1
1. The Root Of All Evil 8
2. I Walk Beside You 8
3. Another Won 0
4. Afterlife 1
5. Under A Glass Moon 2
6. Innocence Faded 3
7. Raise The Knife (4)
8. The Spirit Carries On 5
CD 2
1. Six Degrees Of Inner Turbulence 6
2. Vacant 7
3. The Answer Lies Within 8
4. Sacrificed Sons 8
CD 3
1. Octavarium 8
2. Metropolis 2
9-07 Systematic Chaos
1. In The Presence Of Enemies Part I
2. Forsaken 9L
3. Constant Motion 9L
4. Dark Eternal Night 9L
5. Repentance
6. Prophets Of War
7. Ministry Of Lost Souls 9L
8. In The Presence Of Enemies Part II 9L
9.5-08 Chaos In Motion 2007-2008 [3CD+2DVD Special Limited Edition]
1. Intro / Also Sprach Zarathustra
2. Constant Motion 9
3. Panic Attack 8
4. Blind Faith 6
5. Surrounded 2
6. The Dark Eternal Night 9
7. Keyboard Solo
8. Lines In The Sand 4
9. Scarred 3
10. Forsaken 9
11. The Ministry Of Lost Souls 9
12. Take The Time 2
13. In The Presence Of Enemies 9
14. Medley: I. Trial Of Tears II. Finally Free III. Learning To Live IV. In The Name Of God V. Octavarium
disc 1 Images & Words Live In Tokyo /
1. Under A Glass Moon
2. Pull Me Under (Video Clip)
3. The Making Of Take The Time
4. Take The Time (Video Clip)
5. Wait For Sleep
6. Surrounded
7. The Ytsejam/Drum Solo
8. Another Day (Video Clip)
9. To Live Forever/ John Petrucci Guitar Solo
10. A Fortune In Lies
11. Puppies On Acid/Take The Time
12. Pull Me Under
disc 2 5 Years In A Livetime
1. Burning My Soul
2. Cover My Eyes
3. Lie (Video Clip)
4. 6:00
5. Voices
6. The Silent Man (Video Clip)
7. Damage Inc
8. Easter
9. Starship Trooper
10. Hollow Years (Video Clip)
11. Puppies On Acid
12. Just Let Me Breathe
13. Perfect Strangers
14. Speak To Me
15. Lifting Shadows Off A Dream
16. Anna Lee
17. To Live Forever
18. Metropolis Part I
19. Peruvian Skies
20. Learning To Live
21. A Change Of Seasons
2007 Greatest Hit : … And 21 Other Pretty Cool Songs
CD 1 - The Dark Side
1. Pull Me Under (2007 Remix) 2
2. Take The Time (2007 Remix) 2
3. Lie (Edited Version) 3
4. Peruvian Skies 4
5. Home (Edited Version) 5
6. Misunderstood (Edited Version) 6
7. The Test That Stumped Them All 6
8. As I Am 7
9. Endless Sacrifice 7
10. The Root Of All Evil 8
11. Sacrificed Sons 8
CD 2 - The Light Side
1. Another Day (2007 Remix) 2
2. To Live Forever (4)
3. Lifting Shadows Off A Dream 3
4. The Silent Man 3
5. Hollow Years 4
6. Through Her Eyes (Alternate Album Mix) 5
7. The Spirit Carries On 5
8. Solitary Shell (Edited Version) 6
9. I Walk Beside You 8
10. The Answer Lies Within 8
11. Disappear 6
98 Liquid Tension Experiment 1
1. Paradigm Shift
2. Osmosis
3. Kindred Spirits
4. The Stretch
5. Freedom Of Speech
6. Chris And Kevin's Excellent Adv
7. State Of Grace
8. Universal Mind
9. Three Minute Warning Pt 1
10. Three Minute Warning Pt 2
11. Three Minute Warning Pt 3
12. Three Minute Warning Pt 4
13. Three Minute Warning Pt 5
99 Liquid Tension Experiment 2
1. Acid Rain
2. Biaxident
3. 914
4. Another Dimension
5. When The Water Breaks
6. Chewbacca
7. Liquid Dreams
8. Hourglass
http://dreamtheater.net/disco_dtifc.php
TODPRCD-02 - Dream Theater - The Atco Demos (2002)
These three songs were recorded as a demos deal struck with the then Atco label. The basic tracks were recorded by producer David Prater, in a single session at Beartracks Studios, Suffern, New York, in May 1991. Guitars, Keyboards and overdubs were recorded at Prater's 16-track basement home studio in New Jersey. The demo's were then submitted to the label and on the strength of these three tracks, a recording deal was immediately struck. Here for the first time, the original demo is officially re-issued, in 2002, as a strictly limited edition - which is only available through the Dream Theater International Fan Clubs - to celebrate the 10th anniversary of the Images And Words album
Metropolis-part 1 (The Miracle And The Sleeper) (9:19)
To Live Forever. (4:34)
Take The Time. (8:08)
DTIFC 001 - International Fanclub Christmas CD
Fanclub CD, 1996
Opening Message
Red Hill Mining Town
Tears
Damage, Inc.
Oh Holy Night
Closing Message
running time: 27:24
DTIFC 002 - The Making Of Falling Into Infinity
Fanclub CD, 1997
New Millennium.
Basic Tracks.
Piano, Acoustic guitar, Stick and 7-string guitar overdubs.
You Not Me.
Basic Tracks.
Strings, Piano, Vocals and Key overdubs.
Peruvian Skies.
Basic Tracks.
Rhodes, Mellotron, Acoustic guitar and Vocals overdubs.
Hollow Years.
Basic Tracks.
Acoustic, Edge and Classical guitar and Vocals overdubs.
Burning My Soul.
Basic Tracks.
Guitar, Key, Vocals, Talk box and Whisper overdubs.
Hell's Kitchen.
Writing The Finale.
Lines In the Sand.
Intro, Key, Piano, and String overdubs.
Bass, Guitar, Synth, and Vocal overdubs.
Dough Pinnick vocals.
Take Away My Pain.
Alternate take.
Basic Tracks.
Space guitar, Hawaiin keys, Heavy keys, and Vocal overdubs.
Just Let Me Breathe.
Basic Tracks.
Feedback and Rhythm guitars, Leadguitar and Keys, Vocal overdubs.
Anna Lee.
Derek Noodling At The Piano.
Basic Tracks.
Mellotron, Acoustic and Leslie guitars, Slide guitar overdubs.
Trial Of Tears.
Basic Tracks.
Lead guitar, Bass, Acoustic guitar and Piano overdubs.
The End (?)
DTIFC 003 - Once In A LIVEtime Outtakes
Fanclub CD, 1998
Eve
Speak To Me
Lifting Shadows Off A Dream
Hey You
The Silent Man
Cover My Eyes
Mean Street
Goodbye Yellow Brick Road
Anna Lee
To Live Forever
Thank You's
Bad
DTIFC 004 - Cleaning Out The Closet
Fanclub CD, 1999
Don't Look Past Me (6:23)
To Live Forever '91 (4:36)
To Live Forever '94 (4:55)
Eve (5:10)
Raise The Knife (11:35)
Where Are You Now? (7:26)
The Way It Used To Be (7:47)
Cover My Eyes (3:21)
Speak To Me (6:10)
DTIFC 005 - Scenes From A World Tour
Fanclub CD, 2000
Heaven And Hell
Erotomania / Paradigm Shift / Universal Mind
What Did They Say? / Wipeout / Canadian Rap
War Pigs
Keyboard Solo
The Spirit Carries On
Guitar Solo / Gladiator Theme
The Zoo / Learning To Live / Whole Lotta Love
End Of Show
DTIFC 006 - Four Degrees Of Radio Edits
Fanclub CD, 2001
Misunderstood (Edit - 5:13)
Blind Faith (Edit - 5:20)
Solitary Shell (Edit - 4:09)
The Test That Stumped Them All (Edit - 5:00)
DTIFC 007 - Taste The Memories
Fanclub CD, 2002
International Fan Clubs CD 2002
The 10th Anniversary Of Images And Words
Mission: Impossible. (1:21)
Afterlife. (5:47)
Under A Glass Moon. (7:10)
Wait For Sleep. (3:46)
Moon Bubbles. (9:52)
To Live Forever. (12:18)
Only A Matter Of Time. (6:36)
Puppies On Acid. (1:56)
Take The Time . (10:46)
A Change Of Seasons. (19:42) (bonus track)
DTIFC 008 - Graspop Festival 2003
Fanclub CD, 2003
The Glass Prison (14:26)
The Mirror (06:57)
Lie (06:47)
Peruvian Skies (06:54)
War Inside My Head (02:03)
The Test That Stumped Them All (04:57)
The Great Debate (13:30)
Home (11:11)
Pull Me Under / Master Of Puppets (10:26)
TODPRCD-01 - Transatlantic - Bridge Across Europe Tour 2001 (2001)
Limited Edition of 3000 copies. These CD's were pressed in cooperation with Theater Of Dreams, World Of Adventures (The Flower Kings Fan Club) and InsideOut Music in celebration of the European 2001 Tour of Transatlantic. These CD's were mainly given away at the audience of 013, Tilburg, Holland on November 12th 2001.
Transatlantic - Duel With The Devil. (special edit 11:30)
Dream Theater - Learning To Live. (live 14:01)
The Flower Kings - Road To Sanctuary (13:50)
Spock's Beard - At The End Of The Day (16:28)
http://ytsejam.net/
http://www.taringa.net/posts/musica/917978/Dream-Theater---Discografia-(40-CD_'s-En-RapidShare).html
http://www.taringa.net/posts/musica/110716/Dream-Theater-(Discography).html
http://www.taringa.net/posts/downloads/883128/Dream-Theater%5Bmegapost%5D---88cds,-10-dvds,-bootlegs,-singles%5B.html
http://voyyvuelvo.bligoo.com/content/view/152965/DESCARGA_DREAM_THEATER_DISCOGRAFIA_COMPLETISIMA_INCLUYE_ULTIMO_DISCO_DOBLE_DESCARGABLE.html
http://www.oneclickfiles.com/music/Dream-Theater-A-Walk-Beside-the-Band-Fan-Club-DVD-2005-309853.html
http://www.evilsfunhouse.com/showthread.php?t=52093
http://youtube.com/results?search_query=guitar+wars&search_type=
2003년 8월에 일본의 하드락카페 20주년을 기념하는 라이브 DVD+CD입니다.
미스터빅 출신의 폴길버트, 제네시스를 거친 스티브해킷,
익스트림 출신 누노베튼커트, 레드제플린 출신의 존폴존스 를 메인라인업으로 하고
나머지 세션들은 각자의 밴드에서 한명씩 데려온 듯 합니다.
특이하게 누노는 옛동료 게리셰론을 깜짝게스트식으로 등장시켜 익스트림의 곡들을 연주하며
게리는 앵콜무대에서 레드제플린 커버송의 메인보컬로 활약합니다.
이들이 어떻게 모이게 됐는지는 잘 모르겠으나 그 구성은 참 독특하다고 생각되네요...
폴길버트 set에서 밴헤일런의 ain't talking 'bout love를 인용한 to be with you 올려봅니다.
더블넥 기타를 메고서 넥의 위아래를 오가며 묘기를 하더군요...
10. Rock & Roll(Guitar Wars/2003/8/28/live at Akasaka/Hard Rock Cafe/20th)All Stars- Steve Hackett/John Paul Jones/Paul Gibert/NunoBettencourt
G3보다 지명도는 떨어지지만 절대 만만치 않은 앨범!! | |
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![]() ![]() 작년 8월 28,29일 일본 동경 에서는 (일본)하드락 까페 20주년을 기념하여
Guitar Wars라는 공연이 열렸습니다. -Guest- Paul Gilbert,Nuno Bettencourt,Steve Hackett(Genesis,GTR),John Paul Jones(Led Zeppelin) 위의 CD는 그날 공연을 DVD + Bonus CD Edition 과 Live CD Edition 두가지로 발매한것 입니다. 그냥 DVD 버젼 하나만 사도 되는건데 보시다시피 커버와 부클릿,수록곡,믹싱까지 다르게 만들어 버리는 바람에 도저히 안살수가 없게 만들더군요. 당췌 일본넘들의 상술이란...-_-+ 이 공연에서는 기타솔로 대결같은것은 거의 등장하지 않습니다. 그냥 서로 다른 뮤지션의 곡에서 기타연주를 해줄뿐입니다. 하지만 나름대로 이런방식도 보기 좋은듯.. 또 이런 공연의 성격상 마지막에는 다들 모여서 잼을 하는데요. 함께 출연한 존폴존스를 예우하는 차원에서인지.. Communication Breakdown과 Rock And Roll을 연주하네요. 이 음반 나름대로 참여한 게스트들의 지명도도 높고 공연도 훌륭한데.. 아쉽게도 유니버셜 재팬의 독자기획 상품이라 다른나라에 라이센스 될 확률은 희박해보이네요. |
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죽기 전에 꼭 들어야 할 앨범 1001장. 이전에 이 리스트를 올려둔 적이 있는데, 그 때는 리스트가 앨범 제목만 알파벳 순으로 되어 있고, 뮤지션의 이름이 없어서 아쉬움이 있었다. 인터넷 서핑 중에 그 1001장 앨범 리스트를 연대별로 분류하면서 해당 앨범의 뮤지션들까지 명시하고 있는 리스트를 발견한 바, 이제 찾아 보기가 아주 유용하다고 생각되어 반가운 마음으로 포스팅해 둔다. 한편, 최근에 롤링 스톤지에서는 25 Favorite Album Cover를 선정한 바 있는데 그 10위 안에도 든 앨범에는 그 표지를 함께 소개한다. 사람들이 가장 좋아하는 앨범 표지를 가진 앨범 10위까지는 모두 명반으로서 이 1001장 앨범 리스트에 포함되어 있다. 해당 앨범 제목 옆의 괄호 안에 그 앨범 표지의 순위를 기재한다. 일단 리스트를 연대별로 살펴본 다음, 그 말미에는 가장 많이 수록된 뮤지션들은 누구인지도 간략히 정리한다. 1001 Albums You Must Hear Before You Die Published in 2005 by Cassell Illustrated. Selected & written by 90 leading international critics, general editor Robert Dimery. In chronological order 1955-2005. Year of release only given here, when considered absolutely necessary. Where there were differences in UK & US (or other) releases for artists, such as the Beatles & the Rolling Stones, the original country of release edition can be taken to be the one listed, unless indicated otherwise. (ie: for the Rolling Stones’ Aftermath & The Beatles’ A Hard Day’s Night, the UK editions are the ones listed). No compilations were allowed, though, the odd one (The Hives’ Your New Favourite Band, for example) did creep in! 1950s o Basie, Count – Atomic Mr Basie o Brubeck, Dave – Time Out o Charles, Ray – Genius of… (1959) o Crickets – Chirping… o Davis, Miles – Birth of the Cool o Davis, Miles – Kind of Blue o Domino, Fats – This is Fats o Ellington, Duke – At Newport (1956) o Elliott, Jack – Jack Takes the Floor o Fitzgerald, Ella – Sings the Gershwin Song Book o Holiday, Billie – Lady in Satin o Little Richard – Here’s… o Louvin Brothers – Tragic Songs of Life o Machito – Kenya o Monk, Thelonious – Brilliant Corners o Presley, Elvis – Elvis Presley (1956) o Prima, Louis – Wildest o Puente, Tito & His Orchestra – Dance Mania (1958) o Robbins, Marty – Gunfighter Ballads & Trail Songs o Sabú [Martínez] – Palo Congo o Sinatra, Frank – In the Wee Small Hours o Sinatra, Frank – Songs for Swingin’ Lovers! o Vaughan, Sarah – At Mister Kelly’s 1960s o 13th Floor Elevators – Psychedelic Sounds of the… o Baez, Joan – Joan Baez (1960) o Band – Band (2nd Album) o Band – Music from Big Pink o Beach Boys – Pet Sounds o Beach Boys – Today! o Beatles – A Hard Day’s Night o Beatles – Abbey Road (3위) o Beatles – Beatles [aka White Album] o Beatles – Revolver (9위) o Beatles – Rubber Soul o Beatles – Sgt Pepper’s Lonely Hearts Club Band (1위) o Beatles – With the… o Beau Brummels – Triangle o Beck, Jeff – Truth o Bee Gees – Odessa o Big Brother & the Holding Company – Cheap Thrills o Blood, Sweat & Tears - Blood, Sweat & Tears (2nd Album) o Blue Cheer – Vincebus Eruptum o Booker T & the MGs – Green Onions o Brel, Jacques – Olympia 64 o Brown, James – Live at the Apollo (1963) o Buckley, Tim – Goodbye & Hello o Buckley, Tim – Happy Sad o Buffalo Springfield – Again o Burke, Solomon – Rock ‘n’ Soul o Byrds – Fifth Dimension o Byrds – Notorious Byrd Brothers o Byrds – Sweetheart of the Rodeo o Byrds, Mr Tambourine Man o Captain Beefheart & His Magic Band – Safe as Milk o Captain Beefheart & His Magic Band – Trout Mask Replica o Cash, Johnny – At Folsom Prison o Cash, Johnny – At San Quentin o Charles, Ray - Modern Sounds in Country & Western Music o Chicago Transit Authority [Chicago] - Chicago Transit Authority (1969) o Cohen, Leonard – Songs from a Room o Cohen, Leonard – Songs of… o Coltrane, John – A Love Supreme o Cooke, Sam – Live at the Harlem Square o Country Joe & the Fish – Electric Music for the Mind & Body o Cream – Disraeli Gears o Creedence Clearwater Revival – Bayou Country o Creedence Clearwater Revival – Green River o Crosby, Stills & Nash – Crosby, Stills & Nash o Davis, Miles – In a Silent Way o Donovan – Sunshine Superman o Doors – Doors (1st Album) o Dr John – Gris Gris o Drake, Nick – Five Leaves Left o Dylan, Bob – Blonde on Blonde o Dylan, Bob – Bringing it All Back Home o Dylan, Bob – Freewheelin’… o Dylan, Bob – Highway 61 Revisited o Electric Prunes – I Had too Much to Dream (Last Night) o Evans, Bill – Sunday at the Village Vanguard o Everly Brothers – A Date with the… o Fairport Convention – Liege & Lief o Fairport Convention – Unhalfbricking o Flying Burrito Brothers – Gilded Palace of Sin o Franklin, Aretha – I Never Loved a Man the Way I Love You o Franklin, Aretha – Lady Soul o Getz, Stan & Charlie Byrd – Jazz Samba o Getz, Stan & João Gilberto – Getz/Gilberto o Gilberto, Astrud – Beach Samba o Grateful Dead – Live/Dead o Haggard, Merle – I’m a Lonesome Fugitive o Hayes, Isaac – Hot Buttered Soul o Hendrix, Jimi – Are You Experienced o Hendrix, Jimi – Axis: Bold as Love o Hendrix, Jimi – Electric Ladyland o Incredible String Band – Hangman’s Beautiful Daughter o Iron Butterfly – In a Gadda da Vida o Jansch, Bert – Bert Jansch (1st Album) o Jefferson Airplane – Surrealistic Pillow o John Mayall’s Blues Breakers – With Eric Clapton o King Crimson – In the Court of the Crimson King o King, B.B. – Live at the Regal o Kinks – Arthur: Or the Decline & Fall of the British Empire o Kinks – Face to Face o Kinks – Something Else by the… o Kinks – Village Green Preservation Society o Led Zeppelin – II o Led Zeppelin – Led Zeppelin (1st Album) o Lewis, Jerry Lee – Live at the Star Club, Hamburg o Love – Da Capo o Love – Forever Changes o Lynn, Loretta – Don’t Come Home a Drinkin’ (With Lovin’ on Your Mind) o Makeba, Miriam – Miriam Makeba (1960) o Mamas & the Papas – If You Can Believe Your Eyes & Ears o MC5 – Kick Out the Jams o Mingus, Charles – Black Saint & the Sinner Lady o Moby Grape – Moby Grape (1st Album) o Monkees – Headquarters o Monks – Black Monk Time o Morrison, Van – Astral Weeks o Mothers of Invention – Freak Out! o Mothers of Invention – We’re Only in it for the Money o Muddy Waters – At Newport o Mutantes, os – Mutantes, os (1st Album) o Neil, Fred – Fred Neil (1st Album) o Nico – Chelsea Girl o Nyro, Laura – Eli & the Thirteenth Confession o Owens, Buck – I’ve Got a Tiger by the Tail o Pentangle – Basket of Light o Pink Floyd – Piper at the Gates of Dawn o Presley, Elvis – Elvis is Back! o Presley, Elvis – From Elvis in Memphis o Pretty Things – S.F. Sorrow o Price, Ray – Night Life o Quicksilver Messenger Service – Happy Trails o Redding, Otis – Otis Blue… Sings Soul o Revere, Paul & the Raiders – Midnight Ride o Rolling Stones – Aftermath o Rolling Stones – Beggars Banquet o Rolling Stones – Let it Bleed o Rolling Stones – Rolling Stones (1st Album) o Shankar, Ravi – Sounds of India (1968) o Sharma, Shivkumar / Brij Bushan Kabra / Hariprasad Chaurasia – Call of the Valley o Simon & Garfunkel – Bookends o Simon & Garfunkel – Parsley, Sage, Rosemary & Thyme o Simone, Nina – Wild is the Wind o Sinatra, Frank - Frank Albert Sinatra & Antonio Carlos Jobim o Sly & the Family Stone – Stand! o Small Faces – Ogdens’ Nut Gone Flake o Smith, Jimmy – Back at the Chicken Shack o Sonics – Here Are the… o Spector, Phil & Various Artists – A Christmas Gift for You o Spence, Alexander ‘Skip’ – Oar o Springfield, Dusty - A Girl Called Dusty o Springfield, Dusty – Dusty in Memphis o Stooges – Stooges (1st Album) o Temptations – Cloud Nine o Traffic – Traffic (2nd Album) o United States of America – United States of America o Veloso, Caetano – Caetano Veloso (1968) o Velvet Underground & Nico - Velvet Underground & Nico (8위) o Velvet Underground – Velvet Underground (3rd Album) o Velvet Underground – White Light/White Heat o Walker, Scott – Scott 2 o Walker, Scott – Scott 4 o Who – My Generation o Who – Sell Out o Who – Tommy o Yardbirds – Yardbirds [aka Roger the Engineer] (1st Album) o Young Rascals – Groovin’ o Young, Neil – Everybody Knows This is Nowhere o Youngbloods – Elephant Mountain o Zappa, Frank – Hot Rats o Zombies – Odessey & Oracle 1970s o 10cc – Sheet Music o ABBA – Arrival o AC/DC – Highway to Hell o Ackles, David – American Gothic o Adverts – Crossing the Red Sea with the… o Aerosmith – Rocks o Aerosmith – Toys in the Attic o Alice Cooper – Billion Dollar Babies o Alice Cooper – School’s Out o Allman Brothers – At Fillmore East o Armatrading, Joan – Joan Armatrading (1st Album) o B52s – B52s (1st Album) o Bad Company – Bad Company (1st Album) o Barrett, Syd – Madcap Laughs o Beach Boys – Surf’s Up o Bee Gees – Trafalgar o Ben, Jorge – África Brasil o Big Star – # 1 Record o Big Star – Third (aka Sister Lovers) o Black Sabbath – Black Sabbath (1st Album) o Black Sabbath – Paranoid o Black Sabbath – Vol 4 o Blondie – Parallel Lines o Boston – Boston (1st Album) o Bowie, David – ‘Heroes’ o Bowie, David – Aladdin Sane o Bowie, David – Hunky Dory o Bowie, David – Low o Bowie, David – Rise & Fall of Ziggy Stardust and the Spiders from Mars o Bowie, David – Station to Station o Bowie, David – Young Americans o Buckley, Tim – Greetings from LA o Burman, Rahul Dev – Shalimar (Soundtrack) o Burning Spear – Marcus Garvey o Buzzcocks – Another Music in a Different Kitchen o Cale, John – Paris 1919 o Can – Future Days o Can – Tago Mago o Carpenters – Close to You o Cars – Cars (1st Album) o Cheap Trick – At Budokan o Chic – C’est Chic o Chic – Risqué o Clapton, Eric – 461 Ocean Boulevard o Clark, Gene – No Other o Clark, Gene – White Light o Clash – Clash (1st Album) o Clash – London Calling (2위) o Cohen, Leonard – Songs of Love & Hate o Colón, Willie & Rubén Blades – Siembra o Costello, Elvis – Armed Forces o Costello, Elvis – My Aim is True o Costello, Elvis – This Year’s Model o Creedence Clearwater Revival – Cosmo’s Factory o Crosby, David – If Only I Could Remember My Name o Crosby, Stills, Nash & Young – Déjà vu o Crusaders – Street Life o Czukay, Holger – Movies o Damned – Machine Gun Etiquette o Davis, Miles – Bitches Brew o Deep Purple – In Rock o Deep Purple – Machine Head o Deep Purple – Made in Japan o Derek & the Dominos – Layla & Other Assorted Love Songs o Devo – Q: Are We Not Men? A: We Are Devo o Dictators – Go Girl Crazy! o Dion – Born to Be With You o Dire Straits – Dire Straits (1st Album) o Doors – LA Woman o Doors – Morrison Hotel o Drake, Nick – Bryter Layter o Drake, Nick – Pink Moon o Dury, Ian – New Boots & Panties!! o Dylan, Bob – Blood on the Tracks o Eagles – Eagles (1st Album) o Eagles – Hotel California o Earth, Wind & Fire – That’s the Way of the World o Electric Light Orchestra – Out of the Blue o Ely, Joe – Honky Tonk Masquerade o Emerson, Lake & Palmer – Pictures at an Exhibition o Emerson, Lake & Palmer – Tarkus o Eno, Brian – Ambient 1: Music for Airports o Eno, Brian – Another Green World o Eno, Brian – Before & After Science o Eno, Brian – Here Come the Warm Jets o Faces – A Nod is as Good as a Wink… To a Blind Horse o Faithfull, Marianne – Broken English o Fall – Live at the Witch Trials o Faust – IV o Flamin’ Groovies – Teenage Head o Fleetwood Mac – Rumours o Fleetwood Mac – Tusk o Frampton, Peter – Frampton Comes Alive o Funkadelic – Maggot Brain o Funkadelic – One Nation Under a Groove o Gabriel, Peter – Peter Gabriel (I) o Gainsbourg, Serge – Histoire de Melody Nelson o Gang of Four – Entertainment! o Gaye, Marvin – Here, My Dear o Gaye, Marvin – Let’s Get it On o Gaye, Marvin – What’s Going On o Genesis – Lamb Lies Down on Broadway o Genesis – Selling England by the Pound o Germs – GI o Grateful Dead – American Beauty o Green, Al – Let’s Stay Together o Hancock, Herbie – Head Hunters o Harris, Emmylou – Pieces of the Sky o Harrison, George – All Things Must Pass o Hawkwind – Space Ritual o Hayes, Isaac – Shaft: Music from the Soundtrack o Iggy & the Stooges – Raw Power o Iggy Pop – Idiot, the o Iggy Pop – Lust for Life o Incredible Bongo Band – Bongo Rock o Isley Brothers – 3 + 3 o Jackson, Michael – Off the Wall o Jam – All Mod Cons o Japan – Quiet Life o Jarre, Jean Michel – Oxygene o Jarrett, Keith – Köln Concert o Jennings, Waylon – Honky Tonk Heroes o Jethro Tull – Aqualung o Joel, Billy – Stranger, the o John, Elton – Goodbye Yellow Brick Road o John, Elton – Madman Across the Water o Jones, George – Grand Tour o Joplin, Janis – Pearl o Joy Division – Unknown Pleasures o King Crimson – Lark’s Tongues in Aspic o King, Carole – Tapestry o Kiss – Destroyer o Kraftwerk – Autobahn o Kraftwerk – Man Machine o Kraftwerk – Trans-Europe Express o Kuti, Fela - With Ginger Baker: Live! o Kuti, Fela – Zombie o Led Zeppelin – III o Led Zeppelin – IV [aka Untitled / aka Four Symbols] o Led Zeppelin – Physical Graffiti o Lennon, John – Imagine o Lennon, John – Plastic Ono Band o Lynyrd Skynyrd – Pronounced Leh-nerd Skin-nerd o Magazine – Real Life o Marley, Bob & the Wailers – Catch a Fire o Marley, Bob & the Wailers – Exodus o Marley, Bob & the Wailers – Natty Dread o Martyn, John – One World o Martyn, John – Solid Air o Masekela, Hugh – Home is Where the Music Is o Mayfield, Curtis – Superfly: Original Motion Picture Soundtrack o Mayfield, Curtis – There’s No Place Like America Today o McCartney, Paul – McCartney (1970) o McCartney, Paul & Wings – Band on the Run o McLean, Don – American Pie o Meat Loaf – Bat Out of Hell o Mitchell, Joni – Blue o Mitchell, Joni – Court & Spark o Mitchell, Joni – Hejira o Mitchell, Joni – Hissing of Summer Lawns o Modern Lovers – Modern Lovers [Rec 1972, not released until 1976] o Morrison, Van – It’s Too Late to Stop Now o Morrison, Van – Moondance o Mott the Hoople – Mott o Muddy Waters – Hard Again o Nascimento, Milton & Lo Borges – Clube da Esquina (1972) o Nelson, Willie – Red Headed Stranger o Nelson, Willie – Stardust o Neu! – ‘75 o New York Dolls – New York Dolls (1st Album) o Newman, Randy – Good Old Boys o Newman, Randy – Sail Away o Nilsson, Harry – Nilsson Schmilsson o Nitty Gritty Dirt Band – Will the Circle Be Unbroken? o Numan, Gary – Pleasure Principle o Oldfield, Mike – Tubular Bells o Only Ones – Only Ones (1st Album) o Otis, Shuggie – Inspiration Information o Parliament – Mothership Connection o Parsons, Gram – Grievous Angel o Parton, Dolly – Coat of Many Colors o Penguin Café Orchestra – Music from the Penguin Café o Pere Ubu – Dub Housing o Pere Ubu – Modern Dance o Petty, Tom & the Heartbreakers - Tom Petty & the Heartbreakers (1st Album) o Pink Floyd – Dark Side of the Moon (4위) o Pink Floyd – Wall, the o Pink Floyd – Wish You Were Here o Police – Reggatta de Blanc o Prine, John – John Prine (1st Album) o Public Image Ltd – Metal Box o Public Image Ltd – Public Image o Queen – A Night at the Opera o Queen – II o Queen – Sheer Heart Attack o Ramones – Ramones (1st Album) o Reed, Lou – Berlin o Reed, Lou – Transformer o Regina, Elís – Vento de Maio o Residents – Duck Stab/Buster & Glen o Rolling Stones – Exile on Main St o Rolling Stones – Sticky Fingers (6위) o Roxy Music – Country Life o Roxy Music – For Your Pleasure o Roxy Music – Roxy Music (1st Album) o Rundgren, Todd – A Wizard, a True Star o Rundgren, Todd – Something/Anything o Rush – 2112 o Saints – Eternally Yours o Santana – Abraxas o Scott-Heron, Gil & Brian Jackson – Winter in America o Sensational Alex Harvey Band – Next o Sex Pistols – Never Mind the Bollocks, Here’s the… o Shankar, Ananda – Ananda Shankar (1970) o Simon & Garfunkel – Bridge Over Troubled Water o Simon, Paul – Paul Simon (1972) o Siouxsie & the Banshees – Scream, the o Sister Sledge – We Are Family o Slade – Slayed? o Slits – Cut o Sly & the Family Stone – There’s a Riot Goin’ On o Smith, Patti – Horses o Soft Machine – Third o Sparks – Kimono My House o Specials – Specials (1st Album) o Spirit – Twelve Dreams of Dr Sardonicus o Springsteen, Bruce – Born to Run o Springsteen, Bruce – Darkness on the Edge of Town o Steely Dan – Aja o Steely Dan – Can’t Buy a Thrill o Steely Dan – Countdown to Ecstasy o Steely Dan – Pretzel Logic o Stevens, Cat – Tea for the Tillerman o Stewart, Rod – Every Picture Tells a Story o Stewart, Rod – Gasoline Alley o Still, Stephen – Manassas o Still, Stephen – Stephen Stills (1st Album) o Stooges – Fun House o 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Babes o U2 – All That You Can’t Leave Behind o Vines – Highly Evolved o Wainwright, Rufus – Want One o Wainwright, Rufus – Want Two o Welch, Gillian – Time (The Revelator) o West, kanYe – College Dropout o White Stripes – Elephant o White Stripes – Get Behind Me Satan o White Stripes – White Blood Cells o Wilco – Yankee Hotel Foxtrot o Wilson, Brian – SMiLE o Winehouse, Amy – Frank o Yeah Yeah Yeahs – Fever to Tell o Zutons – Who Killed the Zutons? 죽기 전에 꼭 봐야 할 앨범 1001장의 목록에 가장 많은 앨범이 수록된 뮤지션으로는, 7장이 수록된 뮤지션이 4팀 있는데, 비틀즈(Beatles), 데이빗 보위(David Bowie), 밥 딜런(Bob Dylan)과 닐 영(Neil Young)이며, 6장이 수록된 뮤지션으로는 엘비스 코스텔로(Elvis Costello)와 롤링 스톤즈(Rolling Stones)가 있고, 이어서 5장이 수록된 뮤지션으로는 레드 제플린(Led Zeppelin), 라디오헤드(Radiohead), 소닉 유스(Sonic Youth), 브루스 스프링스틴(Bruce Springsteen)과 후(Who)가 있다. |
교태女 자밀라 테크토닉 |
KBS '미수다'에서 인기를 얻어 최근 '오빠미워'로 가수에 도전한 자밀라의 댄스연습 장면이 공개됐다. 편안한 운동복 차림을 한 자밀라는 최근 유럽에서 유행중인 테크토닉 연습에 빠진 모습이였다. - [화보] 섹시 자밀라, 환상적인 황금몸매 더 감상!
네티즌들은 "미수다에서 텔미춤 추는 것을 본적이 있다. 테크토닉 역시 잘 추는 것 같다", "어색하다는 사람들은 전부 테크토닉 고수인가?", "뭔가 어색한 면이 있는 것 같다"며 자밀라의 댄스에 관심을 보였다.
도깨비뉴스 이은희 |
오아시스 "SCT.PEPPER" .....돈 되네요... | | | 매니아 비틀즈 콜렉션 |
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/ | 2007.08.17 14:30 |
블로그 > Strawberry Fields Forever
http://blog.naver.com/kth1285/140039581012
Sct.PEPPERS CLUB BAND...라
오아시스가 조금 급했던거 같습니다.
바로 위에 음반이 문제의 소지(대마잎과 막스)가 있어서
급하게 자켓을 바꾸게 됐는데
대마잎을 지워내는게 불가능했는지
4명만 확대해서 만들었죠.
그러다보니 원래 꽃으로 씌어진 비틀즈 글자가 사라지게 되고
앨범판매를 할려니 비틀즈라는 글자는 들어가야겠고
그래서 생뚱맞은 하햔 이상한 글씨체의 BEATLES가 들어갑니다.
이 BEATLES 라는 하얀글씨가 들어가게 되니
기존의 큰북에 앨범제목이 가리게됐겠죠.
그래서 큰북디자인 새로 하게됩니다.
머리 무지 아팠을겁니다.
오아시스가 지워내는 것은 잘하지만(그것도 표시나게)
새로 만드는것은 잘 못하죠.
그래서 첨 나온 새로운 디자인이 바로 이 Sct.PEPPERS CLUB BAND 자켓이죠.
(제 상상력이지만 이 Sct.PEPPERS CLUB BAND로 잘 못 씌여 진게
혹시 디자인을 하신 분이 착각해서 실수한거 같다는 생각드는데,
원래 자켓의 큰북에는 sgt.Pepper's club band만 같은 모양의 글자체와
같은 색채를 가지고 있고 lonely hearts는 큰북과 자연스레 잘 어울려
원래 큰북에 있던 글자처럼 보입니다. 그리고 새 자켓을 만들면서 가려지는 글씨가
CLUB BAND라 CLUB BAND에만 너무 집중한 것 같기도 하구요.
그래서 내용을 잘 모르는 디자인 하시는분이 Sct.PEPPERS CLUB BAND가
앨범제목이라고 착각하신게 아닌가 짐작해봅니다.)
그건 그렇고 앨범 제목 좀 틀린게 뭐 그리 중요하다고...
에라 모르겠네.
그냥 출반.
하지만 한국 팝음반계의 큰형님으로서의 자존심은 있었는지.
다시 큰북을 디자인하게 됩니다.
제가 소장하고 있는 DVD 및 LP들 중에서 흥미로운 것들을 소개합니다.
사진을 잘 못 찍어 여러분들 보시기에 부담스러울지 몰라도, 제가 보기에는 기냥 보기만 해도 배가 부른...
* 먼저 아래에 DVD들
좌측 상단 DVD부터 순서대로 보자면...(아래 5장은 비틀즈 활동 중에 나온 작품들)
1. Beatles 1 (1위곡들의 뮤직 비디오로 구성된 bootleg)
2. Anthology (5장짜리 박스 세트 내용물 중 vol.5 special features)
3. US first visit (공식적으로 재발매된)
4. Ed Sullivan shows (64년에서 65년까지의 모든 쇼를 담고 있는 bootleg으로 직전 dvd의 extended version?)
5. making of a Hard Day's Night (국내반)
6. a Hard Day's Night 64(5.1 dts)
7. Help 65(5.1 dts)
8. Magical Mystery Tour 67(국내반- 이 아방가르드 영화가 조속히 5.1 채널화되기를 애타게 기다리며...)
9. Yellow Submarine 69(호주산 5.1 dts- region code free)
10. Let It Be 70(ebay에서 산 bootleg- 강석 쥔장님께서 바가지 쓰셨다고 소개하신 것과 같은 버젼)
* 다음 LP들
좌측 상단 LP부터 순서대로 보자면...(중간 5장은 비틀즈 5대 명반들)
1. oldies but goodies (66년에 나온 초기 히트곡집으로 나중의 62-66 red album의 원형임. 사이키델리셔스한 커버... 아, 쑝간다 쑝가!)
2. 62-66 Red Album (63년 영국 데뷔작 Please Please Me와 유사한 커버의 설명이 필요없는... )
3. Meet the Beatles (64년 미국 데뷔작)
4. the Beatles 2nd Album (위의 Meet the Beatles 앨범과 합치면 영국반 With the Beatles으로 변신 합체)
5. Beatles for Sale (아름다운 커버의 초기 앨범으로서 개인적으로는 최초로 구매한 오리지날 앨범이었기에 더욱 애착이 가는...)
6. Rubber Soul (개인적으로 생각하기에 최고의 자작곡들로 구성된 마치 히트곡집 수준의 정규 앨범. 아름다운 & 쑝가는 마리화나 커버)
7. Revolver (스튜디오 혁명... 처음에 Tomorrow Never Knows를 들었을 때의 그 충격이란!... 역시 쑝가게 뱅뱅도는 LSD 커버)
8. Sgt. Pepper's..... (더 이상 무슨 설명이... cf. 또하나의 소장품으로서 군바리들이 난도질친 70년대 국산LP를 와이프 몰래 빨리 세계 시장에 70만원에 내다 팔아 재take 해야 할텐데...)
9. white album (생애 최초로 구입한 수입 원반... 아! 파리 68년 5월 혁명... turn me on)
10. Abbey Road (해산 직전 밴드의 앨범이 과연 맞습니까? 믿습니까?)
11. Let It Be bootleg (계단에서 내려다보는 오리지날 Get Back 앨범을 열심히 찾아다니다가는 결국 LA에서 꿩 대신 닭으로 http://bootlegzone.com/album.php?name=post§ion=1)
12. Live at Hollywood Bowl (국내반으로 당시 비틀즈 초기 오리지날 앨범이 전무할 때 나름대로 해갈시켜주던 라이브 대체제들...)
13. Live on Stage 1962-66 (5장짜리 bootleg으로 이하에 따로 소개)
14. Rock and Roll music vol. 1 (더블 엘피의 back 커버임(살아생전 레논이 그렇게 혐오해 마지 않던 커버). 금지곡이었던 Back in the USSR, Revolution까지 모두 수록된...)
15. Rock and Roll music vol. 2 (멋진 커버는 물론 80년대 헤비메탈의 청사진을 제시했다던 Helter Skelter를 처음 들을 때 그 기대와 설레임이란..)
* Live on Stage 1962-66
참으로 흥미로운 LP SET이 아닐 수 없습니다. bootlegzone.com에도 이 음반에 대한 기록이 없는 듯 합니다. 동베를린에서 샀던 것으로 기억하는데 Limited Edition 150 copies라고 적혀 있는 것을 보니 아마도 저도 전세계 그 150명인 중 한 사람인 듯...
수록곡은 다음과 같습니다.
LP 1- A side
Dec. 31. 1962 Star Club Grosse Freiheit Hamburg
1 A TASTE OF HONEY
2 TILL THERE WAS YOU
3 WHERE HAVE YOU BEEN ALL MY LIFE?
4 LEND ME YOUR COMB
5 YOUR FEET'S TOO BIG
6 TALKIN' ABOUT YOU
LP 1- B side
7 TO KNOW HER IS TO LOVE HER
8 EVERYBODY'S TRYING TO BE MY BABY
9 MATCHBOX
10 LITTLE QUEENIE
11 NOTHIN' SHAKIN' (BUT THE LEAVES ON THE TREES)
12 ROLL OVER BEETHOVEN
LP 2- A side
Oct. 24. 1963 Karlaplansstudio Stockholm
0. I Saw Her Standing There
1. From Me To You
2. Money (That's What I Want)
3. You Really Got A Hold On Me
4. Roll Over Beethoven
5. She Loves You
6. Twist and Shout
LP 2- B side
Dec.22. 1963 Empire Theater Liverpool
1. From Me To You
2. I Saw Her Standing There
3. All My Loving
4. Roll Over Beethoven
5. Boys
6. Till There Was You
7. She Loves You
8. This Boy
9. I Want to Hold Your Hand
10. Money (That's What I Want)
11. Twist and Shout
12. From Me To You
LP 3- A side
Aug. 24. 1964 Hollywood Bowl(Afternoon show)
13 TWIST N SHOUT
14 YOU CAN'T DO THAT
15 ALL MY LOVING
16 SHE LOVES YOU
17 THINGS WE SAID TODAY
18 ROLL OVER BEETHOVEN
LP 3- B side
19 CAN'T BUY ME LOVE
20 IF I FELL
21 I WANT TO HOLD YOUR HAND
22 BOYS
23 A HARD DAY'S NIGHT
24 LONG TALL SALLY
LP 4- A side
Aug. 19. 1965 Sam Houston Coliseum Houston Texas
1. Twist and Shout
2. She`s a Woman
3. I Feel Fine
4. Dizzy Miss Lizzy
5. Ticket To Ride
6. Everybody Trying To Be My Baby
LP 4- B side
7. Can`t Buy Me Love
8. Baby In Black
9. I Wanna Be Your Man
10. A Hard Days Night
11. Help
12. I`m Down
LP 5- A side
Jun. 30. 1966 Mudokan Hall Tokio
1. intro
2. Rock and Roll Music
3. She`s A Woman
4. If I Needed Someone
5. Day Tripper
6. Baby In Black
7. I Feel Fine
LP 5- B side
8. Yesterday
9. I Wanna Be Your Man
10. Nowhere Man
11. Paperback Writer
12. I`m Down
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잘 보고 갑니다~2000년대에 선정된 라디오헤드 앨범 중 하나는 hail to the thief가 아니라 in rainbows인걸로 알고 있습니다
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