아아! 정ㅇ석의 울트라 캡숑 뽕빨 본격 fandom grotesque hardgore 정치 블로그

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오버랩된 누드화, 이게 사진이야 그림이야? 배준성의 '미술관'(The Museum)전을 가다

김형순 (seulsong)

▲ 갤러리현대 입구의 홍보게시물. '화가의 옷(The Costume of Painter)' 미술관 연작 인형(doll) 캔버스에 유화 렌티큘러(Lenticular) 194×259cm 2007 ⓒ 김형순 배준성   보는 위치에 따라 달라 보이는 입체적 기법으로 누드사진과 서양명화를 오버랩 시켜 독특한 회화양식을 일구어낸 배준성의 '미술관(The Museum)전'이 지난 7일에 시작되어 오는 25일까지 경복궁 옆 갤러리현대에서 선보인다.   작품을 처음 보면 그림인지 사진인지 착오가 생기지만 그림 속에 베르메르, 다비드, 앵그르 등 서양미술사에 널리 알려진 명화들이 나오기에 그림 보는 재미는 두 배가 아니라 몇 배로 증폭된다. 그리고 그 명화들을 모사한 작가의 빼어난 솜씨에 할 말을 잃는다.   배준성(40)은 우리에게 친숙하지는 않지만 최근 바젤 아트페어 등 해외미술시장에서 호평을 받고 있다. 프랑스국립미술관 학예연구사 알랭 사야그(A. Sayag)는 그를 '고전을 껴안은 동양의 포스트모던예술가'라고 평가하기도 했다.   작가의 관객 끌어안기   ▲ '화가의 옷(The Costume of Painter)' 미술관 연작 베르메르(Vermeer) 우유 따르는 하녀. 캔버스에 유화 렌티큘러(Lenticular) 194×259cm 2007 ⓒ 김형순 배준성   작가는 결과보다 그림의 과정을 중시한다면서 "움직이는 정물을 그리고 싶다"고 말한다. 정물화는 말 그대로 움직이지 않는 그림이다. 그러나 그는 이런 전통을 거부하고 움직이는 정물화에 도전하고 있다.   작가는 또한 이미지 홍수시대에 관객들이 동시다발로 보여주는 기제가 강력하기에 이를 받아들이고 여기에 부응하는 매체기법인 '렌티큘러(lenticular)'를 도입한다. 레이어(layer, 층위)를 층층이 사용하기 때문에 보는 각도와 위치에 따라 이미지가 달라 보인다.   게다가 루브르, 메트로폴리탄, 프라도, 에르미타주 박물관 등 유수 미술관에서 명화를 감상하는 관객들이 감동을 하거나 혹은 함축된 뜻이 담긴 그림을 이해해 보려고 애쓰는 표정까지 담고 있어, 이를 보는 우리도 마치 그림 속 주인공이 되는 것 같은 착각에 빠진다.   그림감상의 기원은 누드   ▲ '화가의 옷(The Costume of Painter)' 미술관 연작. 앵그르(Ingres)의 붉은 드레스(Red dress) 캔버스에 유화 렌티큘러(Lenticular) 194×259cm 2007. 왼쪽 프레임은 각도에 따라 다르게 보이는 것을 나란히 놓은 것임. ⓒ 김형순 배준성   우리가 흔히 화장실 낙서에서 누드를 보듯이 모든 미술 감상의 기원은 여자 몸에 대한 호기심이나 혹은 그런 것을 보려는 은밀한 욕망 즉 관음증에서 시작된 것인지 모른다. 작가는 이러한 관객의 요구를 놓치지 않고 자신의 작품에 반영하고 있다.   이렇게 그의 그림에는 우선 볼거리가 많다. 우아하고 화려한 17~18세기 유럽풍의 드레스를 입은 한국여자가 등장하고 보는 방향에 따라 실오라기 하나 걸치지 않은 누드로 변한다. 이번 전시에서는 파리 유명디자이너인 라크르의 현란한 의상을 재현해 더욱 눈부시다.   작가가 의도하는 본질은 누드가 아니고 명화다. 다만 오랫동안 작업을 하다 보니 작품이 쌓였고 이를 정리하면서 동시에 보여주기 위해 비닐 작업과 렌티큘러 방식을 도입한 것이다. 하지만 요즘은 작가역시 걷잡을 수 없을 정도로 그 방향으로 쏠리는 것이 사실이다.   관객에게 들춰보기 유혹   ▲ '화가의 옷(The Costume of Painter)' 미술관 연작 화가 알마-타데마(A. Tadema) 비닐(vinyl)과 사진에 유화 154×194cm 2007. 왼쪽은 비닐을 들춰보면 나온다. ⓒ 김형순 배준성   장 보드리야르는 '유혹'을 21세기의 키워드로 보았다. 이제는 그림도 관객을 유혹할 수 있어야 한다. 정치도 경제도 사회도 문화도 세련도의 차이는 있지만 유혹의 기술이 필요하다. 작가는 바로 그런 정신을 그림에도 그대로 적용시키고 있다.   작가에 그림감상에서 관객의 더 적극적 개입을 유도한다. 그의 작품을 감상할 때 주의할 점은 미술관 매너를 지키느라 점잔을 빼면서 눈으로만 감상하면 안 된다. 투명한 아크릴 비닐 필름이 있는 작품은 들춰봐야 한다. 그 속에 누드화가 숨어있기 때문이다.   작가는 이렇게 관객을 당황하게 하기나 낯설게 하는 것이 오히려 관객으로 하여금 더 적극적인 반응을 유발시키거나 미적 호기심을 일으킨다며 이렇게 말한다.   "관객은 이러한 불규칙적이며 일정치 않은 대상과의 관계에 분노하거나 안타까워하지 않는다. 오히려 관객의 그간 경험에서 일탈된 느낌은 대상에 대한 감상을 더욱 매력적인 긴장으로 위치 이동시킨다."   누드의 예술성 여부   ▲ '화가의 옷(The Costume of Painter)' 미술관 연작 방 거울(House Mirror) 캔버스에 유화 렌티큘러(Lenticular) 150×162cm 2007. ⓒ 김형순 배준성   누드의 예술성과 음란성 여부는 어느 시대나 논쟁거리다. 작가는 이점을 통쾌하게 빠져나갈 위트와 재치를 보여준다. 관객들은 전시장에 들어서면 너무나 세련되고 우아하고 장엄한 격조와 품격과 위엄에 매려 되어 도무지 그런 걸 언급할 틈이 없다.   이탈리아 기호학자 움베르토 에코도 <미의 역사> 서론에서 '옷을 벗은 비너스와 옷을 입은 비너스'로 서양미술사를 요약하기도 했지만 작가는 '옷을 입은 이미지'와 '옷을 벗은 이미지'를 하나의 작품으로 합성하여 독특한 사실주의 회화형식을 생성해냈다.   사진과 미술의 경계 흐려지다   ▲ '화가의 옷(The Costume of Painter)' 미술관 연작. 캔버스에 유화 렌티큘러(Lenticular) 194×259cm 2007. 도무지 사진인지 그림인지 구별하기 힘들다. ⓒ 김형순 배준성   누드사진 위 옷 그린 비닐 필름을 덮는 방식이나 방향에 따라 달라 보이는 렌티큘러 방식은 사진과 미술의 경계가 흐려지는 요즘에 이를 어떻게 통합하여 새로운 기법을 통해 작품에 담을까하는 고민의 흔적을 엿볼 수 있다.   이러한 시도는 미술양식을 위협하는 이때에 전통양식이 가지는 고정관념을 깨고 일종의 충격을 주는 극약처방이라 해도 좋을 것이다. 장르의 경계를 넘어 창조적 결합을 통해 예술적 영역을 넓히고 새로운 회화를 개척하여 보다 대중적으로 접근하려 하고 있다.   작가의 창조적 융합   ▲ '화가의 옷(The Costume of Painter)' 미술관 연작 휘슬러 차이나(Whistler China) 캔버스에 유화 렌티큘러(Lenticular) 206×226cm 2007. 동서양 문화의 융화를 시도한 것 같다 ⓒ 김형순 배준성   작가는 아카데미즘을 충분히 소화했다고 자부하기에 이런 독자적 그림을 그릴 수 있는 자신감이 넘쳐 보이고 자기식으로 이를 비틀어 보려는 야심찬 열망을 읽을 수 있다.   이렇게 성(聖)과 속(俗), 시간과 공간, 동양과 서양, 현대와 고전이 통합된 총체적 미를 추구한다. 누드사진과 고전회화에다 첨단패션까지 융합시킬 뿐 아니라 키치아트나 팝아트처럼 경쾌하고 가벼우면서 신고전주의처럼 장중하고 엄격함도 대입시킨다.   작가에게 있어 그림을 그리는 것은 작품에 옷을 입히는 것이다. 그래서 그의 전시회 제목은 한결같이 '화가의 옷'이다. 이 점에 대해서 "결국 나의 '화가의 옷'은 화가가 그리는 옷이 아니라 옷을 그리다가 발생하게 되는 화가의 별안간의 사건을 의미한다."고 설명한다.   미술관의 독점적 시각 희화   ▲ '화가의 옷(The Costume of Painter)' 미술관 연작. 빵이 있는 새 정물화(New still life with bread) 캔버스에 유화 렌티큘러(Lenticular) 194×259cm 2007. 미술관에 대한 보다 쉬운 접근에 대한 암시가 풍긴다 ⓒ 김형순 배준성   미술평론가 김찬동은 이번 전에서 선보이는 작품은 미술관을 제도의 정점으로 만든 서양미술의 시각적 관습과 전통에 대한 총체적이고 근본적인 문제를 제기한 셈이라고 말했다.   사실 그는 렌티큘러 작품을 통해 미술관이 가지는 독점적 시각을 교란시키고 명작의 일부를 자신의 작품으로 대체함으로써 미술관의 문턱을 낮추고 있다. 그는 이렇게 서구미술이나 그 제도를 희화하는 측면을 은근히 풍긴다.     작가는 시대정신을 반영이라도 하듯 미술관을 과거의 성전과 같은 권위적 공간으로부터 백화점이나 공공미술과 같은 일상적 공간으로 변모시키는 데 한몫 단단히 하고 있다.     작가 배준성은 누구인가?   [작가 약력] ▲ 작품 앞 작가 ⓒ 김형순 배준성 1967 광주 출생 1990 서울대학교 미술대학 서양화과 졸업 2000 서울대학교 미술대학원 서양화과 졸업   [개인전] 2007 '미술관(The Museum)', 갤러리현대, 서울 2006 '화가의 옷(The Costume of Painter)', 갤러리 터치아트, 헤이리 2006 '화가의 옷', 캔버스 인터내셔널 아트 갤러리, 암스테르담 2006 '화가의 옷, 롯데 에브뉴엘, 서울 2004 '화가의 옷', 백해영갤러리, 서울 2003 "라크르씨, 치마를 올려 봐도 될까요?" 대림미술관, 서울 2002 '화가의 옷', 보자르미술관/투르(Tour), 프랑스 2000 '이름붙이기(Naming)', 갤러리인, 서울 1997 '이름붙이기', 살갤러리, 서울 1996 '독후감', 금호미술관, 서울   [수상] 1995 95년 정경자 미술문화재단 창작 지원 신인예술가상 2000 오늘의 젊은 예술가상, 문화관광부 주관   ▲ 배준성의 다른 작품 감상하기. 그의 그림 어딘 가엔 렌티큘러가 숨어 있다 ⓒ 갤러리현대 배준성 덧붙이는 글 | 갤러리 현대(www.galleryhyundai.com) / 서울시 종로구 사간동 80 / 734-6111~3 mail@galleryhyundai.com / 월요일 휴관

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주장] 변호사라서 부끄럽다 "대한변협 차라리 간판을 내려라"

유제성 (kkari2000)

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김영주 “현대건설 부도의 장본인은 이명박”   [대정부질문-3보] “공사미수금 대손충당금, 한 푼도 적립 안해”   입력 :2007-11-08 12:11:00

▲ ⓒ 김영주 의원실 제공      [데일리서프라이즈 김재훈 기자] 김영주 대통합민주신당 의원은 8일 오후 속개된 경제분야 대정부질문에서 “이명박 한나라당 대선후보가 현대건설을 부도로 내 몰은 장본인”이라고 주장했다. 김 의원은 이날 2000년 회계감사보고서를 인용 “현대건설은 부도가 발생했던 2000년 당시 2조9800억원의 당기순손실을 기록했다. 회계감사보고서는 이와 같은 대규모 손실의 원인이 이라크 장기 미회수 공사대금 1조703억원 때문이라고 기재돼 있다”고 밝혔다. 이와 관련 김 의원은 “미수채권을 발생시킨 이라크 공사 모두는 이 후보가 현대건설의 경영전반을 총괄하던 시기인(1979~1992년초) 1980년부터 1985년까지 수주한 것”이라며 현대건설 부도의 원인을 이 후보에게 돌린 뒤 “2005년 현대건설은 원금과 이자를 합한 1조6951억원의 미수채권 중 무려 80%인 1조3561억원을 탕감해 줬다. 1조가 넘는 돈이 허공에 날아간 것”이라고 강조했다. 아울러 김 의원은 “현대건설의 당시 재무제표를 보면 이 후보 CEO 부임 첫 해인 1979년 1362억이던 공사미수금은 매년 증가해 퇴임 직전인 1991년 8908억원으로 무려 540% 늘었다”며 “이러한 상황에서 정상적인 경영인이라면 공사미수금에 대한 대손충당금을 적립해 위기관리를 했을 것이다. 하지만 이 후보는 공사미수금에 대한 대손충당금을 1981년부터 퇴임까지 한 푼도 적립하지 않았다”고 지적했다. 그러면서 “이 후보는 철저히 실패한 CEO이자 이명박 성공신화는 조작된 신화다. 경제대통령이 될 자격조차 없다”며 “현대건설처럼 겉모습과는 달리 속은 피멍을 들게 하는 것이 이 후보가 말하는 경제를 살리는 길인가”라고 날을 세웠다.         ▲ ⓒ 김영주 의원실 제공      이와 함께 김 의원은 이 후보의 대표공약이라 할 수 있는 경부운하를 도마 위에 올려 “경부운하는 한강교량과 선박충돌의 대형 참사를 불러오고, 이로 인해 천문학적인 사회비용과 교통대란을 야기한다”고 꼬집기도 했다. 한편 김 의원에 앞서 진수희 한나라당 의원은 이 후보와 관련 각종 의혹을 겨냥한 신당 소속 의원들의 파상공세에 대해 “김경준이 제2의 김대업이 될 조짐을 보이고 있다”며 “희대의 사기꾼인 김경준의 단독범행이자 사기행각이다. 이 후보와는 무관하다”고 일축했다. 뒤이어 진 의원은 정 후보가 최근 추진하고 있는 ‘반부패 미래사회를 위한 연석회의’를 지목 “명부떼기, 차떼기, 콜떼기, 박스떼기 등 신종 불법선거인 ‘4떼기’를 자행해 놓고도 정 후보가 반부패를 말할 자격이 있는가”라며 “이 후보에 대한 흑색선전에 열을 올리는 정당이 민주개혁세력이라고 할 수 있는가”라고 꼬집기도 했다. 박영선 MB겨냥 “(주)다스, 미국에 불법 부동산 취득” [2보: 2007-11-8 14:51]         ▲ 박영선 대통합민주신당 의원 (자료사진) ⓒ2007 데일리서프라이즈      박영선 대통합민주신당 의원은 8일 오전 국회 경제분야 대정부질문 마지막 주자로 나서 “(주)다스가 미국 미시건주 노스빌의 고급 주택가에 호화주택을 매입했으나 국세청 통보도 누락돼 있고 다스의 재무제표에도 반영돼 있지 않다”며 새로운 의혹을 제기, 이목을 집중시켰다. 이명박 후보의 친형 상은 씨와 처남이 대주주인 ‘(주)다스’는 2000년 3월부터 12월까지 이 후보가 대표로 있던 BBK에 190억원을 투자한 것으로 알려진 회사. 이와 관련 박 의원은 “다스가 지난 해 11월 110만 달러를 주고 해외 주택을 매입했다”며 미국의 등기권리증 서류를 근거로 제시하기도 했다. 이어 박 의원은 “(국세청에) 신고가 안 돼 있다면 외국환 거래법 위반으로 2년 이하의 징역 또는 1억원 이하의 벌금에 해당한다”고 엄포를 놓은 뒤 “이 과정에서 분식회계와 비자금 조성이 이루어 졌을 가능성이 있다”고 주장했다. 이와 함께 박 의원은 해당 자금 출처를 확인하기 위한 세무조사와 검찰수사를 촉구, “만약 다스의 실질적인 소유주가 이 후보라면 미국 노스빌 부동산 관련 불법행위도 피할 수 없을 것”이라고 날을 세우기도 했다.

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A Beatles Recording Timeline

Through April 2, 1970

Home Page

 

---

Welcome to the TIMELINE! DATABASE LAST UPDATED 01JAN2004

 

When was your favorite Beatles CD recorded?
The Beatles' First	Revolver
Please Please Me	Sgt Pepper's Lonely Hearts Club Band
With The Beatles	Yellow Submarine
A Hard Day's Night	Magical Mystery Tour
Beatles For Sale	The Beatles (White Album)
Help!	Abbey Road
Rubber Soul	Let It Be

 

Welcome to a listing of Beatles recording dates. I wanted a checklist of all known Beatles performances in chronological order. This chronology includes both bootleg and legitimate album tracks. I use it to keep track of what I have heard vs. what I haven't heard. You may also find it to be useful, I hope! The amount of detail varies from entry to entry depending on my scholarship so far. Concerts, subtle mix variations, and interviews interest me less, so listings for those are less complete, for example. I haven't finished the list to my own satisfaction, but it is reasonably complete. Please browse!

TABLE OF CONTENTS

KEY TO USE OF THE TIMELINE WEB PAGES - Understanding the chronological listings.
REFERENCE MOTHERS - My choices for a Beatles' Canon.
PERIODS - My breakdown of the Beatles' recording history into distinct eras.
FIRST AND BEST - Earliest through August 17, 1962.
THE BEATALS AT HOME - An essay on the 1960 home recordings.
OFF THE BEATLE TRACK - August 18, 1962 - June 30, 1963.
SECOND ALBUM - July 1, 1963 to January 15, 1964.
LET'S GO! - January 16, 1964 to August 1, 1964.
LEAVE MY KITTEN ALONE - August 2, 1964 to ~~February 14, 1965.
EIGHT ARMS TO HOLD YOU - ~February 15, 1965 to August 31, 1965.
PLASTIC SOUL - September 1, 1965 to December 31, 1965.
ABRACADABRA - January 1, 1966 to September 4, 1966.
A STUDY IN DRUGS, SEX AND REVOLUTION - September 5, 1966 to February 11, 1968.
A DOLL'S HOUSE - February 12, 1968 to January 1, 1969.
GET BACK - From January 2, 1969 to January 31, 1969.
EVEREST - From February 1, 1969 to April 2, 1970.

I must acknowledge my total dependence on "The 910". Editor Doug Sulpy and the contributors to The 910 have provided me with more track-by-track info than any other source. If you are interested in rare Beatles recordings, you need to subscribe to The 910!
FOR SUBSCRIPTION INFORMATION:
The 910
will update soon
will update soon

For more detailed info on the Beatles' work on other people's projects, you may want to check out the book Beatles Undercover. I have read it, and it is very good. A web page provides info on it at beatlesundercover.cncoffice.com.

A Beatles Recording Timeline: Key To Use

Understanding the Timeline web pages

KEY TO OBSCURE SYMBOLS ON THE LINKED LISTS

o Means collectable recording.

_ Means recording is known to exist, but uncollectable.

* Means recording is believed to have been made, but lost.

% Collectable AS an embedded component of another track.

. Song title listed for contextual purposes. No recording implied.

X Forgery, non-Beatle-related item mistakenly associated w/them, etc.

ANTH = Anthology
BD or bd = BreakDown, the performance begins, but breaks down before the end of the song.
FS or fs = False Start.
OV = Official Version, legimate release on LP, 45 or CD. A gray area!
OM = Other Musicians. No Beatle participation but recorded for Beatles' product.
NTB = Not The Beatles. No Beatle participation & not recorded for Beatles' product.
Song title "version name" ... The quoted phrase is to indicate the distinctive characteristic of this recording version of the song.

Key to listings with the notation =MOTHER RELEASE=

Here is an example of how I list a "reference mother", my name for the definitive, original release of a given recording.

05OCT62 =MOTHER RELEASE= LOVE ME DO c/w P.S. I Love You   "PARLOPHONE 45-R 4949"
o LOVE ME DO c/w P.S. I Love You [1ST ED. UK MONO 45] 
     o LOVE ME DO  [1ST ED. UK MONO 45] "w/Ringo-on-drums, 04SEP62 mix"
     . P.S. I Love You appears on the PLEASE PLEASE ME mono LP in identical form.
MixNotes:  This mother is the basis for the Past Masters CD track.

Notice that capital letters are used for the track title. You should only see this used on tracks that are reference mothers.
And here's a similar example for an LP listing:

01JUN67  ==MOTHER RELEASE== SGT PEPPER'S LONELY HEARTS CLUB BAND  "PARLOPHONE PMC 7027"
o SGT PEPPER'S LONELY HEARTS CLUB BAND [MONO LP]
SIDE 1:
o SGT PEPPER'S LONELY HEARTS CLUB BAND  [Mono LP track]
o WITH A LITTLE HELP FROM MY FRIENDS  [Mono LP track]
o LUCY IN THE SKY WITH DIAMONDS  [Mono LP track]

A Beatles' Recording Timeline: Reference Mothers

THE BEATLES' REFERENCE MOTHERS
The lists that follow detail my personal decisions as to which recordings comprise the 
Beatles' canon.  I call these recordings "reference mothers".

******************************
**    REFERENCE  MOTHERS    **
**   S H O R T    L I S T   **
******************************

The Beatles' canon comprises eleven LP album titles, one soundtrack LP title, two EP titles, eighteen 45RPM single titles, and two "orphaned" song titles.

ELEVEN LP TITLES
o PLEASE PLEASE ME  [UK MONO LP] ................................ "PARLOPHONE PMC 1202"
o WITH THE BEATLES  [UK MONO LP] ................................ "PARLOPHONE PMC 1206"
o A HARD DAY'S NIGHT  [UK MONO LP] .............................. "PARLOPHONE PMC 1230"
o BEATLES FOR SALE  [UK MONO LP] ................................ "PARLOPHONE PMC 1240"
o HELP!  [UK MONO LP] ........................................... "PARLOPHONE PMC 1255"
o RUBBER SOUL  [UK MONO LP] ..................................... "PARLOPHONE PMC 1267"
o REVOLVER  [UK MONO LP] ........................................ "PARLOPHONE PMC 7009"
o SGT PEPPER'S LONELY HEARTS CLUB BAND  [MONO LP] ............... "PARLOPHONE PMC 7027"
o THE BEATLES (White Album)  [MONO 2-LP] ........................ "APPLE PMC 7067/8"
o LET IT BE  [STEREO LP] ........................................ "APPLE PXS1,PCS 7096"
o ABBEY ROAD  [STEREO LP] ....................................... "APPLE PCS 7088"

ONE SOUNDTRACK LP TITLE
o YELLOW SUBMARINE  [STEREO/DUOPHONIC LP] ....................... "APPLE PCS 7070"

TWO EP TITLES
o LONG TALL SALLY  [UK MONO EP] ................................. "PARLOPHONE GEP 8913"
o MAGICAL MYSTERY TOUR  [UK MONO DOUBLE-EP] ..................... "PARLOPHONE MMT-1"

EIGHTEEN 45RPM SINGLE TITLES
o LOVE ME DO c/w P.S. I Love You [1ST ED. UK MONO 45]............ "PARLOPHONE 45-R 4949"
o FROM ME TO YOU c/w THANK YOU GIRL [UK MONO 45] ................ "PARLOPHONE R 5015"
o SHE LOVES YOU c/w I'LL GET YOU [UK MONO 45] ................... "PARLOPHONE R 5055"
o I WANT TO HOLD YOUR HAND c/w THIS BOY [UK MONO 45]............. "PARLOPHONE R 5084"
o KOMM, GIB MIR DEINE HAND c/w SIE LIEBT DICH [DEUTSCHE MONO 45]. "ODEON O 22 671"
o I FEEL FINE c/w SHE'S A WOMAN [UK MONO 45]..................... "PARLOPHONE R 5200"
o Ticket to Ride c/w YES IT IS [UK MONO 45] ..................... "PARLOPHONE R 5265"
o Help! c/w I'M DOWN [MONO 45]................................... "PARLOPHONE R 5305"
o DAY TRIPPER c/w WE CAN WORK IT OUT [UK MONO 45]................ "PARLOPHONE R 5389"
o PAPERBACK WRITER c/w RAIN [MONO 45]............................ "PARLOPHONE R 5452"
o STRAWBERRY FIELDS FOREVER c/w PENNY LANE [MONO 45]............. "PARLOPHONE R 5570"
o ALL YOU NEED IS LOVE c/w BABY YOU'RE A RICH MAN [UK MONO 45] .. "PARLOPHONE R 5620"
o HELLO GOODBYE c/w I Am The Walrus [UK MONO 45] ................ "PARLOPHONE R 5655"
o LADY MADONNA c/w THE INNER LIGHT [UK MONO 45].................. "PARLOPHONE R 5675"
o HEY JUDE c/w REVOLUTION [MONO 45] ............................. "APPLE R 5722"
o GET BACK c/w DON'T LET ME DOWN [UK MONO 45] ....   ............ "APPLE R 5777"
o THE BALLAD OF JOHN AND YOKO c/w OLD BROWN SHOE [UK STEREO 45] . "APPLE R 5786"
o LET IT BE c/w YOU KNOW MY NAME (LOOK UP THE NUMBER) [UK S/M 45] "APPLE R 5833"

TWO ORPHANED SONG TITLES
o BAD BOY [UK MONO LP A Collection Of Beatles Oldies] ........... "PARLOPHONE PMC 7016"
o ACROSS THE UNIVERSE [STEREO LP No One's Gonna Change Our World] "STAR LINE SRS 5013"

**** ESSAY **********************************************************************************

Lists of Beatles' alternate takes and alternate mixes seem to go on forever.
But when we say "alternate", what do we mean?  The alternative compared 
to what?  

Apple, Capitol, and EMI's judgement regarding the catalog has
been questionable to say the least.  They have effectively deleted some great stuff
from the catalog, e.g, the mono 45 mix of Revolution, the stereo mix of 
the LP A Hard Day's Night,  etc.

So, it is up to us to decide which recordings are the canonical Beatles,
leaving the remainder to be classified as "rarities", "alternates",
"companion pieces", "bonus tracks", and so on.

The lists that follow detail my personal decisions as to what is canonical and
what is not, and why.  I call my choices "reference mothers", because the recordings 
I've selected may be used as the definitive reference points against which other versions
may be compared, and because these works are the spiritual mothers of all the others.

If I were in London during the active years of the Beatles, WITH FOREKNOWLEDGE of the nature
of their catalog, what would I buy to assemble a core collection?

Criteria for listing as a mother include:
- Mixed before the Beatles' breakup.
- Released for sale to the general public before the Beatles' breakup.
- Reproduced on the medium they were engineered for: vinyl.  
- EMI-sanctioned UK Releases where possible.
- Most authentic contemporary mixes.
- Minimized number of duplications.
- Deserves to stay perpetually in print.

Things to avoid listing as a mother include:
- ANTHOLOGY
- STUDIO OUTTAKES
- BBC SESSIONS
- RARITIES OR VARIANT RELEASES, e.g. the original stereo mix of "Please Please Me" w/mistake.
- LONE BEATLES, e.g. the Harrison LP, Electronic Sound.
- FILM SCORES, e.g. incidental music on the USA Help! soundtrack LP.
- TONY SHERIDAN, e.g. My Bonnie (Not really a product of The Beatles.)
- CONCERTS (None were made publicly available before the band's breakup.)
- INTERVIEWS
- CHRISTMAS NOVELTIES
- FILMS (None publicly for sale before breakup, no VCRs or DVDs!)

Using these criteria, one winds up with a mostly monaural catalog of work as listed above,
and relisted below in different useful sequences.


******************************
**    REFERENCE  MOTHERS    **
**  CHRONOLOGICAL RELEASES  **
******************************

o LOVE ME DO c/w P.S. I Love You [1ST ED. UK MONO 45]............ "PARLOPHONE 45-R 4949"
o PLEASE PLEASE ME  [UK MONO LP] ................................ "PARLOPHONE PMC 1202"
o FROM ME TO YOU c/w THANK YOU GIRL [UK MONO 45] ................ "PARLOPHONE R 5015"
o SHE LOVES YOU c/w I'LL GET YOU [UK MONO 45] ................... "PARLOPHONE R 5055"
o WITH THE BEATLES  [UK MONO LP] ................................ "PARLOPHONE PMC 1206"
o I WANT TO HOLD YOUR HAND c/w THIS BOY [UK MONO 45]............. "PARLOPHONE R 5084"
o KOMM, GIB MIR DEINE HAND c/w SIE LIEBT DICH [DEUTSCHE MONO 45]. "ODEON 22671"
o LONG TALL SALLY  [UK MONO EP] ................................. "PARLOPHONE GEP 8913"
o A HARD DAY'S NIGHT  [UK MONO LP] .............................. "PARLOPHONE PMC 1230"
o I FEEL FINE c/w SHE'S A WOMAN [UK MONO 45]..................... "PARLOPHONE R 5200"
o BEATLES FOR SALE  [UK MONO LP] ................................ "PARLOPHONE PMC 1240"
o Ticket to Ride c/w YES IT IS [UK MONO 45] ..................... "PARLOPHONE R 5265"
o Help! c/w I'M DOWN [MONO 45]................................... "PARLOPHONE R 5305"
o HELP!  [UK MONO LP] ........................................... "PARLOPHONE PMC 1255"
o DAY TRIPPER c/w WE CAN WORK IT OUT [UK MONO 45]................ "PARLOPHONE R 5389"
o RUBBER SOUL  [UK MONO LP] ..................................... "PARLOPHONE PMC 1267"
o PAPERBACK WRITER c/w RAIN [MONO 45]............................ "PARLOPHONE R 5452"
o REVOLVER  [UK MONO LP] ........................................ "PARLOPHONE PMC 7009"
o BAD BOY [UK MONO LP A Collection Of Beatles Oldies] ........... "PARLOPHONE PMC 7016"
o STRAWBERRY FIELDS FOREVER c/w PENNY LANE [MONO 45]............. "PARLOPHONE R 5570"
o SGT PEPPER'S LONELY HEARTS CLUB BAND  [MONO LP] ............... "PARLOPHONE PMC 7027"
o ALL YOU NEED IS LOVE c/w BABY YOU'RE A RICH MAN [UK MONO 45] .. "PARLOPHONE R 5620"
o HELLO GOODBYE c/w I Am The Walrus [UK MONO 45] ................ "PARLOPHONE R 5655"
o MAGICAL MYSTERY TOUR  [UK MONO DOUBLE-EP] ..................... "PARLOPHONE MMT-1"
o LADY MADONNA c/w THE INNER LIGHT [UK MONO 45].................. "PARLOPHONE R 5675"
o HEY JUDE c/w REVOLUTION [MONO 45] ............................. "APPLE R 5722"
o THE BEATLES (White Album)  [MONO 2-LP] ........................ "APPLE PMC 7067/8"
o YELLOW SUBMARINE  [STEREO/DUOPHONIC LP] ....................... "APPLE PCS 7070"
o GET BACK c/w DON'T LET ME DOWN [UK MONO 45] ................... "APPLE R 5777"
o THE BALLAD OF JOHN AND YOKO c/w OLD BROWN SHOE [UK STEREO 45] . "APPLE R 5786"
o ABBEY ROAD  [STEREO LP] ....................................... "APPLE PCS 7088"
o ACROSS THE UNIVERSE [STEREO LP No One's Gonna Change Our World] "STAR LINE SRS 5013"
o LET IT BE c/w YOU KNOW MY NAME (LOOK UP THE NUMBER) [UK S/M 45] "APPLE R 5833"
o LET IT BE  [STEREO LP] ........................................ "APPLE PXS1,PCS 7096"

++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

A Beatles' Recording Timeline: First and Best

The Beatles' First, etc.

Ahead to Please Please Me '63

OTHER WORKS: 
o 45 My Bonnie (Mein Herz ist bei dir nur) c/w The Saints (Deutsch)
o 45 My Bonnie (Twist) c/w The Saints (U.K.)
o LP The Beatles' First (Deutsch, 1964) 
==============================================================================================
FIRST AND BEST - 
The Beatles' earliest recordings through August 17, 1962.
The potential starting date is 1940, the year Ringo Starr and Stu Sutcliffe
were born (recordings of womb sounds may surface?).  
The ending date is the last day the Beatles' lineup did not include 
Ringo Starr as the band's permanent drummer.
        
= 1957 =========================================================
MAR57 John Lennon formed The Black Jacks, an informal skiffle band made up 
of Lennon (guitar) and Pete Shotton (washboard).  The name changed to The
Quarry Men about a week later.  Members would include Bill Smith, Nigel 
Whalley, Ivan Vaughan, Rod Davis, Colin Hanton, Eric Griffiths, Len Garry, 
John Duff Lowe, Ken Browne, and future Beatle Pete Best at various times 
through 1957-1959.

1957  Ringo Starr joined the Eddie Clayton Skiffle Group, and stayed
into 1958.

06JUL57 [CONCERT] PARISH FETE, WOOLTON (LIVERPOOL), EVENING SHOW
Recorded by Bob Molyneux on a portable Grundig.  
_ Let's Play House
o Puttin' On the Style
   o "Radio snippet" >0:30<
* (tracks unknown - lost 2nd reel)
. Come And Go With Me
. Cumberland Gap
. Railroad Bill
. Maggie Mae
Paul McCartney met Lennon at this event, & displayed his knowledge of:
. Long Tall Sally
. Tutti Frutti
. Twenty Flight Rock
. Be Bop A Lula

20JUL57 McCartney joined The Quarry Men.

Autumn57 LOST SKIFFLE 
Lennon entered Art College of Liverpool Institute.  The Hunter Davies 
biography mentions Lennon nicking a tape recorder from the school.
* Tracks unknown.

18OCT57 McCartney debuted with The Quarry Men.
. Guitar Boogie Shuffle

LATE57 [RECORDING] QUARRY MEN REHEARSALS AT THE HANTON'S
Recorded by Geraldine Davies.  Recording continued into 1958.
* Tracks unknown.

= 1958 =========================================================
06FEB?58 George Harrison joined The Quarry Men.  He had previously been
a member of The Rebels, a short-lived group.  His audition included:
. Be Bop A Lula
. Raunchy 

SPRING/SUMMER58 [STUDIO] PHILLIPS SOUND RECORDING SERVICE 78RPM ACETATE
The Quarry Men: L, McC, H, John Duff Lowe (piano), Colin Hanton (drums).
MIXNotes: Further variations (original shellac's sound subjected to 
varying degrees of audio processing) are unlisted.
o That'll Be the Day 
   o "ANTH1" [Mono]
o In Spite Of All the Danger 
   o "ANTH1" [Mono][2:42]
   _ "Complete" [Mono][3:25]

LATE58? [RECORDING] LIVERPOOL INSTITUTE LUNCH BREAK
Vocal: McCartney
* Pick A Bale Of Cotton

LATE58?  Ringo Starr belonged to Darktown Skiffle Group.
= 1959 =========================================================

1959  The Quarry Men's repertoire included the songs listed above and:
. Hello Little Girl
. I Lost My Little Girl
. Love Me Do
. You Know I Love You
. One After 909
. Looking Glass
. Cat Call (Catswalk)
. Winston's Walk
. Thinking Of Linking
. The Years Roll Along
. Keep Looking That Way
. That's My Woman
. Just Fun
. Too Bad About Sorrows
. When I'm Sixty-Four
. Hot As Sun
. You're In My Little Book (McC)
& probably other originals.  These were transcribed, but transcriptions
were lost (along with tapes?) when Jane Asher cleaned McC's closet.  
Also they had learned:
. Don't You Rock Me Daddy-O
. Ain't She Sweet
. You Were Meant For Me
. Home
. You Are My Sunshine

JAN59-AUG59  George Harrison was a member of Les Stewart Quartet.

25MAR59  Ringo Starr joined Rory Storm and the Hurricanes.

29AUG59  Harrison re-joined The Quarry Men.

1959 RORY STORM AND THE HURRICANES CONCERT RECORDINGS
The earliest recordings of Ringo Starr.  Tapes were recorded at 
various Liverpool clubs throughout Ringo's membership in this band.
* Tracks unknown.

15NOV59 Talent contest - Carroll Levi's TV Star Search
Johnny and the Moondogs: 
. It's So Easy 
. Think It Over 

= 1960 =========================================================
JAN60 Stu Sutcliffe joins Johnny and the Moondogs as bass.  Work is
sparse.  The group remains without a steady drummer.  Drummers will 
include Johnny Hutch, Norman Chapman, and Tommy Moore.
The band's name begins evolving and by August will have played as The 
Beatals, The Silver Beats, Long John & The Silver Beetles, The Silver 
Beetles, The Silver Beatles, and The Nerk Twins.

APR60 [RECORDING] THE BEATALS AT HOME
The Beatals: Lennon (guitar/vocals), McCartney (guitar/vocals), Harrison
(guitar), Stu Sutcliffe (bass).  Also Mike McCartney (percussion).  

Studio: McCartney's bathroom at No. 20 Forthlin Road over school vacation.
Other locales and dates may be associated with these recordings.

MIXnotes: ALL TRACKS ARE [Mono]. 
o Wild Cat  [1:24] 
o Wild Cat  [2:24]
_ snippet d [0:15]
o I'll Always Be In Love With You [2:19]
_ snippet b [0:08]
o You'll Be Mine 
   o "Complete" [1:42]
   o "ANTH1 edit"
o snippet c [0:09] "ragged end lead-in to Matchbox"   
o Matchbox [0:53]
_ snippet e of One After 909 [0:02]
o Some Days [1:32]
o Cayenne
   o "Complete bootleg" [2:31]
   o "ANTH1 edit"
o One After 909  "w/Mike McCartney"
   o "Bootleg" [1:28]
   _ "Complete, Icke reel's w/0:14 false end" [1:42]
o Well, Darling 
   o "Bootleg edit" [3:19]
   _ "LONGER Kirchherr reel" [5:11]
_ snippet f [0:02]
o You Must Write Every Day [2:32]
o That's When Your Heartaches Begin [1:14]
_ snippet g of Hello Little Girl [0:05]
o Hello Little Girl [1:51]
o The World Is Waiting For the Sunrise [2:30]
_ snippet i [0:03]
o I Don't Know [5:52]
_ snippet h [0:03]
o I Don't Need No Cigarette, Boy 
   o "Bootleg edit" [5:53]
   _ "LONGER K:5 reel" [7:36]
o That's An Important Number [7:49]
o Turn The Mixers Off [4:56]
  
o I'll Follow The Sun "w/Mike McCartney" [1:46]
o Hallelujah! I Love Her So 
   o "Complete w/0:17 intro" [2:36]
   o "ANTH1 edit"
o One After 909  [2:25]
o Movin' N' Groovin' [3:19]
o Ramrod [0:26]
_ snippet a [0:02]
o 12-Bar Instrumental In A [11:44]
o 12-Bar Instrumental in G [7:42]
o 12-Bar Instrumental in F [11:06]
o That's The End [17:40]
_ When I'm 64
_ Winston's Walk
_ Ask Me Why
_ Spoken Lennon nonsense w/radio [3:46]

For a detailed analysis of the APR60 Beatals At Home sessions, click here.

20MAY60-28MAY60  Johnny Gentle concert tour.
The Silver Beetles: L, H, McC, Stu Sutcliffe, Thomas Moore (drums)
Added to the repertoire:
. Moonglow
. Long Tall Sally

JUN60  JACARANDA TAPE
Allan Williams taped The Beatles & other bands, but tape was unlistenable.
* Tracks unknown.

JUL60 GROSVENOR CONCERT SONGLIST
. Hallelujah I Love Her So
. That's Alright Mama
. Stuck On You
. Tutti Frutti
. Long Tall Sally
. What'd I Say?
. Red Sails In the Sunset
. Whole Lotta Shakin'
. Mean Woman Blues
. I Don't Care If the Sun Don't Shine
. Honey Don't
. Clarabella
. Rip It Up
. Fabulous
. Lotta Lovin'
. Kansas City/Hey-Hey-Hey-Hey
. Jenny, Jenny
. Little Queenie
. Oh My Soul
. Lucille
. Lawdy Miss Clawdy
. Cathy's Clown
. One After 909
. Words of Love
. I'll Never Let You Go
. I Wonder If I Care As Much
. Sure To Fall
. Alright OK You Win

12AUG60 Pete Best auditioned for and joined The Beatles.

17AUG60 First Hamburg gig begins.
The Beatles: Lennon, McCartney, Harrison, Stu Sutcliffe, & Pete Best.  
The Indra Club, The Kaiserkeller, Top Ten Club.  The Beatles met Ringo 
Starr, Astrid Kirchherr, Klaus Voorman, and others.  They backed up
Tony Sheridan for a few nights near the end of the stay.

15OCT60 [STUDIO] AKUSTIC STUDIO, HAMBURG
On "Summertime": Lennon, Harrison and McCartney, mit Ringo Starr and
"Wally/Lu Walters"/Walter Eymond of Rory Storm & the Hurricanes.
On "Fever" and "September Song": Starr particpates.
* Summertime 
* Fever 
* September Song

30NOV60  First Hamburg gig ended.  George Harrison deported as underaged.
McCartney & Best deported for arson.

DEC60  The group started a long series of steady bookings in England.  Chas
Newby played bass until Sutcliffe's return to England in January.

= 1961 =========================================================
21FEB61 First of about 300 shows at the Cavern Club, Liverpool.

27MAR61 Second Hamburg gig began.
The Beatles: L, McC, H, Stu Sutcliffe, & Pete Best.
Top Ten Club, gig starting 01APR61.  Tony Sheridan is also a performer on the bill there.

MAR-JUN61 Stu Sutcliffe (gradually) quits The Beatles.

22JUN61 [STUDIO] POLYDOR W/TONY SHERIDAN SESSION #1a
The Beat Brothers: Lennon (rhythm g., vocals), McCartney (bass,vocals), 
Harrison (lead & rhythm guitar, vocals), & Pete Best (drums).
Tony Sheridan (lead vocals, lead guitar, rhythm guitar).
Studio: Harburg, Germany, Friedrich-Ebert Halle.  
MIXnotes: True stereo.  Mono mixes of all Polydor/Sheridan tracks exist.

o My Bonnie (Mein Herz ist bei dir nur) "Deutsch Intro" 
   o [Stereo] Rare.
   o [Mono] "Original 45 mix"
o My Bonnie (Twist) [2:42] "English Intro" 
   o [Stereo] 
   o [Mono] "Original 45 mix"
   X "ANTH1 tampered track"
   X "Common edit with slow intro section removed"
o The Saints (When The Saints Go Marching In) [3:18]
   o [Stereo]
   o [Mono] "Original 45 mix"
o Why (Can't You Love Me Again) [2:58] 
   o [Stereo]
   o [Mono]
o Cry For A Shadow [2:23]
   o [Stereo]
   o [Mono]
   X [ANTH1 "reversed channels"]
  
23JUN61 [STUDIO] POLYDOR W/TONY SHERIDAN SESSION #1b
See notes for 22JUN61.  Track split between 22nd & 23rd is guesswork.
o Nobody's Child [3:55]
   o [Stereo]
   o [Mono]
o Ain't She Sweet [2:12]
   o [Stereo] Rare.
   o [Mono]
   X [Mono & mock stereo] "ANTH1;ATCO tampered mix w/OM NTB SI"
o Take Out Some Insurance  [2:53] "aka If You Love Me Baby" 
   o [Stereo]
   o [Mono]
   X [Mono & mock stereo] "ATCO tampered mix w/OM NTB SI"

24JUN61 Sometimes cited as a recording date, Studio Rahlstedt was not yet built.

Summer61 McCartney and Sheridan songwriting session?
. Tell Me If You Can

02JUL61 Second Hamburg gig ends.

23OCT61 "My Bonnie (Mein Herz ist bei dir nur) c/w The Saints" released.

28OCT61 Brian Epstein takes an interest in the group.
The Beatles repertoire includes:
. Whole Lotta Shakin' Goin' On
. What'd I Say
. Red Sails In the Sunset
. Hit the Road, Jack
10DEC61  Brian Epstein joins the Beatles.

21DEC61  Tony Sheridan records the bulk of LP My Bonnie without any Beatle.
Because tracks are so frequently ascribed to the Beatles, they're listed
in full here as a reference to what the Beatles did NOT record.
NTB Sweet Georgia Brown "THIS version, from the "My Bonnie LP", is Not The Beatles."
NTB Swanee River [Stereo] "Just possibly Beatles' 24MAY62 version"
NTB Skinny Minny
NTB Whole Lot Of Shakin' Going On
NTB I Know Baby
NTB You Are My Sunshine
NTB Ready Teddy
NTB Hallelujah I Love Her So
NTB Let's Twist Again
NTB Top Ten Twist

= 1962 =========================================================
01JAN62 [STUDIO] DECCA AUDITION TAPE
The Beatles: L, McC, H, & Pete Best.
MIXNotes: All recorded in [Mono].
o Like Dreamers Do
   o "Bootleg"
   o "ANTH1"
o Money (That's What I Want)
o To Know Him Is To Love Him
o Memphis
o Till There Was You
o Sure To Fall
o Besame Mucho
o Love Of the Loved
o Hello Little Girl 
   o "Bootleg"
   o "ANTH1"
o Three Cool Cats
   o "Bootleg"
   o "ANTH1"
o September In the Rain
o Take Good Care Of My Baby
o Crying, Waiting, Hoping
o The Sheik Of Araby
   o "Bootleg"
   o "ANTH1"
o Searchin'
   o "Bootleg"
   X "ANTH1 tampered mix"

05JAN62 "My Bonnie c/w The Saints" released in UK.

JAN-MAR62  Ringo Starr performed with Tony Sheridan's band in Hamburg.

07MAR62 [BBC] HERE WE GO/TEENAGERS' TURN (#1 of 5) LIVE AT PLAYHOUSE THEATRE
Broadcast 08MAR62.  L, McC, H, & Pete Best.
o Memphis
o Dream Baby (How Long Must I Dream)
o Please Mr. Postman
* Hello Little Girl was not broadcast.

MAR62  Brian Epstein starts shopping for contracts using recordings 
including the Decca Tape.  Red Sails In the Sunset, Till There Was You,
What'd I Say, Your Feet's Too Big, and Please Mr. Postman may have been 
among the recordings used as well.  

10APR62 Stuart Sutcliffe dies of brain hemorrhage.

11APR62 Third Hamburg gig begins - John, Paul & Pete arrive this day.
13APR62 Star-Club performances begin.
09MAY62 Epstein and Martin's second meeting.  Martin agrees to sign the Beatles.

24MAY62 [STUDIO] POLYDOR W/TONY SHERIDAN SESSION #2
The Beat Brothers: McC (bass/vocals), H (rhythm/vocal), L (vocal), 
Pete Best (drums), and Roy Young (piano).
Studio Rahlstedt (Wandsbek), Hamburg, Germany.  Twintrack stereo.

Footnotes: The available Tony Sheridan/Beat Brothers recording of "Swanee 
River" found on the original _My Bonnie_ LP is (almost) certainly NTB, but 
provides a glimpse at what the arrangement must have sounded like.  The 
Beatles version of "Swanee River" from this date is lost.
Tony Sheridan performed his share of the tracks (lead vocals, rhythm guitar) 07JUN62.
Seemingly, an attempt was being made to improve upon Sheridan's recordings of 21DEC61.

o Sweet Georgia Brown [2:05]
   o [Stereo] Very rare.
   o [Mono] Rare.
   o Novelty vocal version [Stereo] "Sheridan's JAN64 SI to original backing"
   X Atco tampered version has NTB drums & guitar SI
* Swanee River [Stereo and mono]

28-29MAY62 Kaempfert booked Studio Rahlstedt,Wandsbek for unrealized Beatles session.
31MAY62 Star-Club performances end.  Beatles remain in Hamburg.
04JUN62 Third Hamburg trip ends, Epstein telegraphs Beatles to return home.

06JUN62 [STUDIO] PARLOPHONE ARTIST TEST, EMI #3 STUDIO, ABBEY ROAD
The Beatles: L, McC, H, Pete Best.  First recording w/ George Martin.
o Love Me Do "ANTH1"
o Besame Mucho "ANTH1"
* Ask Me Why
* P.S., I Love You

11JUN62 [BBC] HERE WE GO (#2 of 5) LIVE AT PLAYHOUSE THEATRE, MANCHESTER
Aired 15JUN62.  The Beatles: L, McC, H, Pete Best.
o Ask Me Why
o Besame Mucho
o A Picture Of You

MID-62  RUMORED DEMOS
There are persistent rumors of demo tapes cut at this time of
. I Lost My Little Girl
. Looking Glass
. Cat Call (Catswalk)
. Winston's Walk
. The Years Roll Along
. Keep Looking That Way

01JUL62 [CONCERT] GENE VINCENT JAMS AT THE CAVERN CLUB
o What'd I Say

JUL62  [CONCERT] CAVERN CLUB
The Beatles: L, McC, H, Pete Best.
McCartney purchased this tape at a Sotheby's auction.
_ Hey Baby
_ If You Gotta Make a Fool Of Somebody
_ Hippy Hippy Shake
_ Please Mr. Postman
_ Roll Over Beethoven
_ Ask Me Why
_ Sharing You
_ Your Feets Too Big
_ Words Of Love
_ Till There Was You
_ Dizzy Miss Lizzie
_ I Forgot To Remember To Forget
_ Matchbox (vocal: Pete Best)
_ Shimmy Shake
_ Young Blood
_ Dream Baby

15AUG62 Pete Best's last Beatles' work, a show at the Cavern Club.
16AUG62 Pete Best was fired from the group.
        L, McC, H, and "Johnny Hutch"/John Hutchinson (drums) play.
17AUG62 L, McC, H, and "Johnny Hutch"/John Hutchinson (drums) play.
        The Beatles' last day without Ringo Starr.

Shortened FIRST AND BEST track listing here.

A Beatles' Recording Timeline: The Beatals At Home

An essay on the 1960 home recordings

THE BEATALS AT HOME

WHO: THE BEATALS
An early lineup of the group which would evolve into The Beatles.  They
are experimenting with the name of the band.  At the time of the recordings
discussed here, they are calling themselves The Beatals.

John Lennon (guitar/vocals/front man/composer).
Paul McCartney (guitar/vocals/composer).
George Harrison (guitar).
Stu Sutcliffe (bass).  
Occasionally Mike McCartney (percussion).  The Beatals have no steady 
drummer at this time.

WHAT: HOME RECORDINGS AND HOMEMADE ALBUMS
Known at first as Quarrymen At Home and Liverpool, May, 1960 recordings from
their bootleg titles, these are the earliest lengthy recordings of the 
group.

These tapes start out as straight live recordings of The Beatals.  They're 
eager to "make a record", and have simple reel-to-reel tape decks to work
with.  They record performances of numbers they have learned from records
of the day, numbers they have written themselves, and blues jamming.

The band play these back for their own education and amusement.  Because 
some songs are better than others, they borrow another tape deck and dub
their own "albums" onto new reels, selecting cuts from the original reels
that they want to keep.  Probably the original reels are re-used to conserve
money for new reels.  These "albums" are what have survived.

In the end, many reels with overlapping selections were assembled.  On any
given reel, any given title may be unique in its edit and in the number of
generations away from the original recording.  "Snippets" are found where 
the remainder of an earlier recording had later been recorded over with new
material.  Also, in the processes of swapping reels on the "master" tape 
deck, "snippets" may have appeared on the target reels, probably to allow 
one of the tape decks to ramp-up to speed. Also some simple superimposition
work was done on some of the selections. 

One snippet has been bootlegged.  Also, Gottfridsson has heard eight more of
these snippets: Six are 0:02, 0:08, 0:15, 0:02, 0:03, and 0:03 of 
indecipherable performances.  Also an 0:05 snippet of "Hello Little Girl", 
and a 0:02 snippet of "One After 909".  It would be nice to know if they 
were all from the ENDS of songs.  I suspect they are, and are all 
side-effects of the need to ramp up one or both of their tape decks when 
they were making gift reels for people.

Copies were made of these album reels.  Probably the Beatals hoped to secure
concert gigs using them as auditions.  Copies would have been made as gifts
for friends and as mementos for themselves.  The album reels available on
bootlegs such as Madman's Wildcat! were apparently Mike McCartney's copies.
Other album reels were taken along on their early trips to Hamburg, and 
wound up in the hands of friends there.

WHERE: McCartney's bathroom at No. 20 Forthlin Road mostly.  Other locales
in Liverpool may be involved. 

WHEN: April and May, 1960, over school vacation.  Other dates may be 
associated with these recordings.

MIXnotes: ALL TRACKS ARE [Mono]. 

The extant recordings of The Beatals at home have not all been heard yet.
  
Madman's Wildcat! provides a good point of reference for the common bootleg
material from these sessions.  And it's the only version I have!  It seems 
to be made from Mike McCartney's album reels.  It has so many recordings
that I once thought they were all that survived from this period.

Then Gottfridsson's book, The Beatles: From Cavern To Star Club came along.
(abbreviated as FC2SC below).  Gottfridsson has apparently had some access 
to tape reels of these recordings that were not used directly as sources for
the currently common bootleg versions.  The tape reels, the Icke Braun reel
[I], the Astrid Kirchherr reel [K], and the Charles Hodgson reel list both 
different timings and additional material from what we knew before.

When I set out to cross-index Gottfridsson's work against Wildcat!, I hit a
stumbling block.  Gottfridsson used some titles that I couldn't figure out,
like "Rhythm and Blues Jam 1".  I couldn't tell for certain which tracks he
was referring to, in order to compare what I could hear on Wildcat! to what
he was detailing.

I finally figured out that he must have been getting his titles from 
L.R.E. King's book, Do You Want To Know A Secret?.  Or else he and King both
got their titles from the same common source.  Once I cracked this puzzle, 
all of the alternate titles, alternate timings, and alternate sequencing 
became managable.  I could definitely correlate the tracks I had with all of
the (conflicting) descriptions I had.

Besides Wildcat!, the 910 Guide, and Gottfridsson, I found the articles on
Liverpool May 1960 from Illegal Beatles Nos. 8 and 17 to be invaluable.

============================================================================
Here is my track-listing, in Wildcat! order, with commentary.

Bootleg timings from the _Wild Cat_ CDs.

All tracks listed with the "o = collectable recording" mark are found on 
ANTHOLOGY 1, or among the bootlegs "The Beatals-Wildcat!", "The Quarry Men
At Home" & "Liverpool-May 1960".

o Wild Cat  [1:24] 
[Disc 1, Track 1]
AKA HR.17, Vocal #3, Oh No Not Me, Wild Cat #1, and Wildcat Version II.
General agreement that this times at 1:24.

o Wild Cat  [2:24]
[Disc 1, Track 2]
AKA HR.22, Wild Cat #2 and Wildcat Vesion I.  A concensus of 2:24.

_ snippet d [0:15]
The tape deck ramps up to allow copying of the next track?

o I'll Always Be In Love With You [2:19]
[Disc 1, Track 3]
AKA HR.18.
2:19 says Wildcat!, 2:23 says FC2SC.  Close.

_ snippet b [0:08]
The tape deck ramps up to allow copying of the next track?

o You'll Be Mine [1:42]
[Disc 1, Track 4]
AKA HR.19.  Features some primitive superimposition work. 
The version on ANTH1 is a shorter edit.
General agreement.  (1:42).

o snippet c [0:09]    
AKA HR.20  (Unknown) 
This 0:09 snippet didn't make it onto Wildcat!.  In IB #17, it was 
described as sounding like the tape drive was ramping up. It remains
associated with Matchbox on the Icke Braun reel (see Appendix below).

o Matchbox [0:53]
[Disc 1, Track 5]
AKA as HR.21.  A-OK at 0:53

_ snippet e of One After 909 [0:02]
The tape deck ramps up to allow copying of the next track?

o Some Days [1:32]
[Disc 1, Track 6]
AKA HR.23.  Agreement on time (1:32).

o Cayenne [2:31]  
[Disc 1, Track 7]
AKA HR.24, Cayenne Pepper (acc. to McCartney)
The version on ANTHOLOGY 1 is shorter due to editing.

o One After 909  [1:28] (or [1:42]?)
[Disc 1, Track 8]
AKA HR.25, Version 2.

This version features Mike McCartney banging on something.

On Wildcat!, it's timed at 1:28 - Gottfridsson says that's trimmed, he's 
heard a 1:42 recording of the same performance on the Icke Braun reel.  It's
supposed to be longer by means of a Beatals-engineered 0:14 false end to 
extend the track.

o Well, Darling [3:19] (or [5:11]?)
[Disc 1, Track 9]
AKA HR.26, Hey, Darling.  FC2SC says the 3:19 version on Wildcat! has been 
shortened from an earlier Kirchherr version of 5:11.

_ snippet f [0:02]
The tape deck ramps up to allow copying of the next track?

o You Must Write Every Day [2:32]
[Disc 1, Track 10]
AKA HR.27, You Must Lie Every Day.  (2:32).

o That's When Your Heartaches Begin [1:14]
[Disc 1, Track 11]
AKA HR.28.

_ snippet g of Hello Little Girl [0:05]
The tape deck ramps up to allow copying of the next track?

o Hello Little Girl [1:51]
[Disc 1, Track 12]
AKA HR.29.

o The World Is Waiting For the Sunrise [2:30]
[Disc 1, Track 13]
AKA HR.30.

_ snippet i [0:03]
The tape deck ramps up to allow copying of the next track?

o I Don't Know [5:52]
[Disc 1, Track 14]
AKA HR.11, Vocal #2, and Blues Vocal #2.
Wildcat! says 5:52, and Gottfridsson says 6:05.  Little difference.

_ snippet h [0:03]
The tape deck ramps up to allow copying of the next track?

o I Don't Need No Cigarette, Boy [5:53]  (or [7:36]?)
[Disc 1, Track 15]
AKA Vocal #1, R&B Jam #3 in King, and Blues vocal #1.  In FC2SC, 
it's Instrumental/Vocal K:5.

Wildcat! says 5:53.  Gottfridsson heard a longer version on Astrid 
Kirchherr's reel at 7:36.

o That's An Important Number [7:49]
[Disc 1, Track 16]
AKA HR.09, Instrumental #4, Come On People in King, Blues Instrumental #3, 
and in FC2SC, as Instrumental/Vocal K:4.

Wildcat! timing = 7:49.  Gottfridsson timing = 7:32.  A near agreement.

o Turn The Mixers Off [4:56]
[Disc 1, Track 17]
AKA HR.08, Improvisation, Instrumental #3, Unknown, Rock Instrumental #1, 
and in FC2SC, Instrumental K:3.  I like the title given here, based on the
comment audible in the track.  It's a 12-bar instrumental in G, but we 
already have one of those in HR.04.  Since the timing is in question per
Gottfridsson, we can't reliably refer to it as "the one that's 4:56 long"
either.  

Wildcat! times it at 4:56.  Gottfridsson says 3:00.  Again, did the tape 
get edited down when the Kirchherr reel was made, or was the track
lengthened by the bootlegger?  My ears do not detect any edits in
the version presented on Wildcat!.  

o I'll Follow The Sun [1:46]
[Disc 2, Track 1]
"w/Mike McCartney" 
AKA HR.03. General consensus here.  All agree on the title :-), 
and timings range from 1:39 to 1:45, call it 1:40.

o Hallelujah! I Love Her So 
[Disc 2, Track 2]
AKA HR.06/07.
All agree on the title, and the running time of 2:35.  Wildcat!'s cover 
shows 2:12 for this track, but the full 2:35 version is on the CD.  The
17-second intro is sometimes omitted.  The version on ANTHOLOGY 1 is edited
and shorter.

o One After 909  [2:25]
[Disc 2, Track 3]
AKA HR.12, Version I.  Wildcat!'s timing of 2:25 is within a couple seconds
of other references.

o Movin' N' Groovin' [3:19]
    ...in a medley with...
o Ramrod [0:26]
[Disc 2, Track 4]
AKA HR.13/14, Instrumental #5, Brown-Eyed Handsome Man, Guitar Bop, and 
random blues jamming.
Wildcat! timing = 3:45, FC2SC timing = 3:58.  Close enough?

_ snippet a [0:02]
The tape deck ramps up to allow copying of the next track?

o 12-Bar Instrumental In A [11:44]
[Disc 2, Track 5]
AKA HR.15, Improvisation, Instrumental #6, Rock jam (King), Blues 
Instrumental #4, and in FC2SC, Instrumental I:1.
Wildcat!'s Improvisation (11:44) is again accused of being artificially 
lengthened.  Gottfridsson hears a 7:15 version on the Braun reel.

o 12-Bar Instrumental in G [7:42]
[Disc 2, Track 6]
AKA HR.04, Improvisation, Instrumental #1, R&B Jam #1, Blues Inst'l. #1, and 
in FC2SC, Instrumental K:1.  I like the title given, it makes it possible
to discuss the track without confusion.
  
Wildcat! times this at 7:42.  Gottfridsson says that it's shorter on the 
Kirchherr reel at 5:33.  He also says the 7:42 version is lengthened by 
edit.  When I listen to the track on Wildcat!, I hear no edits.  My guess
is  that the version Gottfridsson heard was truncated by editing the 
Wildcat! version.

o 12-Bar Instrumental in F [11:06]
[Disc 2, Track 7]
AKA HR.05, Improvisation, Instrumental #2, R&B Jam #2 (King), ]
Blues Inst'l #2, and in FC2SC, Instrumental K:2.

Wildcat! times this at 11:06.  Gottfridsson says the Kirchherr reel runs
at 6:38.  Again, I don't hear any evidence of lengthening by the 
bootlegger.  Who would LENGTHEN this stuff for pete's sake?

o That's The End [17:40]
[Disc 2, Track 8]
AKA HR.16, Improvisation, Instrumental #7, R&B Jam #4 (King), Blues 
Instrumental #5, and Instrumental I:2 per FC2SC.  I like giving it a 
title based on the spoken words found on the track to distinguish it 
from the other blues in F from these sessions.

Gottfridsson says this originally 10:07-long track was lengthened by 
the bootleggers to the Wildcat! timing of 17:40.  This is the clincher.
No human could bear to work on lengthening this, it would be torture.
My ears hear no evidence of editing on the Wildcat! version.  
Gottfridsson has to be hearing SHORTENED versions of the familiar 
bootleg tracks.

Gottfridsson also introduces four more tracks not yet released, and
only to be found on the old reels...

_ When I'm 64

_ Winston's Walk

_ Ask Me Why

_ Spoken Lennon nonsense w/radio [3:46]

===========================================================================
APPENDIX:  SUMMARIES OF THE CONTENTS OF PRIVATELY HELD REELS
===========================================================================

((The Beatals at home: contents of the Icke Braun reel))
o Hallelujah! I Love Her So 
   o "Complete w/0:17 intro" [2:36]
   o "ANTH1 edit"
o One After 909  [2:25]
o Movin' N' Groovin' [3:19]
o Ramrod [0:26]
_ snippet a [0:02]
o 12-Bar Instrumental In A 
   o "Bootleg" [11:44]
   _ "I:1 reel edit" [7:15]
_ snippet b [0:08]
o You'll Be Mine 
   o "Complete" [1:42]
   o "ANTH1 edit"
o snippet c [0:09] "ragged end lead-in to Matchbox"   
o Matchbox [0:53]
_ snippet d [0:15]
o I'll Always Be In Love With You [2:19]
o The World Is Waiting For the Sunrise [2:30]
o That's When Your Heartaches Begin [1:14]
o That's The End 
   o "Bootleg" [17:40]
   _ "I:2 reel edit" [10:07]
o Wild Cat  [2:24]
o One After 909  "w/Mike McCartney"
   o "Bootleg" [1:28]
   _ "Complete, Icke reel's w/0:14 false end" [1:42]
_ snippet e of One After 909 [0:02]
o Some Days [1:32]
_ snippet f [0:02]
o You Must Write Every Day [2:32]
o I'll Follow The Sun "w/Mike McCartney" [1:46]
_ snippet g of Hello Little Girl [0:05]
o Hello Little Girl [1:51]
o Wild Cat  [1:24] 

((The Beatals at home: contents of the Astrid Kirchherr reel))
_ Spoken Lennon nonsense w/radio [3:46]
o 12-Bar Instrumental in G 
   o "Bootleg" [7:42]
   _ "K:1 reel edit" [5:53]
o 12-Bar Instrumental in F 
   o "Bootleg" [11:06]
   _ "K:2 reel edit" [6:38]
o Turn The Mixers Off
   o "Bootleg" [4:56]
   _ "K:3 reel edit" [3:00]
o Cayenne
   o "Complete bootleg" [2:31]
   o "ANTH1 edit"
o That's An Important Number 
   o "Bootleg" [7:49]
   _ "K:4 edit" [7:32]
_ snippet h [0:03]
o I Don't Need No Cigarette, Boy 
   o "Bootleg edit" [5:53]
   _ "LONGER K:5 reel" [7:36]
o Well, Darling 
   o "Bootleg edit" [3:19]
   _ "LONGER Kirchherr reel" [5:11]
_ snippet i [0:03]
o I Don't Know [5:52]

((The Beatals at home: contents of the Charles Hodgson reel))
This tape repeats 9 selections from the Icke Braun reel, plus..
_ When I'm 64
_ Winston's Walk
_ Ask Me Why
... then repeats 3 tracks from the Kirchherr reel.

--- Besides the reels detailed here, there is a "Dostal reel" consisting of
a fake stereo mix of the contents of the Icke Braun and Astrid Kirchherr
reels combined.

A Beatles' Recording Timeline: Off the Beatle Track

Please Please Me, etc.

Back to First '62|Ahead to With the Beatles '64

MOTHER WORKS: 
o PLEASE PLEASE ME  [UK MONO LP] 
o FROM ME TO YOU c/w THANK YOU GIRL [UK MONO 45] 

Long Canon: 
o Love Me Do [1st Ed. UK Mono 45 A-side] 
o Please Please Me c/w Ask Me Why [UK Mono 45]
o Please Please Me [UK Stereo LP]

Other Works:
o Introducing the Beatles [USA Mono LP]
o The Early Beatles [USA Stereo LP]
o 22 BBC/Radio Luxembourg performances for radio broadcast
o How Do You Do It
o One After 909 
o The 25DEC-28DEC-31DEC62 concerts at Star-Club, Hamburg, West Germany

==============================================================================================
OFF THE BEATLE TRACK - 
Recordings from August 18, 1962 - June 30, 1963 

18AUG62  Ringo Starr joins The Beatles.

22AUG62  CONCERT: CAVERN CLUB - "KNOW THE NORTH" [VIDEO]
Aired 06NOV63 on "Scene at 6:30". 1-hr kinescope? 
Audio portion lost immediately to distortion, see 05SEP62.
* Some Other Guy
* Kansas City 

04SEP62  EMI STUDIO: LOVE ME DO SINGLE SESSION
. Please Please Me "Rehearsal, slow Orbison-like"
. How Do You Do It "Rehearsal"
. Love Me Do "Rehearsal"
. 3 other songs rehearsed
o How Do You Do It 
   o "complete"
   o "ANTH1 edit"
% Love Me Do "OV mono - Starr on drums"

05SEP62  CONCERT: CAVERN CLUB
One hour audio-only re-recording for "Know The North", see 22AUG62
o Some Other Guy "Acetate"
o Some Other Guy "Soundtrack"
   o "Bootleg"
   o "Anthology video"
o Kansas City / Hey-Hey-Hey-Hey!
   o "Anthology video edit"
   _ "Complete"

11SEP62  STUDIO: LOVE ME DO SINGLE SESSION
Andy White (drums).
% P.S. I Love You "Mono OV"
% Love Me Do "Mono Andy White OV"
o Please Please Me "ANTH1"

05OCT62 RELEASE (LONG CANON): Love Me Do c/w P.S. I Love You - Parlophone 45-R 4949
o Love Me Do  [1st Ed. UK Mono 45] "w/Ringo-on-drums, 04SEP62 mix"
. P.S. I Love You appears on the PLEASE PLEASE ME mother LP .
MixNotes:  This mother is the basis for the Past Masters CD track.

17OCT62  [TV] Lost Granada TV show

25OCT62  BBC: HERE WE GO (#3)
Aired 26OCT62.
* Love Me Do
* A Taste Of Honey
* P.S. I Love You
* Sheila was not aired.

29OCT62  TV: ?People and Places? MANCHESTER, ENGLAND  [VIDEO]
o A Taste Of Honey

01NOV62-14NOV62  Fourth Hamburg gig.

26NOV62  EMI STUDIO: PLEASE PLEASE ME SINGLE SESSION
"Please Please Me" went to 18 takes from which one may hear:
% Please Please Me "OV mono 45 w/o mistake"
% Please Please Me "OV stereo LP w/mistake = Takes 16+17+18"
_ Please Please Me "other takes"
_ Ask Me Why "tks 1-5"
% Ask Me Why "OV = Take 6"
_ Tip Of My Tongue

27NOV62  BBC: THE TALENT SPOT
Aired 04DEC62
* Love Me Do
* P.S. I Love You
* Twist and Shout

09?DEC?62  RECORDING: CAVERN REHEARSAL TAPE
o I Saw Her Standing There
o One After 909
o One After 909
o Cat Call (aka Catswalk)
o Cat Call (aka Catswalk)

17DEC62  [TV] A lost Granada TV appearance.
18DEC62  Fifth Hamburg Trip begins.

25DEC-28DEC-31DEC62  CONCERTS: STAR-CLUB, HAMBURG, WEST GERMANY
Common versions available on e.g. Historic Sessions, Live At Star Club.
Bootleg versions on e.g. Mach Shau, Road Runner.
MIXNotes: Original recording in mono.  Common versions are heavily edited 
and processed.
((Set 1 & 2 - 25DEC62))
o Be Bop A Lula 
o I Saw Her Standing There "Common version"
o Hallelujah! I Love Her So
o Red Hot "ANTH vid snippet"
o Sheila
o I'm Talking About You "Common Version"
o Twist and Shout
o Mr. Moonlight
o Sweet Little Sixteen
o Besame Mucho
o Red Sails In the Sunset
o I Remember You
o I'm Gonna Sit Right Down and Cry (Over You) "Common edit, 1st 1:42 orig"
o Kansas City / Hey-Hey-Hey-Hey!
o Shimmy Like Kate
o Long Tall Sally
o Falling In Love Again
o Roll Over Beethoven "Common Version"
_ Ask Me Why 
_ I Saw Her Standing There  
_ A Taste Of Honey "A Waste Of Money"
_ To Know Him Is To Love Him 
_ Unknown title 1 of 3 ?Please Please Me?
_ Unknown title 2 of 3
_ Unknown title 3 of 3

(( Set 3 - Friday, 28DEC62 ))
Bootlegged on Third Reich & Mach Shau etc.
o A Taste Of Honey [2:35] "complete - boot only"
o Till There Was You [2:00]
o Where Have You Been  
   o "Common Version is shorter"
   o "Bootleg version w/2nd verse"
o Lend Me Your Comb [1:46]
o Your Feet's Too Big [2:19]
o I'm Talkin' Bout You [1:54] "bootleg version"
o To Know Him Is To Love Him [3:08]
o Everybody's Trying To Be My Baby [2:26]
o Matchbox [2:36]
o Little Queenie [3:55]
o Nothin' Shakin' (But the Leaves On the Trees) [1:15]
+ last call 'Das var Die Beatles' w/bars of "I Saw Her Standing There"
o Roll Over Beethoven [2:35] "bootleg version"

(( Set 4 - 31DEC62 - New Year's Eve ))
o Road Runner 
+ introducing the Beatles
o The Hippy Hippy Shake
o A Taste Of Honey "Common edit=1'09" of this performance + 28DEC62 tail"
o Money (That's What I Want) "voc. Tony Sheridan"
o Reminiscing "frequently mistitled 'Can't Help It/Blue Angel'"
o Ask Me Why
+ McCartney toasts the New Year
o I Saw Her Standing There "bootleg version"

01JAN63  Fifth Hamburg trip ends.

11JAN63  RELEASE (LONG CANON): UK 45 Please Please Me c/w Ask Me Why 
o Please Please Me [UK Mono 45] "orig. mastering w/less echo and compression"
o Ask Me Why [UK Mono 45] "orig. mastering w/less echo and compression"

16JAN63  BBC: HERE WE GO
Aired 25JAN63.
* Chains
* Please Please Me
* Ask Me Why
* Three Cool Cats was not aired.

22JAN63  BBC: SATURDAY CLUB
Aired 26JAN63.
o Some Other Guy
* Love Me Do
* Please Please Me
o Keep Your Hands Off My Baby
o Beautiful Dreamer

22JAN63  BBC: THE TALENT SPOT
Aired 29JAN63.
* Please Please Me
* Ask Me Why
* Some Other Guy

11FEB63  EMI STUDIO: PLEASE PLEASE ME LP SESSION
morning session
o There's a Place tk 1
o There's a Place tk 2
o There's a Place tk 3/false start
o There's a Place tk 4
o There's a Place tk 5/false start
o There's a Place tk 6
o There's a Place tk 7/false start
o There's a Place tk 8
o There's a Place tk 9
o There's a Place tk 10 -> OV  

o I Saw Her Standing There tk 1 Control booth announcement
% I Saw Her Standing There tk 1 "under w.t. of Seventeen -> tk 12 & OV"
o I Saw Her Standing There tk 2
o I Saw Her Standing There tk 3
o I Saw Her Standing There tk 4
o I Saw Her Standing There tk 5
o I Saw Her Standing There tk 6 "edit piece"
o I Saw Her Standing There tk 7 "edit piece"
o I Saw Her Standing There tk 8 "edit piece"
o I Saw Her Standing There tk 9 "FAAB, has reverb; count-in -> OV"

afternoon session
_ A Taste Of Honey "Take 1-4"
% A Taste Of Honey "Take 5 ( -> OV)"

_ Do You Want To Know a Secret "Take 1-5"
% Do You Want To Know a Secret "Take 6 ( -> OV)
o Do You Want To Know a Secret "Take 7 SI harmony percussion onto tk6"
o Do You Want To Know a Secret "Take 8 OV = harmony/percussion onto tk6"
o Do You Want To Know a Secret "Take 8 , bootleg same as OV (?)"

o A Taste of Honey "Take 6 vocal SI doubletracking tk 5"
o A Taste of Honey "Take 7 OV = this vocal SI doubletracking tk 5"
o A Taste of Honey "Take 7 bootleg same as OV (?)"

o There's a Place "tk 11/harmonica overdub to tk 10"
o There's a Place "tk 12/harmonica overdub to tk 10"
o There's a Place "OV = Take 13/harmonica overdub to tk 10"

o I Saw Her Standing There "Take 10 = mono mix and edit of tk 9"
o I Saw Her Standing There "Take 11 handclap SI to tk 1" 
o I Saw Her Standing There "Take 12 = handclap SI + tk 1 -> OV" 
% I Saw Her Standing There "OV = tk 9's count-in + tk 12 MIXED 25FEB63"

o Misery "Take 1
o Misery "Take 2 false start"
o Misery "Take 3 false start"
o Misery "Take 4 false start"
o Misery "Take 5 false start"
o Misery "Take 6
o Misery "Take 7
o Misery "Take 8 false start"
_ Misery "Take 9 false start"
_ Misery "Take 10
% Misery "Take 11 -> OV"

evening session
* Hold Me Tight tk 1-13

_ Anna (Go To Him) tk 1-2
% Anna (Go To Him) "Take 3 = OV"

% Boys tk 1 "OV"

% Chains tk 1 "OV"
* Chains tk 2-4

_ Baby It's You tk 1-2
% Baby It's You "Take 3 -> OV"

% Twist and Shout tk 1 "OV"
* Twist and Shout tk 2   

20FEB63  GEORGE MARTIN OVERDUB SESSION
_ Misery "Takes 12-15, OM SI session onto tk 11"
% Misery "OV = Take 16, OM piano SI to tk 11"
_ Baby It's You "Take 4, OM celeste SI onto tk 3"
% Baby It's You "OV = Take 5, OM celeste SI onto tk 3"
_ Baby It's You "Take 6, OM piano SI onto tk 3"

20FEB63  BBC: PARADE OF THE POPS
Aired live.
* Love Me Do
* Please Please Me

05MAR63  STUDIO: FROM ME TO YOU SINGLE SESSION
o From Me To You tk 1, breakdown
o From Me To You tk 2
o From Me To You tk 3
o From Me To You tk 4
o From Me To You tk 5
o From Me To You tk 6, false start 
o From Me To You tk 7
o From Me To You tk 8a/harmonica SI onto tk 7
o From Me To You tk 8b/edit piece
o From Me To You tk 9/edit piece
o From Me To You tk 10/edit piece
o From Me To You tk 11/edit piece vocal lead-off
o From Me To You tk 12/edit piece
o From Me To You tk 13/edit piece vocal lead-off
% From Me To You "OV mono 45"
% From Me To You "OV stereo mix"

o Thank You Girl tk 1 "under w.t. Thank You Little Girl"
o Thank You Girl tk 2
o Thank You Girl tk 3
o Thank You Girl tk 4
o Thank You Girl tk 5
o Thank You Girl tk 6 -> OV
o Thank You Girl tk 7/edit piece
o Thank You Girl tk 8/edit piece
o Thank You Girl tk 9/edit piece
o Thank You Girl tk 10/edit piece
o Thank You Girl tk 11/edit piece
o Thank You Girl tk 12/edit piece
o Thank You Girl tk 13/edit piece -> OV

o One After 909 "Tk 1, breakdown"
o One After 909 "Tk 2"
	o [stereo]
	o [mono] "Barrett mix"
o One After 909 "Tk 3, breakdown"
o One After 909 "Tk 4, long breakdown"
o One After 909 "Tk 5, edit piece"
o One After 909 (sequence) "ANTH1 edit/mono mix of tks 3-4-5"
o One After 909 (complete) "ANTH1 edit/mono mix of tks 4-5"

06MAR63  BBC: HERE WE GO
Aired 12APR63.
o Misery
o Do You Want To Know a Secret
o Please Please Me

13MAR63  RECORDING: EMI THANK YOU GIRL HARMONICA SESSION
_ Thank You Girl "Takes 14-28, harmonica SI onto 6+13, tks 17/20/21/23 -> OV"
% Thank You Girl "OV mono 45"
% Thank You Girl "OV stereo mix"

16MAR63  BBC: SATURDAY CLUB
Aired live.
o I Saw Her Standing There
o Misery
o Too Much Monkey Business
o I'm Talking About You
o Please Please Me
o The Hippy Hippy Shake

21MAR63  BBC: ON THE SCENE
Aired 28MAR63.
* Misery
* Do You Want To Know a Secret
* Please Please Me

21MAR63  Billy J Kramer records I'll Be On My Way.


22MAR63 =MOTHER RELEASE= PLEASE PLEASE ME  [UK MONO LP]
o PLEASE PLEASE ME  [UK MONO LP] .................... "PARLOPHONE PMC-1202"
     Side One
     o I SAW HER STANDING THERE  [UK MONO LP track] "25FEB63 mix"
     o MISERY  [UK MONO LP track] "25FEB63 mix"
     o ANNA (GO TO HIM) [UK MONO LP track] "25FEB63 mix"
     o CHAINS [UK MONO LP track] "25FEB63 mix"
     o BOYS [UK MONO LP track] "25FEB63 mix"
     o ASK ME WHY [UK MONO LP track] "25FEB63 mix"
     o PLEASE PLEASE ME [UK MONO LP track] "25FEB63 mix"

     Side Two
     o LOVE ME DO [UK MONO LP track] "w/Andy White-drums+Ringo-tamb., 11SEP62 mix"
     o P.S. I LOVE YOU [UK MONO LP track] "11SEP62 mix"
     o BABY IT'S YOU [UK MONO LP track] "25FEB63 mix"
     o DO YOU WANT TO KNOW A SECRET [UK MONO LP track] "25FEB63 mix"
     o A TASTE OF HONEY [UK MONO LP track] "25FEB63 mix"
     o THERE'S A PLACE [UK MONO LP track] "25FEB63 mix"
     o TWIST AND SHOUT [UK MONO LP track] "25FEB63 mix"

MixNotes: All tracks are in true mono.  The "P.S. I LOVE YOU" track on the LP first 
appeared on a UK 45 RPM single.  The PLEASE PLEASE ME and ASK ME WHY tracks, previously
released, were remixed to add similar eq, compression and echo to that on the tracks 
new to the LP.  Session tapes for Love Me Do and P.S. I Love You were already lost.
The 1987 CD Please Please Me was remastered from this mother. 
There is also a complete twin-track stereo version of this LP. 


== Alternate Mixes and Masters - PLEASE PLEASE ME LP ==
o Please Please Me (Mono 1987 CD and LP special edition)
Track listing same as LP.  This remaster approximates the chosen mother.

o Please Please Me [UK Stereo LP]
The twin-track stereo lp's mix is unnatural.  It does feature a vocal
performance of "Please Please Me" different from that on the mono lp.
     o I Saw Her Standing There "Stereo OV"
     o Misery "Stereo OV"
     o Anna (Go To Him)  "Stereo OV"
     o Chains  "Stereo OV"
     o Boys "Stereo OV"
     o Ask Me Why "Stereo OV"
    >o Please Please Me "Stereo LP version w/Lennon vocal mistake"
     X Love Me Do "Mock stereo Andy White OV"
     X P.S. I Love You "Mock stereo OV"
     o Baby It's You "Stereo OV"  
     o Do You Want To Know A Secret "Stereo OV" 
     o A Taste Of Honey  "Stereo OV" 
     o There's A Place "Stereo OV"
     o Twist And Shout "Stereo OV"
  
o Misery "Longer intro version" 
     o "Mono & stereo Vee Jay version with untrimmed intro"
     o "Stereo US Rarities approximation of Vee Jay version"

o There's A Place "Stereo US Rarities approximation"


01APR63  BBC: SIDE BY SIDE
Aired 22APR63.
* I Saw Her Standing There
* Do You Want To Know a Secret
* Baby It's You
* Please Please Me
* From Me To You
* Misery

01APR63  BBC: SIDE BY SIDE
Aired 13MAY63.
o Side By Side
* From Me To You
o Long Tall Sally
o A Taste Of Honey
o Chains
o Thank You Girl
o Boys

03APR63  BBC: EASY BEAT
Aired 07APR63
* Please Please Me
* Misery
o From Me To You

04APR63  BBC: SIDE BY SIDE
Aired 24JUN63
o Side By SIde
o Too Much Monkey Business
* Love Me Do
o Boys
o I'll Be On My Way
o From Me To You


12APR63 =MOTHER RELEASE= FROM ME TO YOU c/w THANK YOU GIRL [UK MONO 45]
o FROM ME TO YOU c/w THANK YOU GIRL [UK MONO 45] .... "MOTHER = PARLOPHONE R 5015"
     o FROM ME TO YOU [UK MONO 45] "14MAR63 mix"
     o THANK YOU GIRL [UK MONO 45] "13MAR63 mix
MixNotes: This mother is the basis for the Past Masters CD tracks.


==ALTERNATE MIXES AND MASTERS==
o From Me To You 
     o [stereo] "OV, less harmonica"
     o [stereo] "Barrett mix w/harmonica as in OV mono"
     o [stereo] "Barrett mix, less harmonica"
o Thank You Girl 
     o [stereo] "OV, more harmonica & echo"
     o [stereo] "Barrett mix w/less harmonica"
     o [stereo] "Barrett mix w/more harmonica, BUT ECHOLESS"


18APR63  BBC: SWINGING SOUND '63
Aired live.
o Twist and Shout
o From Me To You

21MAY63  BBC: SATURDAY CLUB
Aired 25MAY63.
o I Saw Her Standing There
o Do You Want To Know a Secret
o Boys
o Long Tall Sally
o From Me To You
o Money (That's What I Want)

21MAY63  BBC: STEPPIN' OUT
Aired 03JUN63.
o Please Please Me
o I Saw Her Standing There
* Roll Over Beethoven
* Thank You Girl
* From Me To You
* Twist and Shout was not broadcast
 
24MAY63  BBC: POP GO THE BEATLES
Aired 04JUN63.
* From Me To You
o Everybody's Trying To Be My Baby
o Do You Want To Know a Secret
o You Really Got a Hold On Me
o Misery
o The Hippy Hippy Shake
o Pop Go the Beatles

May/Jun63  RECORDING: BAD TO ME LENNON DEMO
o Bad To Me
. I Call Your Name

01JUN63  BBC: POP GO THE BEATLES
Aired 11JUN63.
o Too Much Monkey Business
o I Got To Find My Baby
o Young Blood
o Baby It's You
o Till There Was You
o Love Me Do

01JUN63  BBC: POP GO THE BEATLES
Aired 18JUN63.
o A Shot Of Rhythm and Blues
o Memphis
o A Taste Of Honey
o Sure To Fall
o Money (That's What I Want)
o From Me To You

17JUN63  BBC: POP GO THE BEATLES
Aired 25JUN63.
o I Saw Her Standing There
o Anna (Go To Him)
o Boys
o Chains
o P.S. I Love You
o Twist and Shout

19JUN63  BBC: EASY BEAT
Aired 23JUN63.
o Some Other Guy
o A Taste Of Honey
o Thank You Girl
o From Me To You

24JUN63  BBC: SATURDAY CLUB
Aired 29JUN63.
o I Got To Find My Baby
o Memphis
o Money (That's What I Want)
o Till There Was You
o From Me To You
o Roll Over Beethoven 

27JUN63  Billy J Kramer records Bad To Me and I Call Your Name.
30JUN63  A series of UK concerts concludes in Great Yarmouth. 

A Beatles' Recording Timeline: Second Album

With The Beatles, etc.

Back to Please Please Me '63|Ahead to Hard Days Night '64

MOTHER WORKS: 
o SHE LOVES YOU c/w I'LL GET YOU [UK MONO 45] ................... "PARLOPHONE R 5055"
o WITH THE BEATLES  [UK MONO LP] ................................ "PARLOPHONE PMC 1206"
o I WANT TO HOLD YOUR HAND c/w THIS BOY [UK MONO 45]............. "PARLOPHONE R 5084"

Long Canon:

==============================================================================================
SECOND ALBUM - 
Recordings from July 1, 1963 to January 15, 1964

01JUL63  [EMI] SINGLE SESSION
% She Loves You "OV only, no outtakes"
% I'll Get You "OV only, no outtakes"

02JUL63  BBC: POP GO THE BEATLES #5
Aired 16JUL63.
o That's All Right
o There's A Place
o Carol
o Soldier of Love (Lay Down Your Arms)
o Lend Me Your Comb
o Clarabella
* Three Cool Cats was never aired.
* Sweet Little Sixteen was never aired.
* Ask Me Why was never aired.

JUL63  Tommy Quickly records Tip Of My Tongue.
03JUL63  The Fourmost record Hello Little Girl.

10JUL63  BBC: POP GO THE BEATLES #6
Aired 23JUL63.
o Sweet Little Sixteen
o A Taste Of Honey
o Nothin' Shakin' (But The Leaves On The Trees)
o Love Me Do
o Lonesome Tears In My Eyes
o So How Come (No One Loves Me)

10JUL63  BBC: POP GO THE BEATLES #7
Aired 30JUL63.
o Memphis
o Do You Want To Know A Secret
o Till There Was You
o Matchbox
o Please Mr. Postman
o The Hippy Hippy Shake

16JUL63  BBC: POP GO THE BEATLES #8
Aired 06AUG63.
o I'm Gonna Sit Right Down And Cry (Over You)
o Crying, Waiting, Hoping
o Kansas City / Hey-Hey-Hey-Hey!
o To Know Her Is To Love Her
o The Honeymoon Song
o Twist And Shout

16JUL63  BBC: POP GO THE BEATLES #9
Aired 13AUG63.
o Long Tall Sally
o Please Please Me
o She Loves You
o You Really Got A Hold On Me
o I'll Get You
o I Got A Woman

16JUL63  BBC: POP GO THE BEATLES #10
Aired 20AUG63.
o Words Of Love
o Glad All Over
o I Just Don't Understand
o Devil In Her Heart
o Slow Down

17JUL63  BBC: EASY BEAT
Aired 21JUL63.
o I Saw Her Standing There
o A Shot Of Rhythm And Blues
o There's A Place
o Twist And Shout

17JUL63  Gerry and the Pacemakers record Hello Little Girl.

18JUL63  [EMI] WITH THE BEATLES SESSION #1 OF 8
You Really Got A Hold On Me
% Money (That's What I Want) "OV"
% Devil In Her Heart "OV"
Till There Was You

30JUL63  [EMI] WITH THE BEATLES SESSION #2 OF 8
o Please Mr Postman "Ends w/vocal instead of fade"
% Please Mr Postman "OV"
o It Won't Be Long "Unknown take, 1st of 2"
o It Won't Be Long "Unknown take, 1st of 2"
% It Won't Be Long "-> OV"
Money (That's What I Want)
% Till There Was You "OV"
% Roll Over Beethoven "OV"
It Won't Be Long
All My Loving

30JUL63  BBC: SATURDAY CLUB
Aired 24AUG63.
o Long Tall Sally
o She Loves You
o Glad All Over
* Twist And Shout
o You Really Got A Hold On Me 
o I'll Get You

?JUL/AUG63  HOME RECORDING: RADIO SINGALONG SESSION
o (instrumental)
o Michelle
o (instrumental)
o (instrumental)
o (instrumental)
o Three Coins In A Fountain
o "Rockin' And Rollin'"
o Tammy Tell Me True
o Over The Rainbow

AUG63  STARR COMPOSING SESSION
. Don't Pass Me By

01AUG63  BBC: POP GO THE BEATLES #11
Aired 27AUG63.
o Ooh! My Soul
o Don't Ever Change
o Twist And Shout
* She Loves You
o Anna (Go To Him)
o A Shot Of Rhythm And Blues

01AUG63  BBC: POP GO THE BEATLES #12
Aired 03SEP63.
o From Me To You
* I'll Get You
o Money (That's What I Want)
o There's A Place
o Honey, Don't!
o Roll Over Beethoven
* Lucille was never aired.
* Baby It's You was never aired.

?19AUG-24AUG63  HOME RECORDING: HARRISON
o Don't Bother Me
_ guitar excercises


23AUG63 =MOTHER RELEASE== SHE LOVES YOU C/W I'LL GET YOU  "PARLOPHONE R 5055"
o SHE LOVES YOU c/w I'LL GET YOU [UK MONO 45]
     o SHE LOVES YOU [UK MONO 45]
     o I'LL GET YOU [UK MONO 45]
MixNotes: There is no true stereo mix of She Loves You.


o She Loves You
	o "OV [duophonic], SR1 duophonic 08NOV66 mix"
	o "Untrimmed SR1 [duophonic] 08NOV66 mix (Barrett)"
	o "SR2 [duophonic] 08NOV66 mix"


27AUG63  MERSEY SOUND, SOUTHPORT, ENGLAND [VIDEO]
o Twist And Shout
o She Loves You

03SEP63  BBC: POP GO THE BEATLES #13
Aired 10SEP63.
o Too Much Monkey Business
* Till There Was You
o Love Me Do
o She Loves You
o I'll Get You
o A Taste Of Honey
o The Hippy Hippy Shake

03SEP63  BBC: POP GO THE BEATLES #14
Aired 17SEP63.
o Chains
o You Really Got A Hold On Me
o Misery
o Lucille
o From Me To You
o Boys

03SEP63  BBC: POP GO THE BEATLES #15
Aired 24SEP63.
o Ask Me Why
o Devil In Her Heart
o I Saw Her Standing There
o Sure To Fall
o Twist And Shout

07SEP63  BBC: SATURDAY CLUB (FIFTH BIRTHDAY EDITION)
Aired 05OCT63.
o I Saw Her Standing There
o Memphis
o Happy Birthday
o I'll Get You
o She Loves You
o Lucille

07OCT63  The Rolling Stones record I Wanna Be Your Man.

11SEP63   [EMI] WITH THE BEATLES SESSION #3 OF 8
I Wanna Be Your Man
Little Child
% All I've Got To Do "OV"
Not A Second Time
Don't Bother Me

12SEP63  [EMI] WITH THE BEATLES SESSION #4 of 8
Messages to Australia

o Hold Me Tight "Remake take 20 f.s."
o Hold Me Tight "Remake take 21"
o Hold Me Tight "Remake take 22 f.s."
o Hold Me Tight "Remake take 23 f.s."
o Hold Me Tight "Remake take 24"
o Hold Me Tight "Remake take 25 f.s."
o Hold Me Tight "Remake take 26"
o Hold Me Tight "Remake take 27"
o Hold Me Tight "Remake take 28 breakdown"
o Hold Me Tight "Remake take 29"
o Hold Me Tight "OV = edit of tk 26 + 29"

o Don't Bother Me "Take 10"
o Don't Bother Me "Take 11 false start"
o Don't Bother Me "Take 12 breakdown"
o Don't Bother Me "Take 13"

% Little Child (remake) "OV"

I Wanna Be Your Man

27SEP63  Cilla Black releases "Love of the Loved", a Lennon-McCartney song.

30SEP63   [EMI] WITH THE BEATLES SESSION #5 of 8
Money
I Wanna Be Your Man

03OCT63  [EMI] WITH THE BEATLES SESSION #6 OF 8
I Wanna Be Your Man
Little Child

09OCT63  BBC: THE KEN DODD SHOW
Aired 03NOV63.
o She Loves You

13OCT63  VAL PARNELL'S SUNDAY NIGHT AT THE LONDON PALLADIUM [TV]
_ From Me To You
o I'll Get You "ANTH1"
_ She Loves You
o Twist And Shout

MidOCT63  LENNON DEMO SESSION
The Fourmost had a #17 hit with this.
o I'm In Love

14OCT63  Billy J Kramer records I'm In Love and I'll Keep You Satisfied.
NTB I'm In Love w/Lennon present

16OCT63  BBC: EASY BEAT
Aired 20OCT63.
o I Saw Her Standing There
o Love Me Do
o Please Please Me
o From Me To You
o She Loves You

17OCT63  [EMI] WITH THE BEATLES SESSION #7 OF 8
o The Beatles' Christmas Record
You Really Got A Hold On Me
% I Want To Hold Your Hand "OV only, no outtakes"
% This Boy "OV"
o This Boy "Takes 12 + 13, FAAB"

23OCT63  [EMI] WITH THE BEATLES SESSION #8 OF 8
I Wanna Be Your Man
Little Child
Hold Me Tight

24OCT63  KARLAPLANSSTUDION, STOCKHOLM "POP '63"
Aired 11NOV63 Sveriges Radio.
o I Saw Her Standing There "ANTH1"
o From Me To You "ANTH1"
o Money (That's What I Want) "ANTH1"
o You Really Got A Hold On Me "ANTH1"
o Roll Over Beethoven "ANTH1"

30OCT63  "DROP IN" SWEDEN [VIDEO]
o She Loves You
o Twist And Shout
o I Saw Her Standing There
o Long Tall Sally

04NOV63  CONCERT: ROYAL COMMAND PERFORMANCE [TV]
Aired 10NOV63.
o She Loves You "ANTH1"
o Till There Was You "ANTH1"
o Twist And Shout "ANTH1"

15NOV63  The Fourmost release I'm In Love. Recorded 14OCT63 w/Lennon present.
20NOV63  THE BEATLES COME TO TOWN [FILM]
ABC, Ardwick, Manchester
? Twist and Shout
? She Loves You


22NOV63 ==MOTHER RELEASE== WITH THE BEATLES  [UK MONO LP]  "PARLOPHONE PMC 1206"
o WITH THE BEATLES  [UK MONO LP] 
SIDE ONE
o IT WON'T BE LONG  [UK MONO LP track]
o ALL I'VE GOT TO DO  [UK MONO LP track]
o ALL MY LOVING  [UK MONO LP track]
o DON'T BOTHER ME  [UK MONO LP track]
o LITTLE CHILD  [UK MONO LP track]
o TILL THERE WAS YOU  [UK MONO LP track]
o PLEASE MISTER POSTMAN  [UK MONO LP track]

SIDE TWO
o ROLL OVER BEETHOVEN  [UK MONO LP track]
o HOLD ME TIGHT  [UK MONO LP track]
o YOU REALLY GOT A HOLD ON ME  [UK MONO LP track]
o I WANNA BE YOUR MAN  [UK MONO LP track]
o DEVIL IN HER HEART  [UK MONO LP track]
o NOT A SECOND TIME  [UK MONO LP track]
o MONEY (THAT'S WHAT I WANT)  [UK MONO LP track]


29NOV63  =MOTHER RELEASE= I WANT TO HOLD YOUR HAND c/w THIS BOY  "PARLOPHONE R 5084"
o I WANT TO HOLD YOUR HAND c/w THIS BOY [UK MONO 45]
     o I WANT TO HOLD YOUR HAND [UK MONO 45] 
     o THIS BOY [UK MONO 45]

== Alternate Mixes and Masters - I Want To Hold Your Hand/This Boy 45 ==
o I Want To Hold Your Hand 
     o [Stereo] "RS1, Australian 45, remix 21OCT63"
     o [Stereo] "remix 07NOV66, Collection of Beatles Oldies LP, copied to Past Masters"
o This Boy
     o [Stereo] "RS15, Australian/Canadian 45, remix 21OCT63, copied to Past Masters"
     _ [Stereo] "remix 10DEC66"
     X [duophonic] "Meet The Beatles version"
     X [duophonic] "Love Songs version"


02DEC63  THE MORCAMBE AND WISE SHOW [TV]
o This Boy "ANTH1"
o All My Loving
o I Want To Hold Your Hand "ANTH1"
o Moonlight Bay  "ANTH1"

17DEC63  BBC: SATURDAY CLUB
Aired 21DEC63.
o All I Want For Christmas
o This Boy
o I Want To Hold Your Hand
o Till There Was You
o Roll Over Beethoven
o She Loves You
o Shazam (Medley)

18DEC63  BBC: FROM US TO YOU #1
Aired 26DEC63.
o From Us To You
o She Loves You
o All My Loving
o Roll Over Beethoven
o Till There Was You
o Boys
o Money (That's What I Want)
o I Saw Her Standing There
o Tie Me Kangaroo Down, Sport
o I Want To Hold Your Hand
o From Us To You

07JAN64  BBC: SATURDAY CLUB
Aired 15FEB64.
o All My Loving
o Money (That's What I Want)
o The Hippy Hippy Shake
o Roll Over Beethoven
o Johnny B. Goode
o I Wanna Be Your Man

12JAN64  SUNDAY NIGHT AT THE LONDON PALLADIUM [VIDEO]
o I Want To Hold Your Hand
o This Boy
o All My Loving
o Money (That's What I Want)
o Twist And Shout

12JAN64  Last day of the "With The Beatles (2nd Album) period.

A Beatles' Recording Timeline: Let's Go!

A Hard Day's Night, etc.

Back to With the Beatles '63|Ahead to Beatles For Sale '64

MOTHER WORKS
o KOMM GIB MIR DEINE HAND c/w SIE LIEBT DICH [DEUTSCHE MONO 45]...... "ODEON O 22 671"
o LONG TALL SALLY  [UK MONO EP]...................................... "PARLOPHONE GEP 8913"
o A HARD DAY'S NIGHT  [UK MONO LP] .................................. "PARLOPHONE PMC 1230" 
==============================================================================================
LET'S GO! - 
Recording timeline from January 13, 1964 to August 1, 1964.

13JAN64  HOME RECORDING: JOHN 
This Lennon demo tape probably reached its current state by this date. 
o If I Fell "home demo take 1 (partial)"
o If I Fell "home demo take 2 (partial)"
o If I Fell "home demo take 3 (partial)"
o If I Fell "home demo take 4 (partial)"
o If I Fell "home demo take 5 (partial)"

14JAN64  The Beatles begin a stay in Paris to play concerts at the Olympia.

19JAN64  BROADCAST CONCERT: OLYMPIA THEATER, PARIS
?Recorded Evening concert of 16JAN64?
o From Me To You/This Boy/I Want To Hold Your Hand/She Loves You/Twist and 
Shout/From Me To You

20JAN64?  HOME RECORDING: PAUL
o One And One Is Two
_ A World Without Love
_ It's For You (demo 1)

21JAN64  Peter and Gordon record A World Without Love.

29JAN64  [EMI PARIS] GERMAN SINGLE SESSION
At EMI Pathe Marconi Studios, Paris.
% Komm, Gib Mir Deine Hand "OVs, SIs to tape copy of take 17 rhythm track"
% Sie Liebt Dich "OVs"
o Sie Liebt Dich "9 second outtake, US ANTH telecast"
o Can't Buy Me Love "Take 1"
     o "Take 1, monitor mix"
     % "edit of Take 1 guitar solo" (->ANTH1)
o Can't Buy Me Love "Take 2"
     o "ANTH1 mono mix w/guitar solo from Tk 1"
     o "Take 2 w/o edits"
o Can't Buy Me Love "Take 3"
o Can't Buy Me Love "Take 4 Master (-> OV)" 


07FEB64  First tour of USA begins in NYC.

09FEB64  TV: ED SULLIVAN SHOW - NEW YORK [Video]
o All My Loving "ANTH1"/Till There Was You/She Loves You/I Saw Her Standing 
  There/I Want To Hold Your Hand

11FEB64  CONCERT: WASHINGTON D.C. [Video]
o Roll Over Beethoven/From Me To You/I Saw Her Standing There/This Boy/All 
  My Loving/I Wanna Be Your Man/Please Please Me/Till There Was You/She 
  Loves You/I Want To Hold Your Hand/Twist and Shout (partial)
_ Twist and Shout/Long Tall Sally

16FEB64  TV: ED SULLIVAN SHOW REHEARSAL - DEAUVILLE HOTEL 
o She Loves You/This Boy/All My Loving/I Saw Her Standing There/From Me 
  To You/I Want To Hold Your Hand
16FEB64  TV: ED SULLIVAN SHOW - DEAUVILLE HOTEL 
o She Loves You/This Boy/All My Loving/I Saw Her Standing There/From Me 
  To You/I Want To Hold Your Hand

21FEB64  HOME RECORDING: GEORGE AT SGT BUDDY DRESLER'S MIAMI [Video]
Last day of the tour of the USA.
o Talking Guitar Blues
o Talking Guitar Blues

23FEB64  TV: ED SULLIVAN SHOW [Video]
o Twist and Shout/Please Please Me/I Want To Hold Your Hand

25FEB64  STUDIO: EMI HARD DAY'S NIGHT SESSION #1 of 10
_ You Can't Do That "Tk 1 - 5"
o You Can't Do That "Tk 6 ANTH1"
_ You Can't Do That "Tk 7 - 8"
o You Can't Do That "Tk 9 Master"
_ And I Love Her "Tk 1"
o And I Love Her "Tk 2, ANTH1"
o I Should Have Known Better
o Can't Buy Me Love "OV = Vocal & guitar SI onto tk 4" 

26FEB64  STUDIO: EMI HARD DAY'S NIGHT SESSION #2 of 10
% I Should Have Known Better -> OV
_ And I Love Her

27FEB64  STUDIO: EMI HARD DAY'S NIGHT SESSION #3 of 10
% And I Love Her -> OV
o And I Love Her "0:08 on ANTH video"
% Tell Me Why -> OV
% If I Fell -> OV

28FEB64  BBC: FROM US TO YOU #2
Aired 30MAR64.
o From Us To You
o You Can't Do That
o Roll Over Beethoven
o Till There Was You
o I Wanna Be Your Man
o Please Mr. Postman
o All My Loving
o This Boy
o Can't Buy Me Love

01MAR64  STUDIO: EMI HARD DAY'S NIGHT SESSION #4 of 10
% I'm Happy Just To Dance With You "OV"
% Long Tall Sally "OV"
% I Call Your Name "OV"

02MAR64  Filming begins for _A Hard Day's Night_


05MAR64  ==MOTHER RELEASE== KOMM, GIB MIR DEINE HAND c/w SIE LIEBT DICH  "ODEON O 22 671"
o KOMM, GIB MIR DEINE HAND c/w SIE LIEBT DICH [DEUTSCHE MONO 45]
     o KOMM, GIB MIR DEINE HAND  [DEUTSCHE MONO 45]
     o SIE LIEBT DICH [DEUTSCHE MONO 45]


20MAR64  Release 45 Can't Buy Me Love c/w You Can't Do That
23MAR64  _In His Own Write_ was published.

31MAR64  BBC: SATURDAY CLUB
Aired 04APR64.
o Everybody's Trying To Be My Baby
o I Call Your Name
o I Got A Woman
o You Can't Do That
o Can't Buy Me Love
o Sure To Fall
o Long Tall Sally

16APR64  [EMI] A HARD DAY'S NIGHT SESSION #5 of 10
o A Hard Day's Night "Take 1"
     o "ANTH1 mono w/reverb mix"
     o "Take 1 bootleg mix"
o A Hard Day's Night "Take 2 f.s."
o A Hard Day's Night "Take 3 f.s. + full take"
o A Hard Day's Night "Take 4"
o A Hard Day's Night "Take 6 breakdown"
o A Hard Day's Night "Take 7"
o A Hard Day's Night "Take 8 f.s."
o A Hard Day's Night "Tk 9 Master & OV"

19APR64  TV: AROUND THE BEATLES [Video]
Audio recorded at I.B.C. Studios.  Filming (lip-synch & dialog) on 28APR64.
Broadcast 06MAY64 and 08JUN64.  The 19APR64 soundtrack may be preferable 
given its abscence of applause, screaming, etc.
o Twist and Shout [2:31]
o Roll Over Beethoven [1:48]
o I Wanna Be Your Man [1:45] "ANTH1"
o Long Tall Sally [1:42] "ANTH1"
o Medley: Love Me Do/Please Please Me/From Me To You/She Loves You/I Want
          To Hold Your Hand [3:57]
o Can't Buy Me Love [2:04]
o Boys "ANTH1 - not on original broadcast"
o Shout [1:59] "Complete performance"
o Shout "Murray the K snippet"
o Shout "ANTH1 edit"

26APR64  CONCERT: NEW MUSICAL EXPRESS POLLWINNER'S CONCERT [Video]
o She Loves You/You Can't Do That/Twist and Shout/Long Tall Sally/Can't
  Buy Me Love

26APR64  INTERVIEW: MURRAY THE K
Poet: Lennon.
o I Sat Belonely

01MAY64  BBC: FROM US TO YOU #3
Aired 18MAY64.
o From Us To You
o I Saw Her Standing There
o Kansas City/ Hey-Hey-Hey-Hey!
o I Forgot To Remember To Forget
o You Can't Do That
o Sure To Fall
o Can't Buy Me Love
o Matchbox
o Honey Don't

22MAY64  STUDIO: EMI HARD DAY'S NIGHT SESSION #6 of 10
_ You Can't Do That "OM Piano SI"

29MAY64  [LONE BEATLE] PAUL: BILLY J KRAMER SESSION
McC backup vocal
o From A Window

29MAY64  Peter and Gordon release Nobody I Know.

LATE MAY64?  GEORGE MARTIN ORCHESTRA HARD DAY'S NIGHT SESSIONS, ETC.
Not the Beatles.
o I Should Have Known Better (Instrumental)
o And I Love Her (Instrumental)
o Ringo's Theme (This Boy) (Instrumental)
o A Hard Day's Night (Instrumental)
o Off The Beatle Track LP


01JUN64  STUDIO: EMI HARD DAY'S NIGHT SESSION #7 of 10
% Matchbox "OV"
_ I'll Cry Instead "no outtakes"
% Slow Down "OV"
_ I'll Be Back "Tk 1"
o I'll Be Back "Tk 2 ANTH1"
o I'll Be Back "Tk 3 ANTH1"
_ I'll Be Back "Tk 4 - 15"
o I'll Be Back "Tk 16 Master and OV"
. Sawdust Dance Floor
. Your True Love
. Sure To Fall

02JUN64  STUDIO: EMI HARD DAY'S NIGHT SESSION #8 of 10
_ Any Time At All "no outtakes"
_ Things We Said Today "no outtakes"
_ When I Get Home
_ Any Time At All "no outtakes"

03JUN64 Rehearsal with Jimmy Nicol
A tour of the world began in Copenhagen the following day.  Ringo rejoined 
the group on 15JUN64 in Australia.  The tour would continue until 10NOV64.
. I Want To Hold Your Hand
. She Loves You
. I Saw Her Standing There
. This Boy
. Can't Buy Me Love
. Long Tall Sally

03JUN64  STUDIO: EMI HARD DAY'S NIGHT SESSION #9 of 10
Lennon, McCartney & Harrison.  Drummer: Unknown.
o You Know What To Do "ANTH1"
o No Reply (demo) "ANTH1" 
_ It's For You (demo 2) 

04JUN64  STUDIO: EMI HARD DAY'S NIGHT SESSION #10 of 10
No Beatles present.  Piano: George Martin.
_ Slow Down "OM Piano SI"

04JUN64  [CONCERT] 1964 WORLD TOUR (1ST LEG) BEGINS IN COPENHAGEN
The tour will continue, on-and-off, until 10NOV64.
The playlist for the world tour is:
o I Saw Her Standing There "Copenhagen, Blokker(2), Adelaide, Melbourne(2)"
o I Want To Hold Your Hand "Copenhagen, Blokker, Adelaide, Seattle"
o You Can't Do That "Melbourne, Seattle, Vancouver, LA, Philadelphia, Indianapolis"
o All My Loving "Copenhagen,Blokker,Adelaide,Melbourne(2),Seattle,Vancouver,LA, Phila. ,Ind."
o She Loves You "Copenhagen,Blokker,Adelaide,Melbourne(2),Seattle,Vancouver,LA, Phila. ,Ind."
o Till There Was You "Copenhagen, Adelaide, Melbourne(2)"
o Things We Said Today "Seattle, Vancouver, LA, Philadelphia, Indianapolis"
o Roll Over Beethoven "Copenhagen, Adelaide, Melbourne(2), Seattle, Vancouver, LA,Phila.,Ind."
o Can't Buy Me Love "Copenhagen, Adelaide, Melbourne(2), Seattle, Vancouver, LA, Phila.,Ind."
o This Boy "Copenhagen, Adelaide, Melbourne(2)"
o If I Fell "Seattle, Vancouver, LA, Philadelphia, Indianapolis"
o Boys "Seattle, Vancouver, LA, Philadelphia, Indianapolis"
o A Hard Day's Night "Seattle, Vancouver, LA, Philadelphia, Indianapolis"
o Twist And Shout "Copenhagen, Adelaide, Melbourne, Seattle, Vancouver, LA, Phila.,Ind."
o Long Tall Sally "Adelaide, Melbourne(2), Seattle, Vancouver, LA, Philadelphia, Indianapolis"

05JUN64  TV: IN NEDERLAND [Video]
The Beatles w/Jimmy Nicol mime to and sing along with their recordings.
o Twist and Shout/All My Loving/Roll Over Beethoven/Long Tall
  Sally/She Loves You/Can't Buy Me Love

05JUN64  The Applejacks release "Like Dreamers Do".

06JUN64  [CONCERT] BLOKKER (1964 WORLD TOUR)[Video]
12JUN64  CONCERT: ADELAIDE (1964 WORLD TOUR)
15JUN64  [CONCERTS] MELBOURNE (1964 WORLD TOUR) Ringo returns to the drums.
16JUN64  CONCERT: THE BEATLES SING FOR SHELL, MELBOURNE  (1964 WORLD TOUR)[Video]
17JUN64  CONCERT: MELBOURNE (1964 WORLD TOUR)

21JUN64  The Beatles arrive in New Zealand.
22JUN64  [CONCERTS] WELLINGTON, NORTH ISLAND, NEW ZEALAND (1964 WORLD TOUR, 2 shows)
23JUN64  [CONCERTS] WELLINGTON, NORTH ISLAND, NEW ZEALAND (1964 WORLD TOUR, 2 shows)
24JUN64  [CONCERTS] AUCKLAND, NORTH ISLAND, NEW ZEALAND (1964 WORLD TOUR, 2 shows)
25JUN64  [CONCERTS] AUCKLAND, NORTH ISLAND, NEW ZEALAND (1964 WORLD TOUR, 2 shows)
26JUN64  [CONCERTS] DUNEDIN, SOUTH ISLAND, NEW ZEALAND (1964 WORLD TOUR, 2 shows)
27JUN64  [CONCERT] CHRISTCHURCH, SOUTH ISLAND, NEW ZEALAND (1964 WORLD TOUR)
28JUN64  The Beatles depart New Zealand, flying to Australia.


19JUN64  ==MOTHER RELEASE== LONG TALL SALLY  [UK MONO EP]
o LONG TALL SALLY
o I CALL YOUR NAME
o SLOW DOWN
o MATCHBOX

02JUL64  The band returns to London to continue the world tour in the UK.

JUL64  [LONE BEATLE] JOHN AND PAUL: TOMMY QUICKLY SESSION
o No Reply

02JUL64  LONE BEATLE PAUL: CILLA BLACK STUDIO SESSION
Piano: McCartney.
o It's For You 

06JUL64  The film _A Hard Day's Night_ premiered.
o Advertisement for _A Hard Day's Night_
o Additional material by George Martin and Orchestra


10JUL64  ==MOTHER RELEASE==  A HARD DAY'S NIGHT  [UK MONO LP] "PARLOPHONE PMC 1230" 
o A HARD DAY'S NIGHT  [UK MONO LP]
     Side One
     o A HARD DAY'S NIGHT
     o I SHOULD HAVE KNOWN BETTER
     o IF I FELL
     o I'M HAPPY JUST TO DANCE WITH YOU
     o AND I LOVE HER
     o TELL ME WHY
     o CAN'T BUY ME LOVE
     Side Two
     o ANY TIME AT ALL
     o I'LL CRY INSTEAD
     o THINGS WE SAID TODAY
     o WHEN I GET HOME
     o YOU CAN'T DO THAT
     o I'LL BE BACK

== ALTERNATE MIXES: A Hard Day's Night LP ==
o A Hard Day's Night  [UK Stereo LP]  Parlophone PCS 3058
     Side One
     o A Hard Day's Night
     o I Should Have Known Better
     o If I Fell
     o I'm Happy Just To Dance With You
     o And I Love Her
     o Tell Me Why
     o Can't Buy Me Love
     Side Two
     o Any Time At All
     o I'll Cry Instead
     o Things We Said Today
     o When I Get Home
     o You Can't Do That
     o I'll Be Back



12JUL64  A series of UK concerts continues the 1st leg of the 1964 world tour.

14JUL64  BBC: TOP GEAR
Aired 16JUL64.
o Long Tall Sally
o Things We Said Today
o A Hard Day's Night
o And I Love Her
o Don't Pass Me By "fragment"
o If I Fell
o You Can't Do That

17JUL64  BBC: RECORDING SESSION FOR FROM US TO YOU #4
o From Us To You (w/o voiceover)
o From Us To You (outtake)
o I'm Happy Just To Dance With You (backing track)
o Things We Said Today
o I Should Have Known Better (false start)
o I Should Have Known Better (before double tracking)
o A Hard Day's Night

17JUL64  BBC: FROM US TO YOU #4
Aired 03AUG64.
o From Us To You
o Long Tall Sally
o If I Fell
o I'm Happy Just To Dance With You
o Things We Said Today
o I Should Have Known Better
o Boys
o Kansas City/Hey-Hey-Hey-Hey!
o A Hard Day's Night

19JUL64  TV: BLACKPOOL NIGHT OUT
_ A Hard Days Night
_ And I Love Her
o If I Fell
_ Things We Said Today
_ Long Tall Sally

29JUL64  TV: STOCKHOLM
Poet: Lennon.
o Good Dog Nigel

29JUL64  The 1st leg of the 1964 world tour ends with a concert in Stockholm.

01AUG64  The Beatles prepare to return to their world tour the following day.

-------------------------------------------------------------------------------
45 KOMM, GIB MIR DEINE HAND c/w SIE LIEBT DICH
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
KOMM, GIB MIR DEINE HAND  "Deutsch 45 mono mix"
KOMM, GIB MIR DEINE HAND  "Stereo mix"
SIE LIEBT DICH  "Deutsch 45 mono mix"
SIE LIEBT DICH  "Stereo mix"
-------------------------------------------------------------------------------
EP LONG TALL SALLY
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
LONG TALL SALLY  "UK mono EP mix"
LONG TALL SALLY  "US mono Second Album mix"
LONG TALL SALLY  "US stereo Second Album mix"
LONG TALL SALLY  "Stereo Past Masters mix"
I CALL YOUR NAME  "UK mono EP mix"
I CALL YOUR NAME  "US mono Second Album LP mix"
I CALL YOUR NAME  "US stereo Second Album mix"
I CALL YOUR NAME  "Stereo Past Masters mix"
SLOW DOWN  "UK mono EP mix"
SLOW DOWN  "Stereo Something New mix"
MATCHBOX  "UK mono EP mix"
MATCHBOX  "Stereo Something New mix"
-------------------------------------------------------------------------------
LP A HARD DAY'S NIGHT
This UK LP included all four of the UK singles tracks recorded in this period.
(LP includes 45 CAN'T BUY ME LOVE c/w YOU CAN'T DO THAT)
(LP includes 45 A HARD DAY'S NIGHT c/w THINGS WE SAID TODAY)

The current standard release is the A Hard Day's Night CD, which is mastered
from the UK mono LP tapes.  By this time, the performances were recorded with
the intention of releasing a stereo album.  While less effort was spent on
the stereo mixes originally, one might like the stereo mixes better.
Outside of the stereo LP mixes, the variations are mostly minor.  I'LL CRY
INSTEAD has a notably different and longer edit on the UA soundtrack and
video versions of the song. 
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
So, if you want all the A Hard Day's Night LP-related official output,
to acquire it all (discography here, track details below):
% 1. UK mono LP (common CD)
o 2. UK stereo LP 
o 3. Stereo videocassette of the film
o 4. Something New LP (USA mono version)
o 5. Rarities LP (Stereo USA)
o 6. Either the United Artist soundtrack LP or the USA film soundtrack
o 7. United Artist soundtrack (again, on 8track!)
o 8. Beatles Beat LP (Deutsch stereo version)
o 9. You Can't Do That (USA mono 45)
o10. Long Tall Sally LP (Canada stereo)
o11. Beatles '65 LP (US mono)
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
A HARD DAY'S NIGHT  "UK mono LP & 45 mix (US soundtrack & UA LP)"
A HARD DAY'S NIGHT  "UK stereo LP mix"
A HARD DAY'S NIGHT  "UA soundtrack 8track mix"
I SHOULD HAVE KNOWN BETTER  "UK mono LP mix (US soundtrack & UA LP)"
I SHOULD HAVE KNOWN BETTER  "UK stereo LP mix"
I SHOULD HAVE KNOWN BETTER  "Stereo video mix 1"
I SHOULD HAVE KNOWN BETTER  "Stereo video mix 2"
IF I FELL  "UK mono LP mix (US soundtrack & UA LP)"
IF I FELL  "UK stereo LP mix"
IF I FELL  "Stereo video mix"
I'M HAPPY JUST TO DANCE WITH YOU  "UK mono LP mix (US soundtrack & UA LP)"
I'M HAPPY JUST TO DANCE WITH YOU  "UK stereo LP mix"
I'M HAPPY JUST TO DANCE WITH YOU  "Stereo video mix"
AND I LOVE HER  "UK mono LP mix"
AND I LOVE HER  "UK stereo LP mix"
AND I LOVE HER  "US soundtrack & UA LP mono mix"
AND I LOVE HER  "Stereo US Rarities mix"
AND I LOVE HER  "Stereo video mix"
TELL ME WHY  "UK mono LP mix (US soundtrack & UA LP)"
TELL ME WHY  "UK stereo LP mix"
TELL ME WHY  "Stereo video mix"
CAN'T BUY ME LOVE  "UK mono LP & 45 and US 45 mix"
CAN'T BUY ME LOVE  "UK stereo LP mix"
CAN'T BUY ME LOVE  "Deutsch stereo Beatles Beat mix"
CAN'T BUY ME LOVE  "Stereo video mix"
ANY TIME AT ALL  "UK mono LP mix"
ANY TIME AT ALL  "UK stereo LP mix"
ANY TIME AT ALL  "US mono Something New mix"
I'LL CRY INSTEAD  "UK mono LP mix"
I'LL CRY INSTEAD  "UK stereo LP mix 1:49 "
I'LL CRY INSTEAD  "Long mono UA soundtrack LP mix 2:04 "
I'LL CRY INSTEAD  "Long stereo video mix"
THINGS WE SAID TODAY  "UK mono LP & 45 mix"
THINGS WE SAID TODAY  "UK stereo LP mix"
WHEN I GET HOME  "UK mono LP mix"
WHEN I GET HOME  "UK stereo LP mix"
WHEN I GET HOME  "US mono Something New mix"
YOU CAN'T DO THAT  "UK mono LP & 45 mix"
YOU CAN'T DO THAT  "UK stereo LP mix"
YOU CAN'T DO THAT  "US 45 mono mix"
YOU CAN'T DO THAT  "Canada stereo Long Tall Sally LP mix"
I'LL BE BACK  "UK mono LP mix"
I'LL BE BACK  "UK stereo LP mix"
I'LL BE BACK  "US mono Beatles '65 mix"
-------------------------------------------------------------------------------

A Beatles' Recording Timeline: Leave My Kitten Alone

Beatles For Sale, etc.

Back to Hard Day's Night '64|Ahead to Help '65

MOTHER WORKS: 
o I FEEL FINE c/w SHE'S A WOMAN [UK MONO 45]..................... "PARLOPHONE R 5200"
o BEATLES FOR SALE  [UK MONO LP] ................................ "PARLOPHONE PMC 1240"

==============================================================================================
LEAVE MY KITTEN ALONE - 
Recordings from August 2, 1964 to February 14, 1965

02AUG64  The Beatles begin the second leg of their 1964 world tour in Bournemouth.
See also 04JUN64 for a playlist covering the complete tour.

The playlist for the 2nd leg of the world tour is:
o I Want To Hold Your Hand  "Seattle"
o You Can't Do That  "Seattle, Vancouver, LA, Philadelphia, Indianapolis"
o All My Loving  "Seattle,Vancouver,LA, Phila. ,Ind."
o She Loves You  "Seattle,Vancouver,LA, Phila. ,Ind."
o Things We Said Today  "Seattle, Vancouver, LA, Philadelphia, Indianapolis"
o Roll Over Beethoven  "Seattle, Vancouver, LA, Phila.,Ind."
o Can't Buy Me Love  "Seattle, Vancouver, LA, Phila.,Ind."
o If I Fell  "Seattle, Vancouver, LA, Philadelphia, Indianapolis"
o Boys  "Seattle, Vancouver, LA, Philadelphia, Indianapolis"
o A Hard Day's Night  "Seattle, Vancouver, LA, Philadelphia, Indianapolis"
o Twist And Shout  "Seattle, Vancouver, LA, Phila.,Ind."
o Long Tall Sally  "Seattle, Vancouver, LA, Philadelphia, Indianapolis"

11AUG64  [EMI] BEATLES FOR SALE SESSION #1 OF 7
_ Baby's In Black "Take 1-13"
% Baby's In Black "Take 14 -> OV"
_ Baby's In Black "edit pieces"

14AUG64  [EMI] BEATLES FOR SALE SESSION #2 OF 7
o I'm A Loser "Take 1 fs"
o I'm A Loser "Take 2"
o I'm A Loser "Take 3"
o I'm A Loser "Take 4 bd"
o I'm A Loser "Take 5 bd"
o I'm A Loser "Take 6"
o I'm A Loser "Take 7 bd"
% I'm A Loser "Take 8 -> OV"
     
% Mr. Moonlight "Take 1 breakdown -> ANTH1"
o Mr. Moonlight "Take 2 - fragment"
_ Mr. Moonlight "Take 3"
o Mr. Moonlight [stereo] "Take 4 -> OV, Barrett 1982 remix"
o Mr. Moonlight [mono] "edit of tks 1 and 4, ANTH1"
     
_ Leave My Kitten Alone "Takes 1-3"
o Leave My Kitten Alone "Take 4, false start"
o Leave My Kitten Alone "Take 5 w/guitar solo edit"
     o (duophonic) "Sessions remix"
     o (duophonic) "ANTH1 remix"

18AUG64  A 2nd tour of North America continues the Beatles world tour. See also 02AUG64.
21AUG64  [CONCERT] SEATTLE (1964 WORLD TOUR)
22AUG64  [CONCERT] VANCOUVER (1964 WORLD TOUR)
23AUG64  [CONCERT] L.A., HOLLYWOOD BOWL (1964 WORLD TOUR)
02SEP64  [CONCERT] PHILADELPHIA (1964 WORLD TOUR)
03SEP64  [CONCERT] INDIANAPOLIS (1964 WORLD TOUR)

11SEP64  Peter and Gordon release I Don't Want To See You Again.

18SEP64  [CONCERT] DALLAS MEMORIAL AUDITORIUM, SOUTH AKARD ST (1964 WORLD TOUR)
There appears to be no recording of this concert available to the general public.  The group played one show in Dallas this Friday, playing their standard live set at the time.

. I Want To Hold Your Hand
. You Can't Do That 
. All My Loving  
. She Loves You 
. Things We Said Today  
. Roll Over Beethoven
. Can't Buy Me Love  
. If I Fell  
. Boys  
. A Hard Day's Night  
. Twist And Shout  
. Long Tall Sally 

After the concert, the Beatles flew to Walnut Ridge, Arkansas.  Reed Pigman, airline owner and pilot, then flew the group and 10 of their entourage to the Ozarks in Missouri.  Brian Epstein and Bill Black (Bill Black Combo) were among them.  

19SEP64  The Beatles vacation at the Pigman ranch, Alton/Riverton, Missouri.
Arriving at 3 a.m. this Saturday, they play poker, drink, skinny-dip, fish, drive around the barn, and ride horses.  George knocks the door off the ranch's pickup truck with a rented 1960 Ford Fairlane.  No instruments were brought to the ranch, and no performances were given by the group there.

20SEP64  The Beatles end their vacation weekend.
The group departed the Pigman ranch about noon this Sunday, flying first to Walnut Ridge, AR, and on to NYC for an evening concert.

20SEP64  [CONCERT] "AN EVENING WITH THE BEATLES" CHARITY CONCERT FOR UNITED CEREBRAL PALSY
Paramount Theater, 7th Ave/Times Square, New York City.

21SEP64  The Beatles return to London for a break in their tour of the world.

29SEP64  [EMI] BEATLES FOR SALE SESSION #3 OF 7
_ Every Little Thing "Take 1-3"
% Every Little Thing "Take 4 -> 30SEP64 -> OV"
_ I Don't Want To Spoil The Party "Take 1-18"
% I Don't Want To Spoil The Party "Take 19 -> OV"
_ What You're Doing "Take 1-6, basic tracks"
% What You're Doing "Take 7, rhythm track -> 30SEP64"

30SEP64  [EMI] BEATLES FOR SALE SESSION #4 of 7
_ Every Little Thing "Takes 5-8"
% Every Little Thing "Take 9 -> OV"

_ What You're Doing "Take 8-10"
o What You're Doing [stereo] "Take 11"
_ What You're Doing "Take 12"

_ No Reply "Take 1"
o No Reply "Take 2, ANTH1"
_ No Reply "Take 3-7"
% No Reply "Take 8 -> OV"

30SEP64  [LONE BEATLE] RINGO: RORY STORM AND THE HURRICANES SESSION
o America

03OCT64  [VIDEO] SHINDIG 
o Kansas City/Hey Hey Hey Hey "with and without broadcast audience"
o I'm A Loser
o Boys

06OCT64  [EMI] BEATLES FOR SALE SESSION #5 of 7
% Eight Days A Week "Take 1"
% Eight Days A Week "Take 2"
_ Eight Days A Week "Take 3"
% Eight Days A Week "Take 4"
o Eight Days A Week (sequence) "ANTH1 edit of tk 1, 2, & 4"
o Eight Days A Week (complete) "Take 5, ANTH1"
_ Eight Days A Week "tks 6-12"
% Eight Days A Week "Take 13 -> 18OCT64 -> OV"

_ I Feel Fine "strumming in-between takes"

08OCT64  [EMI] SINGLE B-SIDE SESSION
o She's A Woman "Tk 1"
o She's A Woman "Take 2 w/fs"
o She's A Woman "Take 3 = two false starts"
o She's A Woman "Take 4 w/fs"
_ She's A Woman "Tk 5"
% She's A Woman "Tk 6 = OV"
o She's A Woman "Tk 7's false start"
o She's A Woman "Take 7"

18OCT64  [EMI] BEATLES FOR SALE SESSION #6 OF 7
_ Eight Days A Week "Take 14, intro left unused"
% Eight Days A Week "Take 15, outro + tk 13 = OV"

% Kansas City/Hey-Hey-Hey-Hey "Take 1 -> OV"
o Kansas City/Hey-Hey-Hey-Hey "Take 2, ANTH1"

_ Mr. Moonlight "Take 5-7"
% Mr. Moonlight "Take 8 -> OV"

o I Feel Fine (Tk 1, breakdown)
o I Feel Fine (Tk 2, breakdown)
_ I Feel Fine "Take 3-4"
o I Feel Fine (Tk 5)
o I Feel Fine (Tk 6, backing track w/mini-jam before and after)
_ I Feel Fine "Tk 7-8"
o I Feel Fine (Tk 9, vocal SI onto ? -> OV)
% I Feel Fine (OV = editted tk 9)

_ I'll Follow The Sun "Take 1-7"
% I'll Follow The Sun "Take 8"

% Everybody's Trying To Be My Baby "Take 1 -> OV"
% Rock and Roll Music "Take 1 = OV"
_ Words Of Love "Take 1"
% Words Of Love "Take 2 -> OV"
% Words Of Love "Take 3 -> OV"

26OCT64  [EMI] BEATLES FOR SALE SESSION #7 OF 7
_ Honey Don't "Take 1-4"
% Honey Don't "Take 5"
X Honey Don't (forgery) "Rough Notes bootleg track"

_ What You're Doing (remake) "Take 13-18"
% What You're Doing (remake) "Take 19 -> OV"

o Another Beatles Christmas Record
o Hello Dolly

30OCT64  [LONE BEATLE] PAUL: ALMA COGAN SESSION SINGLE RELEASE
McCartney on tambourine.
o I Knew Right Away

10NOV64  The 1964 world tour, which had begun 04JUN64, ends in Bristol.

17NOV64  [BBC] RECORDING SESSION FOR TOP GEAR
o I Feel Fine "False start, and partial before SI"
o Honey Don't "Complete"

17NOV64  [BBC] TOP GEAR
Aired 26NOV64.
o I'm A Loser
o Honey, Don't!
o She's A Woman
o Everybody's Trying To Be My Baby
o I'll Follow The Sun
o I Feel Fine

25NOV64  [BBC] SATURDAY CLUB
Aired 26DEC64.
o Rock And Roll Music
o Kansas City/Hey-Hey-Hey-Hey!


27NOV64  ==MOTHER RELEASE==  I FEEL FINE c/w SHE'S A WOMAN  "PARLOPHONE R 5200"
o I FEEL FINE c/w SHE'S A WOMAN [UK MONO 45]
      o I FEEL FINE [UK MONO 45] "RM3, 21OCT64 remix"
      o SHE'S A WOMAN [UK MONO 45] "RM1, 12OCT64 remix"

== Alternate mixes and masters: I Feel Fine/She's A Woman ==
o I Feel Fine (stereo) "Untrimmed red album version"
o I Feel Fine (stereo) "Past Masters version"
o I Feel Fine (mono) "USA LP version, lots of reverb"
o She's A Woman (mono) "USA LP version, lots of reverb"
o She's A Woman (stereo) "Past Masters version"
o She's A Woman (stereo) "EP Collection version, untrimmed count-in"


04DEC64  ==MOTHER RELEASE==  BEATLES FOR SALE   "PARLOPHONE PMC 1240"
o BEATLES FOR SALE  [UK MONO LP] 
     Side One
     o NO REPLY  [UK MONO LP TRACK]
     o I'M A LOSER  [UK MONO LP TRACK]
     o BABY'S IN BLACK  [UK MONO LP TRACK] "RM2, 26OCT64 remix"
     o ROCK AND ROLL MUSIC  [UK MONO LP TRACK]
     o I'LL FOLLOW THE SUN  [UK MONO LP TRACK]
     o MR. MOONLIGHT  [UK MONO LP TRACK]
     o KANSAS CITY  [UK MONO LP TRACK]
     Side Two
     o EIGHT DAYS A WEEK  [UK MONO LP TRACK]
     o WORDS OF LOVE  [UK MONO LP TRACK]
     o HONEY, DON'T!  [UK MONO LP TRACK]
     o EVERY LITTLE THING  [UK MONO LP TRACK]
     o I DON'T WANT TO SPOIL THE PARTY  [UK MONO LP TRACK]
     o WHAT YOU'RE DOING  [UK MONO LP TRACK]
     o EVERYBODY'S TRYING TO BE MY BABY  [UK MONO LP TRACK]


== Alternate mixes and masters: Beatles For Sale ==
o Beatles For Sale [UK Stereo LP]
o I'm A Loser [stereo] "Barrett's remix for Abbey Road Show"


24DEC65  A series of Christmas concerts begin at the Hammersmith Odeon.

JAN65  Johnny Devlin and The Devils record "Won't You Be My Baby", ?a Devlin-McCartney song.

16JAN65  The series of Christmas concerts at the Hammersmith Odeon end.

11FEB65  Ringo marries Maureen.

14FEB65  The Beatles end a one month holiday on St. Valentine's Day.

A Beatles' Recording Timeline: Eight Arms To Hold You

Help!, etc.

Back to Beatles For Sale '64|Ahead to Rubber Soul '65

MOTHER WORKS: 
o Ticket to Ride c/w YES IT IS [UK MONO 45] ..................... "PARLOPHONE R 5265"
o Help! c/w I'M DOWN [MONO 45]................................... "PARLOPHONE R 5305"
o HELP!  [UK MONO LP] ........................................... "PARLOPHONE PMC 1255"
o BAD BOY [USA MONO LP BEATLES VI] .............................. "CAPITOL T2358"
==============================================================================================
EIGHT ARMS TO HOLD YOU - 
Recordings from February 15, 1965 to August 31, 1965

15FEB65  [EMI] HELP! SESSION #1 OF 12
_ Ticket To Ride "Take 1 false start"
% Ticket To Ride "Take 2 -> OV"
_ Ticket To Ride "Unused SIs to Take 2"
% Ticket To Ride "SIs to Take 2 -> OV"

% Another Girl "Take 1 -> LP track"
_ Another Girl "Edit pieces 1-10, unused"

_ I Need You "Takes 1-4"
% I Need You "Take 5"

16FEB65  [EMI] HELP! SESSION #2
% I Need You "SIs to Take 5 -> LP track"
% Another Girl "SI to Take 1 -> LP track"

o Yes It Is "Take 1"
o Yes It Is "Take 2, breakdown"
     o "Session tape"
     o "ANTH2 chimera, Take 2 edited to 45 track and remixed"
o Yes It Is "Take 3, false start"
o Yes It Is "Take 4, false start"
o Yes It Is "Take 5, two false starts"
o Yes It Is "Take 6, false start"
o Yes It Is "Take 7, breakdown"
o Yes It Is "Take 8, false start"
o Yes It Is "Take 8"
o Yes It Is "Take 10, false start"
_ Yes It Is "Takes 11-13"
% Yes It Is "Take 14 -> 45 track"
o Yes It Is "Harmony SI to Take 14 w/snippet preface (session tape)-> 45 track "

17FEB65  [EMI] HELP! SESSION #3
_ The Night Before "Take 1"
% The Night Before "Take 2 -> LP track"
_ You Like Me Too Much "Takes 1-7"
% You Like Me Too Much "Take 8 -> LP track"

18FEB65  [EMI] HELP! SESSION #4 AND MIXING
% You've Got To Hide Your Love Away "Take 1 and 2 chatter -> ANTH2"
_ You've Got To Hide Your Love Away "Takes 3-4, all incomplete"
o You've Got To Hide Your Love Away "Take 5, ANTH2 w/tk 1 & tk 2 chatter"
_ You've Got To Hide Your Love Away "Takes 6-8, all incomplete"
% You've Got To Hide Your Love Away "Take 9 -> LP track"

o If You've Got Trouble "Take 1 w/SIs"
     o "Stereo, ANTH2, RS /23FEB65"
     _ "Mono, RM /20FEB65"
 
_ Tell Me What You See "Take 1-3"
% Tell Me What You See "Take 4 -> LP track"

19FEB65  [EMI] HELP! SESSION #5
_ You're Going To Lose That Girl "Take '2'-1st take, false start"
% You're Going To Lose That Girl "Take '3'-2nd take -> LP track"
% You're Going To Lose That Girl "SIs to Take '3'-> LP track"

20FEB65  [EMI] HELP! SESSION #6
_ That Means A Lot "4 rehearsals"
o That Means A Lot "Take 1 w/SIs"
     o "ANTH2 version, common mono high-reverb mix, rm /20FEB65"
     o "Stereo 23FEB65 mix"
_ That Means A Lot "Take '2'(bounce of Take 1)+SIs"
o That Means A Lot [stereo] "edit piece"

o You're Going To Lose That Girl "Different guitar solo SI, RS3/02APR65"

22FEB65  The Beatles leave for the Bahamas to start filming Help!.
11MAR65  The Beatles return to London.
13MAR65  The Beatles leave for Obertauern to continue filming Help!.
19MAR65  Paul is interviewed by Brian Matthew.
o Interview  about Michelle (JUN65?)
22MAR65  The Beatles return to London to continue shooting the film Help!.
28MAR65  [TV] Thank Your Lucky Stars
The Beatles lip-sync to Eight Days A Week, Yes It Is, and Ticket To Ride.

30MAR65  [EMI] HELP! SESSION #7
o That Means A Lot (remake) [stereo] "funny unnumbered rehearsal"
o That Means A Lot (remake) [stereo] "Take 20, incomplete"
o That Means A Lot (remake) [stereo] "Take 21"
_ That Means A Lot "Take 22, incomplete"
o That Means A Lot (remake) [stereo] "Take 23, false start"
o That Means A Lot (remake) [stereo] "Take 24, incomplete"


09APR65  ==MOTHER RELEASE==  Ticket to Ride c/w YES IT IS  "PARLOPHONE R 5265"
o Ticket to Ride c/w YES IT IS [UK MONO 45]
     o Ticket to Ride  "Same as UK mono LP track, see 06AUG65"
     o YES IT IS [UK MONO 45] "RM /18FEB65"

== Alternate mixes and masters: Yes It Is ==
o Yes It Is "Stereo Past Masters CD - RS /23FEB65"
x Yes It Is "USA duophonic"

10APR65  [TV] Top Of The Pops
The Beatles lip-sync to Yes It Is and Ticket To Ride.

11APR65  [CONCERT VIDEO] N.M.E. POLL WINNERS' CONCERT 1965
(Mono recording.)
o I Feel Fine
o She's A Woman
o Baby's In Black
o Ticket To Ride
o Long Tall Sally

11APR65  [TV] The Eamonn Andrews Show
The Beatles lip-sync to Ticket To Ride and Yes It Is.

13APR65  [INTERVIEW] POP INN
o Interview

13APR65  [EMI] HELP! SESSION #8
Bits of a taped-over rehearsal session are heard between these takes.
o Help! "Take 1, inst'l breakdown"
o Help! "Take 2, inst'l breakdown"
o Help! "Take 3, inst'l breakdown"
o Help! "Take 4, inst'l and chatter -> OV"
o Help! "Take 5, inst'l"
o Help! "Take 6, inst'l breakdown"
o Help! "Take 7, inst'l breakdown"
o Help! "Take 8, inst'l breakdown"
o Help! "Take 9, vocal SI onto tk 4"
o Help! "Take 10, vocal SI onto tk 4"
o Help! "Take 11, breakdown - SI onto tk 4"
o Help! "Take 12, guitar SI onto tk 4 -> OV"

16APR65  [TV CONCERT] READY, STEADY, GOES LIVE JAM FOR ADAM FAITH
Lennon, Harrison, Adam Faith, Doris Troy, Kinks, Jeff Beck & Yardbirds, Herman's Hermits.
o I Need Your Lovin'

28APR65  [FILM] GRAMMY AWARD IMPROV
o It's A Long Way To Tipperary

10MAY65  [EMI] HELP! SESSION #9
_ Dizzy Miss Lizzy "Take 1-2"

_ Bad Boy "Take 1-2"
% Bad Boy "Take 3 rhythm track -> Tk 4"
% Bad Boy "Take 4 = SIs to Tk 3, -> OV"

_ Dizzy Miss Lizzy "Take 3-6"
% Dizzy Miss Lizzy "Take 7 -> LP track"

11MAY65  The Beatles finish filming on the Help! movie.
18MAY65  The Beatles continue post-production work on the Help! movie.
o I Sat Belonely

22MAY65  Footage of the Beatles appears on Dr. Who.

26MAY65  [BBC] THE BEATLES (INVITE YOU TO TAKE A TICKET TO RIDE)
Aired 07JUN65.  This was the last of the 52 music specials made for the BBC.
o Everybody's Trying To Be My Baby
o I'm A Loser
o The Night Before
o Honey, Don't!
o Dizzy Miss Lizzy
o She's A Woman
o Ticket To Ride

12JUN65  The Beatles hold a press conference regarding the announcement of their MBEs.
o Press conference


14JUN65  =MOTHER RELEASE= BAD BOY [BEATLES VI USA LP TRACK]
o BAD BOY [MONO - BEATLES VI USA LP TRACK]

=ALTERNATE MIX=
o Bad Boy [Stereo - Beatles VI USA LP track]


14JUN65  [EMI] HELP! SESSION #10
_ I've Just Seen A Face "Takes 1-5"
% I've Just Seen A Face "Take 6 -> OV"
% I've Just Seen A Face "Inst'l SIs on Take 6 -> OV"
o I'm Down "Take 1, ANTH2"
% I'm Down "Take 7 -> 45 track"
o Yesterday "Take 1, ANTH2"
% Yesterday "Take 2 -> OV"
% Yesterday "String quartet and vocal SIs on Take 2 -> OV"

15JUN65  [EMI] HELP! SESSION #11
_ It's Only Love "Take 1"
o It's Only Love "Take 2, ANTH2"
o It's Only Love "Take 3, false start, ANTH2"
_ It's Only Love "Take 4"
_ It's Only Love "Take 5, breakdown"
% It's Only Love "Take 6 -> OV"
X Forgery: It's Only Love "Indian Rope Trick"

16JUN65  The Beatles complete post-production work for the Help! movie.
o The Fat Budgie - The World of Books
o The National Health Cow - BBC's Today

17JUN65  [EMI] HELP! SESSION #12
_ Act Naturally "Takes 1-12, inst'l"
% Act Naturally "Take 13, vocal"
_ Wait "Takes 1-3"
% Wait "Take 4 -> Rubber Soul, see 11NOV65"
_ Wait "RM1/18JUN65"

18JUN65  Lennon is interviewed on BBC's Tonight about A Spaniard In The Works.
o We Must Not Forget The General Erection
o The Wumberlog (or The Magic Dog)

20JUN65  [CONCERTS] 1965 WORLD TOUR BEGINS, PARIS
1965 World Tour
European leg: 20JUN65-03JUL65
North American leg: 15AUG65-31AUG65, 3rd N. Am. tour
The repertoire for the tour consisted of:
> Twist And Shout  "Eur. and N.Am. legs"
> She's A Woman  "Eur. and N.Am. legs"
> I'm A Loser  "Eur. leg only"
> Can't Buy Me Love  "Eur. and N.Am. legs"
> Baby's In Black  "Eur. and N.Am. legs"
> I Wanna Be Your Man  "Eur. and N.Am. legs"
> A Hard Day's Night  "Eur. and N.Am. legs"
> Everybody's Trying To Be My Baby  "Eur. and N.Am. legs"
> Rock And Roll Music  "Eur. leg only"
> I Feel Fine  "Eur. and N.Am. legs"
> Ticket To Ride  "Eur. and N.Am. legs"
> Long Tall Sally   "Eur. leg only"
> Act Naturally "N.Am. leg only"
> Dizzy Miss Lizzy  "N.Am. leg only"
> Help!  "N.Am. leg only"
> I'm Down  "N.Am. leg only"

Two concert performances in Paris on this date.
o Matinee
o Evening show

22-25JUN65  The Beatles tour Lyon, Milan, and Genoa.
27JUN65  Two concerts are performed in Rome.
o Matinee
o Evening show
28JUN65-03JUL65  The Beatles tour Rome, Nice, Madrid, and Barcelona.


23JUL65 ==MOTHER RELEASE==  Help! c/w I'M DOWN [MONO 45] "PARLOPHONE R 5305"
o Help! c/w I'M DOWN [MONO 45]
     . Help! [MONO 45] "same as Help! LP mono track"
     o I'M DOWN [MONO 45]  "rm /18JUN65"

=ALTERNATE MIXES=
o I'm Down "RS /18JUN65"


29JUL65  The film Help! premieres.
Additional soundtrack music by Ken Thorne, see 13AUG65.
o Help! [Original mono film score] 
     o Help! "RM3/18APR65 for film score"
     o The Night Before "film score remix"
     o I Need You "film score remix"
     o You're Going To Lose That Girl "film score remix"
     o Ticket To Ride "RM2/15MAR65 for film score"
o Barber of Seville "Beatles whistle for the film's credits"

30JUL65  [INTERVIEW] "THE BEATLES"
o "The Beatles" interview

01AUG65 [TV CONCERT] BLACKPOOL NIGHT OUT #2 OF 2 
Broadcast live.  ABC Theatre.
o I Feel Fine "ANTH2"
o I'm Down
o Act Naturally
o Ticket To Ride "ANTH2"
o Yesterday "ANTH2"
o Help! "ANTH2"


06AUG65 =MOTHER RELEASE=  HELP!  [UK MONO LP]  "PARLOPHONE PMC 1255"
o HELP! [UK MONO LP]
     Side One
     o HELP!  "rm4/18JUN65"
     o THE NIGHT BEFORE   "rm /18FEB65"
     o YOU'VE GOT TO HIDE YOUR LOVE AWAY  "rm /20FEB65"
     o I NEED YOU   "rm /18FEB65"
     o ANOTHER GIRL  "rm /18FEB65"
     o YOU'RE GOING TO LOSE THAT GIRL  "rm /20FEB65"
     o TICKET TO RIDE  "rm1/18FEB65"
     Side Two
     o ACT NATURALLY  "rm /18JUN65"
     o IT'S ONLY LOVE  "rm /18JUN65"
     o YOU LIKE ME TOO MUCH  "rm /18FEB65"
     o TELL ME WHAT YOU SEE  "rm /20FEB65"
     o I'VE JUST SEEN A FACE  "rm /18JUN65"
     o YESTERDAY  "rm2/17JUN65"
     o DIZZY MISS LIZZY  "rm /10MAY65"


== ALTERNATE MIXES: Help! LP ==
o Help! [UK Stereo LP]
     o Help!   "RS2/18JUN65 w/diff. vocal and tambourine"
     o The Night Before   "RS1/23FEB65"
     o You've Got To Hide Your Love Away  "rs /23FEB65"
     o I Need You   "rs /23FEB65"
     o Another Girl  "rs /23FEB65"
     o You're Going To Lose That Girl  "RS2/23FEB65"
     o Ticket To Ride  "rs/23FEB65"
     o Act Naturally  "RS /18JUN65"
     o It's Only Love  "RS /18JUN65"
     o You Like Me Too Much  "rs /23FEB65"
     o Tell Me What You See  "rs /23FEB65"
     o I've Just Seen A Face  "RS /18JUN65"
     o Yesterday  "RS /18JUN65"
     o Dizzy Miss Lizzy  "rs /10MAY65"

o Help! [Stereo CD, remixed for CD,1987] Same track sequence as UK LP.

o Help! "mono acetate mix, w/less drum, and same vocal as RS2/18JUN65"
o Help! "1993 video remix"
o The Night Before "mono acetate mix"
o You've Got To Hide Your Love Away "mono acetate mix"
o I Need You "mono acetate mix"
o Another Girl "mono acetate mix w/count-in"
o Ticket To Ride "mono acetate mix"
o Ticket To Ride "Stereo full ending mix"
> See also 29JUL65 for original film score mixes.


AUG65?  [NTB] GEORGE MARTIN ORCHESTRA
Not the Beatles.
o I Feel Fine (Instrumental)
o Help! Instrumental LP (w/Bahama Sound)

09AUG65  [LONE BEATLES] PAUL AND GEORGE: THE SILKIE SESSION
Paul on guitar, George tapping rhythm.
o You've Got To Hide Your Love Away

13AUG65  [NTB] USA HELP! SOUNDTRACK LP RELEASED
This stereo/duophonic LP included the Beatles' songs from side one of the mother LP,
and additional soundtrack music by Ken Thorne (Not the Beatles).
o Help! [USA Stereo/Duophonic LP] "Ticket To Ride is in duophonic mix"
     o The James Bond Theme
     o From Me To You Fantasy
     o In The Tyrol
     o Another Hard Day's Night
     o The Bitter End/You Can't Do That
     o The Chase
x Help! [USA Fake mono LP]

13AUG65  The Beatles leave London to begin the North American leg of their 1965 World Tour.

14AUG65  [TV CONCERT] ED SULLIVAN SHOW #4 OF 4 - NEW YORK
Broadcast 12SEP65.
o I Feel Fine/I'm Down/Act Naturally/Ticket To Ride/Yesterday/Help!

15AUG65 [CONCERT FILM] THE BEATLES AT SHEA STADIUM 
See also 05JAN66.
o Twist and Shout "w/30AUG65 Hollywood Bowl audio dubbed in"
_ She's A Woman
o I Feel Fine "05JAN66 recording"
o Dizzy Miss Lizzy "w/bass SI"
o Ticket To Ride
o Everybody's Trying To Be My Baby "not in film, ANTH2"
o Can't Buy Me Love "w/bass SI"
o Baby's In Black " "w/bass SI"
_ Act Naturally "film uses the lp track"
o A Hard Day's Night
o Help! "05JAN66 recording"
o I'm Down "w/bass and organ SI, on Anth video"

17AUG65  The Beatles perform two concerts in Toronto and are interviewed.
o Interview

AUG65  Two press conferences are held during the North American leg of the the tour.
o Press conference
o Press conference

18AUG65  A concert is performed in Atlanta.
o One show

19AUG65  Two concerts are given in Houston.
o Matinee
o Evening show

20AUG65  [INTERVIEWS] "THE BEATLES ABROAD"
Aired 30AUG65.  Brian Matthews leaves the world tour this date, with a week's worth of 
tape, bundled together into an interview special for the BBC called "The Beatles Abroad".
o "The Beatles Abroad" interviews

20-28AUG65  The Beatles tour Chicago, Minneapolis, Portland, and San Diego.

29AUG65?  [INTERVIEW] IMPROVISATION - LOS ANGELES (TEEN SET?)
o One Sunny Day "Piano/vocal improv. illustrating Lennon-McCartney songwriting method"

29AUG65 The Beatles' concert at the Hollywood Bowl in Los Angeles is recorded.
o Evening show

30AUG65 [CONCERT] THE BEATLES AT THE HOLLYWOOD BOWL
Much of this concert was released on the 1977 album, The Beatles At The Hollywood Bowl.
o Twist and Shout "on album" 
o She's A Woman "on album"
o I Feel Fine 
o Dizzy Miss Lizzy  "on album, spliced with 29AUG65 recording"
o Ticket To Ride "on album"
o Everybody's Trying To Be My Baby 
o Can't Buy Me Love  "on album"
o Baby's In Black "on Real Love"
o I Wanna Be Your Man
o A Hard Day's Night "on album"
o Help!  "on album"
o I'm Down 

31AUG65  The 1965 World Tour ends with 2 concerts at the Cow Palace in San Francisco.

A Beatles' Recording Timeline: Plastic Soul

Rubber Soul, etc.

Back to Help '65|Ahead to Revolver '66

MOTHER WORKS: 
o DAY TRIPPER c/w WE CAN WORK IT OUT [UK MONO 45]................ "PARLOPHONE R 5389"
o RUBBER SOUL  [UK MONO LP] ..................................... "PARLOPHONE PMC 1267"
==============================================================================================
PLASTIC SOUL - 
Recordings from September 1, 1965 to December 31, 1965

01SEP65 - The Beatles return to England from 3rd North American concert tour.

SEP/OCT65  [HOME RECORDING] McCARTNEY DEMOS
o We Can Work It Out "Fragment"
o Michelle "Instrumental"

12OCT65  [EMI] RUBBER SOUL SESSION #1 OF 15
o Run For Your Life "few notes of rehearsal"
_ Run For Your Life "Takes 1-4, all breakdowns"
o Run For Your Life "Take 5 fragment,diff. vocal & no back'g voc."
% Run For Your Life "Take 5 -> OV"
o RUN FOR YOUR LIFE [stereo] "OV, R.S. CD, tk 5 + SIs"
o Run For Your Life [mono] "ov, mono lp"
o Norwegian Wood (This Bird Has Flown) "Take 1"
     o "ANTH2"
     o "Untrimmed version"

13OCT65  EMI RUBBER SOUL SESSION #2 OF 15
_ Drive My Car "Takes 1-3, all breakdowns"
% Drive My Car "Take 4 -> OV"

16OCT65  EMI RUBBER SOUL SESSION #3 OF 15
o Day Tripper "Take 1"
o Day Tripper "Take 2"
o Day Tripper "Take 3 (not faded)
% Day Tripper "Tk 3 faded at end -> ov"
% If I Needed Someone "Take 1 -> ov"

18OCT65  EMI RUBBER SOUL SESSION #4 OF 15
o IF I NEEDED SOMEONE [stereo] "OV, Rubber Soul CD, SI onto Tk 1"
o If I Needed Someone [mono] "ov, mono lp"
_ In My Life "Take 1 and 2"
% In My Life "Take 3 -> ov"
                                       
20OCT65  EMI RUBBER SOUL SESSION #5 OF 15
o We Can Work It Out "Take 1, breakdown"
o We Can Work It Out "Take 2 monitor mix w/single vocal"
o We Can Work It Out "Take 2 untrimmed OV"
% We Can Work It Out "Take 2 w/SI -> OV"

21OCT65  EMI RUBBER SOUL SESSION #6 OF 15
o Norwegian Wood (This Bird Has Flown) "Take 2"
_ Norwegian Wood (This Bird Has Flown)
o Norwegian Wood (This Bird Has Flown) "Take 4, w/false starts"
o NORWEGIAN WOOD (THIS BIRD HAS FLOWN) [stereo] "OV, R.S. CD, tk 4 trimmed"
o Norwegian Wood (This Bird Has Flown) [mono] "ov, mono lp"
Nowhere Man

22OCT65  EMI RUBBER SOUL SESSION #7 OF 15
In My Life "OM Piano SI"
o In My Life "Early mix w/scratch piano in middle 8"

Nowhere Man "no outtakes"

24OCT65  EMI RUBBER SOUL SESSION #8 OF 15
o I'm Looking Through You "Take 1, ANTH2"
o I'm Looking Through You "Take 1, at least 3 different bootleg mixes"

26OCT65  Queen Elizabeth presents MBE medals to The Beatles.

29OCT65  EMI RUBBER SOUL SESSION #9 OF 15
% We Can Work It Out "vocal SI"

01NOV65-
02NOV65  LONE BEATLE PAUL: FILMING "THE MUSIC OF LENNON AND McCARTNEY" [TV]
Aired 17DEC65.
_ Video content (incl. lipsynch to We Can Work It Out & Day Tripper)
_ Yesterday "McCartney and Marianne Faithfull so-called  duet"

03NOV65  EMI RUBBER SOUL SESSION #10 OF 15
Michelle "no outtakes"

04NOV65  EMI RUBBER SOUL SESSION #11 OF 15
What Goes On "no outtakes"
o 12-Bar Original "Take 1, false start"
     o (mono)
     o (stereo)
o 12-Bar Original 
     o (mono) <6:36> "Take 2 complete"
     o (stereo) "Take 2 complete"
o 12-Bar Original "Take 2 ANTH2 edit"
o 12-Bar Original "Incomplete take"

06NOV65  EMI RUBBER SOUL SESSION #12 OF 15
I'm Looking Through You "remake"

08NOV65  EMI RUBBER SOUL SESSION #13 OF 15
Think For Yourself
o Beatle Speech <20:00>
o Think For Yourself "Vocals snip used in Yellow Submarine cartoon"
o "Lost" Christmas Record Rehearsal <~12:00>  "Dixie"
o The Beatles' Third Christmas Record

10NOV65  EMI RUBBER SOUL SESSION #14 OF 15
The Word "no outtakes"
I'm Looking Through You "re-re-make"

11NOV65  EMI RUBBER SOUL SESSION #15 OF 15
% You Won't See Me  "Takes 1-2 +SI -> ov"
o YOU WON'T SEE ME [stereo] "OV, Rubber  Soul CD"
o You Won't See Me [mono] "ov, mono lp"
o Girl "Take 2, monitor mix"
o Girl "Take 2, OV 'fuzz guitar deleted in OV mix'"
Wait
I'm Looking Through You

EarlyDEC?  CHRISTMAS RECORDINGS
_ Radio Caroline messages

EarlyDEC?  PAUL'S CHRISTMAS ALBUM
_ Paul's Christmas Album


03DEC65  ==MOTHER RELEASE==  DAY TRIPPER c/w WE CAN WORK IT OUT  "PARLOPHONE R 5389"
o DAY TRIPPER c/w WE CAN WORK IT OUT [UK MONO 45]
     o DAY TRIPPER [UK MONO 45]
     o WE CAN WORK IT OUT [UK MONO 45]

= Alternate CVs =
o Day Tripper - on "1" CD, guitar drop-out is "fixed"

03DEC65  ==MOTHER RELEASE==  RUBBER SOUL  "PARLOPHONE PMC 1267"
o RUBBER SOUL  [UK MONO LP] 

SIDE ONE
o DRIVE MY CAR  [UK Mono LP track]
o NORWEGIAN WOOD (THIS BIRD HAS FLOWN)  [UK Mono LP track]
o YOU WON'T SEE ME  [UK Mono LP track]
o NOWHERE MAN  [UK Mono LP track]
o THINK FOR YOURSELF  [UK Mono LP track]
o THE WORD  [UK Mono LP track]
o MICHELLE  [UK Mono LP track]

SIDE TWO
o WHAT GOES ON  [UK Mono LP track]
o GIRL  [UK Mono LP track]
o I'M LOOKING THROUGH YOU  [UK Mono LP track]
o IN MY LIFE  [UK Mono LP track]
o WAIT  [UK Mono LP track]
o IF I NEEDED SOMEONE  [UK Mono LP track]
o RUN FOR YOUR LIFE  [UK Mono LP track]


03DEC65-12DEC65  Final British tour.

?DEC66  McCARTNEY COMPOSITION 
Released by Peter and Gordon 10JAN66.
. Woman

31DEC65  John and Cynthia, Paul and Jane, George and Pattie, and Ringo and Maureen continue
a vacation.  All are doing the London scene of parties, clubs, and premieres.

A Beatles' Recording Timeline: Abracadabra

Revolver, etc.

Back to Rubber Soul '65 |Ahead to Sgt Pepper,Magical Mystery Tour,Yellow Sub '67

MOTHER WORKS: 
o PAPERBACK WRITER c/w RAIN [MONO 45]............................ "PARLOPHONE R 5452"
o REVOLVER  [UK MONO LP] ........................................ "PARLOPHONE PMC 7009"

==============================================================================================
ABRACADABRA - 
Recordings from January 1, 1966 to September 4, 1966

01JAN66  John and Cynthia, Paul and Jane, George and Pattie, and Ringo and Maureen continue
a vacation.  All are doing the London scene of parties, clubs, and premieres.

05JAN66  [CTS STUDIOS] DOCTORING THE SHEA STADIUM FILM SOUNDTRACK
_ Overdubbing some recordings of 15AUG65 Shea Stadium concert

21JAN66  George Harrison marries Pattie Boyd.

MAR66  [HOME RECORDING] LENNON DEMOS
_ She Said She Said "Complete 27-minute, 20 rough versions (He Said He Said lyric)"
o She Said She Said "7 takes, apparently a portion of 20-take tape"
o Hold On, I'm Comin'

04MAR66  Lennon's "Bigger Than Jesus Christ" interview published.

25MAR66  The band poses for the LP jacket photo known as "the butcher cover".

06APR66  [EMI] REVOLVER SESSION #1 OF 33
o Tomorrow Never Knows [stereo] "Take 1, ANTH2"
_ Tomorrow Never Knows "Take 2, breakdown"
% Tomorrow Never Knows "Take 3 rhythm track -> OV"

07APR66  [EMI] REVOLVER SESSION #2 OF 33
% Tomorrow Never Knows "SI of tape loops mixed live onto take 3 -> OV"
_ Got To Get You Into My Life "Takes 1-2"
_ Got To Get You Into My Life "Take 3 w/discussion"
_ Got To Get You Into My Life "Take 4"
o Got To Get You Into My Life [stereo] "Take 5 + SI, ANTH2"

08APR66  [EMI] REVOLVER SESSION #3 OF 33
_ Got To Get You Into My Life "Takes 6-7"
% Got To Get You Into My Life "Take 8 rhythm track -> OV"

11APR66  [EMI] REVOLVER SESSION #4 OF 33
% Got To Get You Into My Life "guitar SI onto take 8 -> OV"
_ Love You To "Takes 1-5"
% Love You To "Take 6 -> RM1, reduction mix=take 7, and OV"

13APR66  [EMI] REVOLVER SESSION #5 OF 33
% Love You To "Take 7 -> OV"
% Love You To "SI onto take 7 -> RM1b/RM2/RM3 -> OV"
_ Love You To "unused Paul vocal SI to take 7"
o Paperback Writer "Take 1, breakdown"
% Paperback Writer "Take 2 -> OV"
% Paperback Writer "SIs onto take 2 -> OV"
o Paperback Writer "Take 2, dry untrimmed version of OV"

14APR66  [EMI] REVOLVER SESSION #6 OF 33
% Paperback Writer "vocal and instrumental SIs to Take 2 -> OV"
_ Rain "Takes 1-4"
% Rain "Take 5"

16APR66  [EMI] REVOLVER SESSION #7 OF 33
% Rain "Take 6 = reduction of take 5 + SIs -> take 7"
% Rain "Take 7 -> OV"
_ Rain "Take 8"

17APR66  [EMI] REVOLVER SESSION #8 OF 33
_ Dr. Robert "Takes 1-6"
% Dr. Robert "Take 7 backing track <2:56 complete> -> OV"

19APR66  [EMI] REVOLVER SESSION #9 OF 33
% Dr. Robert "vocal SI onto tk 7, -> OV"

20APR66  [EMI] REVOLVER SESSION #10 OF 33
% And Your Bird Can Sing "Take 1, rhythm track of tk 2"
o And Your Bird Can Sing "Take 2 w/giggle SI, ANTH2"
_ Taxman "Takes 1-4 and discussion"

21APR66  [EMI] REVOLVER SESSION #11 OF 33
_ Taxman (remake) "Takes 1-10"
o Taxman (remake) "Take 11 + SIs, ANTH2"
% Taxman (remake) "Take 11 -> OV"

22APR66  [EMI] REVOLVER SESSION #12 OF 33
% Taxman (remake) "Take 12 = reduction of take 11 -> ov"
% Taxman (remake) "SIs onto take 12 -> ov"
% Tomorrow Never Knows "vocal and instrumental SI onto tk3 -> OV"
X Tomorrow Never Knows (forgery) "Alt mix bootlegged from Lost Lennon Tapes"

26APR66  EMI REVOLVER SESSION #13 OF 33 -- RE-MAKE SESSION 
_ And Your Bird Can Sing "Takes 3-5"
% And Your Bird Can Sing "Take 6, ending -> ov"
_ And Your Bird Can Sing "Takes 7-9"
% And Your Bird Can Sing "Take 10 -> ov"
_ And Your Bird Can Sing "Takes 12-13"
o AND YOUR BIRD CAN SING [stereo] "SI onto tk10 +tk6 edit, OV Revolver CD"

27APR66  EMI REVOLVER SESSION #14 OF 33
_ I'm Only Sleeping "Takes 1-11"

28APR66  EMI REVOLVER SESSION #15 OF 33
_ Eleanor Rigby "Takes 1-13"
o Eleanor Rigby "Take 14 OM strings, ANTH2"
% Eleanor Rigby "Takes 14-15 -> OV"

29APR66  EMI REVOLVER SESSION #16 OF 33
_ Eleanor Rigby "SI onto tk15"
o I'm Only Sleeping (remake) "rehearsal, ANTH2"
o I'm Only Sleeping (remake) "Take 1, ANTH2"
_ I'm Only Sleeping (remake) "tks 2-5" or just SIs?

05MAY66  EMI REVOLVER SESSION #17 OF 33
_ I'm Only Sleeping "guitar SIs to 11"

06MAY66  EMI REVOLVER SESSION #18 OF 33
_ I'm Only Sleeping "SIs and Take 12"
o I'M ONLY SLEEPING [stereo] "Take 13, OV Revolver CD"
o I'm Only Sleeping [stereo] "Yesterday And Today stereo mix"
o I'm Only Sleeping [mono] "Yesterday And Today mono mix"

09MAY66  EMI REVOLVER SESSION #19 OF 33
o For No One "Rehearsal and Take 1, instr'l"
o For No One "Take 2, breakdown"
_ For No One "Takes 3-9"
% For No One "Take 10 -> ov"

16MAY66  EMI REVOLVER SESSION #20 OF 33
o TAXMAN [stereo] "SI to tk12, OV Revolver CD"
o For No One "Vocal SI onto tk10, monitor mix"
o For No One "Vocal SI onto tk10, monitor mix"

18MAY66  EMI REVOLVER SESSION #21 OF 33
_ Got To Get You Into My Life "SIs, Takes 9-11"
o Got To Get You Into My Life "0:20 from Anth Int'l video"

19MAY66  EMI REVOLVER SESSION #22 OF 33
o For No One "Take 10 w/alternate french horn overdub, monitor mix"
o FOR NO ONE [stereo] "OV Revolver CD"

19-20MAY66  PROMO FILMING: LIPSYNCH TO PAPERBACK WRITER/RAIN [VIDEO]
There are supposed to be multiple versions of these videos.
o Video: Paperback Writer (lipsynch)
o Video: Rain (lipsynch)

26MAY66  EMI REVOLVER SESSION #23 OF 33
_ Yellow Submarine "Takes 1-3"
% Yellow Submarine "Takes 4-5 -> ov"

01JUN66  EMI SOUND EFFECTS SESSION -- REVOLVER SESSION #24 OF 33
% Yellow Submarine "SI onto take 5 -> OV"
o Yellow Submarine [stereo] "Real Love/ANTH edit remix w/spoken intro, a chimera"

02JUN66  EMI REVOLVER SESSION #25 OF 33
_ I Want To Tell You "Takes 1-2 and 4'"
% I Want To Tell You "Take 3 and reduction Take 4 -> ov"

03JUN66  EMI REVOLVER SESSION #26 OF 33
o I WANT TO TELL YOU [stereo] "SI onto tk4, OV Revolver CD"

06JUN66  EMI REVOLVER SESSION #27 OF 33
o ELEANOR RIGBY [stereo] "SI to tk 15, OV Revolver CD"

08JUN66  EMI REVOLVER SESSION #28 OF 33
% Good Day Sunshine "Take 1 -> ov"
_ Good Day Sunshine "Takes 2-3"

09JUN66  EMI REVOLVER SESSION #29 OF 33
o GOOD DAY SUNSHINE [stereo] "SIs to tk1, OV Revolver CD"


10JUN66  =MOTHER RELEASE= PAPERBACK WRITER c/w RAIN [MONO 45] "PARLOPHONE R 5452"
o PAPERBACK WRITER c/w RAIN [MONO 45]
     o PAPERBACK WRITER [MONO 45]
     o RAIN [MONO 45] "Take 7, RM3/16APR66"

==Alternate mixes and masters==
o Paperback Writer [stereo] "SI to tk 2, OV 45 as on Past Masters"
o Paperback Writer [stereo] "ov, 45 on Hey Jude LP etc, remix of OV"
o Paperback Writer [stereo] "alternate mix for Abbey Road Show"
o Rain [stereo] "02DEC69 mix, OV as on Past Masters"
o Rain [stereo] "alternate mix for Abbey Road Show"


14JUN66  EMI REVOLVER SESSION #30 OF 33
_ Here, There And Everywhere "Takes 1-4"

16JUN66  EMI REVOLVER SESSION #31 OF 33
_ Here, There And Everywhere "Takes 5-13"
o Here, There And Everywhere "Take 14 Monitor mix"

17JUN66  EMI REVOLVER SESSION #32 OF 33
o HERE, THERE AND EVERYWHERE [stereo] "SI onto tk 14, OV Revolver CD"
o Here, There And Everywhere "Real Love/ANTH edit from tk 7 and SIs to 13"
o GOT TO GET YOU INTO MY LIFE [stereo] "SI onto tk9, OV Revolver CD"

21JUN66  [EMI] REVOLVER SESSION #33 OF 33
_ She Said She Said "Takes 1-2"
% She Said She Said "Takes 3-4 -> ov"
% She Said She Said "SI onto Take 4 -> ov"

23JUN66  First concert of final world concert tour (Hamburg).

30JUN66  CONCERT: NIPPON BUDOKAN HALL, TOKYO, EVENING SHOW [VIDEO]
o Concert video
[mono]
o Rock And Roll Music "ANTH2"
o She's A Woman "ANTH2"
o If I Needed Someone
o Day Tripper
o Baby's In Black
o I Feel Fine
o Yesterday
o I Wanna Be Your Man
o Nowhere Man
o Paperback Writer
o I'm Down

01JUL66  CONCERT: NIPPON BUDOKAN HALL, TOKYO [VIDEO]
o Concert video

05JUL66  The world tour pauses.

JUL66  LONE BEATLE PAUL: CLIFF BENNETT AND THE REBEL ROUSERS SESSION
McCartney on piano.
o Got To Get You Into My Life


05AUG66  =MOTHER RELEASE= REVOLVER  [UK MONO LP] "PARLOPHONE PMC 7009"
o REVOLVER  [UK MONO LP]
SIDE ONE
 o TAXMAN  [UK Mono LP track] "Edit/mix 21JUN66
 o ELEANOR RIGBY  [UK Mono LP track]
 o I'M ONLY SLEEPING  [UK Mono LP track]
 o LOVE YOU TO  [UK Mono LP track] "Edit of Take 7 RM1/2/3 
 o HERE, THERE AND EVERYWHERE  [UK Mono LP track]
 o YELLOW SUBMARINE  [UK Mono LP track]
 o SHE SAID SHE SAID  [UK Mono LP track]
SIDE TWO
 o GOOD DAY SUNSHINE  [UK Mono LP track]
 o AND YOUR BIRD CAN SING  [UK Mono LP track]
 o FOR NO ONE  [UK Mono LP track]
 o DR. ROBERT  [UK Mono LP track]
 o I WANT TO TELL YOU  [UK Mono LP track]
 o GOT TO GET YOU INTO MY LIFE  [UK Mono LP track]
 o TOMORROW NEVER KNOWS  [UK Mono LP track] "Take 3+SIs

o Revolver [UK stereo LP] "CD"
These mixes were re-mastered for the CD release.
 o Taxman [UK stereo LP track]
 o Eleanor Rigby [UK stereo LP track]
 o I'm Only Sleeping [UK stereo LP track]
 o Love You To [UK stereo LP track]
 o Here, There, and Everywhere [UK stereo LP track]
 o Yellow Submarine [UK stereo LP track]
 o She Said She Said [UK stereo LP track]
 o Good Day Sunshine [UK stereo LP track]
 o And Your Bird Can Sing [UK stereo LP track]
 o For No One [UK stereo LP track]
 o Dr. Robert [UK stereo LP track]
 o I Want To Tell You [UK stereo LP track]
 o Got To Get You Into My Life [UK stereo LP track]
 o Tomorrow Never Knows [UK stereo LP track] "22JUN66 mix"

=Alternate mixes and masters=
o Eleanor Rigby [stereo] "YS songtrack mix/1999"
o Love You To [stereo] "YS songtrack mix/1999"
o Yellow Submarine [stereo] "YS songtrack mix/1999"
o Dr. Robert [mono] "untrimmed mix on Yesterday and Today"
o Tomorrow Never Knows [mono] "RM11, 06JUN66 mix, from recalled pressing of LP"


06AUG66  BBC "The Lennon and McCartney Songbook", aired 29AUG66

11AUG66  World tour resumes.  Lennon's "Bigger Than Jesus Christ" apology press conference.
14AUG66  CONCERT: LAKEFRONT STADIUM, CLEVELAND
29AUG66  [CONCERT] LAST CONCERT OF LAST WORLD TOUR, CANDLESTICK PARK, SAN FRANCISCO

Summer 66?  George Martin orchestra records "The Beatle Girls" LP of instrumentals.
04SEP66  The Beatles continue a vacation, pursuing individual interests.  John will go to
Spain, George to India.  

A Beatles' Recording Timeline: A Study In Drugs, Sex, and Revolution

Sgt Pepper's Lonely Hearts Club Band, etc.

Back to Revolver '66|Ahead to White Album '68

MOTHER WORKS: 
o STRAWBERRY FIELDS FOREVER c/w PENNY LANE [MONO 45]............. "PARLOPHONE R 5570"
o SGT PEPPER'S LONELY HEARTS CLUB BAND  [MONO LP] ............... "PARLOPHONE PMC 7027"
o ALL YOU NEED IS LOVE c/w BABY YOU'RE A RICH MAN [UK MONO 45] .. "PARLOPHONE R 5620"
o HELLO GOODBYE c/w I Am The Walrus [UK MONO 45] ................ "PARLOPHONE R 5655"
o MAGICAL MYSTERY TOUR  [UK MONO DOUBLE-EP] ..................... "PARLOPHONE MMT-1"
o LADY MADONNA c/w THE INNER LIGHT [UK MONO 45].................. "PARLOPHONE R 5675"
o ACROSS THE UNIVERSE [STEREO LP No One's Gonna Change Our World] "STAR LINE SRS 5013"
o YELLOW SUBMARINE  [STEREO/DUOPHONIC LP] ....................... "APPLE PCS 7070"

OTHER WORKS:
o Sgt Pepper's Lonely Hearts Club Band [Stereo LP]
o Magical Mystery Tour [UK Stereo Double-EP]

==============================================================================================
A STUDY IN DRUGS, SEX AND REVOLUTION 
Recording timeline from September 5, 1966 to February 11, 1968.

05SEP66 John begins filming _How I Won The War_.

SEP-NOV66  [HOME DEMO] SANTA ISABEL DEMOS
o tuning
o Strawberry Fields Forever "demo tk 1, w.t. 'It's Not So Bad'"0'46"
o Strawberry Fields Forever "demo tk 2 1'15""
o Strawberry Fields Forever "demo tk 3o 1'25""
o Strawberry Fields Forever "demo tk 4"
o Strawberry Fields Forever "demo tk 5"
o Strawberry Fields Forever "demo tk 6"
o Strawberry Fields Forever "rehearsal snippet"

SEP/OCT66  McCartney composed the musical score for the film "The Family Way".

OCT66  LONE BEATLE PAUL: DONOVAN SESSION
McCartney is a backup vocal.
o Mellow Yellow

NOV66  LONE BEATLE PAUL: THE ESCORTS SESSION
McCartney on tambourine.
o From Head To Toe

07NOV66 John returns from shooting _How I Won The War_.

??NOV66  [HOME DEMO] MELLOTRON EXPERIMENTS
o Mellotron Improvisations #1-#9

o Mellotron Flute loop for S.F.F.

??NOV66  [HOME DEMO] KENWOOD
o Strawberry Fields Forever "electric SI rehearsal" 
o Strawberry Fields Forever "electric SI to demo" 
o Strawberry Fields Forever "demo playback snippet"
o Strawberry Fields Forever "vocal SI to demo"
o Strawberry Fields Forever "playback"

o Strawberry Fields Forever "Demo Take 1"
o Strawberry Fields Forever "Demo tk 2 [0:25]"
o Strawberry Fields Forever "Demo tk 3 [0:10]"
o Strawberry Fields Forever "Demo tk 4 [0:16]"
o Strawberry Fields Forever "Demo tk 5 [0:10]"
o Strawberry Fields Forever (demo sequence)
     o "Bootleg, tk 6 [0:26] +tk 7 [2:10]"
     o "ANTH2 = tk 6 + edit + tk 7"
o Strawberry Fields Forever "Take 8 [2:36]"
o Strawberry Fields Forever "Mellotron/vocal SI [4:01] (incl. 1:57 take)"

24NOV66  [EMI] "ONE DOWN, SIX TO GO" SESSION #1 (BEGINNING STRAWBERRY FIELDS)
One Down, Six To Go was the Beatles humorous working title for Sgt Pepper.  The phrase refers
to the requirements of their new recording contract.  These sessions last through 21APR67.
o Strawberry Fields Forever "Take 1"
     o "Take 1, monitor w/Geo.Martin comments"
     o "Take 1, unedited [3:16]"
     o "Take 1, ANTH2 edit/remix"

25NOV66  [DICK JAMES HOUSE] XMAS FLEXI SESSION
o The Beatles' Fourth Christmas Record [6:40]
  Pantomime: Everywhere It's Christmas
   Part One (3:04)
    Song: Everywhere It's Christmas
    Orowanya (Corsican and Small Choirs)
    A Rare Cheese (Two Elderly Scotsmen)
    The Feast
    The Loyal Toast
   Part Two (3:36)
    Podgy the Bear and Jasper
    Felpin Mansions, part one (Count Balder and Butler)
    Felpin Mansions, part two (The Count and the Pianist)
    Song: Please Don't Bring Your Banjo Back
    Everywhere It's Christmas - Mal Evans
    Reprise: Everywhere It's Christmas        

?Late66?  [RECORDING] MELLOTRON MANUFACTURER
A complete set of loops made to reproduce Beatle harmonies on the Mellotron.
_ The Beatles' Voices Mellotron Loops

28NOV66  [EMI] SESSION
o Strawberry Fields Forever "Take 2 inst'l track"
o Strawberry Fields Forever "Take 3, false start"
o Strawberry Fields Forever "Take 4 vocal track, 'best'"

29NOV66  [EMI]  RECORDING THE FIRST PART OF SFF
o Strawberry Fields Forever "Take 5, false start"
o Strawberry Fields Forever "Take 6"
o Strawberry Fields Forever "Take 7 = ADT & bass SI on tk 6 'best'"
     %  "Take 7, sped up from key of A -> B-flat, 1st minute only, (CV)"
     o  "Take 7 Remix from 4-track tk 6 (Stereo acetate)"
     o  "Take 7 (RM3)"
     o  (Take 7 and edit piece) "ANTH2 incl 09DEC SIs, a chimera"

06DEC66  [EMI] SESSION
o Christmas Messages For Radio London
o Christmas Messages For Radio Caroline
_ When I'm Sixty-Four "Tk 1"
% When I'm Sixty-Four "Tk 2"

08DEC66  [EMI]  RECORDING THE REST OF SFF
% When I'm Sixty-Four  "vocal SI on tk 2"
_ Strawberry Fields Forever (remake) "Takes #9-#14"
% Strawberry Fields Forever (remake) "Take #15"
_ Strawberry Fields Forever (remake) "Takes #16-#18, #20-#23"
% Strawberry Fields Forever (remake) "Take #24"

09DEC66  [EMI]  RECORDING THE REST OF SFF
% Strawberry Fields Forever (remake) "Mixdown edit:tk 15+24 => Take 25"
% Strawberry Fields Forever (remake) "Take 25 w/instl SIs -> OV"
% Strawberry Fields Forever (remake) "Take 25 w/SIs -> ANTH2"

10DEC66  NOT THE BEATLES: GEORGE MARTIN ORCHESTRA AT EMI
o Love In The Open Air/A Theme From The Family Way (UK)
o Love In The Open Air (USA)

15DEC66  [EMI]  THE STRAWBERRY FIELDS ORCHESTRA
Note: The bootleg tracks seem at variance w/sessions described by Lewisohn.
% Strawberry Fields Forever "OM Trumpets & cellos SI onto tk 25"
% Strawberry Fields Forever "Take 26 = reduction of tk 25"
o Strawberry Fields Forever "Tk 26 "Only 2/4 tracks-Boot 'Take 25'(inst'l)"
o Strawberry Fields Forever "Take 26 w/two-track lead vocal SI, 'best'"
o Strawberry Fields Forever [mono] "RM9, w/single-track vocal onto Take 26"

18DEC66  PREMIERE OF THE FILM "THE FAMILY WAY"
Soundtrack orchestrated by George Martin, performed by Tudor Minstrels with Neville Marriner.
o Love In The Open Air 

20DEC66  [EMI] 
% When I'm Sixty-Four "backing vocal SI"

21DEC66  [EMI] OVERDUB SESSION
% When I'm Sixty-Four "OM Clarinets & bass clarinet SI"
% Strawberry Fields Forever "SI vocal + piano over tk 26"

22DEC66  [EMI] FINAL EDIT OF STRAWBERRY FIELDS FOREVER
(Not a recording session)
% Strawberry Fields Forever "Edit of 0:55 + 0:05 from Tk 7 -> 60 sec Tk 7"
% Strawberry Fields Forever "CV = 60 sec. of tk7 remix + rest of tk26 remix"

29DEC66  [EMI] SESSION
_ Penny Lane "Takes 1-4, piano breakdowns"
_ Penny Lane "Take 5 piano"
% Penny Lane "Take 6 piano"
% Penny Lane "pianos + instl SIs on tk 6"

30DEC66  [EMI] 
% Penny Lane "Take 7 = reduction of tk 6 + SIs"
% Penny Lane "lead + backup vocal SIs to tk 7"

04JAN67  [EMI]
% Penny Lane "SI to tk 7"

05JAN67  [EMI]
% Penny Lane "SI to tk 7"
_ Carnival Of Light "aka Freak Out"

06JAN67  [EMI] 
% Penny Lane "Take 8 = reduction of tk 7 + SIs"
% Penny Lane "Take 9 = reduction of tk 8 + SIs"

09JAN67  [EMI] OUTSIDE MUSICIANS OVERDUB SESSION
% Penny Lane "OM SI flutes, trumpets to tk 9 -> OV"
o Penny Lane "SI session rough tape"

10JAN67  [EMI] 
% Penny Lane "misc SI to tk 9 -> OV"

12JAN67  [EMI] OUTSIDE MUSICIANS OVERDUB SESSION
% Penny Lane "OM oboes, cor anglais, double-bass, trumpets SI to tk 9 -> OV"
o Penny Lane [mono] "RM8, w/oboes, cor anglais, double-bass, trumpets (12JAN67 mix)"

17JAN67  [EMI] WRAP UP SESSION FOR PENNY LANE
% Penny Lane "OM Piccolo trumpet SI onto tk 9"
o Penny Lane "ANTH2 unique remix from 24track assembly of all sessions"
o Penny Lane (fragment) "ANTH telecast"
o Penny Lane "RM9"
o Penny Lane "RM10 w/ending flourish"
o Penny Lane [stereo] "Abbey Road Show remix"

19JAN67  [EMI] SESSION
o A Day In The Life "Take 1"
     _ "Complete"
     % "fragments -> ANTH2"
     o "fragments w/Geo Martin"
% A Day In The Life "Take 2 segments -> ANTH2"
_ A Day In The Life "Take 3"
% A Day In The Life "Take 4 = a series of Lennon vocals"

20JAN67   [EMI] OVERDUB SESSION
% A Day In The Life "mixdown of take 4 to Take 6"
% A Day In The Life "Lennon vocal overdub"
_ A Day In The Life "rejected bass + drum overdubs"
o A Day In The Life "McCartney's Oh-shit vocal overdub to tk 6"
     o "Complete"
     % "ANTH2"

Jan-Feb67  [HOME RECORDING] LENNON
o Good Morning, Good Morning

01FEB67  [EMI] SESSION
_ Sgt Pepper's Lonely Hearts Club Band "Takes 1-8"
_ Sgt Pepper's Lonely Hearts Club Band "Take 9"

02FEB67  [EMI] OVERDUB SESSION
% Sgt Pepper's Lonely Hearts Club Band "vocal SIs"

03FEB67  [EMI] OVERDUB SESSION
% A Day In The Life "McCartney's lead vocal overdub onto tk 6"
% A Day In The Life "Bass + tomtoms overdub onto tk 6"

08FEB67  [EMI] SESSION
_ Good Morning Good Morning "Takes 1-7"
% Good Morning Good Morning "Take 8"

09FEB67 [REGENT SOUND] SESSION
_ Fixing A Hole "rehearsals"
_ Fixing A Hole "Tk 1"
% Fixing A Hole "Take 2"
_ Fixing A Hole "Tk 3"

10FEB67  [EMI] ORCHESTRA
The entire session was filmed.
% A Day In The Life "Orchestral crescendos -> CV, etc."
o A Day In The Life "ANTH2 edit sequence"
o A Day In The Life "Abbey Road Show remix"

_ A Day In The Life "Unused humming coda"

13FEB67  [EMI] SESSION
_ Only A Northern Song "Takes 1-2"
% Only A Northern Song "Take 3 -> CV,ANTH2"
_ Only A Northern Song "Takes 4-9"

14FEB67  [EMI] OVERDUB SESSION
% Only A Northern Song "Take 11 (reduction of Take 3) -> CV"
% Only A Northern Song "Take 12 (reduction of Take 3) -> ANTH2"
% Only A Northern Song "Lead vocal SIs onto Take 12 -> ANTH2"

16FEB67  [EMI] OVERDUB SESSION 
o Good Morning Good Morning "Take 8 + SI vocal and bass, ANTH2"
% Good Morning Good Morning "mixdown to Tk 10"


17FEB67  ==RELEASE== STRAWBERRY FIELDS FOREVER c/w PENNY LANE [UK MONO 45],"PARLOPHONE R 5570"
o STRAWBERRY FIELDS FOREVER c/w PENNY LANE [UK MONO 45]
     o STRAWBERRY FIELDS FOREVER [UK MONO 45] (RM12/22DEC66)
     o PENNY LANE [UK MONO 45](RM14/25JAN67)
 
o Strawberry Fields Forever "Alternate releases"
     o Strawberry Fields Forever [USA Mono Remix] (RM?/?) "Missing hi-hat click"
     o Strawberry Fields Forever [USA Stereo LP Remix] (RS3/29DEC66)
     . Strawberry Fields Forever [Stereo Remix] (RS5/29DEC66) 
     o Strawberry Fields Forever [Post-Beatles Stereo] (RS/26OCT71) "faster+diff.from RS3"

o Penny Lane "Alternate releases"
     o Penny Lane [USA mono promo 45 remix] (RM11/17JAN67) "diff. thruout+trumpet flourish"
     o Penny Lane [USA Mono LP mastering oddity?] "Cold start, slightly longer"
     o Penny Lane [Post-Beatles Stereo LP remix] (RS/30SEP71) "Standard CD (1987 release)"
     o Penny Lane [Post-Beatles "USA Rarities" stereo/mono edit]
     o Penny Lane [Post-Beatles ANTH stereo remix]
     X Penny Lane [USA DUOPHONIC LP remix]


17FEB67  [EMI] SESSION
o Being For The Benefit Of Mr Kite! "Snippets w/Geo Martin"
o Being For The Benefit Of Mr Kite! (Takes 1 and 2) "ANTH2"
_ Being For The Benefit Of Mr Kite! "Takes 3-6"
o Being For The Benefit Of Mr Kite! (Take 7) 
     _ "Without crossfade to SFX"     
     o "ANTH2 edit+mix"
% Being For The Benefit Of Mr Kite! "mixdown of tk 7 to tk 9, then SIs" 

20FEB67  [EMI]
% Being For The Benefit Of Mr Kite! "Calliope and organ effects -> OV,ANTH2"

21FEB67  [EMI] SESSION
_ Fixing A Hole "unused new take"
% Fixing A Hole "overdubs onto mixdown of tk 2"

22FEB67  [EMI] LAST DAY IN THE LIFE SESSION
% A Day In The Life "Final Piano Chord"
     o Final Chord "ANTH3 after The End"
o A Day In The Life "Alternate Releases"
     o No-crossfade version
_ Anything aka Drum Track (1) "(22:10)"

23FEB67  [EMI] SESSION
_ Lovely Rita "Takes 1-7"
% Lovely Rita "Take 8"
% Lovely Rita "bass SI"

24FEB67  [EMI] 
% Lovely Rita "vocal SI"

28FEB67  [EMI] REHEARSALS RECORDING
_ Lucy In The Sky With Diamonds

01MAR67  [EMI] SESSION
_ A Day In The Life "unused piano SI"
% Lucy In The Sky With Diamonds "Takes 1-7"

02MAR67  [EMI] WRAP-UP OVERDUB SESSION
% Lucy In The Sky With Diamonds "Lead + backup vocals, instrl SIs"
o Lucy In The Sky With Diamonds "Snippets w/Geo Martin"
o Lucy In The Sky With Diamonds "ANTH2 unique edit/mix"
o Lucy In The Sky With Diamonds "Yellow Sub mix/edit of CV, the Boob sings"

03MAR67  [EMI]
% Sgt Pepper's Lonely Hearts Club Band "OM SIs"
% Sgt Pepper's Lonely Hearts Club Band "guitar solo SI"

06MAR67  [EMI] WRAP-UP OVERDUB SESSION
o Sgt Pepper's Lonely Hearts Club Band Sound Effects
o Sgt Pepper's Lonely Hearts Club Band "Snippets w/Geo Martin"
% Sgt Pepper's Lonely Hearts Club Band "SFX SIs"

07MAR67  [EMI] OVERDUB SESSION
% Lovely Rita "vocal SIs"

09MAR67  [EMI] SESSION
_ Getting Better "Takes 1-6"
% Getting Better "Take 7"

10MAR67  [EMI] 
% Getting Better "SIs"

13MAR67  [EMI] LENNON AND SOUNDS, INC.
% Good Morning Good Morning "brass SIs"

15MAR67  [EMI] HARRISON AND THE ASIAN MUSIC CIRCLE
Tabla, swordmandel, dilruba, tamboura.
% Within You Without You "take 1, basic tracks"

17MAR67  [EMI] OUTSIDE MUSICIANS
% She's Leaving Home "Take 1, OM strings"
_ She's Leaving Home "Take 2-6, OM strings"

20MAR67  [EMI] WRAP-UP SESSION
_ Beatle Talk
% She's Leaving Home "lead + backing vocal SIs"

21MAR67  [EMI] LSD NIGHT AT STUDIO TWO
_ Getting Better "unused vocal SIs"
% Lovely Rita "SIs"

22MAR67 [EMI] OUTSIDE MUSICIANS
% Within You Without You "OM dilruba SI"

23MAR67  [EMI] WRAP-UP SESSION
% Getting Better "vocal+instl SIs"

28MAR67  [EMI] ANIMALS OVERDUB SESSION
o Good Morning Good Morning "Snippets w/Geo Martin"
o Good Morning Good Morning Sound Effects
% Good Morning Good Morning "SIs"
% Being For The Benefit Of Mr Kite! "SIs"

29MAR67  [EMI] SESSION
% Good Morning Good Morning "SI"
% Being For The Benefit Of Mr Kite! "SFX+organ SIs"

_ With A Little Help From My Friends "Takes 1-9" 
% With A Little Help From My Friends "Take 10" 

30MAR67  [EMI] WRAP-UP SESSION
% With A Little Help From My Friends "Instl + vocal SIs"

31MAR67  [EMI] WRAP-UP SESSION
% Being For The Benefit Of Mr Kite! "SI organ+glock"

01APR67  [EMI] THE SGT PEPPER REPRISE SESSION
_ Sgt Pepper's Lonely Hearts Club Band (Reprise) "Take 1-4"
o Sgt Pepper's Lonely Hearts Club Band (Reprise) "Take 5, ANTH2"
_ Sgt Pepper's Lonely Hearts Club Band (Reprise) "Take 6-8"
% Sgt Pepper's Lonely Hearts Club Band (Reprise) "Take 9 +SIs"

03APR67  [EMI] WRAP-UP SESSION
% Within You Without You "strings+lead voc+sitar SIs to Take 2"
o Within You Without You "Snippets w/Geo Martin"
o Within You Without You (instrumental) "ANTH2 w/15+16+22MAR sessions"

20APR67  [EMI] OVERDUB SESSION
% Only A Northern Song "SI bass+trumpet+glock onto Take 3"
% Only A Northern Song "SI vocals onto Take 11"

21APR67  [EMI] LAST "ONE DOWN, SIX TO GO" PROJECT SESSION FOR THE BEATLES
% Only A Northern Song "CV = Sync. of Tk 3+SI and Tk 11+SI"
o Only A Northern Song "mono master filmtrack mix"
o Only A Northern Song "ANTH2 Takes 3+12 edit/mix"

o Edit for LP End "Runout groove, I never could speak any other way"

?Spring67?  [HOME DEMOS] LENNON
o Across The Universe
o She's Walkin' Past My Door
o You Know My Name (Look Up The Number)

25APR67  [EMI]  FIRST MAGICAL MYSTERY TOUR SESSION
_ Magical Mystery Tour "Take 1-2"
% Magical Mystery Tour "Take 3 + mixdown"
% Coach tape loop
26APR67  [EMI] MAGICAL MYSTERY TOUR OVERDUB SESSION
% Magical Mystery Tour "SIs + mixdown -> Take 9"
27APR67  [EMI] MAGICAL MYSTERY TOUR OVERDUB SESSION
% Magical Mystery Tour "Vocal SIs -> RM4 acetate"

28APR+01MAY67  The Sgt Pepper project is completed by mono+stereo disc
cutting, incl. addition of 15KC sound and Edit for LP End to groove.

03MAY67  [EMI] MAGICAL MYSTERY TOUR OVERDUB SESSION
% Magical Mystery Tour "OM brass SI"
o Magical Mystery Tour "Acetate version w/o effects or backgrounds"

09MAY67 [EMI] JAM SESSION
_ Sixteen Minute Instrumental Jam

11MAY67 [OLYMPIC SOUND] THE BABY, YOU'RE A RICH MAN SESSION
+ Mick Jagger?
_ Baby, You're A Rich Man "Take 1-11"
% Baby, You're A Rich Man "Take 12 + SIs and mixdowns"

12MAY67  [EMI] THE ALL TOGETHER NOW SESSION
_ All Together Now "Takes 1-8"
% All Together Now "Take 9 + SIs"
o All Together Now "mono original filmtrack mix"

17MAY67  [EMI] YOU KNOW MY NAME SESSION #1 OF 6
_ You Know My Name (Look Up The Number) "Part One, tks 1-9"
% You Know My Name (Look Up The Number) "Part One, tk 10"
_ You Know My Name (Look Up The Number) "Part One, tks 11-16"

25MAY67  [DE LANE LEA STUDIO] YELLOW SUBMARINE SESSION
_ It's All Too Much "scores of rehearsals"
_ It's All Too Much "Takes 1-3"
% It's All Too Much "Take 4"

31MAY67  [DE LANE LEA STUDIO] OVERDUB SESSION
% It's All Too Much "Mixdown of Take 4 to Take 2 + SIs (8:09)"

01JUN67  [DE LANE LEA STUDIO] JAM SESSION
_ Downright Amateurish Instrumental Jam


01JUN67  ==MOTHER RELEASE== SGT PEPPER'S LONELY HEARTS CLUB BAND  "PARLOPHONE PMC 7027"
o SGT PEPPER'S LONELY HEARTS CLUB BAND [MONO LP]
SIDE 1:
o SGT PEPPER'S LONELY HEARTS CLUB BAND  [Mono LP track]
o WITH A LITTLE HELP FROM MY FRIENDS  [Mono LP track]
o LUCY IN THE SKY WITH DIAMONDS  [Mono LP track]
o GETTING BETTER  [Mono LP track]
o FIXING A HOLE  [Mono LP track]
o SHE'S LEAVING HOME  [Mono LP track]
o BEING FOR THE BENEFIT OF MR KITE!  [Mono LP track]

SIDE 2:
o WITHIN YOU WITHOUT YOU  [Mono LP track]
o WHEN I'M SIXTY-FOUR  [Mono LP track]
o LOVELY RITA  [Mono LP track]
o GOOD MORNING GOOD MORNING  [Mono LP track]
o SGT PEPPER'S LONELY HEARTS CLUB BAND (REPRISE)  [Mono LP track]
o A DAY IN THE LIFE  [Mono LP track]
o EDIT FOR LP END  [Mono LP track]

Alternate Release - Sgt Pepper's Lonely Hearts Club Band  [Stereo LP]
o Sgt Pepper's Lonely Hearts Club Band (stereo mix/06MAR67)
o With A Little Help From My Friends (stereo mix/07APR67)
o Lucy In The Sky With Diamonds (stereo mix/07APR67)
o Getting Better (stereo mix/17APR67)
o Fixing A Hole (stereo mix/07APR67)
o She's Leaving Home (stereo mix/17APR67)
o Being For The Benefit Of Mr Kite! (stereo mix/07APR67)
o Within You Without You (stereo mix/07APR67)
o When I'm Sixty-Four (stereo mix/17APR67)
o Lovely Rita (stereo mix/17APR67)
o Good Morning Good Morning (stereo mix/06APR67)
o Sgt Pepper's Lonely Hearts Club Band (Reprise) (stereo mix/20APR67)
o A Day In The Life (stereo mix/22FEB67)
o Edit For LP End (stereo edit/01MAY67)
MixNotes: This is the master on which the 1987 CD release was based.

02JUN67  [DE LANE LEA STUDIO] WRAP-UP AND JAM SESSION
% It's All Too Much "OM brass + woodwind"
o It's All Too Much "Complete! (8:16) mono mix"
_ Rambling Instrumental Impromptu Jam

07JUN67  [EMI] YOU KNOW MY NAME SESSION #2 OF 6
% You Know My Name (Look Up The Number) "Part One basic tracks (19:00+)"
08JUN67  [EMI] YOU KNOW MY NAME SESSION #3 OF 6
% You Know My Name (Look Up The Number) "Part Two"
% You Know My Name (Look Up The Number) "Part Three"
% You Know My Name (Look Up The Number) "Part Four"
% You Know My Name (Look Up The Number) "Part Five"
09JUN67  [EMI] YOU KNOW MY NAME SESSION #4 OF 6
% You Know My Name (Look Up The Number) "Take 30 RM1"

13JUN67  [LONE BEATLES] JOHN AND PAUL: ROLLING STONES SESSION
o We Love You

14JUN67  [OLYMPIC SOUND] SESSION
_ All You Need Is Love "Takes 1-9"
% All You Need Is Love "Take 10"
_ All You Need Is Love "Takes 11-33"
19JUN67  [EMI] OVERDUB SESSION
% All You Need Is Love

20JUN67  [LONE BEATLE] PAUL: ROGER MCGOUGH AND MIKE MCGEAR SESSIONS
o McGough & McGear LP

23JUN67  [EMI] OVERDUB SESSION
% All You Need Is Love "Outside Musicians - orchestra"
24JUN67 [EMI] OVERDUB SESSION
% All You Need Is Love
25JUN67  [TV] OUR WORLD TELECAST
o All You Need Is Love "ANTH telecast snippet (0:24)"
o All You Need Is Love "Playback + Take 58 As Broadcast"
% All You Need Is Love "drum roll and lead vocal SIs"
o All You Need Is Love "raw tape of mono RM11 filmtrack mix w/extra chorus"

07JUL67 ==MOTHER RELEASE== ALL YOU NEED IS LOVE cw BABY YOU'RE A RICH MAN (MONO 45)
o ALL YOU NEED IS LOVE  (mono long-fade UK mix/26JUN67)
o BABY YOU'RE A RICH MAN (mono mix/11MAY67)

-Alternate releases:
o All You Need Is Love "stereo CV (CD version) mix/29OCT68"
o Baby, You're A Rich Man "stereo CV (CD version) mix/22OCT71"

20JUL67  LONE BEATLE PAUL: CHRIS BARBER AND HIS BAND SESSION
McCartney on piano and backup vocals.
o Cat Call

22AUG67  [CHAPPELL STUDIOS] SESSION
_ Your Mother Should Know "Tk 1-7"
% Your Mother Should Know "Take 8"

23AUG67  [CHAPPELL STUDIOS] OVERDUB SESSION
o Your Mother Should Know "Tk 9 Early Mix"

27AUG67  Brian Epstein died.

05SEP67  [EMI] SESSION
* I Am The Walrus "Tks 1-3"
_ I Am The Walrus "Tks 4-6"
o I Am The Walrus "Take 7"
o I Am The Walrus "Take 8"
o I Am The Walrus "Take 9"
_ I Am The Walrus "Tks 10-15"
% I Am The Walrus "Take 16" 

06SEP67  [EMI] SESSION
% I Am The Walrus "Tk 17 = mixdown of Tk 16"
o I Am The Walrus "Take 17 + Lead vocal SI, ANTH2"
% I Am The Walrus "bass + drum SIs onto Tk 17"

o The Fool On The Hill (demo) "ANTH2"
% Blue Jay Way "Take 1"

07SEP67  [EMI] OVERDUB SESSION
o Blue Jay Way "Take 3 = Tk 1 + lead vocal"
% Blue Jay Way "backing vocal SIs onto Tk 3"

08SEP67  [EMI] FLYING SESSION
_ Flying "Takes 1-5"
% Flying "Take 6"
o Flying "w/jazzy end (2:03)"

16SEP67  [EMI] REMAKE SESSION
_ Your Mother Should Know "Re-make Take 20-26"
o Your Mother Should Know "Re-make Take 27, ANTH2"
_ Your Mother Should Know "Re-make Take 28-30" 

25SEP67  [EMI] SESSION
o The Fool On The Hill "Rehearsal recorded by Nihonese reporter"
_ The Fool On The Hill "Takes 1-3"
o The Fool On The Hill (Take 4) "ANTH2"
% The Fool On The Hill "SIs onto tk 4"

26SEP67  [EMI] OVERDUB SESSION
_ The Fool On The Hill "complete work in progress (4:25)"
% The Fool On The Hill "various SIs"

27SEP67  [EMI] OVERDUB SESSION
% I Am The Walrus "OM: strings, horns, and choir SIs"
% Fool On The Hill "Paul vocal SI"

28SEP67  [EMI] OVERDUB SESSION
% I Am The Walrus "overdubs"
% Flying "overdubs"
o Flying "Extended mix"
     o "Complete  (9:30+)"
% Flying "mono RM6 edit (2:14)"

29SEP67  [EMI] SESSION
% I Am The Walrus "King Lear radio remix -> CV"
% Your Mother Should Know "final overdubs"

02OCT67  [EMI] SESSION
o Hello Goodbye "piano and Take 1"
_ Hello Goodbye "tks 2-13"
% Hello Goodbye "Take 14"

06OCT67 [EMI] OUTSIDE MUSICIANS WRAP UP SESSION
% Blue Jay Way "OM cello + tambo final overdubs"

12OCT67  [EMI] MMT FILMTRACK RECORDING AND MIXING
J, P, R, Shirley Evans, and Reg Wale
o Shirley's Wild Accordian "Take 10, RM1"
_ Accordian (Waltz) "Take 7, RM2"
_ Accordian (Freaky Rock) "Take 14, RM3"

19OCT67 [EMI] SESSION
o Hello Goodbye "Take 17 (tk16 w/vocal+guitars SI), ANTH2"

20OCT67 [EMI] OUTSIDE MUSICIANS SESSIONS
% The Fool On The Hill "OM flutes"
% Hello Goodbye "OM violas"

xxOCT67?  [DEMO] LONE BEATLE Paul: FOR CILLA BLACK
o Step Inside Love

xxOCT67  [PRIVATE LOCATION] MMT SOUNDTRACK RECORDING
o Jessie's Dream "original mono filmtrack mix"

25OCT67 [EMI] OVERDUB SESSION
% Hello Goodbye "SI"

01NOV67 [EMI]  SPECIAL MONO REMIXES FOR YELLOW SUBMARINE FILM SCORE
o All You Need Is Love RM11
o Lucy In The Sky With Diamonds "Boob vocal version"
o various Pepper soundeffects
x Yellow Submarine, All Together Now, Only a Northern Song (mono) copies
o It's All Too Much (mono) complete unedited version

02NOV67 [EMI] LAST HELLO GOODBYE SESSION
% Hello Goodbye "final overdubs"
o Hello Goodbye "Abbey Road Show remix"
 
07NOV67  [EMI] LAST MAGICAL MYSTERY TOUR SESSION
% Magical Mystery Tour "final overdubs of vocal and sound effects"
o Magical Mystery Tour "mono original filmtrack mix w/barker"

21NOV67  LONE BEATLE PAUL: CILLA BLACK SESSION
McCartney on guitar and backup vocals.
o Step Inside Love (Original Demo)

xxNOV67  [DE LANE LEA STUDIO] LONE BEATLE George: WONDERWALL SESSIONS
22-23NOV67 [EMI LONDON] LONE BEATLE George: WONDERWALL SESSION 
The Wonderwall band: Harrison, The Remo Four - Tony Ashton (keyboards),
Roy Dyke (drums), Colin Manley, ?, and Eric Clapton, Ringo Starr, and 
John Lennon (rhythm guitar).  Classical musicians on 23NOV67.
o In The First Place (Manley-Ashton)
_ India " a working title"
_ Swordfencing "a working title"
% Dream Scene
% Greasy Legs
% Guru Vandana
% Drilling A Home
% In The Park
% Red Lady Too
% Wonderwall To Be There
% On The Bed
% Cowboy Music

24NOV67  ==MOTHER RELEASE== HELLO GOODBYE C/W I Am The Walrus "PARLOPHONE R 5655"
o HELLO GOODBYE c/w I Am The Walrus [UK MONO 45]
     o HELLO GOODBYE  (mono RM6 mix/02NOV67)
     o I Am The Walrus  (mono RM23 mix/29SEP67)

o Hello Goodbye "alternate releases"
     o "Stereo CV (CD version) mix/06NOV67"
o I Am The Walrus "alternate releases"
     o "US mono 45 mix w/extra bar"
     o "US Rarities mix"

24NOV67  [EMI] LONE BEATLES John and Ringo: EFFECTS TAPE SESSION
_ John's Sound Effects Tapes for _Scene Three, Act One_
o Chi-Chis
o Pedro The Fisherman
o Daddy's Little Sunshine Boy
o Stranger In My Arms
o Down In Cuba

o Sailor Come Back To Me
o El Tango Terrible

28NOV67  [EMI] XMAS FAN CLUB SESSION
o Christmas Time (Is Here Again) "Song Only"
     o "Complete recording"
     o "FAAB edit"

o Christmas Time Is Here Again!  "1967's Beatles Christmas Record"
"CTIHA/BBC House
/CTIHA/Audition taps,piano/Wonderlust/Talk Show
/CTIHA/Next Round/'Plenty Of Jam Jars' by the Ravellers/Game Show 
/Wonderlust/?Mystery Theater
/CTIHA/laughter/thank yous/windy poem (w/mellotron?)"

_ John's Sound Effects Tapes for "Scene Three, Act One" (see 24NOV67)

02DEC67  WHERE IT'S AT RADIO BROADCAST
o All Together On The Wireless Machine

08DEC67  ==MOTHER RELEASE== MAGICAL MYSTERY TOUR "PARLOPHONE MMT-1"
o MAGICAL MYSTERY TOUR (MONO UK DOUBLE EP)

Record 1, Side 1:
o MAGICAL MYSTERY TOUR  "mono CV mix/07NOV67"
o YOUR MOTHER SHOULD KNOW "mono CV mix/02OCT67" 
Side 2:
o I AM THE WALRUS  "(mono RM23 mix/29SEP67) same as mono UK 45"

Record 2, Side 1:
o THE FOOL ON THE HILL "mono CV mix/25OCT67"
o FLYING  "mono CV mix/28SEP67"
Side 2:
o BLUE JAY WAY  "mono CV mix/07NOV67"

Alternate Release- Magical Mystery Tour (Stereo UK Double EP)
o Magical Mystery Tour (stereo mix/07NOV67)
o Your Mother Should Know (stereo mix/06NOV67)
o I Am The Walrus (stereo mix/17NOV67)
o The Fool On The Hill (stereo RS5 mix/01NOV67)
o Flying (stereo mix/07NOV67)
o Blue Jay Way (stereo mix/07NOV67)
MixNotes: Later stereo releases were partly based on these masters.

26DEC67  [TV] Airdate - Magical Mystery Tour BBC film programme 
All tracks are stereo home video remixes, based on original mono filmtrack.
o Magical Mystery Tour "extensive remix"
o The Fool On A Hill
o Flying "MMT filmtrack edit - The Coach"
o Shirley's Wild Accordian
. Classical music for racetrack sequence
o Flying "MMT filmtrack edit - Title Bangwhoop"
o Flying
o Flying "MMT filmtrack edit - The Magicians' Lab"
. All My Loving (Strings)
o I Am The Walrus
o Jessie's Dream
o There's No Business Like Show Business
o Flying "MMT filmtrack edit - Cinema Seating"
o Blue Jay Way
o Coach Singalong With Accordian
. Piano flourish
. Death Cab For Cutie by The Bonzo Dog Doo Dah Band
o Your Mother Should Know
o Magical Mystery Tour "repeat of track's end/fade"
o Hello Goodbye "track's end/fade"

05JAN68 [EMI LONDON] LONE BEATLE George: WONDERWALL SESSION 
09JAN68 [EMI BOMBAY] LONE BEATLE George: WONDERWALL SESSION 
10JAN68 [EMI BOMBAY] LONE BEATLE George: WONDERWALL SESSION 
11JAN68 [EMI BOMBAY] LONE BEATLE George: WONDERWALL SESSION 
% Party Seacombe
% Love Scene
% Crying
% Fantasy Sequins
% Glass Box
% Singing Om
% Microbes
% Tabla And Pakavaj
% Skiing
% Gat Kirwani

12JAN68 [EMI BOMBAY] NEW SINGLE SESSION
% The Inner Light 
o The Inner Light "Monitor mix instrumental"

13JAN68 [EMI BOMBAY] LONE BEATLE George: WONDERWALL SESSION 
30JAN68 [EMI LONDON] LONE BEATLE George: WONDERWALL SESSION 

03FEB68 [EMI] NEW SINGLE SESSION
_ Lady Madonna "Tk 1-2"
% Lady Madonna "Tk 3 and SIs"

04FEB68 [EMI] NEW SINGLE SESSION
_ Across The Universe "Take 1"
o Across The Universe "tuning for take 2, monitor mix"
o Across The Universe "Take 2, ANTH2"
_ Across The Universe "Takes 4-6"
% Across The Universe "Take 7 and SIs -> tk8 -> CV"
o Across The Universe "Take 8, acetate version"
o Across The Universe "Take 8, w/backward bass and drum SIs"
_ Hums Wild
_ Sound effects 

06FEB68 [TV] LONE BEATLE RINGO: CILLA
Cilla Black's show aired live.
_ Nellie Dean
o Do You Like Me? (Just A Little Bit)

06FEB68 [EMI] NEW SINGLE OVERDUB SESSION + LADY MADONNA WRAP-UP
% The Inner Light "lead vocal overdub"
% Lady Madonna "Various SIs on take 5"
o Lady Madonna "ANTH2 unique edit/remix take 3, incl 03FEB sessions, etc"
o Lady Madonna "Tk 3, basic take w/series of false starts SI"
o Lady Madonna "Tk 3ab, basic take w/laughter & foolery SI, Abbey Road Show version"
o Lady Madonna "Tk 4, w/different vocal & other SI"

08FEB68 [EMI] NEW SINGLE WRAP-UP SESSION
This was the last Beatles recording session for these tracks.
% The Inner Light "backing vocal SI on take 6"

_ Across The Universe "various SIs on take 8"
% Across The Universe "3-part harmony vocals + various SIs on take 8"
_ Across The Universe "RM2 mono mix/08FEB68"
o Across The Universe "Wildlife version, fast stereo mix/02OCT69"

FEB68?  [HOME DEMO] LENNON COMPOSING TAPES
o Hey Bulldog (as w.t. She Can Talk To Me) <1'23">
o Hey Bulldog (as w.t. She Can Talk To Me) <1'52">
     o "edited copy, chorus/verse/chorus, 0:47"

11FEB68 [EMI + VIDEO] LAST YELLOW SUBMARINE SESSION
The entire session was filmed, as well as promo footage for Lady Madonna.
_ Hey Bulldog "Takes 1-9"
% Hey Bulldog "Take 10"
% Hey Bulldog "SIs onto take 10"
o Hey Bulldog "mono original film soundtrack mix/11FEB68"
o Hey Bulldog "1999 Single Version"

TIMELINE POSTSCRIPT:  POST-11FEB68 CRITICAL SESSIONS 
======================================================================

15MAR68  ==MOTHER RELEASE== LADY MADONNA c/w THE INNER LIGHT (MONO 45)
o LADY MADONNA  (mono mix/15FEB68)
o THE INNER LIGHT (mono mix/08FEB68)

-Alternate releases:
o Lady Madonna "stereo Past Masters mix/02DEC69"
o The Inner Light "stereo Past Masters mix/21JAN70"

17JUL68 World Premiere of the Yellow Submarine film.  The Beatles attend.

22-23OCT68 [EMI] YELLOW SUBMARINE LP SIDE TWO SESSION
Outside Musicians: The 41-piece George Martin Orchestra.
The stereo mixes for side 2 were made on 24-25OCT68.
o A Beginning "ANTH3, OM"
% Yellow Submarine, Side 2 (see 17JAN69, this page, for track list)

17JAN69 ==MOTHER RELEASE== YELLOW SUBMARINE (STEREO/DUOPHONIC LP)
SIDE 1:
o Yellow Submarine  (stereo Revolver LP mix)
o ONLY A NORTHERN SONG  (duophonic mix/29OCT68)
o ALL TOGETHER NOW  (stereo mix/29OCT68)
o HEY BULLDOG  (stereo mix/29OCT68) 
o IT'S ALL TOO MUCH  (stereo mix/16-17OCT68)
o ALL YOU NEED IS LOVE  (stereo remix/29OCT68)

Side 2:
o Pepperland by George Martin
o Sea Of Time/Sea Of Holes by George Martin
o Sea Of Monsters by George Martin
o March Of the Meanies by George Martin
o Pepperland Laid Waste by George Martin
o Yellow Submarine In Pepperland by George Martin

17JAN69 Release- Yellow Submarine (Mono LP)
X The mono version of this LP is only a reduction of the stereo version. 

12DEC69  ==MOTHER RELEASE== ACROSS THE UNIVERSE [STEREO ORPHANED SONG] "STAR LINE SRS 5013"
o ACROSS THE UNIVERSE [STEREO LP No One's Gonna Change Our World] "Wildlife version"

A Beatles' Recording Timeline: A Doll's House
White Album, etc.
Back to Sgt Pepper,Magical Mystery Tour,Yellow Sub '67|Ahead to Let It Be '69
MOTHER WORKS: 
o HEY JUDE c/w REVOLUTION [MONO 45] ............................. "APPLE R 5722"
o THE BEATLES (White Album)  [MONO 2-LP] ........................ "APPLE PMC 7067/8"

OTHER WORKS:
LP Unfinished Music No. 1: Two Virgins

==============================================================================================
A DOLL'S HOUSE
Recordings from February 12, 1968 to January 1, 1969

xxFEB68?  LENNON COMPOSING TAPES
o Cry Baby Cry <0'49">
o Cry Baby Cry <0'50">
o Across The Universe <0'25">
o Cry Baby Cry <0'17">
o Across The Universe <0'09">
o Cry Baby Cry <0'52">

xxFEB68  PAUL: PAUL JONES SESSION
McCartney: Drums
o And The Sun Will Shine
o The Dog Presides

21FEB68 The Beatles and others depart for Maharishi's ashram in Rishikesh.

29FEB68  Yoko's rehearsal of AOS is recorded at Albert Hall.

Feb/Mar68  RISHIKESH SINGALONG [TV]
o The Saints
o You Are My Sunshine
o Jingle Bells
o She'll Be Comin' Around The Mountain
o Donovan Instrumental
o Blowin' In The Wind
o Hare Krishna Mantra
o Catch The Wind

15MAR68  RECORDING: RISHIKESH BIRTHDAY MESSAGE TO MIKE LOVE
o Medley: Spiritual Regeneration/Happy Birthday 

15MAR68  ==RELEASE== LADY MADONNA c/w THE INNER LIGHT (MONO 45)
For details see Postscript to "A Study In Drugs, Sex, and Revolution".

APR68  Lennon and Harrison are the last to return from India.

?Early MAY68? JOHN'S KENWOOD SESSIONS
Kenwood was Lennon's house in Weybridge.
o Julia
o Julia
o Julia
     o "1968 Demos"
     o "Unsurpassed Demos edit"
o Julia "instrumental"

18-19MAY68  JOHN AND YOKO: UNFINISHED MUSIC #1: TWO VIRGINS RECORDING SESSIONS
At Kenwood, Lennon's home.  Lennon plays reels compiled 24NOV67/28NOV67 for Ono.
o Two Virgins

20MAY68  BEATLES KINFAUNS SESSIONS
These were recorded at Kinfauns, George's home in Esher.
o Julia
o Blackbird
o Rocky Raccoon
o Back In The U.S.S.R.
o Honey Pie
     o Bootleg
     o "ANTH3"
o Mother Natures Son
o Ob-La-Di, Ob-La-Da
o Junk
     o Bootleg
     o "ANTH3"
o Dear Prudence
o Sexy Sadie

o Cry Baby Cry
o Jealous Guy [2:36] (aka Child Of Nature, On The Road To Marrakesh)
o The Continuing Story Of Bungalow Bill
o I'm So Tired
o Yer Blues
o Everybody's Got Something To Hide Except Me And My Monkey
o What's The New Mary Jane
o Revolution
o While My Guitar Gently Weeps
o Circles
o Sour Milk Sea
o Not Guilty
o Piggies 
     o "ANTH3"
     o Bootleg

Late MAY68  KENWOOD, WEYBRIDGE, SURRY SESSIONS
o Happiness Is A Warm Gun "ANTH3"
o Mean Mr. Mustard "ANTH3"
o Polythene Pam "ANTH3"
o Glass Onion "ANTH3"

30MAY68 [EMI] WHITE ALBUM SESSION No. 1 
_ Revolution 1 "Takes 1-10"
_ Revolution 1 "Takes 13-17"
% Revolution 1 "Take 18"
    % Complete [10:17]
    % Last 6 minutes -> Revolution 9
31MAY68 EMI
_ Revolution 1
04JUN68 EMI
o Revolution 1 "Monitor tape of SI session <23:30>"
_ Revolution 1
_ Vocal Backing Mama Papa
_ various intrumental and vocal loops

05JUN68 EMI
o Don't Pass Me By "0:08 snippet, ANTH telecast"
% Don't Pass Me By "Take 3, instruments on ANTH3"

5-6JUN68  UNA SENSAZIONALE INTERVISTA W/KENNY EVERETT <6:30>
Aired 09JUN68. Interview studded with impromptu performances listed here.
o Cottonfields
o Tiny Tim For President
o Goodbye Jingle

06JUN68 [EMI] WHITE ALBUM SESSION w/EXPERIMENTAL LOOPS 
o Don't Pass Me By "ANTH3 Mix/edit, Vocal SI onto take 3"
o Don't Pass Me By "Peter Sellers Mix, complete <4:10>"
_ Revolution 9
_ Various 1-5 "Effects tapes"
_ Vicars Poems
_ Queen's Mess
_ Come Dancing Combo
_ Organ Last Will Test
_ Neville Club
_ Theatre Outing
_ Applause/TV Jingle

10-11JUN68  [LONE BEATLE] GEORGE W/ RAVI SHANKAR
o Sitar Lessons <4:20>

10JUN68 EMI
_ Revolution 9

11JUN68 EMI REHEARSAL & APPLE PROMO FILM
[MONO SOUNDTRACK]
o Blackbird
o Blackbird/It's Johnny's Birthday ("Congratulations")/Blackbird
o Blackbird
o Blackbird
o Helter Skelter / "Gone Tomorrow, Here Today" / Blackbird
o (unknown) / Blackbird
o Blackbird
o Blackbird
o Mother Nature's Son
o Blackbird
o Blackbird
o Blackbird
o Blackbird
o Blackbird
o Studio chatter "Organ Play & Drinking Tea"
o Blackbird
o Blackbird
11JUN68  EMI RECORDING SESSION
o Blackbird "Take 4, ANTH3"
o Blackbird "Take 32, w/o SI aka Peter Sellers Mix"
o Blackbird "Take 32, w/guitar & birdsong SI = LP track"
_ Revolution 9

18JUN68 OLD VIC THEATRE "SCENE THREE, ACT ONE - IN HIS OWN WRITE" OPENED
_ Tape loop assembly from 24NOV67 and 28NOV67 EMI
_ Tape loop assembly from 06JUN68 EMI 

20JUN68 EMI
o Revolution 9 "Mono acetate <7:46>"

21JUN68 EMI
_ Revolution 1
_ Revolution 9

25JUN68 LONE BEATLE GEORGE: JACKIE LOMAX SESSION GUITAR, EMI
o Sour Milk Sea "w/McCartney on bass, Starr on drums"
o The Eagle Laughs At You
o Won't You Come Back
o You've Got Me Thinking "w/Starr on drums"

26JUN68 EMI
_ Everybody's Got Something To Hide Except Me And My Monkey
27JUN68 EMI
_ Everybody's Got Something To Hide Except Me And My Monkey

28JUN68 EMI
o Good Night "ANTH3 rehearsal"

30JUN68  The Black Dyke Mills Band records "Thingumybob", a McCartney-Lennon song.

XXJUL68  LONE BEATLE PAUL: BONZO DOG BAND SESSION
McCartney on ukelele.
o I'm The Urban Spaceman

01JUL68 EMI
_ Everybody's Got Something To Hide Except Me And My Monkey

02JUL68 EMI
_ Good Night

03JUL68 EMI
% Ob-La-Di, Ob-La-Da
04JUL68 EMI
% Ob-La-Di, Ob-La-Da
05JUL68 EMI
o Ob-La-Di, Ob-La-Da, "Take 5, Rough stereo remix"
o Ob-La-Di, Ob-La-Da, "Take 5, Sessions project's stereo remix"
o Ob-La-Di, Ob-La-Da, "Take 5, ANTH3 rec. over 3-4-5JUL68"

08JUL68 EMI
_ Ob-La-Di, Ob-La-Da
09JUL68 EMI
_ Ob-La-Di, Ob-La-Da

09JUL68  RINGO: SOLOMON KING SESSION
o A Hundred Years Or More / Somewhere In The Crowd / Hava Nagila

10JUL68 EMI
_ Revolution
o Revolution "Rough tape w/o organ SI"

11JUL68 EMI
_ Revolution

12JUL68 EMI
_ Don't Pass Me By
_ Revolution

15JUL68 EMI
o Ob-La-Di, Ob-La-Da "Remake, untrimmed mix w/false start aka Peter Sellers Mix"
_ Cry Baby Cry

16JUL68 EMI
o Cry Baby Cry "tk 1, ANTH3"
o Cry Baby Cry "basic master"

Mid-JUL68  KENNY EVERETT SESSION
o "New Single" (?)
o Bye Bye Bye (?)

18JUL68 EMI
 _ Cry Baby Cry
o Helter Skelter "tk 2, ANTH3"

19JUL68 EMI
o Sexy Sadie "Take 6, ANTH3"
o Sexy Sadie "Monitor mix as intro to B.E. Blues"
o Brian Epstein Blues
o Lady Madonna "McC. on organ w/H. & L. vocals (monitor mix)"

22JUL68 EMI
_ Don't Pass Me By
o Good Night Spoken Introduction "snip on ANTH cast"
o Good Night "Peter Sellers Mix!"
o Good Night "ANTH3 + master tk 34 w/26 piece OM ensemble"

23JUL68 EMI
o Everybody's Got Something To Hide Except Me And My Monkey "P.Sellers Mix!"

24JUL68 EMI
_ Sexy Sadie
_ Untitled Sound Effects

25JUL68 EMI
o While My Guitar Gently Weeps "Take 1"
o While My Guitar Gently Weeps "Take 1, trimmed mono dub"
o While My Guitar Gently Weeps "Take 1, fragment w/loud organ"
o While My Guitar Gently Weeps "Take 1, ANTH3 edit"

xxJUL68  LONE BEATLE PAUL: MARY HOPKIN SESSION
McC: guitar.
o Those Were The Days

29JUL68 EMI
o Hey Jude "voice cracks on scream (Gone Tomorrow boot)"
o Hey Jude "ANTH3"

30JUL68  RECORDING: EMI / FILMED AS "EXPERIMENT IN TELEVISION"
o Hey Jude "Take A, 0'12" of chorus w/feeling"
o Studio chatter / St. Louis Blues
o Hey Jude "Take B, 1'09" w/Harrison control room chatter"
o Studio chatter
o Hey Jude "Take C, complete song"
o Hey Jude "Take D, Las Vegas style"
o St. Louis Blues "a fragment & a snippet"
o Hey Jude "Take 8, ending fragment"
o Hey Jude "Take 9, complete song"
o Hey Jude "Film soundtrack complete, edit incl. Tk 9's chorus"

31JUL68 RECORDING: TRIDENT STUDIOS
_ Hey Jude
01AUG6 RECORDING: TRIDENT STUDIOS
_ Hey Jude

02AUG68 MIXING: TRIDENT STUDIOS
06AUG68 MIXING: TRIDENT STUDIOS

07AUG68 EMI
_ Not Guilty "Takes 1-46"

08AUG68 EMI
_ Not Guilty "Takes 47-98"
% Not Guilty "Take 99 -> Take 102"
Not Guilty "Takes 100-101"

09AUG68 EMI
% Not Guilty "Guitar SI onto reduction of Take 99"
o Mother Nature's Son "Take 2, ANTH3"

12AUG68 EMI
o Not Guilty "Take 102, rough mono mix"
o Not Guilty "Take 102, unedited stereo mix"
o Not Guilty "Take 102, ANTH3"

13AUG68 EMI
% Sexy Sadie "Peter Sellers Mix, complete!"
% Sexy Sadie "-> OV"
_ Yer Blues

14AUG68 EMI
_ Yer Blues
o What's The New Mary Jane "Take 4, unedited"
_ What's The New Mary Jane "Mono mix 3:15"
o What's The New Mary Jane "Take 4, Sessions edit"
o What's The New Mary Jane "Take 4, ANTH3 edit"
o What's The New Mary Jane (stereo) <6:05> "Barrett mix for Abbey Road Show"
. What's The New Mary Jane "further work on 11SEP69 and 26NOV69"

15AUG68 EMI
o Rocky Raccoon "Snippet of chatter, ANTH telecast"
o Rocky Raccoon "Take 8, ANTH3"
o Rocky Raccoon "Take 10, RM1 untrimmed aka Peter Sellers Mix"
o Rocky Raccoon "Take 10, LP track"

16AUG68 EMI
_ While My Guitar Gently Weeps

20AUG68 EMI
o Yer Blues "RM3 Acetate, untrimmed remix"
o Mother Nature's Son "Peter Sellers Mix, untrimmed"
_ Etcetera
o Wild Honey Pie "RM6 aka Peter Sellers Mix"

21AUG68 EMI
_ Sexy Sadie

22AUG68 EMI
_ Back In The USSR
23AUG68 EMI
o Back In The USSR "Take 6 / RM1 aka Peter Sellers Mix, different jet at end"

2?AUG68  PETER SELLERS TAPE COPY
o Chat, Applause, Effects and African Music From Ringo

28AUG68 TRIDENT STUDIOS
_ Dear Prudence
29AUG68 TRIDENT STUDIOS
o Dear Prudence (Take 1 Snippet: vocal backup track)
o Dear Prudence (Remix w/end chatter "Lost Lennon")
o Dear Prudence (Remix w/end chatter, more bass, less SI "Gone Tomorrow")

30AUG68 TRIDENT STUDIOS
_ Dear Prudence


30AUG68  ==MOTHER RELEASE==   HEY JUDE c/w REVOLUTION  "APPLE R 5722"
o HEY JUDE c/w REVOLUTION [MONO 45] 
     o HEY JUDE  [MONO 45] 
     o REVOLUTION [MONO 45] 


03SEP68 EMI
_ While My Guitar Gently Weeps

04SEP68  RECORDING: TWICKENHAM HEY JUDE/REVOLUTION VOCAL SESSION [FILM]
o By George! It's The David Frost Theme
o It's Now Or Never "snippet"
o Hey Jude "David Frost version"
o Hey Jude "Top Of The Pops/Smothers Bros. version"
o Revolution
o Hey Jude "Anthology telecast"
o Revolution "Anthology telecast"

05SEP68 EMI
_ While My Guitar Gently Weeps
06SEP68 EMI
_ While My Guitar Gently Weeps "Beatles SI w/OM Eric Clapton SI"

09SEP68 EMI
o Helter Skelter "Chatter snippet into mono dub of OV"
_ Helter Skelter
10SEP68 EMI
_ Helter Skelter

11SEP68 EMI
X Glass Onion Forgery appears on many bootlegs.
% Glass Onion "ANTH3"
12SEP68 EMI
% Glass Onion "ANTH3"
13SEP68 EMI
% Glass Onion "ANTH3"

16SEP68 EMI
o I Will "Take 1, ANTH3"
_ I Will "Tks 2-18"
o I Will "Tk 19: Ad-lib 'Can you take me back where I come from'"
o Step Inside Love 
     o "ANTH3"
     o "Complete (Barrett)"
o Los Paranoius 
     o "ANTH3"
     o "Complete (Barrett)"
o The Way You Look Tonight "ad-lib"
_ I Will "Tks 20-66"
o I Will "Take 67, LP track"
% Glass Onion "Recorder riff SI" "ANTH3"

17SEP68 EMI
_ I Will

18SEP68 EMI
o Birthday "Chatter snippet"
_ Birthday
X Birthday Forgeries are found on bootlegs.

19SEP68 EMI
_ Piggies
20SEP68 EMI
o Piggies "5 sec snippet ANTH telecast"
o Piggies "USA Rarities mono mix/edit"

23SEP68 EMI
_ Happiness Is A Warm Gun
24SEP68 EMI
_ Happiness Is A Warm Gun
25SEP68 EMI
o Happiness Is A Warm Gun "Instrumental tracks"

26SEP68 EMI
o Glass Onion "ANTH3 completion? of 11-12-13-16SEP recordings"

01OCT68 TRIDENT STUDIOS
_ Honey Pie
02OCT68 TRIDENT STUDIOS
_ Honey Pie

03OCT68 TRIDENT STUDIOS
_ Savoy Truffle

04OCT68 TRIDENT STUDIOS
% Martha My Dear (no outtakes)
_ Honey Pie
X Honey Pie forgeries appear on bootlegs.
_ Martha My Dear

05OCT68 TRIDENT STUDIOS
_ Savoy Truffle
X Savoy Truffle forgeries appear on bootlegs.
_ Martha My Dear

07OCT68 EMI
_ Long Long Long

08OCT68 EMI
_ Long Long Long
o I'm So Tired "Monitor mixes"
o I'm So Tired "ANTH3, edit of tk 3, tk 6 & tk 9"
% I'm So Tired "Take 14 -> LP track"
% The Continuing Story Of Bungalow Bill (no outakes)

09OCT68 EMI
_ Long Long Long
o Why Don't We Do It In The Road "Take 4, ANTH3"

10OCT68 EMI
_ Piggies
_ Glass Onion
_ Why Don't We Do It In The Road

11OCT68 EMI
_ Savoy Truffle "OM Saxophones SI"

13OCT68 EMI
o Julia "Take 2, ANTH3"
% Julia "Take 3 -> LP track"

14OCT68 EMI
_ Savoy Truffle

15OCT68 EMI: MIX SESSION 
o Happiness Is A Warm Gun [2:46] "Organ, guitar, drum & piano SI"
o I'm So Tired [1:48] "Guitar & organ parts"
o I'm So Tired [2:01] "Mix attempt sequence"
o I'm So Tired [0:10] "Mix attempt sequence"
o I'm So Tired [1:59] "Mix attempt sequence"
o I'm So Tired [0:10] "Mix attempt sequence"
o I'm So Tired [2:01] "Mix attempt sequence"
o I'm So Tired [1:19] "Mix attempt sequence"
o Dear Prudence [0:09] "Backing vocal"
_ longer source tape material

OCT68  [LONE BEATLE] PAUL: JAMES TAYLOR SESSION
o Carolina In My Mind

22-23OCT68 [EMI] YELLOW SUBMARINE LP SIDE TWO SESSION
Other Musicians: The 41-piece George Martin Orchestra.
The stereo mixes for side 2 were made on 24-25OCT68.
o A Beginning "ANTH3, OM"
% Yellow Submarine, Side 2 (see 17JAN69)

01NOV68 RELEASE: WONDERWALL MUSIC LP (APCOR 001)

NOV68  [LONE BEATLE] JOHN AND YOKO: QUEEN CHARLOTTE'S HOSPITAL
% Life With the Lions
o Song For John "Aspen flexi"

NOV68  LONE BEATLE GEORGE: BOB DYLAN SESSION (WOODSTOCK NY)
o Nowhere To Go
o I'd Have You Anytime

NOV68  LONE BEATLE GEORGE: ELECTRONIC SOUND
with Moog expert Bernie Krause
% No Time Or Space

NOV68  [LONE BEATLE] GEORGE: JACKIE LOMAX "IS THIS WHAT YOU WANT?" LP SESSIONS
At Sound Recorders, LA.
o Is This What You Want?
o Baby You're A LOver
o How Can You Say Goodbye
o Speak To Me
o Take My Word

11NOV68  Release of LP Unfinished Music No. 1: Two Virgins


22NOV68  ==MOTHER RELEASE==  THE BEATLES (White Album)  [MONO 2-LP]  "APPLE PMC 7067/8"
SIDE ONE
o BACK IN THE USSR
o DEAR PRUDENCE
o GLASS ONION
o OB-LA-DI, OB-LA-DA
o WILD HONEY PIE
o THE CONTINUING STORY OF BUNGALOW BILL
o WHILE MY GUITAR GENTLY WEEPS
o HAPPINESS IS A WARM GUN
SIDE TWO
o MARTHA MY DEAR
o I'M SO TIRED
o BLACKBIRD
o PIGGIES
o ROCKY RACCOON
o DON'T PASS ME BY
o WHY DON'T WE DO IT IN THE ROAD
o I WILL
o JULIA
SIDE THREE
o BIRTHDAY
o YER BLUES
o MOTHER NATURE'S SON
o EVERYBODY'S GOT SOMETHING TO HIDE EXCEPT ME AND MY MONKEY
o SEXY SADIE
o HELTER SKELTER
o LONG LONG LONG
SIDE FOUR
o REVOLUTION 1
o HONEY PIE
o SAVOY TRUFFLE
o CRY BABY CRY
o REVOLUTION 9 
o GOOD NIGHT


NOV68?  LONE BEATLE PAUL: POST CARD SESSIONS
Featuring Donovan and Mary Hopkin.  Probably also Linda Eastman.  See 21feb69.
o How Do You Do?
o Instrumental
o Blackbird
o Heather
o The Unicorn / Lalena / Mr. Wind /The Walrus and the Carpenter /Land of Gisch

NOV68?  LENNON HOME RECORDINGS
X Oh My Love [2:45] "NOT THE BEATLES.  The Wackers, _Hot_Wacks_, 1972."
o I Want You "John/Yoko experiment"
o Maharishi Song
o A Case Of The Blues
o Don't Let Me Down
o Don't Let Me Down
o I've Got A Feeling "Everyone had a hard year"
o I've Got A Feeling "Rape version"
o Look At Me

NOV68  LONE BEATLE GEORGE: CREAM SESSION
Harrison on guitar.
o Badge

10DEC68  LONE BEATLE JOHN: ROCK AND ROLL CIRCUS REHEARSAL
o Untitled Warm-Up Jam
o Yer Blues Rehearsal Take 1
o Yer Blues Rehearsal
_ Peggy Sue
_ It's Now Or Never

11DEC68  LONE BEATLE JOHN: ROCK AND ROLL CIRCUS [TV]
o [VIDEO]
o Yer Blues (excerpt) "R+R Circus, actually recorded at Twickenham, Jan69"
o Yer Blues [stereo]
o Whole Lotta Yoko [stereo] "aka Her Blues"
o Salt Of The Earth "Lennon in audience vocals"

Late 68  George Martin Orchestra releases "London, By George!" LP of instrumentals.

31DEC68 End of the Maharishi Period. 

o Paul Is Dead Mystery Clues
 
A Beatles' Recording Timeline: Get Back
Let It Be, etc.
Back to White Album '68|Ahead to Abbey Road '70
MOTHER WORKS: 
o GET BACK c/w DON'T LET ME DOWN [UK MONO 45] ................... "APPLE R 5777"
o LET IT BE c/w YOU KNOW MY NAME (LOOK UP THE NUMBER) [UK S/M 45] "APPLE R 5833"
o LET IT BE  [STEREO LP] ........................................ "APPLE PXS1,PCS 7096"

OTHER WORKS:
o Let It Be Film Soundtrack

==============================================================================================
GET BACK -
Recordings from January 2, 1969 to January 31, 1969 


----------------------------------------------------------------------------------------------
TIMELINE PREFACE - SIGNIFICANT EARLIER DATES

08FEB68 [EMI] WRAP-UP RECORDING SESSION FOR ACROSS THE UNIVERSE
This was the last Beatles recording session for this track.  See date in
sequence for details.
----------------------------------------------------------------------------------------------

02JAN69  TWICKENHAM REHEARSALS #1 OF 10
Rehearsal for a live concert.  
"Let It Be" may not have been performed.
o Don't Let Me Down
o All Things Must Pass
o Don't Let Me Down
o Dig A Pony
o Everybody Got Song
o Don't Let Me Down
o Let It Down
o (jam)
o Brown Eyed Handsome Man
o I've Got A Feeling
o A Case Of The Blues
o (jam)
o On The Road To Marrakesh
o Revolution
o I Shall Be released
o Sun King
o Don't Let Me Down
o The Teacher Was A Lookin
o Don't Let Me Down
o Sun King
o Mailman, Bring Me No More Blues
o I've Got A Feeling
o (jam)
o Speak To Me
o I've Got A Feeling
o Mighty Quinn (Quinn the Eskimo)
o I've Got A Feeling
o Sun King
o Don't Let Me Down
o Sun King
o Don't Let Me Down
o Sun King / Don't Let Me Down
o Don't Let Me Down
o (jam)
o Don't Let Me Down
o (jam)
o Well, All Right
o (jam)
o All Things Must Pass
o Two Of Us
o We're Goin' Home
o Two Of Us
o It's Good To See The Folks Back Home
o Two Of Us

03JAN69  TWICKENHAM REHEARSALS #2 OF 10
Unproductive rehearsal for a live concert.  
"Let It Be" was performed 1 time.
o Adagio For Strings "30d"
o Adagio For Strings "Film, 30d"
o Tea For Two Cha Cha
o Chopsticks
o (jam)
o Todgy Todgy
o Whole Lotta Shakin Goin On
o (jam)
o Let It Be "early 1st verse/1st chorus only, 30d"
o (jam)
o Taking A Trip To Carolina
o (jam)
o Please Mrs. Henry
o Ramblin' Woman
o Is It Discovered?
o (jam)
o Picasso
o Taking A Trip To Carolina
o Yesterday/Hey Jude
o All Things Must Pass
o Don't Let Me Down
o Crackin' Up "30d"
o All Shook Up "30d"
o Your True Love "30d"
o Blue Suede Shoes "30d"
o Three Cool Cats "30d"
o Blowin' In The Wind
o Lucille "30d"
o I'm So Tired "30d"
o Ob-La-Di, Ob-La-Da "30d"
o Get On The Phone
o Ob-La-Di, Ob-La-Da
o Don't Let Me Down
o The Third Man Theme "30d"
o Don't Let Me Down "30d"
o I've Got A Feeling "30d"
o (jam)
o My Words Are In My Heart
o Negro In Reserve
o Don't Let Me Down
o Ob-La-Di, Ob-La-Da
o Going Up The Country
o On The Road Again
o One After 909 "30d"
o Because I Know You Love Me So "30d"
o One After 909
o I'll Wait Til Tomorrow "30d"
o A Pretty Girl Is Like A Melody
o I've Been Thinking That You Love Me
o Won't You Please Say Goodbye "30d"
o Bring It On Home "30d"
o Hitch Hike "30d"
o You Can't Do That "30d"
o The Hippy Hippy Shake "30d"
o Two Of Us
o Sun King
o (jam)
o Short Fat Fannie "30d"
o Midnight Special (Prisoner's Song) "30d"
o When You're Drunk You Think Of Me
o What's The Use Of Getting Sober
o What Do You Want To Make Those Eyes At Me For? "30d"
o Money (That's What I Want)
o Give Me Some Truth
o All Things Must Pass
o The Weight
o I'm A Tiger
o All Things Must Pass
o chatter: George gets shocked "Film"
o (jam)
o All Things Must Pass
o (jam)
o All Things Must Pass
o (jam)
o Back In The USSR
o Every Little Thing
o Piece Of My Heart
o Sabre Dance
o Piece Of My Heart
o Over And Over Again
o All Things Must Pass "30d"
o I've Been Good To You
o Maxwell's Silver Hammer
o Maxwell's Silver Hammer "30d"
o I Want You
o I'm Gonna Pay For His Ride
o Don't Let Me Down

06JAN69  TWICKENHAM REHEARSALS #3 OF 10
Rehearsals without a plan.  George has a row with Paul. 
"Let It Be" may not have been performed.
o Oh! Darling
o C'mon Marianne
o I've Got A Feeling
o High School Confidential
o I've Got A Feeling
o Hear Me Lord
o (jam) "30d"
o You Wear Your Women Out "30d"
o My Imagination "30d"
o (jam) "30d"
o I'm Talking About You "30d"
o Tracks Of My Tears
o Dizzy Miss Lizzy "30d"
o Money (That's What I Want) "30d"
o Fools Like Me
o Sure To Fall "30d"
o Right String Wrong Yo-Yo
o Don't Let Me Down
o Send Me Some Lovin'
o Don't Let Me Down "30d"
o Two Of Us
o Frere Jacques
o It Ain't Me Babae
o Two Of Us "30d"
o When The Saints Go Marching In
o Loop De Loop
o Two Of Us
o Hear Me Lord
o Across The Universe "30d"
o I Want You
o Hear Me Lord
o (jam)
o Hear Me Lord "30d"
o Let's Dance
o All Things Must Pass "30d"
o She Came In Through The Bathroom Window
o Carry That Weight

07JAN69  TWICKENHAM REHEARSALS #4 OF 10
George has a row with Paul.  Rehearsals without a plan.   
"Let It Be" may not have been performed.
o The Long and Winding Road "30d"
o Golden Slumbers "30d"
o Carry That Weight "30d"
o The Long and Winding Road
o (jam)
o Lady Madonna
o She Came In Through the Bathroom Window
o (jam)
o Mr Epstein Said It Was White Gold
o Lowdown Blues Machine
o What'd I Say
o Carry That Weight
o Shout!
o Get Back "30d"
o Get Back "30d"
o Get Back "30d"
o I've Got Rings On My Fingers
o For You Blue
o My Back Pages
o I've Got A Feeling
o She Came In Through the Bathroom Window
o Stuck Inside of Mobile With The Memphis Blues Again
o (jam)
o I Shall Be Released
o To Kingdome Come
o For You Blue
o (jam)
o Bo Diddley
o What the World Needs Now Is Love
o (jam)
o First Call
o She Came In Through the Bathroom Wiindow
o I've Got A Feeling
o (jam)
o Maxwell's Silver Hammer
o Woman Where You Been So Long "30d"
o Oh Julie Julia "30d"
o Oh! Darling
o The Long and Winding Road
o Maxwell's Silver Hammer
o Rule Brittania
o (jam)
o Maxwell's Silver Hammer
o Speak To Me
o When I'm 64
o Speak To Me
o Oh! Darling
o Maxwell's Silver Hammer
o (jam)
o A Shot of Rhythm and Blues "30d"
o (Youre So Square) Baby I Don't Care
o Across the Universe
o Give Me Some Truth
o (jam)
o Across the Universe
o A Case of the Blues
o Cuddle Up
o Give Me Some Truth
o Across the Universe
o Give Me Some Truth
o From Me To You
o Across the Universe "edit in Film"
o Rock and Roll Music "30d"
o Lucille "30d"
o Lotta Lovin'
o Across the Universe "edit in Film"
o Gone, Gone, Gone "30d"
o Dig A Pony "Film"
o One After 909
o What'd I Say
o One After 909 "30d"
o (jam) 
o Don't Let Me Down
o Don't Let Me Down "30d"
o Devil In Her Heart
o Don't Let Me Down
o Thirty Days "30d"
o Revolution
o A Case Of the Blues
o Be-Bop-A-Lula "30d"
o Lotta Lovin' "30d"
o Somethin' Else "30d"
o (jam)
o School Day
o F.B.I.
o She Came In thru the Bathroom Window "30d"
o (jam)

08JAN69  TWICKENHAM REHEARSALS #5 OF 10
Rehearsals without a plan.  George has a row with Paul. 
"Let It Be" was performed 2 times.
o chatter: George doesn't care "Film"
o I Me Mine "Film"
o (jam)
o Honey, Hush
o (jam) "30d"
o Stand By Me "30d"
o Hare Krishna Mantra
o Well If You're Ready
o Hare Krishna Mantra
o Two Of Us "film" "30d"
o You Got Me Going
o Twist And Shout
o Don't Let Me Down "30d"
o I've Got A Feeling "edit in film" "30d"
o St Louis Blues
o One After 909
o Too Bad About Sorrows
o chatter:Queen says no to... "In film & Let It Be LP" "30d"
o Just Fun
o She Said She Said
o All Things Must Pass
o All Along the Watchtower
o Mean Mr. Mustard "30d"
o Don't Let Me Down
o All Things Must Pass "30d"
o Fools Like Me "30d"
o You Win Again "30d"
o (jam)
o She Came In THrough the Bathroom Window "30d"
o Maxwell's Silver Hammer "30d"
o She Came In Through the Bathroom Window
o Maxwell's Silver Hammer
o I Me Mine
o How Do You Think I Feel
o Ballad of Bonnie and Clyde
o Hello Muddah Hello Faddah
o I Me Mine
o F.B.I.
o I'm Going To Knock Him Down Dead
o (jam)
o Oh! Darling
o I Me Mine
o Let It Be
o I Me Mine
o Domino
o I Me Mine
o The Long And Winding Road
o Adagio For Strings
o I Me Mine
o Tell All the Folks Back Home
o I Me Mine
o True Love
o (jam)
o Shout!
o Sweet Little Sixteen
o Malanguena
o Almost Grown
o What Am I Living For?
o Rock and Roll Music
o I Me Mine "30d"
o The Long And Winding Road
o Let It Be 
o To Kingdom Come
  
09JAN69  TWICKENHAM REHEARSALS #6 OF 10
Rehearsal for a live concert. 
"Let It Be" was performed 3 times.
o Another Day
o (jam)
o Let It Be
o The Long and Winding Road
o Let It Be
o Her Majesty
o Golden Slumbers
o Carry That Weight
o The Long and Winding Road
o Oh! Darling
o (jam)
o For You Blue "30d"
o (jam)
o Two Of Us
o chatter: Paul admonishes "in film"
o Two Of Us
o (jam)
o Two Of Us "30d"
o Baa Baa Black Sheep
o Don't Let Me Down
o Suzy's Parlour "edit in film" "30d"
o I've Got A Feeling "edit in film" "30d"
o I've Got A Feeling
o One After 909 "film"
o Norwegian Wood (This Bird Has Flown)
o She Came In Through the Bathroom Window
o Be-Bop-A-Lula
o She Came In Through the Bathroom Window
o Right String, Wrong Yo-Yo
o Boogie Woogie
o Baa Baa Black Sheep
o Mr. Bass Man
o Get Back "30d"
o (jam)
o La Penina
o (jam)
o Across the Universe
o Teddy Boy
o Junk
o Across The Universe "30d"
o Shakin In The Sixties
o Move It "30d"
o Good Rockin Tonight "30d"
o Tennessee "30d"
o Across the Universe
o House of the Rising Sun "30d"
o Commonwealth "30d"
o Enoch Powell
o Get Off! "30d"
o For You Blue "30d"
o Get Off! "30d"
o Honey Hush "30d"
o For You Blue "30d"
o Ramblin Woman "30d"
o I Threw It All Away "30d"
o Mama You Been On My Mind "30d"
o Let It Be
o That'll Be The Day "30d"
o I've Got A Feeling
o Jenny, Jenny "30d"
o Slippin and Slidin "30d"
o Let It Be "Read the Record-Mirror version, 30d"

10JAN69  TWICKENHAM REHEARSALS #7 OF 10
Rehearsals without a plan. George has a row with John and quits the Beatles. 
"Let It Be" may not have been performed.
o All Together Now
o Don't Let Me Down
o Hi Heel Sneakers "30d"
o Get Back "30d"
o Two Of Us "30d"
o I'm Talking About You "30d"
o chatter: George quits the Beatles "30d"
o A Quick One While He's Away
o (jam)
o Till There Was You
o I've Got A Feeling "30d"
o Don't Let Me Down "30d"
o Maxwell's Silver Hammer "30d"
o Mack the Knife
o Maxwells Silver Hammer "30d"
o Don't Be Cruel "30d"
o On A Sunny Island "30d"
o The Peanut Vendor "30d"
o Groovin' "30d"
o I Got Stung  "30d"
o The Peanut Vendor "30d"
o It's Only Make Believe "30d"
o Through A London Window "30d"
o The Long And Winding Road
o Adagio For Strings
o Martha My Dear

13JAN69  TWICKENHAM REHEARSALS #8 OF 10
Paul & Ringo &co. sit about.  John & Yoko arrive very late. 
"Let It Be" may not have been performed.
o Ob-La-Di Ob-La-Da
o Sleep On Otis
o Baby Come Back
o Build Me Up Buttercup
o Dig A Pony
o Get Back
o (jam)
o Get Back "30d"
o Get Back "30d"
o On The Road Again
o (jam)
  
14JAN69  TWICKENHAM REHEARSALS #9 OF 10
Paul, Ringo, John, &co. sit about. 
"Let It Be" may not have been performed.
o (jam)
o Martha My Dear
o San Francisco Bay Blues
o (jam)
o The Day I Went Back To School
o Lady Jane
o chatter: Ringo arrives "film"
o Jazz Piano Song "film" "30d"
o (jam)
o Woman
o Cocaine Blues
o Flushed From the Bathroom of Your Heart
o On A Clear Day You Can See Forever
o (jam)
o The Back Seat Of My Car "30d"
o (jam)
o Song Of Love "30d"
o As Clear As A Bell
o Hello Dolly "30d"
o You Are Definitely Inclined Towards It
o Madman "30d"
o Mean Mr Mustard "30d"
o Madman
o Watching Rainbows
o (jam)
o Take This Hammer "30d"
o Johnny B. Goode
o Madman
o You Know My Name (Look Up The Number)
 
15JAN69  TWICKENHAM REHEARSALS #10 OF 10
Paul rehearses alone in the morning. 
"Let It Be" may not have been performed.
o Oh! Darling
o Oh! Darling "30d"
o Ob-La-Di, Ob-La-Da

17JAN69 ==MOTHER RELEASE== YELLOW SUBMARINE (Stereo/Duophonic LP)
See the postscript to A Study In Drugs, Sex, and Revolution for details.

22JAN69 APPLE STUDIO REHEARSALS #1 OF 8
"Let It Be" was not performed.
_ Going Up The Country "Lewisohn (or is it 23JAN?)"
o Somethin' Else "30d"
o Daydream "30d"
o You Are My Sunshine "30d"
o Whispering "30d"
o (jam) "30d"
o I Shall Be Released
o (jam)
o Act Naturally
o Don't Let Me Down
o I've Got A Feeling
o (jam)
o Every Night
o Dig A Pony
o Watch Your Step
o New Orleans
o Madman
o Dig A Pony
o Hi Heel Sneakers
o My Baby Left Me "30d"
o That's All Right "30d"
o Milk Cow Blues "30d"
o Hallelujah I Love Her So
o Little Queenie
o When Irish Eyes Are Smiling
o Queen Of the Hop
o All I Want Is You "30d"
o In The Middle Of An Island "30d"
o Gilly Gilly Ossenfeffer Katzenellen Bogen By The Sea "30d"
o (jam) "30d"
o Good Rockin Tonight "30d"
o Forty Days "30d"
o Too Bad About Sorrows "30d"
o Dig A Pony "30d"
o I'm Ready
o Dig A Pony
o Papa's Got A Brand New Bag
o Dig A Pony
o Shout!
o Dig A Pony "30d"
o You've Got Me Thinking "30d"
o William Smith Boogie
o You Gotta Give Back
o Dig A Pony
o Dig A Pony
o Dig A Pony "ANTH3" 22.21
o Rocker (I'm Ready) "Get Back LP"
o Save The Last Dance For Me "Get Back LP"
o Don't Let Me Down "2-line tag, Get Back LP"
o I've Got A Feeling "30d"
o Don't Let Me Down "30d"
o chatter: I Dig A Pygmy "Let It Be LP, 30d"
o Don't Let Me Down "30d"
o I've Got A Feeling "frag"
o I've Got A Feeling "frag"
o Dig A Pony "frag"
o I've Got A Feeling/discussion
o chatter: Glyn's out of tape, they've done DLMD, IGAF, DAP
o I've Got A Feeling/Road Runner jam
o I've Got A Feeling
o Don't Let Me Down "playback snippet"
o She Came In Through The Bathroom Window
o She Came In Through The Bathroom Window "ANTH3" DDSI21.78

23JAN69 APPLE STUDIO REHEARSALS W/BILLY PRESTON #2 OF 8
"Let It Be" was not performed.
o John, John (Let's Hope For Peace)  "Englehardt"
o Drum Solo
o Octopus' Garden
o Hey Hey Georgie
o Get Back/Get Back/Get Back "rehearsal sequence"
o Get Back "Paul sings, rest come in, tape cuts off"
o Reach Out I'll Be There
o Get Back
_ (jam)
o (jam)
o Get Back
o I'll Get You
o Get Back
o Get Back "WCBN acetate?"
o I've Got A Feeling (snippet) "WCBN acetate"
o Help!
o Please Please Me

Rolls 416A-428A:
o Dig A Pony "30d"
o Going Up The Country "30d"
o Dig A Pony "30d"
o I've Got A Feeling "30d"
o Chatter: You Want A Session Job?  Billy Preston arrives. "30d"
o Dig A Pony "30d"
o Don't Let Me Down "30d"
o Don't Let Me Down "30d"
o Don't Let Me Down "Get Back LP (moved from 22JAN!)" "30d"
o Dig A Pony "30d"
o Dig A Pony "Get Back LP" "30d" DDSI22.70
o I've Got A Feeling (breakdown) "Get Back LP & ANTH3" "30d" DDSI22.71
o I've Got A Feeling "30d"
o I've Got A Feeling "rehearsal take and someone can't play (moved from 22JAN!)""30d"

24JAN69 APPLE STUDIO REHEARSALS W/BILLY PRESTON #3 OF 8
"Let It Be" was not performed.
o Get Back
o I Can't Get No Satisfaction
o What'd I Say
o (jam)
o Get Back
o (jam)
o Get Back
o (Jam)
o Get Back
o Ob-La-Di, Ob-La-Da
o Get Back
o Get Back
o Soldier of Love
o Cathy's Clown
o Soldier of Love
o Where Have You Been
o Love Is A Swingin Thing
o What'd I Say
o Love Is A Swingin Thing

Rolls 1022B/434A-446A
o Get Back "improvising lyrics, 30d"
o Get Back "30d"
o Get Back "30d"
o Blues "Lewisohn, 30d"
o Twenty Flight Rock "30d"
o Get Back "30d"
o Oh! Darling "30d"
o Oh! Darling "30d"
o Get Back "30d"
o Jealous Guy "On the road to Marrakesh, 30d"
o Two Of Us "30d"
o Two Of Us "30d"
o Two Of Us "30d"
o Two Of Us
o Teddy Boy
o Teddy Boy
   o complete "30d"
   % "-> ANTH3 edit 28JAN69" ddsi24.33
o Teddy Boy
o Balls To Your Partner
o Ach Du Lieber Augustin
o Teddy Boy
o Two Of Us "30d"
o Polythene Pam
o Two Of Us "ANTH 3" ddsi24.30
o (jam)
o Two Of Us 
o Two Of Us "30d"
o Maggie Mae 
o Two Of Us
o Maggie Mae "30d"
o I Fancy Me Chances "30d"
0 Two Of Us "30d"
o Two Of Us
o Two Of Us "Get Back LP"
o Maggie Mae "OV Let It Be LP track & Get Back LP track, 30d"
o Teddy Boy (playback)
o Two Of Us (playback)
o Get Back
o (jam)
o Her Majesty "30d"
o There You Are Eddie "30d"
o Every Night
o Pillow For Your Head
o Hot As Sun
o Catcall (Catswalk)
o Two Of Us
o Two Of Us
o Two Of Us
o Hello Goodbye
o Diggin My Potatoes "30d"
o Hey Liley Liley Lo "30d"

Rolls 448A-452A
o Rock Island Line "30d"
o (jam)
o Michael Row The Boat "30d"
o Rock A Bye Baby "30d"
o Singing the Blues "30d"
o Knee Deep In the Blues
o Dig It
o Dig It "30d"
o Dig It "30d"
o Chatter: Can You Dig It By Georgie Wood "OV Let It Be LP"
o Get Back
o There You Are Eddie
o Get Back "30d"
o Little Demon "30d"
o Maybelline "30d"
o You Can't Catch Me "30d"
o Brown Eyed Handsome Man "30d"
o Short Fat Fannie "30d"
o Patter: Get Back
o Get Back "30d"
o Green Onions
o Get Back
o Bad Boy "30d"
o Sweet Little Sixteen "30d"
o Around and Around "30d"
o Almost Grown "30d"
o School Day "30d"
o Stand By Me "30d"
o Where Have You Been "30d"
o Lady Madonna
o Lovely Rita
o Get Back "radio broadcast" "30d"
o Lonely Sea
o (jam)

25JAN69 APPLE STUDIO REHEARSALS W/BILLY PRESTON #4 OF 8
"Let It Be" was performed 8 times or so.
o On The Road Again
o Untitled Jamming
o Another Day
o Two Of Us
o I Lost My Little Girl "30d"
o Two Of Us "30d"
o Two Of Us "30d"
o Bye Bye Love "30d"
o Two Of Us "30d"
o Snippets: Two Of Us
o For You Blue TAKE 1 "ANTH3" ddsi25.34
o For You Blue "edit on film"
o For You Blue "edit in film"
o For You Blue "30d"
o For You Blue "30d"
o For You Blue "30d"
o For You Blue "Get Back LP track (->OV LP track w/new vocal), 30d"
o For You Blue "30d"
o For You Blue "Bluthner - 30d"
o Take This Hammer
o Early In the Morning
o Let It Be "rehearsals"
o Snippets:(jam)
o Let It Be "rehearsals"
o Let It Be "Really bad, 30d"
o Let It Be "Psalm 22 version, 30d"
o Let It Be "playbacks"
o Window Window
o chatter: "Back to the drudgery... It's you making it that way!, 30d"
o I'm Talking About You "30d"
o Let It Be "The True Meaning Of Xmas version, 30d"
o Let It Be "Quiet, 3rd v.=repeat of 1st v., 30d"
o Let It Be "ANTH3 w/pre- & post-chatter from 31JAN69" ddsi25.81
o Crazy Feet
o Please Please Me
_ Let It Down

26JAN69 APPLE STUDIO REHEARSALS W/BILLY PRESTON #5 OF 8
"Let It Be" was performed 10 times.
o Isn't It A Pity "30d"
o Window Window "30d"
o Let It Down
o Octopus' Garden
o (jam)
o Octopus's Garden "30d"
_ She's A Little Piece of Leather
_ Two Of Us
_ Dig A Pony
_ Octopus' Garden
o Let It Be
o Piece of My Heart
o Little Yellow Pills
o High School Confidential "30d"
o Great Balls of Fire "30d"
o Don't Let the Sun Catch You Crying
o (jam)
o Suicide
o Let It Be "QUIET!, 30d"
o Let It Be "3rd v.=vocalizing, 30d"
o Let It Be "3rd v.=portmanteau, 30d"
o Let It Be "3rd v.=vocalizing, 30d"
o Let It Be "A cat whose name is Bamagee version, 30d"

o Dig It 
   o "Complete  Nagra reel recording (15:05)- 30d"
   % "Get Back LP Edit"
   % "OV, Let It Be LP edit (0:48)" 
   % "Let It Be Film Edit"

o Rip It Up/Shake Rattle And Roll/Kansas City/Miss Ann/Lawdy Miss Clawdy/Blue Suede Shoes  ddsi26.56
   o [stereo] "Incomplete(?) multitrack recording (Rip It Up incomplete on available copies)"
   o "Celluloid Rock acetate mix"
   o [mono] "Complete Nagra reel recording - 30d"
   o "Let It Be film edit/mix: Shake Rattle and Roll/Kansas City/Miss Ann/Lawdy Miss Clawdy"
   o "ANTH3 edit/mix: Rip It Up/Shake, Rattle And Roll/Blue Suede Shoes"

o You Really Got A Hold On Me "film" "30d" ddsi26.60
o Tracks Of My Tears
o Let It Be
o You Really Got A Hold On Me
o (jam) "Pt. 1-Lennon slides, McC drums, Preston plays, Ono moans" "30d"
o (jam) "Pt. 2-Lennon slides, McC drums, Preston plays, Ono moans"
o (jam) "30d"
o Let It Be "3rd v.=repeat of 2nd v., 30d"
o Let It Be "You will be a good girl, 30d"
o Let It Be "w/full band intro/portmanteau 3rd verse"
     o "(mono) Nagra reel, 30d"
     o "10MAR69 Acetate mix, w/full band intro/portmanteau 3rd verse, WBCN version"
o Let It Be "frag"
o I Told You Before "30d"
o I Told You Before "30d"
o The Long And Winding Road "rehearsal, 30d"
o The Long And Winding Road "rehearsal, 30d"
o The Long And Winding Road "edit in film -rehearsal, " "30d"
o The Long And Winding Road "edit in film -rehearsal, " "30d"
o The Long And Winding Road "rehearsal, 30d"
o The Long And Winding Road "Take 1" ddsi26.91
   o "Complete, 30d"
   o "un-Spectorized, Get Back LP track & ANTH3"
   % "-> OV Let It Be LP track"

27JAN69 APPLE STUDIO REHEARSALS W/BILLY PRESTON #6 OF 8
"Let It Be" was not performed.
o (jam)
o Strawberry Fields Forever "30d"
o Let It Be "A mild cigar...Roll 505, 30d"
o Let It Be "30d"
o The Long And Winding Road "30d"
o Old Brown Shoe "30d"
o Old Brown Shoe "30d"
o Old Brown Shoe "30d"
o Old Brown Shoe "30d"
o Untitled Jamming "Lewisohn - 30d"
o I Told You Before "30d"
o I Told You Before "30d"
o Don't Let Me Down "30d"
o Get Back "30d"
o Get Back "30d"
o Get Back "30d"
o Get Back "30d"
o Get Back "30d"
o Get Back "30d"
o Oh! Darling ddsi27.56
   o "complete" "30d"
   o "ANTH3 edit"
o Get Back "30d"
o Get Back "30d"
o Get Back 
   o "Best Take, unedited" "30d"
   % Get Back "Best Take, Get Back LP edit"
   % Get Back "Best Take, OV 45 edit"
   % Get Back "Best Take, OV Let It Be LP edit"
o Get Back "30d"
o Get Back "snippet"
o Get Back "FS, German/French version" "30d"
o chatter "Rosetta etc"
o Get Back "Here comes the fudge, 30d"
o Get Back "30d"
o I've Got A Feeling "30d"
o I've Got A Feeling "breakdown"
o You Won't Get Me That Way "30d"
o The Walk "acetate version" "30d"
o I've Got A Feeling "30d"
o Rainy Day Women #s 12 & 35
o I've Got A Feeling
o I've Got A Feeling
o Dig It
o The Long And Winding Road
o Save The Last Dance For Me
o (jam)
o The River Rhine/The Long And Winding Road "30d"

28JAN69 APPLE STUDIO REHEARSALS W/BILLY PRESTON #7 OF 8
"Let It Be" was not performed.
o I've Got A Feeling "30d"
o I've Got A Feeling "30d"
o I've Got A Feeling "30d"
o Dig A Pony "Lewisohn, 30d"
o Dig A Pony "Lewisohn, 30d"
o Get Back "30d"
o Love Me Do "Lewisohn, 30d"
o Get Back
   o "Complete as recorded, 30d"
   % "segment used as coda of 45"
   % "segment used as fade of Let It Be film and Get Back LP"
o I've Got A Feeling
o Don't Let Me Down "30d"
   o "as recorded"
   % "OV 45 release w/addtl vocal"
o I've Got A Feeling "30d"
o Don't Let Me Down 
   o Complete "30d"
   % "Source of addtl vocal part -> OV 45"
o I've Got A Feeling "w/French count in, 30d"
o I've Got A Feeling
o One After 909/jam
o One After 909 "Yeah, rock and roll, 30d" 
o Hava Negeilah
o (jam)
o The Inner Light
o Some Other Guy
o Old Brown Shoe
o Old Brown Shoe
o Old Brown Shoe
o Old Brown Shoe
o Old Brown Shoe
o Old Brown Shoe "30d"
o Old Brown Shoe "30d"
o Old Brown Shoe "30d"
o I Want You (She's So Heavy) "30d"
o Something
o Something
o Something "30d"
o Get Back (2:48) "30d"
o How Do You Tell Someone
o Positively 4th Street
o Get Back
_ Billy's Song (1) "Lewisohn"
_ Billy's Song (2) "Lewisohn"
o Teddy Boy ddsi28.83
   o "as recorded" "30d"
   o "ANTH3 edit of 24+28JAN"
o Get Back
o Let It Down
o All Things Must Pass "30d"
o All Things Must Pass "brief response"
o All Things Must Pass "30d"
o I Want You (She's So Heavy) "30d"
o I Want You (She's So Heavy) "30d"

29JAN69 APPLE STUDIOS REHEARSALS #8 OF 8
"Let It Be" was not performed.
_ I Want You (She's So Heavy)
o Dig A Pony "30d"
o I've Got A Feeling "30d"
o Don't Let Me Down "30d"
o Get Back "30d"
o One After 909 "30d"
o She Came In Through The Bathroom Window "30d"
o Two Of Us "30d"
o Let It Be "30d"
o The Long And Winding Road "30d"
o The Long And Winding Road "30d"
o For You Blue "30d"
o All Things Must Pass "30d"
o chatter: Paul tells John they need to play live "film"
o All Things Must Pass
o All Things Must Pass "30d"
o Let It Down
o Let It Down "30d"
o Let It Down "30d"
o I Want You (She's So Heavy) "30d"
o Something "30d"
o Sexy Sadie "30d"
o Dig It "faster version, 30d"
o Besame Mucho
   o Complete "30d" 
   o "Let It Be Film Edit"
o Three Cool Cats "30d"
o I Got To Find My Baby "30d"
o The One After 909 "30d"
o The One After 909 "30d"
o Vacation Time "30d"
o Cannonball [stereo] "Complete" "30d"
o Not Fade Away [stereo] "Complete" "30d"
o Hey Little Girl (In The High School Sweater) [stereo] "Complete" "30d"
o Bo Diddley [stereo] "Complete" "30d"
o Maybe Baby "30d"
o Peggy Sue Got Married "30d"
o Thinking Of Linking "30d"
o Crying, Waiting, Hoping "30d"
o Mailman, Bring Me No More Blues  "30d"
   o "Clean version"
   o "ANTH3"
o Teddy Boy "30d"
o Two Of Us "30d"

30JAN69  THE APPLE STUDIO ROOFTOP CONCERT
"Let It Be" was not performed.
o (stage noises)
o Get Back (rehearsal)
o Get Back (warmup)
o I Want You (She's So Heavy) (warmup)
o Get Back "Let It Be Film"
o Don't Let Me Down "Let It Be Film"
o I've Got A Feeling "Let It Be LP & Film"
o One After 909 (warmup)
o One After 909 "Let It Be LP & Film, Get Back LP"
o Danny Boy "w/chatter"
o Dig A Pony (warmup)
o Dig A Pony 
   o Complete 
   o "Uneditted Film Mix"
   o "OV Let It Be LP Mix/Edit"
o God Save The Queen
o I've Got A Feeling 
o A Pretty Girl Is Like A Melody
o Get Back (warmup)
o Don't Let Me Down
o Get Back "ANTH3 and Let It Be Film" ddsi30.17
o Chatter "Thanks, Mo.  On behalf of... passed the audition."

31JAN69  THE APPLE STUDIO BASEMENT PERFORMANCE
"Let It Be" was performed at least 14 times.

o (Unknown)/Hey Good Lookin' "30d"
o Take This Hammer "30d"
o Lost John "30d"
o Five Feet High And Rising "30d"
o Bear Cat "30d"
o Black Dog Blues "30d"
o Right String, Wrong Yo-Yo "30d"
o Run For Your Life "30d"
o Medley: Two Of Us (take 10AB)/Friendship/Turkey In The Straw "30d"
o Step Inside Love "30d"
o Friendship/Tales Of Frankie Rabbit "30d"
o Two Of Us "Take 11"
   o "as recorded" "30d"
   % "-> Let It Be LP track"
   o "film edit w/outro from tk 12"
o 'Deed I Do/In The Middle Of An Island/All Together Now "30d"
o Two Of Us "Take 12 w/I Got Stung" "30d"

o The Long And Winding Road "Take 13AB/snip/14" "30d"
o The Long And Winding Road "Take 15AB" "30d"
o The Long And Winding Road "Take 16ABC" "30d"
o The Long And Winding Road "Take 16D" "30d"
o Lady Madonna "fragment, multitracked" "30d"
o The Long And Winding Road "Take 17A" "30d"
o The Long And Winding Road "snip/tk 17BC" "30d"
o The Long And Winding Road "Take 18" "30d"
o The Long And Winding Road "Take 19, Let It Be Film" "30d"

o I Want You (She's So Heavy) "30d"
o Let It Be "rehearsal frag" "30d"
o Let It Be "Take 20ABC" "30d"
o Let It Be "Take 21" "30d"
o Let It Be "Take 22" "30d"
o chatter:change the tempo a bit "Get Back LP"
o Let It Be "Take 23" "30d"
o Let It Be "Take 24" "30d"
o Let It Be "Take 25A" "30d"
o Let It Be "Take 25B" "30d"
o chatter "OK, let's track it" "30d"
o Medley: Let It Be (take 26A)/Twelfth Street Rag "30d"
o Let It Be "Take 26B" "30d"
o Oh! Darling "30d"
o Oh! Darling "30d"
_ The third verse of Let It Be was finally written.
o Let It Be "Take 27A"
   o "as recorded, w/original guitar solo and w/o SI" "30d"
   % "-> Get Back LP (w/30APR69 solo SI, no orch)"
   % "-> unused mix/edit (w/04JAN69 solo and OM orch SI)"
   % "-> OV 45 (w/30APR69 solo SI and 04JAN69 orch SI)"
   % "-> OV Let It Be LP"
o Let It Be "Take 27B"
   o "as recorded w/laugh" "30d"
   o "Let It Be Film Edit w/o laugh + frag"

% Let It Be 31.37 "sequence unknown: frag edited into tk 27b for Let It Be Film Edit"




TIMELINE POSTSCRIPT: GET BACK / LET IT BE POST-JAN69 CRITICAL SESSIONS 
======================================================================
05FEB69  Mixing of rooftop concert.

10MAR69 Mixing of "WBCN" Acetate 
Producer: Glyn Johns/Olympic Studios
 o Get Back "10MAR69 Acetate mix
 o I've Got A Feeling (breakdown)"10MAR69 Acetate mix
 o Dig A Pony "10MAR69 Acetate mix
 o I've Got A Feeling (fragment) "10MAR69 Acetate mix
 o Teddy Boy "10MAR69 Acetate mix
 o The Walk "10MAR69 Acetate mix
 o Two Of Us "10MAR69 Acetate mix
 o Let It Be "10MAR69 Acetate mix, w/full band intro/portmanteau 3rd verse, WBCN-only"
 o The Long And Winding Road "10MAR69 Acetate mix
 o Get Back "10MAR69 Acetate mix, same performance as used for 45/Get Back LPs/LET IT BE LP"
 o For You Blue "10MAR69 Acetate mix
 % Rocker (aka I'm Ready/Jam) "10MAR69 Acetate mix
 % Save The Last Dance For Me "10MAR69 Acetate mix
 o Don't Let Me Down "10MAR69 Acetate mix, WBCN-only"

11-12-13MAR69 Mixing "Celluloid Rock" Acetate
Producer: Glyn Johns/Olympic Studios
o Rip It Up/Shake Rattle and Roll
o Blue Suede Shoes
o Dig It
o You've Really Got A Hold On Me
o I've Got A Feeling
o Miss Ann/Kansas City/Lawdy Miss Clawdy
o Let It Be

26MAR69  EMI (Jarratt) mixing "Get Back" track.
31MAR69  World Premiere of John and Yoko's film RAPE.
07APR69  Olympic (Glyn & McC) mixing "Get Back" c/w "Don't Let Me Down" 45.


11APR69  ==MOTHER RELEASE==  GET BACK c/w DON'T LET ME DOWN  "APPLE R 5777"
o GET BACK c/w DON'T LET ME DOWN [UK MONO 45]
     o GET BACK [UK MONO 45]
     o DON'T LET ME DOWN [UK MONO 45]
 

30APR69
% Let It Be "Get Back LP track = Lead Guitar SI to Tk 27A from 31JAN69"
% Let It Be "Lead Guitar SI to Tk 27A from 31JAN69 -> OV 45"
% You Know My Name (Look Up The Number) "Vocal & FX SI [6'08"]"

LateMAY69  Rough acetate of "GET BACK, DON'T LET ME DOWN, AND 12 OTHER SONGS" prepared.
Same as 28MAY69 lineup, except longer edit of Dig It (, and more chatter.

28MAY69  Master tape banding of LP "GET BACK, DON'T LET ME DOWN, AND 12 OTHER SONGS"
Producer: Glyn Johns, Known sources: Yellow Dog's acetate or Vigotone's tape reel.
?Avail in mono and stereo?
o One After 909 "also appears on LET IT BE LP"
o Rocker "aka I'm Ready/Jam"
o Save The Last Dance For Me
o Don't Let Me Down
o Dig A Pony
o I've Got A Feeling
o GET BACK [UK MONO 45 VERSION]
o For You Blue
o Teddy Boy
o Two Of Us
o Maggie Mae "also appears on LET IT BE LP"
o Dig It (3:59)
o Let It Be "Lead Guitar SI to Tk 27A from 31JAN69"
o The Long And Winding Road
o Get Back (reprise)

DEC69 Post-production of LET IT BE film & soundtrack completed.
Act I = Twickenham Rehearsals
o chatter: setup
o Paul's Piano Theme (fragment)
o Don't Let Me Down (fragment)
o chatter
o Maxwell's Silver Hammer (fixup)
o chatter: George gets shocked
o Two Of Us (fragment)
o I've Got A Feeling (fragment)
o chatter: teaching George guitar
o I've Got A Feeling (fragment)
o Oh! Darling (fragment)
o chatter
o Just Fun (fragment)
o One After 909 (fragment)
o One After 909 (fixup of frags)
o Piano Boogie
o Two Of Us
o chatter: Paul and George
o Across The Universe (fragment)
o Dig A Pony (fragment)
o Suzie Parker (fragment)
o I Me Mine (fixup)

Act II = Apple Studios Rehearsals
o For You Blue
o Da-Doo-Run-Run (fragment)
o chatter: Maharishi
o Besame Mucho
o Octopus' Garden
o chatter
o "Isadora Duncan"
o You Really Got A Hold On Me
o The Long And Winding Road (fragment)
o The Long And Winding Road (fragment)
o Shake Rattle and Roll
o Miss Ann/Kansas City/Lawdy Miss Clawdy
o Dig It

Act III = Apple Studio Basement Performance
o chatter: film, audiences, etc
o Two Of Us
o Let It Be
o The Long And Winding Road

Act IV = Apple Studio Rooftop Concert
o Get Back
o Don't Let Me Down
o I've Got A Feeling
o One After 909/Danny Boy
o Dig A Pony
o Get Back 
o Get Back (reprise)

03JAN70  EMI
o I Me Mine "Take 16, ANTH3"
_ Peggy Sue Got Married

04JAN70  EMI
% For You Blue "Vocal SI to 25JAN69 -> OV LP"
% Let It Be "Orchestra SI"
% Let It Be "Guitar solo SI for LP version"
% Let It Be "Let It Be 45 track = tk 27A w/30APR69 solo + 04JAN70 orchestra SI"
% Let It Be "Let It Be LP track = tk 27A edit w/04JAN70 solo + 04JAN70 orchestra SI"

05JAN70  MASTER TAPE BANDING LP: GET BACK (2ND TRACK LINEUP)
Producer: Glyn Johns, Known sources: Barrett tapes
% One After 909 (from 28MAY69) "also appears on LET IT BE LP"
% Rocker (from 28MAY69)  "aka I'm Ready/Jam"
% Save The Last Dance For Me (from 28MAY69) 
% Don't Let Me Down (from 28MAY69) 
% Dig A Pony (from 28MAY69) 
% I've Got A Feeling (from 28MAY69) 
% Get Back (from 28MAY69) 
% Let It Be (from 28MAY69) 
% For You Blue (from 28MAY69) 
% Two Of Us (from 28MAY69) 
% Maggie Mae  (from 28MAY69) "also appears on LET IT BE LP"
% Dig It (from 28MAY69) 
% The Long And Winding Road (from 28MAY69) 
o I Me Mine "Get Back LP remix"
o Across The Universe "Get Back LP remix"
% Get Back (reprise)

06MAR70  ==MOTHER RELEASE== LET IT BE c/w YOU KNOW MY NAME (LOOK UP THE NUMBER)"APPLE R 5833"
o LET IT BE c/w YOU KNOW MY NAME (LOOK UP THE NUMBER) [UK S/M 45] 
     o LET IT BE [UK Stereo-A 45] = tk 27A w/30APR69 solo + 04JAN70 orchestra SI
     o YOU KNOW MY NAME (LOOK UP THE NUMBER) [UK Mono-B 45] 


23MAR70  PHIL SPECTOR BEGAN REMIX OF LET IT BE LP

01APR70  FINAL RECORDING SESSION
% Across The Universe "Ringo & orchestra SI"
% The Long And Winding Road "Ringo & orchestra SI"
% I Me Mine "Ringo & orchestra SI"

02APR70  PHIL SPECTOR COMPLETES REMIX OF LET IT BE LP


08MAY70  ==MOTHER RELEASE=  LET IT BE  [STEREO LP]  "APPLE PXS1 or PCS 7096"
SIDE ONE
o TWO OF US [LP VERSION]
o DIG A PONY  [LP VERSION]
o ACROSS THE UNIVERSE [LP VERSION]
o I ME MINE [LP VERSION]
o DIG IT (0:48)[LP EDIT]
o LET IT BE [LP VERSION]= tk 27A edit w/04JAN70 solo + 04JAN70 orchestra SI
o MAGGIE MAE [LP MIX]
SIDE TWO
o I'VE GOT A FEELING  [LP VERSION]
o THE ONE AFTER 909 [LP MIX]
o THE LONG AND WINDING ROAD [LP VERSION]
o FOR YOU BLUE [LP VERSION]
o GET BACK [LP VERSION]


13MAY70  Premiere of film Let It Be. 
 
A Beatles' Recording Timeline: Everest
Abbey Road, etc.
Back to Let It Be '69
MOTHER WORKS
o THE BALLAD OF JOHN AND YOKO c/w OLD BROWN SHOE [UK STEREO 45] . "APPLE R 5786"
o ABBEY ROAD  [STEREO LP] ....................................... "APPLE PCS 7088"

OTHER WORKS:
o LP Electronic Sound
o LP Unfinished Music No. 2: Life With The Lions
o LP Wedding Album
o LP Live Peace In Toronto - 1969
o LP Sentimental Journey
o LP McCartney
o 45 Give Peace A Chance c/w Remember Love
o 45 Cold Turkey c/w Don't Worry Kyoko
o 45 Instant Karma c/w Who Has Seen The Wind
o LP Some Time In New York City (2 tracks)
O From Then To You  [STEREO/MONO LP] Xmas Fan Club collection

==============================================================================================
EVEREST
Recordings from February 1, 1969 to April 2, 1970

FEB69?  LONE BEATLE PAUL: DEMO SESSION
o Goodbye

FEB69  LONE BEATLE GEORGE: ELECTRONIC SOUND [ESHER]
% Under The Mersey Wall

03FEB69  LONE BEATLE RINGO: MAGIC CHRISTIAN FILMING BEGINS
Ringo will be occupied with the film through 02MAY69.

05FEB69  [APPLE] Mixing of rooftop concert.
11FEB69  [EMI] John and Yoko mixing avant-garde material.

21FEB69  POST CARD 
Mary Hopkin releases Post Card.  McCartney performs on most of the album.
o Post Card (LP)

22FEB69  [TRIDENT] ABBEY ROAD SESSION #1 OF 41
The Beatles: J, P, G, R, and Billy Preston.
_ I Want You (She's So Heavy) "Takes 1-8"
% I Want You (She's So Heavy) "Take 9 --> 23FEB69 master"
_ I Want You (She's So Heavy) "Takes 10-19"
% I Want You (She's So Heavy) "Take 20 --> 23FEB69 master"
_ I Want You (She's So Heavy) "Takes 21-31"
% I Want You (She's So Heavy) "Take 32 --> 23FEB69 master"
_ I Want You (She's So Heavy) "Takes 33-35"

23FEB69 Reduction and mixing session from 22FEB69 recordings
% I Want You (She's So Heavy) "Trident Master = Tk 9+20+32"
o I Want You (She's So Heavy) "Experimental mix w/McC lead vocal"

25FEB69 [EMI] GEORGE'S BIRTHDAY DEMO SESSION
o Old Brown Shoe "ANTH3"
_ Old Brown Shoe "Other demo take"
o All Things Must Pass "ANTH3"
_ All Things Must Pass "Other demo take"
o Something (demo)
   o "Unedited demo"
   o "ANTH3 mix/edit"

EARLY69  LONE BEATLE JOHN: DEMO
o Woman Is The Nigger Of The World

xxMAR69  PAUL: MARY HOPKIN SESSION
o Goodbye
o Sparrow

MAR69  [LONE BEATLE] GEORGE: JACKIE LOMAX SESSIONS
o Going Back To Liverpool
o New Day
o Thumbin' A Ride

02MAR69  LONE BEATLE JOHN: LADY MITCHELL HALL CONCERT
% Cambridge 1969 "Life With The Lions Side 1"

04MAR69 Mixing of Get Back material by Glyn Johns (per Lewisohn)
10MAR69 Mixing of "WBCN" GET BACK ACETATE - Glyn Johns/Olympic Studios
11-12-13MAR69 Mixing Get Back material


12MAR69 EMI tape copy session w/John and Yoko
_ Peace Song

25MAR69-30MAR69  LONE BEATLE JOHN: AMSTERDAM BED-IN
% Amsterdam "-> Wedding Album"
o Hava Negilah
o I Want You (She's So Heavy)
o Jerusalaim
o Don't Let Me Down
o Those Were The Days

26MAR69  EMI (Jarratt) mixing "Get Back" track.
31MAR69  World Premiere of John and Yoko's film RAPE.

??APR69  [APPLE] JOE COCKER DEMOS
Harrison, MCartney, Joe Cocker
o Something "demo for Cocker"
o She Came In the Bathroom Window "demo for Cocker"

03APR69  Mixing of Get Back material by Glyn Johns (per Lewisohn)

04APR69  Mixing of Get Back material by Glyn Johns (per Lewisohn)
_ Get Back c/w Don't Let Me Down "Mono and Stereo Acetate mixes"
06APR69  Radio airing of 04APR69 mixes of Get Back cw Don't Let Me Down

07APR69  Olympic (Glyn & McC) mixing "Get Back" c/w "Don't Let Me Down" 45.
11APR69  =MOTHER RELEASE= of 45 Get Back c/w Don't Let Me Down

14APR69  [EMI] THE BALLAD OF JOHN AND YOKO SESSION
The Beatles: John and Paul
_ The Ballad of John and Yoko [2:57] "Take 1"
_ The Ballad of John and Yoko "Tks 2-6 breakdowns"
_ The Ballad of John and Yoko [3:05] "Take 7"
_ The Ballad of John and Yoko "Tks 8-9 false start and breakdown"
% The Ballad Of John And Yoko [3:00] "Take 10 -> 45"
_ The Ballad of John and Yoko [3:00] "Take 11"
% The Ballad of John and Yoko "SI to Take 10: bass"
% The Ballad of John and Yoko "SI to Take 10: electric guitar"
% The Ballad of John and Yoko "SI to Take 10: elec. guitar and piano"
% The Ballad of John and Yoko "SI to Take 10: backup vocal"
% The Ballad of John and Yoko "SI to Take 10: maracas and thumps"

16APR69 [EMI] ABBEY ROAD SESSION #2
J,P,G,R, Geo.Martin
_ Old Brown Shoe "Re-make demo"
_ Old Brown Shoe "Takes 1-3"
% Old Brown Shoe "Take 4, best -> 45"
% Old Brown Shoe "SIs on tk 4 -> 45"
_ Something "Takes 1-13"

18APR69 [EMI] ABBEY ROAD SESSION #3
% Old Brown Shoe "SI organ,lead guitar -> 45"
_ I Want You (She's So Heavy) "SI guitar on 23FEB Trident master"
% I Want You (She's So Heavy) "Reduction mix called Take 1"

20APR69 [EMI]  ABBEY ROAD SESSION #4
_ I Want You (She's So Heavy) "SI organ,conga on 23FEB Trident master"
_ Oh! Darling "Takes 1-25"
_ Oh! Darling "Take 26, best"
_ Oh! Darling "SI on tk 26"
_ Games People Play

22APR69 [EMI] LONE BEATLE JOHN: WEDDING ALBUM SESSION
% John And Yoko [22:00]

25APR69 Mono acetate of TWO OF US for Mortimer

26APR69 [EMI] ABBEY ROAD SESSION #5
o Oh! Darling "Outtake w/different lead vocal and backup vocals"
_ Octopus's Garden "Take 1"
o Octopus's Garden "Take 2, ANTH3 w/comment from end of tk8 edit"
_ Octopus's Garden "Takes 3-31"
_ Octopus's Garden "Take 32, best"

29APR69 [EMI] ABBEY ROAD SESSION #6
o Octopus's Garden "SI lead vocal to tk 32, Rough mix w/o later SIs"

30APR69 [EMI] LET IT BE SESSION #  -and- YOU KNOW MY NAME SESSION #5 OF 6
o Let It Be "Get Back LP track = Lead Guitar SI to Tk 27A from 31JAN69"
% Let It Be "Lead Guitar SI to Tk 27A from 31JAN69 -> OV 45"
% You Know My Name (Look Up The Number) "Vocal & FX SI [6'08"]"

02MAY69 Mixing of Get Back material by Glyn Johns (per Lewisohn)

02MAY69 [EMI] ABBEY ROAD SESSION #7
J,P,G,R, Billy Preston
_ Something "Remake, Takes 1-35"
% Something [7:48] "Remake, Take 36 w/full jam, best, parts -> LP"

05MAY69 [OLYMPIC] ABBEY ROAD SESSION #8
Paul and George's unique overdubs from today were not used.  See 11JUL69.
o Something "SI bass,guitar,lead voc >> tk 36"

06MAY69 [OLYMPIC] ABBEY ROAD SESSION #9
_ You Never Give Me Your Money "Takes 1-29"
% You Never Give Me Your Money "Take 30, best"
_ You Never Give Me Your Money "Takes 31-35"
o You Never Give Me Your Money "Take 36 w/jam"
% You Never Give Me Your Money "SIs on tk 30"

07MAY69 Mixing of Get Back material by Glyn Johns (per Lewisohn)
09MAY69 Mixing of Get Back material by Glyn Johns (per Lewisohn)

09MAY69  LONE BEATLE PAUL: STEVE MILLER SESSION [OLYMPIC]
Paul: Drums, bass, backup vocals.
% My Dark Hour

MAY69 [LONE BEATLE] PAUL: THE SCAFFOLD SESSION
o Charity Bubbles
o Goose

11MAY69  LONE BEATLE GEORGE: JACK BRUCE SESSION
Harrison on guitar.
o Never Tell Your Mother She's Out Of Tune

15MAY69 Mixing of Get Back material by Glyn Johns (per Lewisohn)

25MAY69  LONE BEATLE JOHN: TORONTO INTERVIEW
o Give Peace A Chance "Japanese interview"

26MAY69-02JUN69  LONE BEATLE JOHN: MONTREAL BED-IN
o Happiness Is A Warm Gun
o Because
o Get It Together
o Oh Yoko
o I Want You
o Radio Peace 

28MAY69  Master tape banding of LP GET BACK (1ST LINEUP)
30MAY69  =MOTHER RELEASE= 45 The Ballad of John And Yoko c/w Old Brown Shoe

01JUN69  LONE BEATLE JOHN: MONTREAL BED-IN DAY SEVEN
Chorus: Timothy Leary, Tom & Dick Smothers, Petula Clark, Derek Taylor,
        Canadian Radha Krishna Temple singers, etc.
o Give Peace A Chance "short acoustic give chance a piece"
o Give Peace A Chance [0:34] "Rehearsal"
o Give Peace A Chance [2:19] "Rehearsal"
o Give Peace A Chance [1:28] "Rehearsal"
o Give Peace A Chance [ :  ] "JOHN LENNON ANTHOLOGY rehearsal"
o Give Peace A Chance [5:22] "incorporating OV"
% Give Peace A Chance "-> OV 45"
% Remember Love "-> OV"

01JUL69 [EMI] ABBEY ROAD SESSION #10
% You Never Give Me Your Money "SI McC lead vocal on tk 30"

02JUL69 [EMI] ABBEY ROAD SESSION #11
o Her Majesty "Unedited w/final chord, Take 3 of 3"
_ Golden Slumbers/Carry That Weight "Takes 1-15"

03JUL69 [EMI] ABBEY ROAD SESSION #12
% Golden Slumbers/Carry That Weight "Called Take 13 = edit of tk 13 + tk 15"
o Golden Slumbers/Carry That Weight "SIs, l+r guitars, 2x lead voc. (basic)"
% Golden Slumbers/Carry That Weight "SI, background chant vocals"
_ Golden Slumbers/Carry That Weight "Mixdown called Take 16"
% Golden Slumbers/Carry That Weight "Mixdown called Take 17"

04JUL69 [EMI] ABBEY ROAD SESSION #13
P,G,R
_ Golden Slumbers/Carry That Weight "SIs"

07JUL69 [EMI] ABBEY ROAD SESSION #14
P,G,R
_ Here Comes The Sun "Takes 1-12"
% Here Comes The Sun "Take 13, best"
% Here Comes The Sun "SIs on 13"

08JUL69 [EMI] ABBEY ROAD SESSION #15
P,G,R
% Here Comes The Sun "Take 15 = SIs and mixdown"

09JUL69 [EMI] ABBEY ROAD SESSION #16
J,P,G,R
_ Maxwell's Silver Hammer "Tks 1-4"
o Maxwell's Silver Hammer "Take 5, ANTH3"
_ Maxwell's Silver Hammer "Tks 6-20"
o Maxwell's Silver Hammer "Take 21/ Remix Stereo 13, mono dub"
% Maxwell's Silver Hammer "SIs guitar on Take 21 -> LP track"

10JUL69 [EMI] ABBEY ROAD SESSION #17
% Maxwell's Silver Hammer "SIs"

11JUL69 [EMI] ABBEY ROAD SESSION #18
% Maxwell's Silver Hammer "SIs"
o Something [5:32] "8TK TO 8TK TAKE 37; SI lead voc >> Edit of Tk 36"
% You Never Give Me Your Money "SI bass"

JUL69  [LONE BEATLE] GEORGE: RADHA KRISHNA TEMPLE SESSIONS
o Hare Krishna Mantra
o Prayer To The Spiritual Masters

15JUL69 [EMI] ABBEY ROAD SESSION #19
_ You Never Give Me Your Money "SIs voc., chimes"

16JUL69 [EMI] ABBEY ROAD SESSION #20
_ Here Comes The Sun
% Something "SIs new lead vocal, background vocs, claps"
_ Something "Reduction Takes 38 + 39 from Edit of 36 W/Jam"

17JUL69 [EMI] ABBEY ROAD SESSION #21
_ Oh! Darling "Vocal SI"
% Octopus's Garden "SIs Special Effects, voc, piano"

18JUL69 [EMI] ABBEY ROAD SESSION #22
o Oh! Darling [8:29] "Vocal SI Outtake"
% Octopus's Garden "Voc + percussion SIs"

20JUL69  The 210 minute work print of the film "Let It Be" was screened.

21JUL69 [EMI] ABBEY ROAD SESSION #23
J,P,G,R. 
o Come Together "Take 1, ANTH3"
_ Come Together "Tks 2-7"
% Come Together "Take 8 --> LP"

22JUL69 [EMI] ABBEY ROAD SESSION #24
_ Oh! Darling "Vocal SI"
_ Come Together "SIs: Voc, Elec piano, rh.guitar, maracas"

23JUL69 [EMI] ABBEY ROAD SESSION #25
_ Oh! Darling "Vocal SI"
_ Come Together "Vocal SI"
_ The End "Takes 1-7"

24JUL69 [EMI] ABBEY ROAD SESSION #26
o Come And Get It "ANTH3 & various"
_ Sun King/Mean Mr Mustard "Takes 1-35"
_ Be-Bop-A-Lula
_ Who Slapped John?
o Ain't She Sweet "ANTH3 edit"

25JUL69 [EMI] ABBEY ROAD SESSION #27
_ Sun King/Mean Mr Mustard "Vocal, piano, organ SIs"
_ Come Together "Vocal SIs"
_ Polythene Pam/She Came In Through The Bathroom Window "Takes 1-38"
% Polythene Pam/She Came In Through The Bathroom Window "Take 39, best"
% Polythene Pam/She Came In Through The Bathroom Window "SIs on 39"

28JUL69 [EMI] ABBEY ROAD SESSION #28
_ Polythene Pam/She Came In Through The Bathroom Window "SIs"

29JUL69 [EMI] ABBEY ROAD SESSION #29
_ Come Together "SIs"
_ Sun King/Mean Mr Mustard "SIs"

30JUL69  [EMI] THE LONG ONE/HUGE MELODY / ABBEY RD SESSION #30
_ You Never Give Me Your Money "mixdown"
_ Come Together "SIs"
_ Polythene Pam/She Came In Through The Bathroom Window "SIs"
_ You Never Give Me Your Money "SIs"
_ Golden Slumbers/Carry That Weight "SIs"
_ The Long One/Huge Melody [15:30] "Before cut of Her Majesty"
o You Never Give Me Your Money/Sun King/Mean Mr.Mustard "SR2, mono dub"
o Polythene Pam/She Came In Through The Bathroom Window "SR2, mono dub"
o Golden Slumbers/Carry That Weight/The End "SR2, mono dub"

31JUL69 [EMI] ABBEY ROAD SESSION #31
_ You Never Give Me Your Money "SIs"
_ Golden Slumbers/Carry That Weight "SIs"

01AUG69 [EMI] ABBEY ROAD SESSION #32
_ Because "Tks 1-15 & 17-23"
% Because "Take 16" 
o Because "Harmony vocals SI 1 of 3 (1st minute,then LP)"

04AUG69 [EMI] ABBEY ROAD SESSION #33
% Because "Harmony vocals SI 2 of 3"
% Because "Harmony vocals SI 3 of 3"
o Because "ANTH3, harmony vocals SI1, 2, and 3"

05AUG69 [EMI] ABBEY ROAD SESSION #34
% You Never Give Me Your Money "tape loops for crossfades"
% Because "SI moog"
% The End "SI vocal"
_ Tape copy of John & Yoko noise

06AUG69 [EMI] ABBEY ROAD SESSION #35
_ Here Comes The Sun "SIs"
_ Maxwell's Silver Hammer "Moog SI"
X Maxwell's Silver Hammer forgeries are found on bootlegs.

07AUG69 [EMI] ABBEY ROAD SESSION #36
% The End "3-way guitar solos"

08AUG69 [EMI] ABBEY ROAD SESSION #37
% The End "SIs"
% I Want You (She's So Heavy) "Moog + drum SIs on 23FEB Trident master"
% Oh! Darling "SIs"

11AUG69 [EMI] ABBEY ROAD SESSION #38
% I Want You (She's So Heavy) "SIs"
_ Oh! Darling "SIs"
_ Here Comes The Sun "SIs"

11AUG69 Mixing of stereo Dig It and Maxwell's Silver Hammer Acetates

xxAUG69  PAUL AND RINGO: MARY HOPKIN SESSION
o Que Sera Sera
o The Fields of St. Etienne

15AUG69 [EMI] ABBEY ROAD SESSION #39
% Golden Slumbers/Carry That Weight "OM Orchestra SI"
% The End "OM Orchestra SI"
% Something "OM Orchestra SI" 
% Here Comes The Sun "OM Orchestra SI"
% Here Comes The Sun "George's guitar solo SI"

18AUG69 [EMI] ABBEY ROAD SESSION #40
% The End "Piano SI"
o The End "ANTH3 remix"

19AUG69 [EMI] ABBEY ROAD SESSION (THE LAST) #41
_ Here Comes The Sun "Moog SI"

20AUG69 Abbey Road LP mixing and sequencing attended by the Beatles.
% I Want You (She's So Heavy) "LP = 1st 4:37 of 18APR + last 3:07 of 08AUG"

22AUG69  [LONE BEATLE] GEORGE AND RINGO: BILLY PRESTON'S LP
That's The Way God Planned It was released on this date.
o That's The Way God Planned It "LP"

22AUG69 + 26AUG69  LONE BEATLE PAUL: BADFINGER SESSIONS
McCartney on piano.
o Come And Get It "Magic Christian Music LP"

02SEP69  [LONE BEATLE] GEORGE AND RINGO: LEON RUSSELL SESSIONS BEGIN
They're on almost all of Leon's 1st album.
o Leon Russell (LP)
o (Can't Seem To) Get A Line On You (bonus track)

SEP69  [LONE BEATLE] GEORGE: RADHA KRISHNA TEMPLE
o Sri Guruvastak
o Sri Isopanisad
  
?AUG/SEP69?  LONE BEATLE JOHN: DEMO RECORDING
_ Rock Peace
o Cold Turkey "doubletracked acoustic w/vocal"
o Cold Turkey "doubletracked vocal"
o Cold Turkey "w/vocal + Yoko vocal"

11SEP69 More work done on What A Shame, Mary Jane

13SEP69  PLASTIC ONO BAND: LIVE PEACE IN TORONTO - 1969
MIXNotes: The LP, CD, and film each have a different mix.
o Blue Suede Shoes/Money/Dizzy Miss Lizzie/Yer Blues/Cold Turkey
o  /Give Peace A Chance/Don't Worry Kyoko/John,John

18SEP69  LONE BEATLE PAUL: BADFINGER SESSIONS
McCartney on piano.
o Rock Of All Ages "Magic Christian Music soundtrack (long version)"

25SEP69  [EMI] LONE BEATLE JOHN: COLD TURKEY SESSION
J, Clapton, Voorman, Ringo, Yoko
_ Cold Turkey "Takes 1-26"

26SEP69  =MOTHER RELEASE=  ABBEY ROAD   "APPLE PCS 7088"
o ABBEY ROAD  [STEREO LP] 
SIDE ONE
o COME TOGETHER
o SOMETHING
o MAXWELL'S SILVER HAMMER
o OH! DARLING
o OCTOPUS'S GARDEN
o I WANT YOU (SHE'S SO HEAVY)
SIDE TWO
o HERE COMES THE SUN
o BECAUSE
o YOU NEVER GIVE ME YOUR MONEY
o SUN KING/MEAN MR. MUSTARD
o POLYTHENE PAM/SHE CAME IN THROUGH THE BATHROOM WINDOW
o GOLDEN SLUMBERS/CARRY THAT WEIGHT
o THE END
o HER MAJESTY

28SEP69  [TRIDENT] LONE BEATLE JOHN: COLD TURKEY REMAKE SESSION
o Cold Turkey "Acetate performance w/OV edit at end"

02OCT69 [EMI] REMIX SESSION
Stereo remix w/animal sounds of Across The Universe (see 08FEB68).

03OCT69  PLASTIC ONO SESSION
J, R, Yoko, Clapton, Voorman
% Don't Worry Kyoko

05OCT69  PLASTIC ONO SESSION
% Cold Turkey "SIs"

OCT69  [LONE BEATLE] GEORGE AND RINGO: DORIS TROY SESSIONS
G and R on most of her tracks at this time; her singles released 13FEB70, 28AUG70, 
and her eponymous LP released 11SEP70.
o Vaya Con Dios/Ain't That Cute
o Get Back/Jacob's Ladder
o Doris Troy LP

07OCT69  LONE BEATLE GEORGE: RICK GRECH SOLO (aka BLIND FAITH) SESSIONS
Lineup: George Harrison w/Rick Grech, Denny Laine, Trevor Burton.
Bonus tracks on CD BLIND FAITH, Deutschland-only.
o Exchange and Mart
o Spending All My Days

20OCT69  Release LP Wedding Album

27OCT69  [EMI] LONE BEATLE RINGO: SENTIMENTAL JOURNEY SESSION 1 
% Night And Day

?NOV?69  GEORGE AND RINGO: AASHISH KHAN SESSION
_ In Praise Of The Lord (We Are All Children Of God)

NOV69  Joe Cocker releases "Something", a Harrison song.

06NOV69  [WESSEX] SENTIMENTAL JOURNEY
_ Stormy Weather "Unreleased"
07NOV69  [WESSEX] SENTIMENTAL JOURNEY
% Stardust
14NOV69  [TRIDENT] SENTIMENTAL JOURNEY
% Dream
_ Stardust "SIs"

26NOV69 [EMI] LAST MARY JANE SESSION -AND- LAST YOU KNOW MY NAME SESSION #6
o What's The New Mary Jane "RS5 w/Yoko & other horns"
o What's The New Mary Jane "Unedited tape -> unreleased single"
o What's The New Mary Jane "Stereo edit for unreleased single"

28NOV69  [EMI] SENTIMENTAL JOURNEY
% Blue Turning Grey Over You
_ Stardust "SIs"

LateFALL69  CHRISTMAS RECORDINGS
o The Beatles' Seventh Christmas Record
o John & Yoko's Happy Xmas Ditty

DEC69 Post-production of LET IT BE film & soundtrack completed.

02DEC69-07DEC69  LONE BEATLE GEORGE: CONCERTS W/DELANEY & BONNIE & FRIENDS
o I Don't Want To Discuss It
o Medley: Tutti Fruitti/The Girl Cant Help It/Long Tall Sally/Jenny Jenny
o Poor Elijah/Tribute To Johnson
o That's What My Man Is For
o Things Get Better
o Where There's A Will There's A Way

02DEC69-04DEC69 Stereo mix: Lady Madonna, Rain, Hey Jude, Revolution for LP

04DEC69  LONE BEATLE JOHN: [EMI] 24-HOURS SESSION
o Item 1 (Laugh) "Also filmed"
o Item 2 (Whispers)

06DEC69  DELANEY & BONNIE & FRIENDS: CONCERT @ LIVERPOOL EMPIRE
George, Eric Clapton,
o Everybody's Trying To Be My Baby "right date?"

06DEC69  LONE BEATLE RINGO: FROST ON SUNDAY INTERVIEW AD-LIB
_ Octopus's Garden

07DEC69  DELANEY AND BONNIE ON TOUR WITH ERIC CLAPTON LP
George, Eric Clapton,
Concerts (2 houses) at Fairfield Hall in Croydon.
o Coming Home
o Only You Know And I Know

08DEC69  [VIDEO] LONE BEATLE RINGO:"WITH A LITTLE HELP FROM MY FRIENDS"
Aired 24DEC69.
o Octopus's Garden "new vocal to Beatles backing track w/OM SI"

10DEC69-12DEC69 LONE BEATLE GEORGE: DELANEY & BONNIE COPENHAGEN CONCERTS
10DEC69 LONE BEATLE GEORGE: DELANEY & BONNIE COPENHAGEN CONCERTS
o Only You Know And I Know 
o Coming Home

12DEC69 LONE BEATLE GEORGE: DELANEY & BONNIE COPENHAGEN CONCERTS
o Don't Know Why "12DEC69"
o Medley: Tutti Fruitti/The Girl Cant Help It/Long Tall Sally/Jenny Jenny
o I Don't Want To Discuss It
o My Baby Specializes
o Poor Elijah/Tribute To Johnson
o That's What My Man Is For
o Where There's A Will There's A Way


12DEC69  ==MOTHER RELEASE== ACROSS THE UNIVERSE [STEREO ORPHANED SONG] "STAR LINE SRS 5013"
o ACROSS THE UNIVERSE [STEREO LP No One's Gonna Change Our World] "Wildlife version"


15DEC69  PLASTIC ONO SUPERGROUP: PEACE FOR CHRISTMAS CONCERT AT THE LYCEUM
Lineup: John, George, Yoko, Eric Clapton, Billy Preston, Keith Moon,
Klaus Voorman, Bobby Keys, Alan White, Jim Gordon, Delaney & Bonnie.
Organ overdubbed by Nicky Hopkins in 1971. Released on SOME TIME IN NEW YORK CITY.
o Cold Turkey
o Don't Worry Kyoko

15DEC69  More Get Back mixing
21DEC69  More Get Back mixing

XMAS-69  PAUL McCARTNEY:[St.John's Wood] McCARTNEY LP HOME RECORDINGS
% The Lovely Linda
% That Would Be Something
% Valentine Day
% Momma Miss America
% Glasses
% Oo You
% Teddy Boy
% Junk
% Singalong Junk

29DEC69  LONE BEATLE JOHN: PRESS CONFERENCE
o O Kristelighed

03JAN70  [EMI] LET IT BE LP SESSION # 
The Beatles at their final group session: George, Paul, and Ringo
o Chatter "...carry on..., ANTH3"
o I Me Mine "Take 16, ANTH3,true length version"
_ Peggy Sue Got Married

04JAN70  EMI
% For You Blue "Vocal SI to 25JAN69 -> OV LP"
% Let It Be "Orchestra SI"
% Let It Be "Guitar solo SI for LP version"
o Let It Be "Let It Be 45 track = tk 27A w/30APR69 solo + orchestra SI"
o Let It Be "Let It Be LP track = tk 27A edit w/04JAN70 solo + orchestra SI"

05JAN70  [OLYMPIC] MASTER TAPE BANDING GET BACK LP (2ND TRACK LINEUP)
08JAN70  [EMI]  LET IT BE SESSION
% For You Blue "Vocal SI"

14JAN70  [EMI] SENTIMENTAL JOURNEY
_ Love Is A Many Splendoured Thing

21JAN70  MIX SESSION
Stereo mix of The Inner Light was made.

27JAN70 [EMI] PLASTIC ONO BAND 45 SESSION
Lineup: John Lennon, George Harrison, Mal Evans, Yoko Ono, Alan White, Klaus 
Voorman, Billy Preston, patrons of the Hatchett nightclub. Prod:Phil Spector
_ Instant Karma "Takes 1-10 and SIs"
% Who Has Seen The Wind

JAN70  LONE BEATLE JOHN WITH KYOKO (HOME IMPROVISATIONS)
o 16-minute tape
o 39-minute tape

03FEB70/05FEB70/09FEB70  [EMI] RINGO STARR SENTIMENTAL JOURNEY
Ringo Starr, Billy Preston
% Love Is A Many Splendoured Thing "REMAKE and SIs"
_ Whispering Grass "Demo"
% Have I Told You Lately That I Love You

10FEB70  LONE BEATLE MCCARTNEY: [MORGAN] McCARTNEY STUDIO SESSION 1
% Hot As Sun

10FEB70  LONE BEATLE JOHN: TOP OF THE POPS OVERDUB SESSION
o Instant Karma! (We All Shine On) "Yoko instructions performance"
o Instant Karma! (We All Shine On) Fragment "Yoko knitting performance"
11FEB70  [VIDEO] LONE BEATLE JOHN: LIPSYNC VIDEO FOR TOP OF THE POPS 

11FEB70-12FEB70  [EMI] RINGO STARR: SENTIMENTAL JOURNEY
Ringo and Billy Preston.
% I'm A Fool To Care
% Let The Rest Of the World Go By

12FEB70  LONE BEATLE MCCARTNEY: [MORGAN] McCARTNEY STUDIO SESSION 
% Kreen-Akore

18FEB70  RINGO STARR: SENTIMENTAL JOURNEY
% Have I Told You Lately "SI"
% Let The Rest Of the World Go By

18FEB70  RINGO STARR: EVENING SESSION
Ringo, George, Klaus Voorman, Stephen Stills.
_ It Don't Come Easy "Early version"
o It Don't Come Easy "Lead vocal by George"

21FEB70 McCARTNEY: [EMI] Mixing Xmas-69 tapes. 
22FEB70 McCARTNEY: [EMI] McCARTNEY LP SESSION
% Every Night
% Maybe I'm Amazed
24FEB70 McCARTNEY: [EMI] Overdubbing and mixing Xmas-69 tapes. 

24FEB70  RINGO STARR: [EMI] SENTIMENTAL JOURNEY
% Blue Turning Grey

25FEB70 MCCARTNEY: [EMI] McCARTNEY LP SESSION
% O Man We Was Lonely

25FEB70  RINGO STARR: [DeLane Lea] SENTIMENTAL JOURNEY
% You Always Hurt the One You Love

MAR70  LONE BEATLE GEORGE: ASHTON, GARDNER AND DYKE SESSION
Harrison on guitar.
o I'm Your Spritual Breadman

05MAR70  RINGO STARR: [Morgan] LAST SENTIMENTAL JOURNEY SESSION
% Whispering Grass
% Bye Bye Blackbird

MAR70  [LONE BEATLE] RINGO: STEPHEN STILLS SESSIONS
o To A Flame
o We Are Not Helpless
o As I Come Of Age

06MAR70  Release 45 Let It Be c/w You Know My Name (Look Up The Number)

08MAR70/11MAR70  RINGO STARR: 45 SESSIONS
Ringo, George.  "It Don't Come Easy" was finished in October 1970.
% It Don't Come Easy "REMAKE"

15MAR70  LONE BEATLE RINGO: PROMO FILM
Aired 17MAY70 Ed Sullivan Show
o Sentimental Journey

23MAR70/25MAR70/26MAR70/30MAR70 PHIL SPECTOR'S REMIX OF LET IT BE LP
_ I've Got A Feeling "Unreleased Spector Mix of 28JAN69"
_ Teddy Boy "Unreleased Spector Mix"
_ Chatter Segments: Quiet Please, God Save the Queen, etc.
_ For You Blue Tape Loop With Soundtrack SIs

27MAR70  Release of LP Sentimental Journey

01APR70  FINAL RECORDING SESSION
Ringo Starr.
% Across The Universe "Ringo & orchestra SI"
% The Long And Winding Road "Ringo & orchestra SI"
% I Me Mine "Ringo & orchestra SI"

02APR70  PHIL SPECTOR COMPLETES REMIX OF LET IT BE LP
With this event, the musical history of The Beatles comes to the end.  
============================================================================================
APPENDIX TO EVEREST: SIGNIFICANT POST-BEATLES EVENTS

10APR70  McCartney announced breakup of The Beatles in advance LPs.
17APR70  Release of LP McCartney.
08MAY70  =MOTHER RELEASE= of LP Let It Be.
13MAY70  Premiere of film Let It Be.

본문

30대도 원더걸스 '텔미' 중독, 어쩌면 좋아? 겁나게 우리를 중독시킨 소녀들에 대한 보고서

조은미 (cool)

▲ 원더걸스의 '텔미' 뮤직비디오 ⓒ JYP 엔터테인먼트 원더걸스   "하루 종일 귀에서 '텔 미, 텔 미 테테테테테 텔 미'하는 노래가 들린다. 이러니 계속 흥얼거리게 된다. 진짜 빠지면 헤어나오기 어렵다." 30대 김유식씨는 황당했다. 나이가 몇인데 10대 아이돌 가수 노래에 이렇게 빠지다니? 창피했다. 그런데 'Tell Me' 중독자가 그 뿐이 아니었다. 둘러보니 많았다.   20대는 아예 '텔미' 춤까지 췄다. 부러웠다. 김유식씨도 집에서  '텔미' UCC를 따라해 봤다. 할수록 재미있었다. 근 10년 만이었다. "천사를 찾아, 사바사바" 하고 노래 부르며 엉덩이 두드리던 때로 돌아간 듯 했다.   듣는다-따라 부른다-본다-따라 춘다-UCC도 만든다   ▲ 원더걸스 선미, 소희. ⓒ JYP엔터테인먼트 원더걸스 원더걸스의 '텔미'가 열풍을 넘었다. '텔미' 중독 증세를 호소하는 이들이 숱하다. '텔미 중독증'엔 단계도 있다.   1단계, '텔미' 노래를 자꾸 듣는다. 2단계, '텔미' 노래를 따라 부른다. 종일 흥얼거린다. 3단계, 원더걸스가 만든 '텔미' 뮤직비디오를 마스터 하고, '텔미' 댄스 UCC를 찾아본다. 4단계, '텔미' 댄스를 따라 한다. '살랑살랑' 춤을 추고, '팔찌춤'을 춘다. 5단계, '텔미'댄스 UCC를 제작한다.   당신은 지금 어느 단계인가? 1단계는 낫다. 2단계 이르면 헤어 나오기 어렵다. 많은 이들이 4단계와 5단계까지 진출했다.   올 가을 고등학교와 대학 축제 최고 스타는 원더걸스였다. 정확히는 원더걸스의 '텔미'였다. 지난 9월 교통사고가 난 것도 원더걸스가 지방 대학축제를 뛰고 올라오다 일어난 일이었다. 미처 원더걸스를 초대하지 못한 학교에도 '텔미' 열풍은 덮쳤다.   꿩대신 닭, 학교마다 '짝퉁' 원더걸스가 축제 무대를 빛냈다. 남학생들은 긴 머리 가발에 짧은 미니스커트, 원더걸스 스타일 여장도 서슴지 않았다. 무대에 서서 '텔미' 댄스를 췄다.   학교만이 아니었다. 유행의 외곽지대인 군대도 '텔미' 열풍에선 예외가 아니다. 원더걸스가 군부대에서 공연했다. 또 군인 버전 '텔미' 댄스 UCC도 등장했다.   특별히 섹시하지도 않고 특별히 대단한 미모도 아닌데다가 특별히 기가 막히게 노래를 잘 하지도 않는 이들에게 대한민국이 홀딱 빠진 이유가 뭘까? 가요계를 떠났다는 30·40대마저 아이돌 가수에 열광케 만든 이유는 뭘까?   원더걸스, 예쁘지는 않지만 사랑스러운 롤리타?         대중음악 평론가인 김작가씨는 "2003년 문근영으로 증명됐듯이 우리나라에서 가장 폭발력 있는 코드가 '롤리타 코드'"라며 "원더걸스는 가요계 최초로 롤리타 코드가 이식된 경우로 봐야 한다"고 지적했다.   실제 원더걸스에서 최고 인기를 누리는 멤버는 안소희다. 안소희는 별명이 '만두'. 통통한 볼 때문이다. 팬들도 인정하듯이 솔직히 소희는 특출난 미모라고 말하기엔 부족하다. 하지만 귀엽다. 팬들도 "뭐라 탁 꼬집을 순 없지만, 너무 귀엽다"며 열광한다.   김작가씨는 "'텔미' 하면 떠오르는 게, "어마나" 하며 소희가 뺨 가리는 것"이라며 그것이 원더걸스 이미지의 핵심이라고 말한다. 그는 "그래서 다른 아이돌 스타와 달리 10대 남자들뿐만 아니라 30대 40대 아저씨들까지 원더걸스에 열광한다"고 덧붙였다.   최근 여성 아이돌은 하나 같이 섹시 콘셉트를 표방했다. 대표적인 게 이효리다. 그러나 이젠 더 이상 섹시 콘셉트가 매력적이지 않은 상황에서 원더걸스가 '롤리타 코드'를 들고 나와 성공했다는 것이다.   그 귀여운 매력이 폭발한 게 '텔미'다. 이제 20대가 돼버린 '국민 여동생' 문근영의 빈 자리를 소희가 채운 걸까?   단순하게 스며드는 '텔미' 중독   물론 그뿐이 아니다. 원더걸스는 사실 싱글 '아이러니'로 데뷔했다. 하지만 지금 '텔미'만한 인기를 얻지 못했다. 그런데 '텔미'는 왜 유독 인기가 많을까? 이젠 아이돌 스타 이름도 못 외우는 30·40대를 '텔미'는 어떻게 사로잡았을까?   김작가씨는 그 이유로 "중독성 있는 멜로디 라인과 넓은 층에 어필하는 복고적 사운드의 결합"을 들었다.   '텔미'는 최근 신인 가수들이 숱하게 들고 나오는 노래들과 사뭇 다르다. 일단 노래가 쉽다. 멜로디가 단순하다. 랩도 별로 없고, '꺾기'도 없다. 웬만한 '노래치'도 듣고 따라하기 쉬울 정도다. 거기다 "텔 미 텔 미 테테테테테 텔미" 후렴구가 수차례 반복한다. 반복은 세뇌를 낳는다. 가사도 단순하다. 거기다 신난다. 들으면 신나고, 따라하면 더 신난다. 소희라도 된 양 "어머나" 하며 뺨에 살짝 손을 대보는 재미가 쏠쏠하다.   김작가씨는 "요즘 음악들이 대중들한테 익숙지 않은 흑인 팝 음악 사운드를 차용해서 억지로 가요로 만든 바람에 설득력이 없었는데, 빅뱅의 '거짓말'이나 원더걸스의 '텔미'는 80년대 사운드에 기반했기에 당연히 친숙하다"고 분석했다.   이 분석은 의미심장하다. 가요가 '그들만의 리그' 같다 느끼며 가요를 외면하던 이들에게 '우리 같이 리그'할 노래가 나온 셈이랄까?   최근 콘서트 무대에선 노래 따라 부르는 관객들을 보기가 어려웠다. 소수 10대 열혈팬만 따라했다. 하지만 빅뱅의 '거짓말'과 원더걸스의 '텔미' 콘서트장은 사뭇 다르다. 원더걸스 콘서트장에선 관객들 노래 소리에 원더걸스의 노래가 묻히는 일이 종종 일어난다.   군부대에 원더걸스가 공연을 갔을 때도 진풍경이 연출됐다. 다른 가수 공연엔 그저 넋놓고 바라보던 군인들이 원더걸스 '텔미' 공연에선 달랐다. 노래를 따라불렀다. 군인들의 합창 에 원더걸스가 부르는 '텔미'는 들리지 않았다. 80년대 90년대 초반에나 보던 풍경이었다.   오랫동안 기다려온 원더걸스, 데뷔 전에 데뷔했다     ▲ 원더걸스 선예, 소희, 예은(왼쪽부터). ⓒ JYP엔터테인먼트 원더걸스   '텔미' 열풍의 비결은 또 있다. 최근 미국 팝은 80년대 '복고'가 트렌드다. 마돈나도 크리스티나 아길레라도 '복고'풍 '레트로'다. 미국에 상주하던 박진영이 그걸 모를 리 없다. '텔미'는 알려진 대로 스테이시 큐의 '투 오브 하트(Two of hearts)' 를 샘플링 했다. 그걸 박진영이 작사, 작곡하고 프로듀싱 했다.   김작가씨는 "미국 팝의 핵심 코드가 복고로 80년대 레트로 사운드"라며, "원더걸스가 80년대 스테이시 큐로 샘플링한 걸 보면, 박진영이 미국 시장 흐름을 정확히 읽어냈다"고 지적했다.   그뿐 아니다. 원더걸스는 박진영이 주도하는 JYP엔터테인먼트가 오랜 시간 공들여 키운 야심작이다. JYP엔터테인먼트가 설립 10년 만에 내놓은 첫 여성그룹이다. '텔미' 가사처럼 "얼마나 오래 꿈꿨는지 몰라"다. 리더인 민선예는 2001년 SBS '박진영의 영재육성프로젝트, 99%의 도전'에서 발굴한 천재 소녀다. 다른 멤버도 JYP에서 오랜 시간 공을 들인 JYP 연습생이다.   데뷔도 주도면밀했다. 원더걸스는 데뷔 전에 데뷔했다. 요즘 아이돌 스타의 등용문처럼 돼버린 '리얼리티 프로그램'을 원더걸스도 정식 데뷔 전에 찍었다. 'MTV Wonder Girls'였다.    MTV에서 10회 분량인 시즌1을 찍고 인기가 높자, 시즌2까지 찍었다. 시즌1 'MTV 원더걸스'는 원더걸스로 미리 선정된 JYP연습생 4명과 함께할 다섯 번째 멤버를 찾는 오디션을 보여줬다. 그 때 박예은이 뽑혔다. 미국 6인조 여성그룹 '푸시캣돌스'의 7번째 멤버를 뽑던 미국 리얼리티 프로그램 '넥스트 푸시캣 돌스'를 연상시키는 프로였다.   그런데 그뿐이 아니었다. 이 프로는 한편으로 '원더걸스 데뷔일기'를 보여줬다. 이미 뽑힌 4명이 '인간극장'을 찍었다. 그렇게 원더걸스 각 멤버들 캐릭터가 드러났고, 팬들이 생겨났다. 데뷔 전에 팬클럽도 생겼다. 지금 최고 인기를 누리는 남자 아이돌 그룹 빅뱅도 데뷔 전 이런 리얼리티 프로그램을 찍었다.   텔미, 너도 내 옷차림을 좋아할 줄은 몰랐어   원더걸스의 매력은 또 있다. 원더걸스는 다른 여자 가수나 아이돌 그룹과 스타일도 달랐다. 패션도 '복고'였다. 아슬아슬하게 세련된 촌스러움이 빛나는 스타일이었다. 컬러는 튀고, 메이크업도 튀었다.   패션 크리에이티브 디렉터 하상백씨는 "레트로를 일렉트로닉 버전으로 리믹스한 노래에 맞춰, 요즘 언더그라운드 클럽신 아이디어를 많이 쓴 듯 하다"며 "노래가 그런 만큼 룩도 그리 잘 맞춰서, 일부러 적당히 '저렴해 보이게' 입은 것 같다"고 분석했다.   베스트·테일러드 재킷에 원 버튼, 딱 달라붙는 레깅스나 타이트 스키니 진, 또는 핫팬츠에 블링블링한 아이템을 입는다든가 하는 식으로 여러 요소들을 잘 섞었다는 것이다. 헤어스타일도 짧은 숏컷도 있고 긴 머리를 묶은 포니테일도 있고.   이어서 하상백씨는 "이런 스트리트 룩과 언더그라운드 신의 룩이 사람들 눈높이에 딱 맞는다"고 덧붙였다. 보기엔 멋져도 감히 입을 수 없을 것 같은 연예인 룩이 아니라고 할까?   이런 스타일링도 원더걸스가 다른 아이돌 그룹과 다른 이미지를 만드는 데 한몫 했다. 예를 들어 '소녀시대'와 '원더걸스'는 같은 10대지만 아주 다르다. '소녀시대' 하면 '청순함'이 탁 떠오른다. 발랄하고 꿈 많은 소녀시대. 하지만 원더걸스는? 탁 하나로 떠오르기보다 온갖 이미지가 떠오른다. 멤버별 캐릭터가 각자 다르기 때문이다.   패션 크리에이티브 디렉터 하상백씨는 "원더걸스는 멤버들이 캐릭터에 맞게 옷을 잘 입는다"며, "소희는 옆집 소녀 같은 발랄한 옷을 입고, 다른 한 명은 매니쉬하게 긴 바지에 재킷을 입고, 공주 컨셉트으로 입는 멤버도 한 명 있다"고 지적했다. 캐릭터별로 옷이 달라서, 무대 위에서 버라이어티 쇼를 보여준다는 것이다.   원더걸스의 '텔미' 열풍엔 다 이유가 있다.   ▲ 지난 9월12일 발매한 원더걸스 1집 앨범 ‘The Wonder Years’ .

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	박명준의 '유럽에서의 사색'〈27> 독일, 한국의 정국 감상법
	2007-10-29 오전 8:32:38

출범 2주년을 맞는 독일의 대연정에서 사회민주당(SPD)은 적녹 연정 시절 말기에 상실했던 인기를 아직도 만회하지 못하고 있다. 대연정에서 추진한 많은 정책이 이전 슈뢰더 정권 때 자신들이 내세운 개혁안이었음에도, SPD는 대연정의 '얼굴 마담'이요, 기독교민주당(CDU)의 당수인 앙엘라 메르켈(Angela Merkel)에 밀려, 그녀의 높은 대중적 인기를 그저 침만 삼키며 지켜 봐야했다.      CDU와 SPD의 지지율만 놓고 비교하자면, 과거 35% 대 35%였던 '박빙의 시대'가 간지 오래다. 이제 40% 대 30%의 관계가 거의 안착된 것처럼 보인다. 이러한 상황이 2년간 계속되면서 SPD는 내적으로 분열하지 않을 수 없었다. 이미 일부는 좌파정당(Die Linke)으로 이전 정권 말에 떨어져 나간 터였다.      지난 정권의 당권파들, 즉 SPD 우파는 대연정에 적극적으로 참여하면서, 게하르트 슈뢰더(Gerhard Schröder) 전임 수상이 주창했던 '아젠다 2010' 프로그램의 사수를 위해, 이런저런 자리에 각료로 포진했다. '과거 SPD로의 복원'을 외치는 오스카 라퐁텐(Oskar Lafonten) 류의 급진 좌파는 당사를 박차고 나가, SPD 왼편에 새로운 좌파정당을 세웠다.      그러는 사이에, 한편으로는 우파를 내각으로 내몰고, 다른 한편으로는 당외 급진 좌파를 조롱하는 당내 좌파 세력이 지난해 5월 SPD의 당권을 쥐었다. 이들의 당권 쟁취와 동시에 등장한 인물이 바로 쿠어트 벡(Kurt Beck)이다. 이 벡의 뒤에는 바로 안드레아 나알레스(Andrea Nahles) 등 신진 좌파 그룹이 포진해 있다. SPD는 이들 신진 좌파의 시대를 조용히 열었다.      독일 '신진 좌파'의 '좌향좌'    ▲ 게하르트 슈뢰더의 뒤를 이어 SPD를 이끌고 있는 쿠어트 벡. 그는 최근 더욱더 '좌향좌' 노선을 강화하고 있다. ⓒwelt.de   그러나 벡의 역량은 당내외적으로 빨리 공고화하지 못했다. 당 대표로 취임한 후 그는 끊임없이 SPD의 리더로서의 자질과 대중적인 인기를 놓고 의심의 눈총을 받아 왔다. 슈뢰더라는 걸쭉한 대중스타가 사라진 후, 일종의 '에피고넨의 시대'에 등장한 벡은 대중에게 왠지 전임 '미디어 수상'이 지녔던 카리스마에 필적할 그 무언가가 부족해 보였다.      메르켈의 리더십으로 대연정이 굴러가는 사이, 독일 경제는 오랜 침체 후 마침내 회생의 징후를 보였다. 10년 묵은 체증이었던 고실업이 드디어 잡히는 듯한 고무적인 현상도 나타났다. 심지어 메르켈마저 이러한 정책의 공을 슈뢰더 시절의 개혁에 돌리는 정치적 겸손을 보였다. 그 결과로 다시 메르켈의 인기를 올리는, CDU의 입장에서는 선순환을, SPD의 입장에서는 악순환을 초래했다.      이러한 상황에서, 벡을 위시한 SPD의 신진 좌파는 대중 앞에서 자신의 좌파 지향적 정체성을 부각하기 시작했다. CDU와 메르켈에 대한 비판뿐 아니라, 지난 정부를 이끌고 현 대연정에 적극 참가한 당내 우파도 비판을 면치 못했다. 특히 올해 초부터 벡은 SPD가 '민주적 사회주의(Domokratischer Sozialisums)'의 기치를 회복해야 한다고 본격적으로 외치며, 법인세 인하를 비롯한 현재 대연정 주도 세력이 추구하는 우파 정책을 비판하고 나섰다.      10월 26일 전당대회가 다가올수록 벡의 붉은 목소리는 더욱 카랑카랑해졌다. 급기야 벡은 지난 시기 슈뢰더 정부의 상징적인 정책인 '아젠다 2010'의 수정까지 구체적으로 요구하고 나섰다. 대표적으로 그 프로그램 하에서 단축된 실업수당(Arbeitslosengeld I)의 지급 기간을 다시 늘릴 필요가 있다고 주장했다.      이는 당시 개혁 정책의 설계자이자 현 정부의 노동 정책의 실권자인 '슈뢰더의 적자'로 불리는 뮌터페링(Münterferring)에 대한 정면 도전이었다. (그는 슈뢰더 이후 현 SPD 우파의 우두머리 격이다.) 메르켈과 슈뢰더에 대한 불만이 뮌터페링을 공격하는 데까지 이른 것이다. 슈뢰더나 뮌터페링은 이를 용납하려 들지 않았고, 전당 대회를 앞두고 당내 갈등은 계속되었다.      결국 지난 주말 함부르크에서 열린 전당 대회는 벡과 당내 신진 좌파에게 압승을 안겨주었다. 벡은 95%의 압도적인 지지율로 당수직을 인증 받았고, 벡의 후미에 신진 좌파의 실세로 군림해 온 나알레스도 약 75%의 지지율로 부총재의 위치에 올라섰다.      이런 SPD의 좌향좌는 2년 후로 예정된 차기 총선이 다가올수록 점점 더 심화될 것으로 예측된다. 특히 자본주의 사회에서 호경기의 시기일수록 노동계급의 불만이 심화되고, 대중적 저항이 드세 질 가능성이 높다는 사실을 고려하면, 독일 경제가 살아난 이 상황은 SPD의 좌향좌를 더욱 부추길 가능성이 있다.      게다가 차기 선거에서 수상 후보급의 '인물'로 거듭나려면, 벡 스스로 더 일관되고 선명한 입장에서 맞수인 메르켈과 선을 그을 필요가 있다. 그는 아마 지금까지보다 더 전투적으로 SPD의 '좌향좌'를 외칠 것으로 보인다. 그 과정은 당내 우파와의 새로운 전선 긋기와 전면 대결도 불사하는 것일 수 있고, 구체적으로 이전 정책에 대한 수정의 정도도 깊어질 수 있다. 이는 무엇보다도 벡 자신의 좌파적인 이미지와 정치적 카리스마를 고양시키는 방법일 것이다.      그러한 과정에서 대연정의 삐걱거림은 더욱 소음이 높아질 수 있다. 신진 좌파들이 이끄는 SPD의 행보에 대중이 반응 정도에 따라, 대연정의 붕괴도 배제할 수 없다. 지난 2년이 '봉합의 시대'였다면, 향후 2년은 어설프게 꿰맸던 자리의 실밥을 터뜨리고 다시 꿰매거나 아니면 아예 다 뜯어 버리는 시도로 발전해서 독일 정가가 꽤 시끄러울 예정이다.      정동영의 '좌향좌', 그리고 다음 카드는?      2년 전 SPD는 내각을 해산했지만, 올해 열린우리당은 아예 스스로 해체했다. 그 해체를 주도했던 정동영은 대통합민주신당의 대선 후보로 선출되었다. 그는 지금 어려운 줄타기를 할 수밖에 없다. 무조건 노무현과 이명박의 두 산맥 사이에서 자신의 깃발을 눈에 띄게 흔들어야 한다.      지금은 정확히 1년 전 그가 2개월간의 독일 칩거를 마치고 돌아와 머리를 긁적이듯 '신중도'를 우물거리며 끄집어냈던 시절의 정치 지형과 많이 다르다. 그는 '평화‧개혁 세력'의 대통령 후보로 좀처럼 오르지 않는 지지율과 씨름하며 이명박과 다른 자신의 선명성을 부각해야 한다.      무엇보다도 그에게 더 이상 우향우는 영양가가 없어 보인다. 그는 자유무역협정(FTA)도 수정하고, 동일 노동 동일 처우도 실현하고, 비정규직도 사회 협약으로 대안을 내겠다고 외친다. 이라크에 보낸 군대도 철군시키자고 주장한다. 1년간의 고초를 통해 결국 그의 '신중도'는 '신좌도'로 옷의 색깔을 바꾼 듯하다.      열린우리당 시절의 정책을 수정하는 그의 정책 방향이 대체로 좌향좌하는 것은 의미심장하다. 결국 노무현 정부 실패의 원인이 좌파 정책이 과도했기 때문이 아니라, 신자유주의 성격을 띤 우파 정책이 과도했거나, 아니면 좌파 정책이 미진했음을 간접적으로 고백하는 형국이기 때문이다.      이렇게 올 가을 독일과 한국의 상대적 좌파 세력의 새로운 리더들이 취하는 공통적인 코드는 '좌향좌'이다. 각각 메르켈과 이명박이라고 하는, 높은 대중 인기를 누리는 보수 정객과의 힘겨운 싸움을 치르고 있는 벡과 정동영에게 '좌향좌 카드'는 무엇보다도 정치가 개인으로서 자신들의 선명성을 부각하고 지지자들 사이에서 입지를 강화하는 데 쓰일 것으로 보인다.      벡이 스스로 크기 위해서 '슈뢰더의 코스'를 일부 부정하고 수정하려 하듯이, 정동영도 '노무현의 코스'를 적지 않게 반박하고 나설 수밖에 없다. 반면, 대륙의 서쪽과 동쪽 끝에서 새로 자신의 진지의 수장으로 떠오른 상대적 좌파들이 좌향좌로 선회하는 모습에 대해, 양국의 우파는 모두 "그것은 좌파 포퓰리즘에 불과하다!"는 식의 공통의 역공을 가하고 있다.      양국 모두 우파는 숨을 고르며 무리한 모험을 자제하고 있다. 그 결과인지 대중은 우파의 집권에 아직 그렇게 큰 위기의식을 느끼고 있지 않은 듯하다. 메르켈과 이명박의 인기가 쉽게 내려가지 않고 있는 것은 이런 정서를 반영한다.      이러한 공통점에도, 벡과 정동영에게는 결정적으로 두 가지 차이점이 존재한다. 우선 독일 경제의 회생에 비할 정도로 한국 경제의 회생과 그에 대한 대중의 새로운 만족이 뚜렷이 관찰되지 않고 있다. 또 벡은 차기 선거가 2년 후의 먼 일이라 여유가 있지만, 정동영은 불과 2개월 뒤 '결정적 순간'을 맞는다.      이런 상황을 염두에 두면, 이 시점에서 정동영이 꺼내 들 카드는 과연 무엇일지 궁금해진다. 만일 그것이 더욱 더 급진적인 좌향좌라면, 그 한계선은 어디일까? 과연 그가 그리는 정책의 좌향 곡선과 그에 따라 변동하는 지지율 상승 곡선이 만나는 최상의 좌표점은 어디일까? 그 지점에 도달했을 때 과연 대중은 그에게 권력 획득이라는 궁극의 선물을 안겨줄 수 있을까? 만일 그렇지 않다는 결론에 도달한다면, 그에게는 어떠한 대안 카드가 있을까?

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Exploitation film이라 함은 일단 개요는 이렇다.
영화를 만들고 생산하는 비용을 최저로 하여 호색적인 대중의 구미에 맞게
만들어진 오로지 재미를 추구하는 성향의 스타일이 강한 작품들을 일컫는 총칭이다.
이 용어는 쇼비지니스의 한단면을 그대로 보여주는 용어이며
필름의 그 내용보다는 야한광고나 야한 스타일의 비쥬얼과 스토리를 따라가는 취향의
작품을 나타내는 단어라고 말할수 있다.다른 의미로 트래쉬 씨네마,혹은 펄프필름이라고
일컬어지는 이 작품들은 금단의 성이나 변덕스러운 폭력,그리고 마약,알몸도착증,혹은
섹스도착증과 괴물의 등장을 소재로 삼거나 과격한 신체상해를 축으로 하는
이미지의 영화들이 여기에 해당한다고 볼수있다.
이런 종류의 필름들은 1960년대 초기에 주로 나타났다는 영화인들의 말이 있지만
사실상 익스플로이테이션 필름은 영화가 만들어지는 초기에도 이런종류의 작품들이
다소 많이 존재했었다는것이 사실이다.그러나 1960년대 본격적으로 유럽과 미국등지에서
금기가 풀어지면서 일반화 대중화의 길을 걸어온것이 사실이라고 말할수 있다.
물론 초창기 엑스플로이테이션 필름은 고전적이고 수구적인 아카데미출신의 영화인들에게
멸시를 받거나 보수적인 영화평론가들로부터 모진 압박과 시련을 겪기도 했고 70년대에는
언더그라운드 밑으로 숨어들며 다양한 XXX등급의 작품을 낳기도한 발초를 제공하기도 했다.
그런 의미로 보자면 엑스플로이테이션 필름은 철저하게 대중적인 필름들이라고 볼수 있겠다.
다른 용어로는 paracinema라는 용어도 같이 사용되기도 한다.
(원문의 무단펌을 금지합니다.호러X)
아래는 그런 종류의 작품들을 모은 포스터 이미지..

 

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문국현-심상정, '4조 2교대제' 지상 논쟁
	"기업의 1-2%만 도입 가능" vs "정치 논리로만 접근"
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심상정 "문국현 경제론은 '선한 CEO론'" 2007-09-12 "문국현, 기업경영론과 국가경제론 혼동" 2007-09-03

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'잃어버린 세월' 주장은 국민에 대한 모독   - 국가부도사태 누가 불렀고, 재도약 10년 누가 이뤘나? 청와대 정책실   한나라당이 자신들이 정권을 잡지 못한 지난 10년을 '육란(六亂)시대'라며 그동안 잃어버렸다는 열 가지 목록을 제시했다. '잃어버린 세월 신고목록'이라고 한다. 한나라당이 열거한 열 가지 목록을 일일이 거론하지는 않겠다. 조목조목 짚어볼 기회가 있을 것이다. 한나라당의 주장을 접하다 보면 새삼 명확해지는 바가 있다. 한나라당은 지난 10년 동안 정권을 잃으면서 기억도, 책임도 함께 잃어버렸다는 것이다. 외환위기 초래…한나라당은 기억도, 책임도 잃어버렸나? 1만 2,000달러를 넘었던 1인당 국민소득이 1년 만에 절반 가까운 수준인 7,300달러로 꺾어진 때가 있었다. 올라가야 할 것은 내려가고, 내려가야 할 것은 올라갔다. 실질 GDP는 4.7%('97)에서 마이너스 6.9%('98)로 돌아섰다. 외환보유액은 '97년 39억 달러로 바닥을 드러냈고 국가신용등급은 10단계까지 추락했다(S&P: AA- → B+). 반면 부도업체 수는 1만 7,168개('97)에서 2만 2,828개('98)로 급증했다. 실업률은 2.5%('97)에서 7.0%('98)로, 실업자 수는 46만 명('97.9)에서 178만 명('99.2)으로 늘었다. 영어 한마디 모르던 어린 아이와 시골 어르신까지 '아이엠에프'를 정확히 발음하던 시절이었다. 한나라당이 그렇게 성토하는 양극화, 실업과 파산, 국가채무 증대, 비정규직 증가, 자살률 증대 등의 주요원인은 97년 외환위기에서 비롯된 것이다. 그리고 한나라당은 외환위기라는 국가부도 사태를 불러온 당사자다. 그런 한나라당이 이제 와서 잃어버렸다는 목록을 내놓고 있다. 기억도, 책임도 없다. 97년 이후 10년은 과연 어떠했는가. 지난 10년간 4대 부문 구조조정과 양극화 등 외환위기의 부작용 극복을 위한 동반성장 전략으로 국민소득 2만 달러 시대를 열었다. 비로소 올라가야 할 것이 올라가고 내려가야 할 것은 내려갔다. 수출은 2002년 1,625억 달러에서 매년 두 자리 수 성장률을 기록하며 '06년 3,000억 달러를 돌파(3,255억 달러)했고 1인당 국민소득은 2만 14달러 ('07년 예상치)로 3배 가까이 증가했다. 외환보유액은 2,500억 달러를 넘어서 세계 5대 외환보유국이 됐다. 국가신용등급도 S&P가 A, 무디스가 A2로 각각 8단계, 5단계 상승했다. 실업률은 절반 수준인 3.5%('06)로, 부도업체 수는 6분의 1 수준을 밑도는 3,416개('05)로 줄었다. 당연히, 이 같은 수치가 그냥 이루어진 것이 아니다. 국민 모두가 아픔을 딛고 땀 흘려 이루어낸 성과다. 아직도 외환위기의 여파는 남아있지만 지금까지 그래 왔던 것처럼 어려움을 극복하며 뚜벅뚜벅 앞으로 나아가고 있다. 자영업주 비중 감소(28.2%/'98 → 25.8%/'07.1/4분기), 548만 명('05.8)까지 늘었다가 감소세로 돌아선 비정규직(545만 명/'06.8) 등의 지표가 이를 뒷받침한다. 한나라당에만 보이지 않는 지난 10년의 성과 수치만 가지고 얘기할 일이 아니다. 6·15공동선언을 시발로 9·19 공동선언, 2·13 및 10·3 합의, 2007 남북정상선언으로 이어지는 일련의 흐름은 '평화를 위한 안보' '안보는 경제'라는 명제를 입증했다. 냉전과 대결의 반세기를 종식하고, 평화공존의 10년이 그렇게 열렸다. 1994년 민자당 시절, 시대 흐름에 뒤처진 강경론으로 북폭위기까지 불러온 세력들은 보고도 깨닫지 못할 일이다. 아직도 '북한 퍼주기' 운운하는 것이 그 반증이다. 이처럼 지난 10년의 성과는 경제는 물론 외교안보·정치·사회 등 제반 분야를 포괄한다. 그동안 제도적 민주주의 확립, 정경유착과 부패정치 근절 등 민주주의개혁은 '고속성장'을 이뤘다. 이를 통해 외환위기로 폭발한 우리 사회의 특권과 반칙, 유착과 불균형의 폐해를 상당 부분 근절했다. 아울러 혁신주도형 경제, 복지예산 확충을 비롯한 사회투자, 능동적 개방 등을 통해 미래를 준비했다. 성장제일주의로는 해결할 수 없는 보편적 복지와 동반성장의 기틀을 일군 것이다. 한나라당의 '신고목록'은 2만 달러 시대로 향하는 우리 사회의 뒷덜미를 누가 잡고 있는지 되짚어보게 한다. 03∼06년 4년간 우리의 평균 경제성장률은 30개 OECD 회원국 중 9위 수준인 4.3%다. 그런데 여전히 개도국들의 고도성장에 빗대 '저성장'이라며 국민의 눈을 가리려 들고 있다. 기초생활수급자 범위를 확대해 복지 지원을 강화한 것을 도리어 극빈층이 늘었다고 주장하고, 공무원 증원 인력의 84%가 교사, 경찰, 소방관 등 국민생활과 밀접한 사회서비스 분야라는 점은 외면한 채 '큰 정부' 시비를 되풀이하고 있다. '깨끗한 정치' '서민을 위한 정치'는 누가 가로막고 있는가. 지난해 5·31 지방선거에서 공천비리로 입건된 사범이 118명에 달했다. 이 가운데 한나라당이 가장 많은 80명이었다. 지난해 예산안 심의에서 사회적 서비스 일자리 예산 1469억 원이 삭감됐다. 민생문제 해결의 핵심은 일자리 창출이다. 그런데도 한나라당은 당시 선심용이라는 이유로 관련 예산을 삭감했고 이에 따라 약 9000개의 일자리 축소가 불가피해졌다. 한나라당은 공교육 붕괴를 성토하면서 정작 서열화 심화, 사교육 폭등을 야기할 가능성이 농후한 자립형 사립고 확대, 본고사 허용 등의 공약을 내놓고 있다. 공교육 붕괴를 누가 걱정하고 누가 성토해야 하는가. 과거 언론과 유착하고 노골적인 회유와 협박을 앞세우던 세력이 언론탄압을 거론하고 있다. 북풍, 세풍 등 권력기관의 선거개입과 각종 게이트의 원조가 실체 없이 이름뿐인 게이트를 열거하며 이 나라의 법치를 걱정하고 있다. '무능정권' '상실의 시대' 규정은 '그때 그 시절'에 적용해야 "지난 무능정권 세월은 상실의 시대였다"고 한다. 한나라당의 주장이다. 그 말은 94년에 주가지수 1,000포인트를 넘어선 이후 외환위기로 98년 280포인트까지 떨어진 세월에 적용되는 게 상식적이다. 혹은 과거 한나라당정권이 93∼97년 5년간 500억 달러 가까운 적자를 낸 끝에 국가부도 사태를 몰고 왔던 그 세월에 적용해도 무방할 것이다. 적어도 2003년부터 4년간 600억 달러가 넘는 흑자를 기록했고, 주가는 2,000포인트를 넘나드는 지금 갖다 댈 주장이 아니다. 한나라당이 정권을 잃어버린 그 10년을 우리 사회는 환란 극복과 재도약의 10년으로 만들었다. 현 정부에 대한 호불호를 떠나 그 사실부터 인정하는 게 국민에 대한 예의다.

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	[기자의 눈] "돈으로 해결하면 된다"는 이명박 발언 유감
	2007-10-25 오전 9:17:30

'아이들이 볼까 두렵다.'      어린 시절, 어른들에게서 자주 듣던 이야기다. 그런데 어디까지가 아이들이 들어도 좋은 이야기인지, 봐도 좋은 장면인지는 늘 애매하다.      신문사 홈페이지까지 야하디 야한 사회      그래서 종종 논란이 된다. 자칫 표현의 자유를 해칠 수 있기 때문이다. 또 전통적인 윤리 기준을 지나치게 엄격하게 적용할 경우, 아이들이 다양한 정보에 대해 스스로 판단하여 취사선택하는 능력을 키우기 힘들다는 비판도 있다.    ▲ 24일 저녁 <중앙일보> 홈페이지 화면 가운데 일부. <중앙일보> 홈페이지에서만 이처럼 선정적인 사진과 글을 찾을 수 있는 것은 아니다. 다른 신문사 홈페이지도 대체로 비슷하다. ⓒ<중앙일보>   이런 논쟁은 주로 만화나 영화에 나오는 음란한 대사나 장면을 놓고 벌어진다.      비록 사람마다 기준은 다르지만, 성폭력적이거나 아이들에게 지나친 자극이 될 수 있는 내용은 규제하자는 게 현재 우리 사회에서 암묵적으로 통하는 상식이다.      물론 <조선>, <중앙>, <동아> 등 주요 언론사의 홈페이지만 찾아가도, 야한 사진과 글이 쏟아지는 상황에서 이런 상식이 언제까지 통할 수 있을지는 불분명하다.      그러나 적어도 아직까지는 이런 상식을 지지하는 이들이 더 많다는 점은 분명하다.      소설 '강안남자'를 연재하는 <문화일보>에 대해 쏟아지는 사회적 공분에서도 확인할 수 있는 사실이다.      '돈이면 다 된다'는 생각은 음란 사진보다 더 해롭다      그런데 이런 상식을 지지하는 순간, 뒤따르는 질문이 있다. '과연 음란한 대사나 장면만 아이들에게 해로운가. 더 해로운 발언들이 여과 없이 전달되고 있지 않은가'라는 질문이다.      이런 질문을 떠올리게 되는 것은 한나라당 이명박 후보가 지난 23일 한국교원단체총연합회(한국교총)이 주최한 교육정책 토론회에서 한 발언 때문이다.      이날 이 후보는 "주당 수업시수의 법제화 등 교직 우대시스템을 확립해 달라"는 한 토론자의 요구에 대해 "돈 더 달라는 이야기가 아니냐"고 되물었다. 이어 이 후보는 "사실 돈으로 해결하는 게 가장 쉬운 방법이라는 생각이다"라고 덧붙였다.    이명박 후보 교육 공약 관련 기사 모음      - 이 후보 교육 공약 내용   ☞ 이명박 "대입 자율화…교원도 경쟁해야"   ☞ 이명박 "메가스터디와 EBS는 '강사 차이'"      - 다른 정당 및 시민사회단체 반응   ☞ "이명박, 교육의 시계를 30년 전으로 돌리려나"   ☞ 이명박 교육정책 곳곳에서 십자포화   ☞ 盧, 이명박 교육정책 비판…"본고사 부활 우려"      - 공약 해설   ☞ 경쟁만능ㆍ자율화맹신 속에 잊혀진 것들   ☞ 이명박, 신정아 사건에서 뭘 배웠나   ☞ 이명박, 왜 '대학경쟁력'은 말하지 않을까      - 해외 사례와 시각   ☞ 국제학력평가 1위, 핀란드의 비결은?   그런데 이 후보의 이런 발언은 생각하기에 따라 어지간한 음란물 못지않게 아이들에게 해로울 수 있다.      어떤 문제가 주어졌을 때, "돈으로 해결하면 된다"는 판단이 앞서면 문제의 본질을 외면하기 쉽다. 그리고 이렇게 생각하는 습관이 밴 아이들이 자라서 경제적으로 궁핍한 처지에 놓인다면 쉽게 절망에 빠지리라는 것은 당연하다.      자신 앞에 놓은 문제를 해결하기 위해 '돈을 더 주는 것' 이외의 방법을 떠올리지 못할 것이기 때문이다. 또 이런 절망을 경험한 이들은 끊임없이 '더 많은 돈'을 갈구하게 되리라는 점도 분명하다. 그리고 이런 상황에 놓인 이들은 아무리 많은 부가 주어져도 만족하지 못한다. 이처럼 불만에 가득한 이들이 모인 사회가 건강한 곳일 리 없다는 점 역시 당연하다.      '빵'만 떠올리는 머리로는 가난에서 벗어날 수 없다    ▲ 얼 쇼리스의 '클레멘트 코스'를 소개한 책 <희망의 인문학> ⓒ프레시안   미국의 작가이자 교육자인 얼 쇼리스가 빈민들에게 당장 먹을 빵 못지않게 인문학과 예술 교육도 절실하다고 지적한 것 역시 이런 맥락에서였다.      모든 것을 화폐 가치로만 계산하고, 문제에 부딪혔을 때 돈을 쓰는 것 이외의 다른 해법을 상상하지 못하는 상황은 누구든 불행하게 만들지만, 당장 주머니가 비어 있는 이들에게 더욱 가혹하다는 게 그의 생각이었다.      그래서 그는 배부르고 시간 남는 사람들을 위한 장식품 정도로 취급돼 왔던 인문학과 예술의 가치를 보다 적극적으로 긍정했다. 이어 그는 가난한 이들을 위한 인문학 교육 과정인 '클레멘트 코스'를 개설했다. 백화점 문화교실 수준의 가벼운 교양 강좌가 아니었다. 대학 전공 과정 수준의 고전 강좌였다.      대다수의 예상을 깨고, 이런 시도는 상당한 성과를 거뒀다. 노숙자와 빈민들이 결코 돈이 되지 않는 인문학 고전 공부를 통해 가난 때문에 스스로를 비하할 필요는 없다는 것을 깨닫게 된 것이다.      이런 깨달음은 스스로의 삶을 긍정하는 태도로 이어졌고, 이렇게 형성된 당당한 자신감은 가난을 극복하는 힘이 됐다. 실제로 '클레멘트 코스'를 이수한 이들 가운데 상당수는 가난을 벗어나 다양한 전문 직종에서 새로운 삶을 꾸려가고 있다.      역경에 처한 이들을 보며, "돈만 있으면 다 해결되는데"라고만 생각했더라면 결코 얻을 수 없었던 결과다. 얼 쇼리스의 '클레멘트 코스'는 화폐로 환산할 수 없는 다른 가치들이 갖고 있는 힘과 의미를 깊이 깨닫고 있는 이들만이 창안할 수 있는 사례였다.      "돈이 가장 쉬운 해법"이라고 배운 '88만원 세대'가 느낄 절망은?      다시 한국 현실로 돌아오자. 10대 청소년들조차 스스로의 적성이나 흥미에 관계없이 돈을 많이 벌거나 고용 안정성이 높은 직업만을 희망하는 세태는 이제 새로운 소식이 아니다. 그리고 이런 상황은 우리 사회에 필요한 상상력이 어떤 것인지를 확인하게 해준다.    ▲ 네이버 검색창에 '누드'라는 단어를 입력했을 때, 나타나는 화면. 어떤 문제가 주어졌을 때, "돈으로 해결하는 게 가장 쉬운 방법"이라는 생각과 '누드' 가운데 어느 것이 청소년들에게 더 해로울까. ⓒ네이버   '돈만 있으면 다 되는데'라는 생각은 이미 차고 넘친다. 오히려 부족한 것은 '돈으로 계산할 수 없는 가치'들에 대한 깊은 이해다.      그런데 이 후보의 발언은 부족한 부분을 채우기보다 이미 남아도는 편에 보태는 내용이었다.      가장 보수적인 가치를 대변하는 신문사들의 홈페이지에도 야한 사진이 넘쳐나는 시대다. 이런 시대에 음란물이 청소년들에게 미치는 해악은 오히려 미미할 수도 있다. 어쩌면 이 후보의 발언이 더 해로울 수도 있다.      "돈으로 해결하는 게 가장 쉬운 방법"이라는 생각을 갖고 '88만 원 세대'에 편입될 이들이 겪게 될 절망감은 상상만으로도 끔찍하다.      요즘에는 청소년에게 해롭다고 여겨지는 단어를 포털 사이트에서 검색하면 '19禁'이라는 단어가 나타난다. 자칫 이 후보의 발언을 검색하기 위해 주민등록번호를 입력해야 하는 상황이 닥칠까 걱정스럽다.    '88만 원 세대론' 관련 기사      ☞ 20대여, 토플책을 덮고 바리케이드를 치고 짱돌을 들어라   ☞ "오늘 하루, 컴퓨터를 끄십시오"   ☞ "그래, 경부운하 가서 '삽질'이나 해야겠다"   ☞ "'요즘 20대가 한심하다'는 386은 들어라"